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Things Have Changed Bob Dylan
Things have changed Bob Dylan Gm Gm A worried man with a worried mind I’ve been walkin’ forty miles of bad road Cm Cm No one in front of me and nothing behind If the Bible is right the world will explode Gm Gm D7 There’s a woman on my lap and she’s drinking I’m tryin’ to get as far away from myself as I can D7 champagne Gm Gm Some things are too hot to touch Got white skin, got assassin’s eyes Cm Cm The human mind can only stand so much I’m looking up into the sapphire tinted skies Gm D7 Gm Gm D7 Gm You can’t win with a losing hand I’m well dressed, waiting on the last train Eb D7 Gm Eb D7 Gm Feel like falling in love with the first woman I meet Standin’ on the gallows with my head in the noose Eb D7 Eb D7 Puttin’ her in a wheelbarrow and wheelin’ her down the Any minute now I’m expectin’ all hell to break street loose Gm Gm People are crazy and times are strange People are crazy and times are strange Cm Cm I’m locked in tight, I’m out of range I’m locked in tight, I’m out of range Gm D7 Gm Gm D7 Gm I used to care but - things have changed. I used to care but - things have changed. Gm This place ain’t doin’ me any good Gm Cm I hurt easy, I just don’t show it I’m in the wrong town, I should’ve been in Cm Hollywood You can hurt someone and not even know it Gm Gm D7 Just for a second there I thought I saw something The next sixty seconds could be like an eternity D7 move Gm Gm Gonna get lowdown, gonna fly high Gonna take dancin’ lessons, do the jitterbug rag Cm Cm All the truth in the world adds up to one big lie Ain’t no shortcuts, gonna dress in drag Gm D7 Gm Gm D7 I’m in love with a woman that don’t even appeal to me Only a fool in here would think he got anythin’ to Eb D7 Gm Gm prove Mr. -
Read an Excerpt
The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality. -
Our Featured Artist, Skye, Wasn't a Fan of Bob Dylan's Music When He Burst Into Popularity in the Mid 1960S— It Was the Be
Shakespeare’sin the Alley: Our featured artist, Skye, wasn’t a fan of Bob Dylan’s music when he burst into popularity in the mid 1960s— it was the Beatles who held the then teenager’s ear. Forty years later, in 2008, her viewing of the Martin Scorcese documentary about Dylan, No Direction Home, captured her attention. “I was amazed at what Dylan did at such a young age,” she A Tribute to Bob Dylan February 9-March 17 said. “His courage to speak out [about social planning a tribute concert in honor of Dylan’s change] was profound and his extreme talent 70th birthday. Titled Buckets of Rain, the was obvious.” concert was held at Woodwalk Gallery in Egg Harbor. Skye created 15 banners that served Yet, the concept for the exhibition as a backdrop for the Labor Day weekend Shakespeare’s in the Alley: A Tribute to Bob event. Dylan did not come immediately into focus for the artist. Skye had a hunger to experience Wanting to make the lyrics the focus, Skye all his music, eventually collecting 35 of his chose a simple design for the banners— 36 CDs. Only after immersing herself in both gray fabric made of recycled hemp and his sound and words, was she inspired to organic cotton with the words formed in create art honoring his influence. black, felt tip markers. After the second Buckets of Rain concert the following year, Skye had incorporated stenciled words into Skye was committed to creating an even earlier projects, but not as the main creative larger installation. -
Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop. -
One of CSUF's Youngest Teachers Is Quietly Creating Art
