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NorfolkNorfolk GardensGardens T Trustrust Spring 2017 No.23 norfolkgt.org.uk 1 : Top and Above: Dale Farm, Dereham which has raised Above and back cover: Readers’ Gardens - over £45,000 for the NGS since July 2010. See page 34: Cover: Houghton Hall - White Deer Circle : Contents Chairman’s Report ............................................................ 2 Art in the Landscape by David Cholmondeley ................ 3 The Increase of Landscape Parks in Norfolk in the Nineteenth Century by Becky Priestley ........................... 8 The ‘Come Up Again Border’ by Sarah Tenneson ........... 10 Shakespeare: A Winter’s Tale of Spring by Jackie Bennett ............................................................... 15 Ninety Years of the National Gardens Scheme in Norfolk NGS History by Julia Stafford Allen ................... 20 Permaculture in Norfolk by Cath Saunt ........................... 24 Art in the Garden by Clive Lloyd ...................................... 28 A Year at Elsing Hall by Sarah Scott .................................. 32 Readers’ Gardens, Karen Roseberry ................................. 34 Longwood Gardens, Philadelphia, USA by Marj Wilson 35 Norfolk Gardens Trust Research Group’s New Project – How You Can Help by Sally Bate ...................................... 38 Obituary, Ronald Buxton .................................................. 40 Dates for Your Diary .......................................................... 41 About the website, David King .......................................... 44 1 Welcome Chairman’s Report - Spring 2017 In 2016, at both a national and local level, Reverting to Capability Brown, the we celebrated the 300th anniversary of the Norfolk Gardens Trust brought to print birth of Lancelot Brown. Looking forward for the first time a detailed study of his to 2018 plans are already afoot to mark work in Norfolk, entitled, Capability the 200th anniversary of the death of Brown in Norfolk. The book will appeal to Humphry Repton, the leading landscape those interested in these historical Norfolk gardener of later Georgian England landscapes and the families who lived Although not born in Norfolk we can there. The book is marvellously illustrated perhaps claim him as our own. He is and is on sale at Jarrolds, Norwich. I wish buried at St Michael’s Church at Aylsham. to pay tribute to all who were responsible And at Sheringham Park we have his self- for the research and writing, most proclaimed masterpiece. particularly the Trust’s Vice-Chairman, As it happens 2018 is also the 30th Sally Bate, who edited it. anniversary of the establishment of this I have heard of a fundraising event which Trust and that provides us with an excuse may be of interest to our members – to be for a party. Very hospitably, the owners held at 2.00pm on Monday 16th October of Sheringham Hall have agreed we can 2017 in aid of Priscilla Bacon Lodge at the have a drinks party there and we have Assembly House in Norwich. The Speakers provisionally set the 6th July 2018 for this. are Sir Nicholas Bacon, President of the This is the date we are working towards RHS, James Alexander Sinclair garden but if you are interested in joining us designer and RHS judge and Thomas please keep looking at future editions Hoblyn garden designer and gold medal of the News for confirmation. This will winner at Chelsea and Hampton Court. provide our guests with the opportunity of Tickets are £25 to include tea. Tickets on viewing the park from the gardens at the sale from June but to reserve a place email: Hall. [email protected] I anticipate that the next edition of the As the days start to get longer I am looking News will contain an article about the trip forward to a summer spent in my garden. to see the garden of Sir Roy Strong’s and With advancing years thoughts turn to the his wife the late Julia Trevelyan Oman possibility of grassing over one or two of in Herefordshire, which the Trust is the borders – although I shall arranging for some of its members. The resist this for as long as I can. garden is described as the Sissinghurst of Enjoy your summer and do the late twentieth century, a joint creation take time to enjoy your own by two people who were at the centre of garden as well as those gardens the arts in England embracing theatre, you may visit. opera, ballet, film, museums, exhibitions, Matthew Martin garden design as well as writing. 