An Analysis of Willy Loman's Tragedy in Death of a Salesman Jinying

Total Page:16

File Type:pdf, Size:1020Kb

An Analysis of Willy Loman's Tragedy in Death of a Salesman Jinying 6th International Conference on Electronics, Mechanics, Culture and Medicine (EMCM 2015) An Analysis of Willy Loman’s Tragedy in Death of a Salesman Jinying Zhao Col. of Humanities and Law, North China Univ. of Tech., 100144, Beijing, China [email protected] Keywords: Willy Loman; A personal tragedy; A family tragedy; A social tragedy; Reflection Abstract. Death of a Salesman, is regarded as one of the three most remarkable tragedies in America. The author, Arthur Miller, emphasized that the drama should not only express characters’ psychological and subjective world, but also convey the real complex social situation. It has successfully characterized the tragedy of a common salesman in America. It is significant to anal size why Willy committed suicide. This paper managed to analyze causes of Willy Loman’s death, namely, mainly from three perspectives: a personal tragedy, a family tragedy and a social tragedy. In fact, the society Willy lived was familiar with our present era, people are also facing with similar problems Willy had at that time. Hence, through analyzing Willy’s death, we could discover that his life revealed some social problems behind personal and family tragedy in current society, arousing our reflection on ethical and moral standards in money-oriented society. And the most important thing is to know ourselves. Introduction Along with Tennessee Williams and Eugene O’Neill, Miller was one of the best-known American playwrights after the Second World War. Among his works, Death of a Salesman made a sensation since it was performed in 1949, which secured his reputation as one of the nation’s foremost playwrights. Set in New York and Boston in the late 1940s, this play describes the tragedy of Willy Loman, an average traveling salesman, in his sixties, could never familiarize himself with “American Dream”, nor could he realize the brutal commercial world, always dreaming of the impractical future for his two children. His love for his two sons with incorrect approaches ruined their life. His final suicide, a sacrifice for his family, especially for the future of his elder son, Biff, however, he could not fully convey his love for his family members. Scholars abroad and at home have done much research about Death of a Salesman, from various perspectives. Many of them focused on the study or critics of the tragedy of the family, the father-son conflicts. Ke Jianhua pointed that Willy Loman’s tragedy is caused by the conflicts between ethical dream (American dream) and commercial jungle law (morality alienation). [1] It was from the macro level, but the tragedy was not that simple. Through analyzing the realistic features in literature, character, stage design and language, Wang Qian argued that Death of a Salesman is a play in which realism is perfectly used.[2] It mainly analyzed the realism, language features, stage design, not focusing on the protagonist’s death. Therefore, this paper continues to explore more detailed causes; Willy Loman’s death, we think, was not merely his personal tragedy, but also the family tragedy and the social tragedy, as well. Willy Loman’s Death as a Personal Tragedy Dishonest and Hypocritical. As a common people, Willy Loman longed for gaining others’ respect, including his family, his neighbors and his brother. However, there was no need for him to utilize lies to conceal his failure. Dishonesty was the flaw of his personality. He told lies about how popular and respected he was in the town, and how important he was to New England, wanting to be adored and admired by his sons. In fact he was not that popular. © 2016. The authors - Published by Atlantis Press 403 When Willy went to borrow money from Charley and happened to meet Bernard, Bernard wanted to know how his old friend Biff was doing. Willy also told a lie. Biff was, in fact, obsessed with his job and his life, not having found a position in society. Self-centered and Unable to Face the Reality. Willy was too self-centered and easily to lose temper, not allowing others to change his mind. Willy did not respect Linda and Biff at all. He wanted Biff to become a successful salesman, which Biff actually did not long for. Willy owed his failure to his indecent clothes, unwilling to discover the real reasons for his failure. After being fired, Willy came to borrow insurance money from kind-hearted Charley, who offered Willy a job. Willy, however, refused to work for Charley. Working for his neighbor, maybe was better than being the road salesman. He preferred to be a salesman with little salary rather than work for Charley to get fifty dollars a week. Holding False Values. As a salesman, Willy Loman focused on personal