Walking Around Town
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Sometimes You Have to Break the Rules Sunday, August 22, 2021, 11:15 A.M., All Saints Church, Pasadena the Rev
1 Sometimes You Have to Break the Rules Sunday, August 22, 2021, 11:15 a.m., All Saints Church, Pasadena The Rev. Mike Kinman The scholar asked Jesus, “Which commandment is the first of all?” + If you could be at any concert or performance in your lifetime, what would you choose? The Beatles at Shea Stadium? Pink Floyd doing The Wall at the Berlin Wall? Coachella with Beyonce in 2018 The Monterrey Pop Festival with Janis Joplin Woodstock Would it be the 1969 Harlem Cultural Festival that’s featured in Summer of Soul - Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Mahalia Jackson, B.B. King, The 5th Dimension .. Clara Williams. That would be pretty awesome. But no, for me, I know my answer. For me, it would be July 13, 1985 – Wembley Stadium. Live Aid. 1.9 billion people – 40 percent of the world’s population watching. $127 million raised for famine relief in Ethiopia. And the lineup … a little light on women but still incredible … David Bowie, Elvis Costello, Sting, Elton John, The Who, Paul McCartney, Freddie Mercury and Queen leading all 72,000 people in singing Radio Gaga. 72,000 people clapping their hands over their head in unison. What it would have been like to be there. But for me … I would want to have been there for one moment. Live Aid was a lot of things, but one of them was it was the global coming out party for an Irish band called U2. Maybe you’ve heard of them. And I’d want to be there to witness one moment. -
The Apartment Complex: Urban Living and Global Screen Cultures, Edited
Review How to Cite: Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi. org/10.16995/os.22 Published: 09 December 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Screens, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Screens is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi.org/10.16995/os.22 REVIEW The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9 Ana Maria Sapountzi University of St Andrews, GB [email protected] This is a book review of Pamela Robertson Wojcik’s The Apartment Complex: Urban Living and Global Screen Cultures (2018), which is comprised of essays by scholars responding to and utilising her concept of the apartment plot film which she established in her previous book The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 (2010). -
David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J. -
What in the World 2020
Level 1 (Grades 5 and up) Th eWE Controversy Black Lives Matter Pandemic Update Th e Search for a COVID Vaccine 2020/2021: Issue 1 A monthly current events resource for Canadian classrooms Routing Slip: (please circulate) What in the World What in the World? Level 1, 2020/2021: Issue 1 Mission Statement PUBLISHER LesPlan Educational Services Ltd. aims to help teachers develop Eric Wieczorek students’ engagement in, understanding of, and ability to EDITOR-IN-CHIEF critically assess current issues and events by providing quality, Janet Radschun Wieczorek up-to-date, aff ordable, ready-to-use resources appropriate for ILLUSTRATOR use across the curriculum. Mike Deas CONTRIBUTORS Vivien Bowers Krista Clarke Denise Hadley Rosa Harris Jacinthe Lauzier Alexia Malo Catriona Misfeldt David Smart What in the World? © is published eight times during the school year by: LesPlan Educational Services Ltd. #1 - 4144 Wilkinson Road Victoria BC V8Z 5A7 www.lesplan.com [email protected] Phone: (toll free) 888 240-2212 Fax: (toll free) 888 240-2246 Twitter: @LesPlan Subscribe to What in the World? © at a cost of $24.75 per month, per school. Copyright and Licence I have had many parents comment to me Th ese materials are protected by copyright. about how great they think What in the Subscribers may copy each issue for use by World? is, and they look forward to each all students and teachers within one school. Subscribers must also ensure that the materials are month’s issue coming home...Th is is a great not made available to anyone outside their school. resource for a small country school to Complimentary sample explore the global issues that aff ect us all. -
GOTHIC FICTION Introduction by Peter Otto