One of CSUF’s youngest teachers is quietly creating art with a voice The “Bionic Woman’s” Michelle Ryan talks about her new take on a classic role The place where the real musicians go Two guys go on a hunt for a story about West Hollywood girls with Adam’s Apples as big as their pearls 2 BUZZ 09.27.07 daily.titan daily.titan BUZZ 09.27.07 3 URBAN OUT-LOOKERS An artist whose NEIL quiet nature SHARUM screams through his photos HOTEL CAFE SUCH A TEEZE HOOKED ON The Buzz Editor: The Daily Titan 714.278.3373 Jennifer Caddick The Buzz Editorial 714.278.5426 BIONICS [email protected] Executive Editor: Editorial Fax 714.278.4473 Ian Hamilton The Buzz Advertising 714.278.3373 [email protected] LOCKED & LOADED Director of Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed FOR MISFIRE every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 09.27.07 daily.titan daily.titan BUZZ 09.27.07 3 Vermont Avenue Fred 62’s “White Trash Tuna Melt.” in vintage style. -
Riccardo Damian Him on to Queen’S Greatest Hits Which Obsessed the Young Boy
CRAFT iccardo Damian (Ricky to friends and colleagues) was encouraged to learn guitar at age 6 by his mother. In his native Italy he started Middle School at 14 and his school music teacher noticed Ricky and turned Riccardo Damian him on to Queen’s Greatest Hits which obsessed the young boy. He Rbought the entire Queen catalogue with his pocket money, then discovered Pink Mark Ronson’s engineer proves age is no barrier to recording top tracks. Floyd and by 16 had formed a tribute band to perform The Wall. They made a GEORGE SHILLING recording in a little local studio, and Damian’s interest was piqued — he started assisting the studio owner and learned the basics, recording demos with local In Italy Damian had gained experience with tape — Ronson’s favoured bands. He then discovered that his guitar teacher had recorded at an upmarket method of recording — and after a short interview, Riccardo went on a local multi-room facility, Magister Recording Area, and he approached that day trial. Unbelievably, on his first day he recorded Ronson playing guitar, studio to do work experience. Owner-engineer Andrea Valfrè allowed Riccardo recording (to a vintage Scully tape machine) the Grammy Record Of The Year to attend sessions for a whole album (with Riccardo sometimes skipping school 2016 — Uptown Funk. Having read the tape machine manual online the to be there!) Later, Valfrè generously allowed Damian to make use of free time previous night, the recording process was successful. The trial gradually turned for his own projects. into a week, and then a permanent position at Ronson’s Zelig Studio. -
Times Have Changed, but Bob Dylan Still Reflects a Restless America by Thomas G
Times have changed, but Bob Dylan still reflects a restless America By Thomas G. Palaima SPECIAL TO THE AMERICAN-ST ATESMAN Saturday, September 15, 2007 'Folk songs are the way I explored the universe. They were pictures and the pictures were worth more than anything I could say, I knew the inner substance of the thing. I could connect the pieces.' - Bob Dylan, 'Chronicles Volume One' When Bob Dylan steps on stage, he brings America with him. America in song images, shrouded in "darkness at the break of noon" and bright with "silver singing rivers." The beauty, blindness and betrayal of love. Small people up against big forces. Simple women and men lost in a world gone wrong. Russell Lee photos translated into words and melodies. Bob Dylan is our quintessential oral folk poet, in the original Greek sense, a "maker" of "things that are made." Like the first great Western songster, Homer, Dylan takes from old songs and makes new ones, and then keeps remaking them. In 1995, Dylan said, "I've been working on some songs for 20 years, always moving toward some kind of perfection." He is still changing the words and music of songs lesser singer-songwriters would view as fixed masterpieces. Oral folk and blues poets reveal our world to us as we would not see or feel it without their songs. Dylan is no different. He sings about users, cheaters, six-time losers; buffalo skinners, made murderous by a bankrupt law; God matter-of-factly commanding Abraham, "Kill me a son"; Hattie Carroll slain by a cane; a clean-cut kid sent off to a "napalm health spa"; a never-will-be lover lamenting, "All the friends I ever had are gone." It's rough out there. -
Bob Dylan: “THINGS HAVE CHANGED”- an ANALYSIS by KEES DE GRAAF This Song Firmly Stands in the Dylanesque Tradition of Song W