details over actual measures of success, believing that it is personality and not high returns that gain success in the business world. Just as he said in the play: Willy: the man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead. Be liked and you will never want. Willy: Because you got a greatness in you, Biff, remember that. You got all kinds a greatness. [3] Willy instilled the false values into his sons’ mind. He strongly had faith in Buff’s personal charm, ignoring to underline one’s talent and diligence. There was no denying that Willy’s personal flaw was one aspect of his tragedy, for his sticking to unacceptable traditional values. Willy Loman’s Death as a Family Tragedy Conflicts between Willy and His Two Sons. Biff and Happy were Willy’s beloved two sons. However, the main father-son conflict was between Willy and Biff. There were many reasons that triggered conflicts. Father-son Betrayal. “In the eyes of Biff, Willy is an omnipotent hero. He admires Willy and treats him as an idol. For Willy, Biff is his proud just as the character of Apollo.” [4] Willy hoped that Biff could follow his plan, be admitted into university or go into business. To Biff’s disappointment, he failed in the graduation exam. He thought it was not only his failure but also a strike to his father. He prepared to go to university, especially for his father. So he went to Boston to turn to him for help. However, Biff discovered the secret about his father that shocked him. His father had an affair with a woman in the hotel. He was so frustrated and flew into in a rage. Willy’s hero image in son’s mind was fragmented. Willy turned out to be a hypocrite and a “liar”. Since then, Biff’s spiritual pillar collapsed. He burned his favorite football shoes of the University of Virginia and refused to attend summer session, giving up the opportunity of going to university and embarked on a completely different way. Without Willy’s betrayal, maybe Biff would have different destiny. Father’s Inappropriate Education. Happy, an attractive and powerful man, was Willy’s second son. He tried to attract Willy’s attention and he desired for father’s favor. But Willy gave Biff more attention, he had never realized what happened and just ignored Happy’s feeling. “As unfortunate as it is, there are many instances where a father favors one son over another, which leads to social conflicts within the less-favored son. In most cases if the elder son is favored, the younger son will be ignored.”[5] Parents should educate children that it is shameful to be a thief. But Willy did not prevent and even instigate Biff’s theft; he did not punish Biff for “borrowing” a football from school. Under the twisted values and education, Biff became misdemeanant. If Willy had stopped Biff and educated him, things may become different. “In material society, a person who is successful does not depend on his popularity. Under Willy’s educational philosophy, Biff pursuits the so-called personal charm and ignores his own talent. There is no doubt that his failure is doomed.”[6] 404 Therefore, family education has a great impact on children growth and development. Willy, to some extent, was not a good father. He instilled twisted dream of being a successful salesman into their mind, not teaching his sons right values, not underlining the importance of study. Different views of American Dream. When he was young, Willy was educated by the principle of “American Dream”, that was to work hard to reach one’s goal, he admired his father and brother Ben’s diligence and success in the jungle, while he was determined to chase his success in a big city. Just as Eugene O’Neill said, “We talk much about American Dream and propagate it across the world. To the majority, does not it mean to pursue the material success?”[7] He did have ambition, but could not understand the truth of the business and his real needs. He expected to gain more chance by his good personality and other’s respect. Hence, Willy wanted his two sons to live in wealthy and decent life, but their dreams collide, namely, city to country, reality to idealism. The point was that they could not confront the reality. Biff, an idealistic boy, was aware of the fact that he did not belong to the business world. He was disgusted at Business community preferring natural life. Biff thought it was worthless in the way of life of the city. When he came back home to readjust himself, Willy regarded it as a failure. The following conversation was Biff’s inner voice. Biff:(with rising agitation): Hap, I’ve had twenty or thirty different kinds of jobs since I left home before the war, and it always turns out the same…….I suddenly get the feeling, my God, I’m not get in anywhere! What the hell am I doing, playing around with horses, twenty-eight dollars a week! I'm thirty-four years old, I ought to be make my future.