2 Norfolk Landscape History Art in the Landscape by David Cholmondeley David Cholmondeley of Houghton Hall writes about the introduction of art works into a classical landscape as well as the forthcoming exhibition by the renowned landscape artist, Richard Long. Houghton Hall from Full Moon Circle It is now about 14 years since the that would have been used in the original NGT first asked me to write about plantings. developments in the Houghton Central to the scheme were double landscape. The turn of the new century avenues of pleached limes framing the had been exceptionally busy as we set view to the house, and areas of rough about replacing much of the early 18th ‘wilderness’, quartered by diagonal century planting on the west side of the avenues of beech hedging. Looking at house and re-instating former parkland photos from that time it is gratifying to beyond the brick ha-ha, which was itself see how this planting is now coming into rebuilt in its entirety. We were using a its own and how relatively quickly the map by Thomas Badeslade from around desired effect can be achieved. 1720 as evidence, and Professor Tom It would have been a natural progression Williamson of UEA had advised on the to look, for example, for classical design and the mix of trees and shrubs 3 Norfolk ‘Capability’ Landscape Brown History - Norfolk Gardens History Houghton plan ornaments to provide focus points at logistical problems eventually led to the the end of avenues; indeed I had already design of an oak-clad cube rising on stilts collected groups of 18th century Italian amongst the trees. Soon after, one of statues and busts to enliven the formal Turrell’s dark interior spaces replaced the design in the walled garden, which had iron tank in the Palladian water tower, been replanted several years earlier. which stands half a mile to the north-east However, around this time my plans of the house, giving a contemporary twist for the grounds took a leap into the to an 18th century folly. 21st century, as I began to see the Budget constraints, and the organization importance of adding something of our necessary to get projects off the ground, own time and discovered the excitement meant slow progress in acquiring and of working with contemporary artists. placing art works (‘sculpture’ can be a This followed an encounter with James misleading term) – whether site-specific Turrell and his extraordinary ‘rooms commissions, or older work. Wherever of light’. Turrell first visited Houghton possible, we invited artists to take part in around 1998, and a few years later positioning the pieces themselves. This we commissioned one of his famous was very much the case with Richard Skyspaces – essentially a viewing chamber Long, one of our greatest and most to look at an ever-changing square of original talents, whom I met through his open sky. The original intention was to gallerist and friend, Lorcan O’Neill. construct the chamber underground, but 4 Norfolk Landscape History Central to Richard Long’s practice are his walks in the landscape, which are largely documented through text works – enigmatic (and often highly poetical) lists of sightings or occurrences along the way. In exhibitions these texts are usually arranged vertically in large capitals. During the walks, he would sometimes make lines or circles out of stone or whatever materials lay to hand. Black-and-white photographs (taken by the artist) were usually the sole evidence as the works themselves may be hundreds of miles from any habitation, high up in the mountains. These simple forms, created on the spur of the moment, have a Zen-like quality, but also seem to hark back to the ritualistic or religious vestiges of early civilizations. Richard would also make this sort Top: Houghton Cross of work without a specific walk as Above: Richard Long at work at Houghton context but nevertheless rooted in a 5 Norfolk Landscape History particular landscape. Then there are of the ha-ha bastion – the piece seems his wall paintings using river mud or to undulate as one walks around it, the china clay on monochrome or two- texture subtly changing with the light and toned backgrounds, as well as smaller- different atmospheric conditions. scale works on driftwood or other Then a few years ago, as we were found materials. However, these two- preparing for a show of James Turrell’s dimensional pieces are always made with light pieces (Lightscape, 2013) I met up the hands, never with a brush. As with with Richard to discuss the possibility of tribal art there is an immediacy and a an exhibition in the Houghton landscape. ‘oneness’ with nature. Certainly, one This idea gradually took shape, and experiences Lorcan O’Neill Long’s agreed to curate work quite alongside the differently artist himself. in a natural Richard setting than eventually in a museum decided to gallery. produce a Richard number of new responded to outdoor pieces the Houghton to complement landscape ‘Full Moon by creating a Circle’, large circle of including a overlapping ‘henge’ of tree rough-hewn stumps and a slates in 60-metre line the middle Full Moon Circle from above using local of the East Norfolk carr View, about 200 yards from the house. stone. In addition, there will be a flint Finishing the laying of slates by winter and slate circle in the middle of the Stone moonlight, the piece looked almost Hall – the very centre of the house – and like a lunar landscape.

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