GOTHIC FICTION Introduction by Peter Otto 1 The Sadleir-Black Collection 2 2 The Microfilm Collection 7 3 Gothic Origins 11 4 Gothic Revolutions 15 5 The Northanger Novels 20 6 Radcliffe and her Imitators 23 7 Lewis and her Followers 27 8 Terror and Horror Gothic 31 9 Gothic Echoes / Gothic Labyrinths 33 © Peter Otto and Adam Matthew Publications Ltd. Published in Gothic Fiction: A Guide, by Peter Otto, Marie Mulvey-Roberts and Alison Milbank, Marlborough, Wilt.: Adam Matthew Publications, 2003, pp. 11-57. Available from http://www.ampltd.co.uk/digital_guides/gothic_fiction/Contents.aspx Deposited to the University of Melbourne ePrints Repository with permission of Adam Matthew Publications - http://eprints.unimelb.edu.au All rights reserved. Unauthorised Reproduction Prohibited. 1. The Sadleir-Black Collection It was not long before the lust for Gothic Romance took complete possession of me. Some instinct – for which I can only be thankful – told me not to stray into 'Sensibility', 'Pastoral', or 'Epistolary' novels of the period 1770-1820, but to stick to Gothic Novels and Tales of Terror. Michael Sadleir, XIX Century Fiction It seems appropriate that the Sadleir-Black collection of Gothic fictions, a genre peppered with illicit passions, should be described by its progenitor as the fruit of lust. Michael Sadleir (1888-1957), the person who cultivated this passion, was a noted bibliographer, book collector, publisher and creative writer. Educated at Rugby and Balliol College, Oxford, Sadleir joined the office of the publishers Constable and Company in 1912, becoming Director in 1920. He published seven reasonably successful novels; important biographical studies of Trollope, Edward and Rosina Bulwer, and Lady Blessington; and a number of ground-breaking bibliographical works, most significantly Excursions in Victorian Bibliography (1922) and XIX Century Fiction (1951). -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Rocky (1976) Movie Script by Sylvester Stallone
Rocky (1976) movie script by Sylvester Stallone. Final draft, 1/7/76. More info about this movie on IMDb.com INT. BLUE DOOR FIGHT CLUB - NIGHT SUPERIMPOSE OVER ACTION... "NOVEMBER 12, 1975 - PHILADELPHIA" ... The club itself resembles a large unemptied trash-can. The boxing ring is extra small to insure constant battle. The lights overhead have barely enough wattage to see who is fighting. In the ring are two heavyweights, one white the other black. The white fighter is ROCKY BALBOA. He is thirty years old. His face is scarred and thick around the nose... His black hair shines and hangs in his eyes. Rocky fights in a plodding, machine-like style. The BLACK FIGHTER dances and bangs combinations into Rocky's face with great accuracy. But the punches do not even cause Rocky to blink... He grins at his opponent and keeps grinding ahead. The people at ringside sit on folding chairs and clamor for blood... They lean out of their seats and heckle the fighters. In the thick smoke they resemble spectres. Everyone is hustling bets... The action is even heavier in the balcony. A housewife yells for somebody to cover a two dollar bet. The BELL RINGS and the fighters return to their corner... Somebody heaves a beer can into the ring. The Black Fighter spits something red in a bucket and sneers across the ring at Rocky. BLACK FIGHTER (to cornerman) ... I'm gonna bust his head wide open! In Rocky's corner he is being assisted by a shriveled, balding CORNERMAN, who is an employee of the club.. -
Who Is Viola Desmond? 7 Questions | 8 Language Focus 9 Lesson Plan | 11 Graphic Organizer
TThehe CCanadiananadian RReaderCCurrenturreent CCanadiananadian eeventsvaents aandnd iissuesssues ffordor sstudentstudents inin GradesGraedes 3 andand upup r 2 Literacy Focus | 5 Article: Who Is Viola Desmond? 