Recommended publications
  • On Domestic Angel's Wings, the Impact of the Mother in The
    On Domestic Angel’s Wings, the Impact of the Mother in the American Family Drama The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Scanlan, Stephanie. 2016. On Domestic Angel’s Wings, the Impact of the Mother in the American Family Drama. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797392 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA On Domestic Angel’s Wings, the Impact of the Mother in the American Family Drama Stephanie F. Scanlan A Thesis in the Field of Dramatic Arts for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 Abstract The American Family Drama rarely dramatizes the iconic American family as found on a Hallmark card. Plays like Eugene O’Neill’s A Long Day’s Journey into Night, Arthur Miller’s Death of a Salesman, Sam Shepard’s Buried Child, and Tracy Letts’ August: Osage County, present images of families in decay by problems of their own creation, which asks the question, “What’s happened to this family anyway?” Feminist scholars place the blame for these circumstances firmly on the male characters. They accuse the playwrights of marginalizing the mothers, referring to them as weak, helpless, and only present to serve the male characters.
    [Show full text]
  • I M One of Hun- Events
    SheXDbseroer * Page 1, Section E Keel* Wygonik. Editor 734-953-2105, kwygorikWoe.homecomm.net on the web: http://observer-eccentrlc.com Thursday. October 7. 1999 THE WEEKEND JET opens season with true story The Detroit Underside of Symphony The Jewish Ensemble Theatre pre- Orchestra-pre- sents "The Immigrant" 7:30p.m. sents the world Wednesday-Thursday, and Sunday, 8 premiere of a pm. Saturday, 2 p.m. Wednesday reconstructed and Sunday through Sunday, Nov. 7 Chopin concer- in the Aaron DeRoy Theatre, in the to performed • loiver level of the Jewish Community by its musical Center, 6600 W Maple Road, West author, Aus- Bloomfield. Tickets $15-$25. Dis- tralian pianist counts far seniors and students. Call Alan (248) 788-2900. Kogoooivakt, DY Jl'LlE YOLLKS 10:45 a.m. and SPECIAL WRITER 8 p.m. at "As we begin each new season at Orchestra Hall the Jewish Ensemble Theatre. I feel- in Detroit: much like "The Immigrant." Tickets $14 to embarked on a new path in a new $50, call (313) land," said JET artistic director Eve- 576-5111. ,lyn Orbach. - • So it is very appropriate that "The •• • • i « <Sr I Immigrant," by playwright and actor Mark Harelik. kicks off the Jewish Ensemble Theatre's millennium sea- son. "The Immigrant" will be fol- lowed by "The Prisoner of Second Avenue" by Neil Simon iDec. 22-Jan. 23), "Broken Glass" by Arthur Miller "March 24-April 19), and "The Day We Met" by BirminAam playwright 4 Kitty Dubin 1 May 2^UJune 25). Based on the true story of Mark Missed quota: Willy Loman (David Regal, left), and his son, Biff (TYanis Reiff), push and H a r e I i k ' s pull their way through the meaning of "success" in The Theatre Company's "Death of a grandparents, Salesman r Haskell and Matleh Hare- Tom Petty and the Heartbreakers lik, The Immi- rock the Palace of Auburn Hills The Theatre Company opens season grant" chroni- cles the 19- and with their "Echo Tour"at 8p.m.
    [Show full text]
  • Portrayal of Married Women Arthur Miller's All My Sons and Death of A
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 9, Ver. III (Sep. 2015), PP 35-38 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Portrayal of Married Women Arthur Miller’s All My Sons and Death of a Salesman 1P.Ananthan, 2Dr. K.Balachandran, Ph.D...(External)Research scholar,Bharathiyar University. Research Supervisor. 1Assistant Professor Dept. of English Pachaiyappa’s College for Men Kanchipuram Tamilnadu-631501 2Research Supervisor Dept. of English Abstract: Arthur Miller (1915-2005) is an important American playwright where work occupies a significant place in the tradition of American literature. He has rich experience about life of the common man in America which get reflected in his plays. All My Sons (1947) and Death of Salesman (1949) reflected about married women in American society. In his early plays, by depicting major women characters like Kate Keller and Linda Loman as both wives and mothers according to the social condition and dominant cultural value. Miller exposes their bitterness and frustration in the traditional gender would by depicting them both victims and victimizer under the particular society. This paper attempts to study the portrayal of married women in Miller’s contemporary American society. Kate Keller is a busy housewife. She asked her husband “will you do me a favour Joe? Don’t be helpful.” Linda Loman is Willy Loman’s wife who loves him, despite all his difficulties. Thus Miller presents the role of married women in family as well as in society I. Introduction: Arthur Miller first Broadway hit All My Sons (1947) and masterpieces Death of a Salesman (1949) are his early plays of the contemporary American society.
