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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
William C. Demille Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
William C. deMille 电影 串行 (大全) The Fast Set https://zh.listvote.com/lists/film/movies/the-fast-set-3986998/actors Grumpy https://zh.listvote.com/lists/film/movies/grumpy-5612066/actors The Sowers https://zh.listvote.com/lists/film/movies/the-sowers-3989401/actors Lost: A Wife https://zh.listvote.com/lists/film/movies/lost%3A-a-wife-19363672/actors Locked Doors https://zh.listvote.com/lists/film/movies/locked-doors-3257739/actors The Clown https://zh.listvote.com/lists/film/movies/the-clown-3520313/actors The Mystery https://zh.listvote.com/lists/film/movies/the-mystery-girl-13423784/actors Girl One More https://zh.listvote.com/lists/film/movies/one-more-american-13423788/actors American The Blacklist https://zh.listvote.com/lists/film/movies/the-blacklist-18709089/actors Mirandy Smiles https://zh.listvote.com/lists/film/movies/mirandy-smiles-13423783/actors The Ghost https://zh.listvote.com/lists/film/movies/the-ghost-house-18914988/actors House Anton the https://zh.listvote.com/lists/film/movies/anton-the-terrible-18708890/actors Terrible Peg o' My https://zh.listvote.com/lists/film/movies/peg-o%27-my-heart-3898752/actors Heart The Man https://zh.listvote.com/lists/film/movies/the-man-higher-up-64154689/actors Higher Up The Emperor https://zh.listvote.com/lists/film/movies/the-emperor-jones-1394119/actors Jones The Honor of https://zh.listvote.com/lists/film/movies/the-honor-of-his-house-15122031/actors His House Miss Lulu Bett https://zh.listvote.com/lists/film/movies/miss-lulu-bett-16253256/actors Nice People https://zh.listvote.com/lists/film/movies/nice-people-16253595/actors -
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Clara Beranger Also Known As: Clara S. Beranger, Charles S. Beranger, Mrs. William DeMille, Mrs. Albert B. Berwanger Lived: January 14, 1886 - September 10, 1956 Worked as: adapter, scenarist, screenwriter, writer Worked In: United States by Lori Rossiter A gifted and dedicated writer, Clara Beranger managed a career spanning three decades, as a scenarist and screenwriter and, in her later years, as a book writer and lecturer. As a woman who thrived in the fledgling art form, Beranger leaves behind an impressive footprint—credits on eighty silent films of which sixteen are extant and four sound films as well as a handful of published interviews in which she is outspoken and passionate about women working in the industry. Privately, she began an affair with the director and screenwriter William C. deMille that led to years of successful professional collaboration. As one of the most prolific female pioneer writers, Beranger moved with ease between creating her own stories and adapting novels, plays, and others’ scenarios to the screen. Credited mostly as Clara S. Beranger but once as Charles S. Beranger, a pseudonym, Beranger excelled in dramas of domestic relations and wrote a handful of Baby Marie Osborne comedies. She is noted today for such career highlights as Anna Karenina (1915), an adaptation of Leo Tolstoy’s classic novel; Dr. Jekyll and Mr. Hyde (1920), from Robert Louis Stevenson’s novella The Strange Case of Dr. Jekyll and Mr. Hyde; and the adaptation of a popular novel and Pulitzer Prize-winning play of its day, Miss Lulu Bett (1921), which was placed on the National Film Registry of the Library of Congress in 2001. -
The Motion Picture Director (Jul-Dec 1925)
MOTION PICTURE DECEMBER 25 CENTS 1 WILLIAM A. SEITER JOHN BARRYMORE in ‘‘The Sea Beast Articles by JUNE MATHIS - PAULINE FREDERICK - AL CHRISTIE - MARGARET ETTINGER Stories about GEORGE MELFORD - WM. SEITER - HAL ROACH - WARNER BROS. - WILLIAM DE MILLE I am Life and Death . Love and Hate . Heartbreak and Happiness. My voice is the voice of nations, my soul is the soul of ten million men. 1 am the joyous laughter of the girls of France, the mirth of men who died smiling, the gay murmurings of lovers . and the sad whisper of Flanders’ poppy fields. I am the thunder of guns whose message spells destruction, the merry sound of popping corks, the heady music of love - songs . and the funeral march played for soldiers. I am the shining mirage of glory, the black muck of the trenches, the white heat of battle, the bitter gray of pain - racked dawns . and the softly - tinted rainbow of love. I am Pain, I am Terror, I am Romance, 1 am made of blood and tears and heroism and happiness. I am the story that will never die while men have tongues to tell it. I am Such is the tribute paid to King Vidor, the director, John Gilbert, tbe star, and Metro - Goldwyn - Mayer, the producers, by William N. Counselman, the noted author, after seeing tbe supreme master- piece of all time. Presented with Sid Grauman’s Mighty Prologue with 150 People on the Stage Sunday Seat Sale at WURLITZER’S, 814 So. Bdwy, or Egyptian Theater, HOlIy 2131 me MOTION PICTURE Volume 2 Number 5 Bernard A. -
Pre-Code Hollywood 1930-1934
Pre-Code Hollywood FILM AND CULTURE / JOHN BELTON, GENERAL EDITOR Film and Culture / A Columbia University Press series / Edited by John Belton What Made Pistachio Nuts? Picturing Japaneseness: Monumental Henry Jenkins Style, National Identity, Japanese Film Darrell William Davis Showstoppers: Busby Berkeley and the Tradition of Spectacle Attack of the Leading Ladies: Gender, Martin Rubin Sexuality, and Spectatorship in Classic Horror Cinema Projections of War: Rhona J. Berenstein Hollywood, American Culture, and World War II This Mad Masquerade: Stardom and Thomas Doherty Masculinity in the Jazz Age Gaylyn Studlar Laughing Screaming: Modern Hollywood Horror Sexual Politics and Narrative Film: and Comedy Hollywood and Beyond William Paul Robin Wood Laughing Hysterically: American The Sounds of Commerce: Marketing Screen Comedy of the 1950s Popular Film Music Ed Sikov Jeff Smith Primitive Passions: Visuality, Orson Welles, Shakespeare, and Sexuality, Ethnography, and Popular Culture Contemporary Chinese Cinema Michael Anderegg Rey Chow Pre-Code Hollywood: Sex, Immorality, and The Cinema of Max Ophuls: Insurrection in American Cinema, 1930–1934 Magisterial Vision and the Figure Thomas Doherty of Woman Susan M. White Sexual Technology and the American Cinema: Perception, Representation, Black Women as Cultural Readers Modernity Jacqueline Bobo James Lastra Pre-Code Hollywood Sex, Immorality, and Insurrection in American Cinema, 1930–1934 Thomas Doherty COLUMBIA UNIVERSITY PRESS / NEW YORK Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 1999 by Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Doherty, Thomas Patrick. Pre-code Hollywood : sex, immorality, and insurrection in American cinema, 1930–1934 / Thomas Doherty. p. cm. — (Film and culture) Filmography: p.