7 Questions | 8 Language Focus 9 Lesson Plan | 11 Graphic Organizer Teachers serving teachers since 1990 Supplementary News Please circulate to: Literacy Focus Inferring: Teaching Strategy Introduction: Show students a picture of a person displaying an obvious emotion, such as happiness, sorrow, or fear. Ask them what this person is feeling. Th en, ask students how they know. Explain to students that they used a visual clue – a facial expression – to infer what the person was feeling. Can students infer why the person in the photo might be feeling this way? Explain to students that Inferring is another key reading strategy. Inferring means using facts – the things we see and observe – to make an interpretation. Use the Inferring Student Handout (p. 4) to introduce students to this strategy. To reinforce the concept of inferring, involve the class in a game. First, brainstorm with students a list of emotions; record these on chart paper for everyone to refer to. Th en, ask one student to leave the room. With the class, choose one emotion. Invite the absent student back into the room. Have the other students help him or her 'infer' the chosen emotion by giving clues. Clues must begin with "I felt this way when..." For example, if the emotion is 'jealous', the clue given could be "I felt this way when my baby sister was born and everyone paid attention to her instead of to me." When the emotion has been correctly inferred, invite a new student to leave the room and repeat the game. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Visitors' Guide
CONVENTION & VISITORS BUREAU VISITORS’ GUIDE Council Bluffs & Pottawattamie County, Iowa welcome 2 Council Bluffs Convention & Visitors Bureau | (844) 271-6909 | UNleashCB.com table of contents welcome welcome . .4 things to do . .6-20 attractions . 6-12 family things to do . .11 art . .12-13 Questions about Council Bluffs? Give us a casinos . .14 call or stop in at our new visitors center! We’d love to help you UNleash all entertainment . .14-15 Council Bluffs has to offer during your stay. parks & recreation . 15-20 509 23rd Avenue where to stay . 22-24 Council Bluffs, Iowa 51501 (844) 271-6909 - toll free where to dine . .26-34 (712) 256-2577 where to meet . 36-38 UNleashCB.com watta way . .40-55 attractions. 40-44 parks & recreation . 44-48 Every effort has been made to ensure that the accuracy of the information in this guide was where to eat . 50-51 correct and current at the time of publication. where to stay . 52-53 The CBCVB assumes no responsibility for where to meet. ..54 misinformation. trail capital . .55 publishing & advertising Omaha Magazine 5921 South 118 Circle Omaha, Nebraska 68137 (402) 884-2000 welcome to council bluffs UNlike anywhere else. On purpose. That’s our motto here in Council Bluffs, Iowa. UNleash what makes us different by exploring our rich railroad history, seeking adventure on our trails and Loess Hills, rocking out at Stir Concert Cove, finding inspiration in our public art, and UNcovering the unique and possibly paranormal in attractions like the Historic Squirrel Cage Jail. share with us: #UNleashCB We hope you discover what makes us UNlike anywhere else, and we hope you share those special moments with us! Post your Council Bluffs and Pottawattamie County photos on social media with #UNleashCB to be featured on our pages. -
An Analysis of Personal Deixis Used by the Main Character in the La La Land Movie
ABSTRACT AN ANALYSIS OF PERSONAL DEIXIS USED BY THE MAIN CHARACTER IN THE LA LA LAND MOVIE 1. SANTY FIRDATUL ISLAMIYAH 2. BINTI QANI’AH University Of Pesantren Tinggi Darul Ulum [email protected] [email protected] This research focused on analyzing personal deixis. It was in pragmatics scope. There were two aims in this research. First was to identify what categories of personal deixis are used by the main character in La la land movie. Second was to explain why the most dominant category of personal deixis is used by the main character in La la land movie. A descriptive qualitative method was in this research. The data of this research were utterances that consist of personal deixis. Then, the source of data was La la land movie. The results of this research were the main character used three categories of personal deixis in La la land movie. They were first personal deixis found 43 data, second personal deixis found 23 data, and third personal deixis found 20 data. The total data were 85 data. The most dominant category used by the main character in La la land movie was first personal deixis. The main character often used first personal deixis in this movie. It was because it represented Sebastian’s struggles to solve his problems of his life, such as finding a job as a jazz pianist, reaching his dreams in Los Angeles as the famous jazz musician and had his own jazz club. Key words: Pragmatics, Deixis, and Personal Deixis. i A. INTRODUCTION “The movie is a dinamic visual media” (Kurniasih, 2018).