Pre-Code Hollywood 1930-1934
Pre-Code Hollywood FILM AND CULTURE / JOHN BELTON, GENERAL EDITOR Film and Culture / A Columbia University Press series / Edited by John Belton What Made Pistachio Nuts? Picturing Japaneseness: Monumental Henry Jenkins Style, National Identity, Japanese Film Darrell William Davis Showstoppers: Busby Berkeley and the Tradition of Spectacle Attack of the Leading Ladies: Gender, Martin Rubin Sexuality, and Spectatorship in Classic Horror Cinema Projections of War: Rhona J. Berenstein Hollywood, American Culture, and World War II This Mad Masquerade: Stardom and Thomas Doherty Masculinity in the Jazz Age Gaylyn Studlar Laughing Screaming: Modern Hollywood Horror Sexual Politics and Narrative Film: and Comedy Hollywood and Beyond William Paul Robin Wood Laughing Hysterically: American The Sounds of Commerce: Marketing Screen Comedy of the 1950s Popular Film Music Ed Sikov Jeff Smith Primitive Passions: Visuality, Orson Welles, Shakespeare, and Sexuality, Ethnography, and Popular Culture Contemporary Chinese Cinema Michael Anderegg Rey Chow Pre-Code Hollywood: Sex, Immorality, and The Cinema of Max Ophuls: Insurrection in American Cinema, 1930–1934 Magisterial Vision and the Figure Thomas Doherty of Woman Susan M. White Sexual Technology and the American Cinema: Perception, Representation, Black Women as Cultural Readers Modernity Jacqueline Bobo James Lastra Pre-Code Hollywood Sex, Immorality, and Insurrection in American Cinema, 1930–1934 Thomas Doherty COLUMBIA UNIVERSITY PRESS / NEW YORK Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 1999 by Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Doherty, Thomas Patrick. Pre-code Hollywood : sex, immorality, and insurrection in American cinema, 1930–1934 / Thomas Doherty. p. cm. — (Film and culture) Filmography: p.
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