Bob Dylan: “THINGS HAVE CHANGED”- AN ANALYSIS BY KEES DE GRAAF This song firmly stands in the Dylanesque tradition of song writing. Some of the features of his song writing have been all along: 1. The world may come to an end at any moment now. This notion was fuelled by the teachings in the schools of the Vineyard Christian fellowship in the late seventies. All attention is focused on what is to happen on the latter day, when the thousand year rule of Christ in Jerusalem will commence immediately after His return to earth. 2. Because of this focus on the nearby thousand year rule of Christ the present world is abandoned and given up. All Christian action in this world is paralyzed by this notion. The world has gone wrong, man – and also Dylan- is a stranger in this world. He is out of range, it is no use trying, you should get out of it as soon as you can. The light in this place is bad, man walks through a lonesome valley in a strange land. In a certain way this line of thinking is Biblical. ( Cf. Hebr 11:13) Christians should indeed be strangers in this world in so far as they stay away from sin and that their hope should be fixed upon the coming kingdom of God. But there is also something very unbiblical in this way of thinking. We should not give up this world. Our renewed life should urge us not only to pray for this world but also to accepting responsibility in this world. -
A Blast from the Past: a Taste of Bob Dylan Suraj Sait
A Blast from the Past: A Taste of Bob Dylan Suraj Sait Above: Bob Dylan performing in London in 2011. By Suraj Sait I’ll admit – I’m not very old. At 17, I don’t have a wisp of white hair on my head, nor can I say that I watched “I Love Lucy” when it was originally airing (But hey, thank god for reruns!). That doesn’t matter, though. I still love BoB Dylan. The man is practically a legend in my eyes, even if he was crooning well Before I was Born. In the ‘60s and ‘70s, he inspired social change. He Birthed advocacy movements, figuratively Becoming their icon through his revolutionary songs. He’s even inspired me to pursue the changes I wanted to see in the world, like advocating for climate change and increased voter participation in our democracy. In NovemBer, I was fortunate enough to see him live and in person. Alongside some of my friends, we journeyed to the Providence Performing Arts Center. With seats sponsored By BoB Houghtaling, the director of East Greenwich’s Drug RehaBilitation Program, I settled in for the show. Having never Been to a concert Before, I wasn’t sure what to expect. But as the lights dimmed and silence set over the stadium, I felt nervous. Nervous, even though I wasn’t the one performing. Nervous, Because I wasn’t sure how BoB Dylan would Be. Joan Baez and Bob Dylan during the civil rights “March on Washington for Jobs and Freedom,” August 28, 1963. Credit: Rowland Scherman See, I had Been forewarned By Mr. -
Filip Lee Joker Playlist
Filip Lee Joker playlist vlastní písně interpret název Filip Lee Joker Zpověď Filip Lee Joker Český Krumlov Filip Lee Joker Vltavská Filip Lee Joker Singa Happy Songa Filip Lee Joker Tak jsem šel Filip Lee Joker Dálnice Filip Lee Joker Čas Filip Lee Joker Píseň ze smutku Filip Lee Joker Surreálné léto Filip Lee Joker Hymna práce Filip Lee Joker Zbyde mi splín převzaté písně interpret název Bella Ciao Bedna od whisky Slavící z Madridu Diana Bláznova ukolébavka Dirty Old Town Canción Del Mariachi AC/DC You Shook Me All Night Long G Animals House Of The Rising Sun Beatles Norwegian Wood (This Bird Has Flown) Beatles In My Life Beatles Helter Skelter Beatles Revolution Beatles Hey Jude Beatles Let It Be Beatles Twist And Shout Beatles Ticket To Ride Beatles While My Guitar Gently Weeps Am Big Bad Voodoo Daddy Diga diga do Dm Blue Effect Sluneční hrob Bob Dylan A Hard Rain's A-Gonna Fall Bob Dylan Simple Twist Of Fate Bob Dylan It's Alright, Ma (I'm Only Bleeding) Bob Dylan Gotta Serve Somebody Bob Dylan Pay In Blood Bob Dylan Mississippi Bob Dylan Thunder On The Mountain Bob Dylan Don't Think Twice It's All Right Bob Dylan Born In Time Bob Dylan Everything Is Broken Bob Dylan Soon After Midnight Bob Dylan Blowin' In The Wind Bob Dylan Like A Rolling Stone Bob Dylan Subterranean Homesick Blues Bob Dylan Masters Of War Bob Dylan Things Have Changed Bob Dylan In My Time Of Dyin' Bob Dylan All Along The Watchtower Bob Dylan Knockin‘ on heaven‘s door Bob Dylan You Ain't Goin' Nowhere Bob Dylan Rainy Day Woman Bob Dylan Just Like A Woman Bob Dylan -