    [Show full text]
  • Death of a Salesman: Critique of the American Dream
    International Journal of Language and Literature June 2017, Vol. 5, No. 1, pp. 69-71 ISSN: 2334-234X (Print), 2334-2358 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijll.v5n1a9 URL: https://doi.org/10.15640/ijll.v5n1a9 Death of a Salesman: Critique of the American Dream Majid Salem Mgamis1 Abstract The paper examines Arthur Miller's masterpiece, "Death of A Salesman", highlighting the critique of the American dream as represented in the play. The paper does not dwell on common critiques of this theme in the play; rather it focuses on the excessive inclination towards individualism and greed as represented in the major character in the play; Willy Loman. Willy is taken by his dreams of success and happiness so much so that he ignores the social realities he lives in. He ignores all societal parameters pertaining to his life and focuses on his own version of the path to success. That is why he is rejected by his community, including family members. Through the character of Loman, Miller criticizes the way some Americans take their "dreams" so far, to the point that this dream turns out into a nightmare, even a tragedy, as reflected in the ending of the play. Keywords : American Dream , Individualism in American Drama Traces of The American Dream are rooted in 19th-century America. However, it was the historian James Truslow Adams who first coined the term in his The Epic of America (1931, p. 16). He defined the American Dream as the pursuit "of a better, richer, and happier life for all our citizens of every rank which is the greatest contribution we have as yet made to the thought and welfare of the world" (20).
    [Show full text]
  • A Modern Tragic Hero in Arthur Miller's Play Death of a Salesman
    Ç.Ü. Sosyal Bilimler Enstitüsü Dergisi, Cilt 21, Sayı3, 2012, Sayfa 101-110 A MODERN TRAGIC HERO IN ARTHUR MILLER’S PLAY DEATH OF A SALESMAN ARTHUR MILLER’IN DEATH OF A SALESMAN OYUNUNDA MODERN BİR TRAJİK KAHRAMAN B. Ayça Ülker ERKAN* Abstract This paper discusses Arthur Miller’s character, Willy Loman, in Death of a Salesman in terms of his being a tragic hero. There are several debates on Willy Loman pointing out that he is not a tragic hero in classical tragedy. The classical definition of a tragedy points out that "tragedy is a story of exceptional calamity leading to the death of a man of high estate because of his tragic flaw." Still Loman cannot be totally considered as a classical tragic hero since he is a common man. He is indeed a modern tragic hero in 1940’s America whose desire is to be “someone” in the society. His problems stem from his own delusions, the American Dream turning sour, and misunderstanding his job and family. Loman is a modern tragic hero turning the American dream into American Nightmare because of his personal flaw. For those reasons, this play can be classified as a "bourgeois" tragedy. This modern tragic hero represents individuals who try to survive and quest for self identity in a capitalistic commercialized world. Key Words: American dream, tragedy, modern tragic hero Özet: Bu çalışma, Arthur Miller’ın Death of a Salesman adlı oyunundaki karakter Willy Loman’nın trajik bir kahraman olmasını tartışır. Willy Loman’nın klasik trajedi tanımına göre trajik bir kahraman sayılamayacağı ile ilgili birçok görüş ileri sürülür.
    [Show full text]
  • Willy Loman and the "Soul of a New Machine": Technology and the Common Man Richard T
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Maine The University of Maine DigitalCommons@UMaine English Faculty Scholarship English 1983 Willy Loman and the "Soul of a New Machine": Technology and the Common Man Richard T. Brucher University of Maine - Main, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/eng_facpub Part of the English Language and Literature Commons Repository Citation Brucher, Richard T., "Willy Loman and the "Soul of a New Machine": Technology and the Common Man" (1983). English Faculty Scholarship. 7. https://digitalcommons.library.umaine.edu/eng_facpub/7 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. a Willy Loman and The Soul of New Machine: Technology and the Common Man RICHARD T. BRUCHER As Death of a Salesman opens, Willy Loman returns home "tired to the death" (p. 13).1 Lost in reveries about the beautiful countryside and the past, he's been driving off the road; and now he wants a cheese sandwich. ? But Linda's that he a new cheese suggestion try American-type "It's whipped" (p. 16) -irritates Willy: "Why do you get American when I like Swiss?" (p. 17). His anger at being contradicted unleashes an indictment of modern industrialized America : street cars. not a The is lined with There's breath of fresh air in the neighborhood.
    [Show full text]
  • In Search of Willy Loman and the American Dream
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 In search of Willy Loman and the American dream Ryan Thomason California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Thomason, Ryan, "In search of Willy Loman and the American dream" (2014). Capstone Projects and Master's Theses. 3. https://digitalcommons.csumb.edu/caps_thes/3 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. In Search of Willy Loman and the American Dream Ryan Thomason Senior Capstone Division of Humanities and Communication Spring 2014 In Search of Willy Loman and the American Dream © 1985 CBS Ryan Thomason Senior Capstone Pre-Law Concentration Essay Dr. Qun Wang Division of Humanities and Communication Spring 2014 Acknowledgements They say that the journey of a thousand miles begins with one step. It is taking that one step that often is a leap of faith. By taking that step you are leaving the world of “what if” and “what about” and move into the world of making it happen. When you sit and talk about what could be you do not face the prospect of failing. But without risk there is little reward.
    [Show full text]
  • International Research Journal of Commerce, Arts and Science Issn 2319 – 9202
    INTERNATIONAL RESEARCH JOURNAL OF COMMERCE, ARTS AND SCIENCE ISSN 2319 – 9202 An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust WWW.CASIRJ.COM www.SPHERT.org Published by iSaRa Solutions CASIRJ Volume 9 Issue 2 [Year - 2018] ISSN 2319 – 9202 Reflection of a new society in the works of Arthur Miller Ojasavi Research Scholar Singhania University,Pacheri, Jhunjhunu Analysis of writings of Arthur Asher Miller is one of the land mark in English literature. It not only increase the analytical capacity of a scholar but add some information in existing literature which increase the curiosity of the reader in concerned subject and leads to origin of new ideas. The present research concentrates on critical analysis of selected writings of Arthur Asher Miller with emphasis on circumstances under which ideas came in the mind. Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar Named Desire. Before proceeding forward about writings of Miller it is necessary to know about his life and society when he came in to public eye, particularly during the late 1940s, 1950s and early 1960s.
    [Show full text]
  • DEATH of a SALESMAN Study Guide for Teachers
    DEATH OF A SALESMAN Study Guide for Teachers The Weston Playhouse Theatre Company World-Class Theatre in the Heart of Vermont 703 Main Street, Weston, VT 05161 www.westonplayhouse.org The 2010 WPTC Teacher’s Workshop and the School Matinee and Touring Production is made possible in part by grants from: The Bay and Paul Foundations Mountain Room Foundation National Endowment for the Arts The Shubert Foundation The Vermont Country Store and The Orton Family Vermont Humanities Council and the National Endowment for the Humanities With additional contributions from: Black River Produce Berkshire Bank Clark’s Quality Foods Price Chopper’s Golub Foundation Ezra Jack Keats Foundation Okemo Mountain Resort Thrifty Attic …and an ever growing family of individuals who believe in the impact that the performing arts can have on its community. This Teachers Study Guide was compiled and edited by Rena Murman. Credit and thanks to the following theatres for materials used or referenced from study guides created for Death of a Salesman: Guthrie Theatre, Minneapolis, MN; Kennedy Center, Washington, DC; Lyric Theatre, London; Royal Lyceum Theatre Company, Edinburgh; Yale Repertory Theatre, New Haven, CT. © 2010 Weston Playhouse Theatre Company, a nonprofit 501(c)(3) educational and cultural institution. WPTC Performance Guides may be duplicated at no charge for educational purposes only. They may not be sold or used in other publications without the express written consent of the Weston Playhouse Theatre Company. Weston Playhouse Theatre Company Weston
    [Show full text]
  • DEATH of a SALESMAN by Arthur Miller