Still on the Road 2008 Us Summer Tour
STILL ON THE ROAD 2008 US SUMMER TOUR AUGUST 8 Philadelphia, Pennsylvania Electric Factory 9 Pittsburgh, Pennsylvania South Side Works 10 Baltimore, Maryland Virgin Mobile Festival, Pimlico Race Track 12 Brooklyn, New York Prospect Park Bandshell 13 Asbury Park, New Jersey Convention Hall 15 Mashantucket, Connecticut MGM Grand Theatre 16 Atlantic City, New Jersey Event Center, Borgata Hotel Casino And Spa 17 Saratoga Springs, New York Saratoga Performing Arts Center 19 Canandaigua, New York Marvin Sands Performing Arts Center 20 Hamilton, Ontario, Canada Copps Coliseum 22 Cincinnati, Ohio National City Pavilion 23 Elizabeth, Indiana Caesars Indiana 24 Evansville, Indiana Mesker Amphitheatre 25 Little Rock, Arkansas Private concert at unidentified venue 26 Little Rock, Arkansas Riverfest Amphitheatre 27 Tulsa, Oklahoma Brady Theater 28 Kansas City, Missouri Uptown Theatre 30 Snowmass Village, Colorado Jazz Aspen Snowmass Festival 31 Park City, Utah Deer Valley Resort SEPTEMBER 1 Las Vegas, Nevada The Joint, Hard Rock Hotel & Casino 3 Santa Monica, California Civic Auditorium 4 Temecula, California Pechanga Resort & Casino 6 San Diego, California Concerts On The Green 7 Santa Barbara, California Santa Barbara County Bowl 9 Palo Alto, California Private concert at unidentified venue OCTOBER Santa Monica, California Groove Masters, Together Through Life recording sessions 8 Washington, D.C. Theme Time Radio Hour, Episode 76: Money: Part 1 15 Washington, D.C. Theme Time Radio Hour, Episode 77: Money: Part 2 22 Washington, D.C. Theme Time Radio Hour, Episode 78: Night Bob Dylan: Still On The Road – 2008 US Summer Tour Bob Dylan: Still On The Road – 2008 US Summer Tour 30460 Electric Factory Philadelphia, Pennsylvania 8 August 2008 1. -
Still on the Road 2003 Europe Fall Tour
11 STILL ON THE ROAD 2003 EUROPE FALL TOUR OCTOBER 9 Helsinki, Finland Hartwall Areena 11 Stockholm, Sweden Globe Arena 12 Karlstad, Sweden Löfbergs Lila Arena 13 Oslo, Norway Spektrum 15 Gothenburg, Sweden Scandinavium 16 Copenhagen, Denmark Forum 17 Hamburg, Germany Docks 18 Hamburg, Germany Docks 20 Berlin, Germany Arena 22 Leipzig, Germany Leipzig Arena 23 Prague, Czech Republic T. Mobile Aréna 24 Budapest, Hungary Budapest Sporthalle 26 Graz, Austria Eishalle Liebenau 27 Vienna, Austria Stadthalle 29 Munich, Germany Olympiahalle 30 Bolzano, Italy Palaonda NOVEMBER 1 Rome, Italy Roma Palaeur 2 Milan, Italy Forum di Assago, Assago 3 Zurich, Switzerland Hallenstadion 5 Freiburg, Germany Stadthalle 6 Frankfurt, Germany Jahrhunderthalle 8 Düsseldorf, Germany Philipshalle 10 Amsterdam, The Netherlands Heineken Music Hall 11 Amsterdam, The Netherlands Heineken Music Hall 12 Brussels, Belgium Vorst Nationaal 13 Paris, France Le Zenith 15 London, England Wembley Arena 17 Dublin, Ireland The Point Theatre 20 Sheffield, England Sheffield Arena 21 Birmingham, England International Arena, National Exhibition Center 23 London, England Shepherds Bush Empire Theatre 24 London, England Carling Apollo Hammersmith 25 London, England Brixton Academy 25380 Shea Stadium Flushing, New York 4 October 2003 Guest at the last show of The Rising Tour 1. Highway 61 Revisited Bob Dylan (vocal & guitar) with Bruce Springsteen and the E-street Band: Bruce Springsteen (guitar), Steve Van Zandt (guitar), Nils Lofgren (slide guitar), Patti Scialfa (guitar), Roy Bittan (keyboards), Clarence Clemons (percussion), Danny Federici (organ), Soozie Tyrell (violin), Garry Tallent (bass), Max Weinberg (drums). Notes. LB-number for this concert: LB-1232. Stereo audience recording, 5 minutes. Session info updated 27 May 2009.