    CHARLES S. DUTTON in DEATH OF A SALESMAN by ARTHUR MILLER directed by JAMES BUNDY Introduction ourselves asking similar questions today. It DEATH OF should be no surprise, then, that Death of a Salesman continues to speak to us about A SALESMAN: our own condition. Set amidst a racially and economically diverse Brooklyn in the AN 1940s, the Lomans’ tale takes on a larger INTRODUCTION significance both then and now. by Donesh Olyaie PRODUCTION DRAMATURG Arthur Miller’s Death of a Salesman has become the American tragedy for the twentieth century. Written in 1949, this play is not the saga of noble kings from prominent families but instead the story of Willy Loman, the patriarch of a middle-class family from Brooklyn. Willy, a sixty-three-year-old salesman, embodies a new type of tragic hero, and his family—devoted wife Linda and adult sons Biff and Happy—are the players who surround him on his last day on earth. The Loman family past unfolds—in snapshots from Willy’s memories— alongside the present. But are Willy’s imaginings truthful recollections, or does he distort the truth, remembering what he wishes had happened? Willy has assumed the burden of fulfilling the American Dream for his family, but, at the end of the day, what did he accom- plish? What dream was he chasing? And in an America that values people who are “somebody,” where does that leave a regular guy like Willy Loman? Miller packed the play with issues that many Americans had to deal with in 1949, a time of great change in our nation after two world wars and the Great left: The Brooklyn Bridge Depression.
    [Show full text]
  • Willy Loman and the Method
    Spring 1987 151 Willy Loman and the Method Steve Vineberg* A great new performance in a famous role illuminates corners of a dramatic work previously hidden in the shadows, and thus it always implies an annex to the body of critical material focused on the play. When Dustin Hoffman took on the role of Willy Loman, the protagonist of Arthur Miller's Death of a Salesman, in Michael Rudman's Broadway revival in 1984, he suggested a way of looking at the character and the play that challenged Lee J. Cobb's justly famous portrayal in the original production, in 1949. Jux• taposed, the two performances demonstrate the distance between a classical reading of Miller's play, which he advocated strongly in his own critical writings within the decade of its unveiling, and a more contemporary, naturalistic approach—what we might call a revisionist Salesman. And since Hoffman is the first major Method actor since Cobb to make a stab at Willy, a consideration of the two performances also underscores the connections between the play and the history of American Method acting. In this essay I would like to discuss those connections and then compare the two interpreta• tions, drawing on a viewing of Hoffman's work in September 1984 and on Cobb's 1966 television recreation of his stage performance. We are denied, unfortunately, a record of Cobb's original appearance in the role, in 1949, but his splendid recreation of the role in 1966 is, I think, a fair indication of one actor's interpretation; moreover, it represents a sufficient distance from Hoffman's, eighteen years later, to make a strong argument for the difference between the readings.
    [Show full text]
  • A Critical Reading of Arthur Miller's Death of a Salesman
    ISSN 1798-4769 Journal of Language Teaching and Research, Vol. 2, No. 2, pp. 353-358, March 2011 © 2011 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/jltr.2.2.353-358 An Anti-social Socialist: A Critical Reading of Arthur Miller’s Death of a Salesman Kaveh Khodambashi Emami ACECR, Isfahan University of Technology, Isfahan, Iran Email:[email protected] Abstract—For long Arthur Miller and his plays were praised (especially by Marxist critics) as strong critics of capitalist societies and their dehumanizing force upon individuals living in them. Using Frankfurth school's views, Miller's own ideas and his play Death of a Salesman, this paper reveals some faults and contradictions in characterization, plot and other aspects of the play that would question Miller's opposition against capitalism and his criticism of it. Index Terms—Death of a Salesman, Capitalism, high culture, Marxism, popular culture, social play I. INTRODUCTION In his plays Miller has dealt mostly with the social issues of his day and this is the case with Death of a Salesman too. It is probably this characteristic that caused Death of a Salesman to be the center for much critical debate as to what it signifies, right from the beginning. Among those who so much celebrated the play were critics with a Marxist line of thought. They perceived it as a “social play”, an attack upon, or a criticism of society and its system of beliefs, knowing Willy Loman (the major character of the play) to be flawless. They also labeled Miller as a true social writer who is critical of capitalist society and its values (Finkelstein, 1967) (Gassner, 1954) (Lewis, 1970).
    [Show full text]