Problem: the Student Has Difficulty with Spatial Organization When Writing
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Average Weight of Common Household Furniture
AVERAGE WEIGHT OF COMMON HOUSEHOLD FURNITURE Average Weight Average Weight FURNITURE TYPE (EMPTY) FURNITURE TYPE (EMPTY) Armoire (Large) 200 Bed Headboard (Full) 40 Armoire (Medium) 150 Bed Headboard (King) 55 Armoire (Small) 100 Bed Headboard (Queen) 45 Baby Changing Table 50 Bed Headboard (Twin) 20 Baby Crib (Frame) 40 Bed Rails 10 Baby Crib (Mattress) 15 Bench (Wooden) 75 Baby High Chair 30 Bicycle 25 Baby Play Pen 60 Book Case (Large) 100 Baby Stroller 25 Book Case (Medium) 75 Bar 175 Book Case (Small) 25 Bar Stool 15 Boxes 40 Bed - Double (Box Spring) 60 Boxspring (Full Size) 60 Bed - Double (Footboard) 25 Boxspring (Queen Size) 75 Bed - Double (Headboard) 40 Boxspring (Twin Size) 50 Bed - Double (Mattress/Pillow Top) 75 Breakfront 200 Bed - Double (Mattress/Standard) 60 Buffet 125 Bed - Double (Set of Rails) 10 Cabinet (Curio) 150 Bed - Queen Size (Boxspring) 75 Cabinet (w/ Glass) 100 Bed - Queen Size (Footboard) 35 Cabinet (Wooden) 125 Bed - Queen Size (Headboard) 45 Carpet (Rolled) 125 Bed - Queen Size (Mattress/Pillow Top) 100 Chair ( Recliner) 125 Bed - Queen Size (Mattress/Standard) 75 Chair (Desk) 35 Bed - Queen Size (Set Rails) 10 Chair (Dining/Arms) 20 Bed - Twin Size (Boxspring) 50 Chair (Dining/No Arms) 15 Bed - Twin Size (Footboard) 15 Chair (Glider) 85 Bed - Twin Size (Headboard) 20 Chair (Occasional) 75 Bed - Twin Size (Mattress/Pillow Top) 75 Chair (Open Arm) 15 Bed - Twin Size (Mattress/Standard) 50 Chair (Overstuffed) 85 Bed - Twin Size (Set of Rails) 10 Chair (Papasan) 50 Bed Footboard (Full) 25 Chair (Rocker) 20 Bed Footboard (King) 45 Chair (Straight Back) 35 Bed Footboard (Queen) 35 Chair (Wing) 75 Bed Footboard (Twin) 15 Chaise Lounge 100 Bed Frame (Metal) 25 Chest 75 CONTINUED . -
Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5
MSDS for #23884 - ALEENES TACKY GLUE Page 1 of 5 Item Numbers: 23884-1004, 23884-1008 Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5 Item Numbers: 23884-1004, 23884-1008 Page 2 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 3 of 5 Item Numbers: 23884-1004, 23884-1008 Page 3 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 4 of 5 Item Numbers: 23884-1004, 23884-1008 Page 4 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 5 of 5 Item Numbers: 23884-1004, 23884-1008 Page 5 of 5 MATERIAL SAFETY DATA SHEET Issue Date: 01/16/2008 ========================================================================================================== SECTION I - PRODUCT IDENTIFICATION ------------------------------------------------------------------------------------------------------------------------------------------------ Product Name: Anita’s Acrylic Yard & Garden Craft Paint Product Nos: 11801- 11832 Product Sizes: 2 fl. oz, 8 fl. oz. Product Class: Water Based Paint ========================================================================================================== SECTION II - HAZARDOUS INGREDIENTS ------------------------------------------------------------------------------------------------------------------------------------------------ None ========================================================================================================== SECTION III - PHYSICAL & CHEMICAL DATA ------------------------------------------------------------------------------------------------------------------------------------------------ -
Ballpoint Basics 2017, Ballpoint Pen with Watercolor Wash, 3 X 10
Getting the most out of drawing media MATERIAL WORLD BY SHERRY CAMHY Israel Sketch From Bus by Angela Barbalance, Ballpoint Basics 2017, ballpoint pen with watercolor wash, 3 x 10. allpoint pens may have been in- vented for writing, but why not draw with them? These days, more and more artists are decid- Odyssey’s Cyclops by Charles Winthrop ing to do so. Norton, 2014, ballpoint BBallpoint is a fairly young medium, pen, 19½ x 16. dating back only to the 1880s, when John J. Loud, an American tanner, Ballpoint pens offer some serious patented a crude pen with a rotat- advantages to artists who work with ing ball at its tip that could only make them. To start, many artists and collec- marks on rough surfaces such as tors disagree entirely with Koschatzky’s leather. Some 50 years later László disparaging view of ballpoint’s line, Bíró, a Hungarian journalist, improved finding the consistent width and tone Loud’s invention using quick-drying of ballpoint lines to be aesthetically newspaper ink and a better ball at pleasing. Ballpoint drawings can be its tip. When held perpendicular to composed of dense dashes, slow con- its surface, Bíró’s pen could write tour lines, crosshatches or rambling smoothly on paper. In the 1950s the scribbles. Placing marks adjacent to one Frenchman Baron Marcel Bich pur- another can create carefully modu- chased Bíró’s patent and devised a lated areas of tone. And if you desire leak-proof capillary tube to hold the some variation in line width, you can ink, and the Bic Cristal pen was born. -
A Simple, Inexpensive and Multi-Scale 3-D Fluorescent Test Sample for Optical Sectioning Microscopiesa
bioRxiv preprint doi: https://doi.org/10.1101/2021.04.27.441588; this version posted April 27, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder. All rights reserved. No reuse allowed without permission. Olevsko*, Szederkenyi*, et al. (2021) 3-D fluorescent test sample A simple, inexpensive and multi-scale 3-D fluorescent test sample for optical sectioning microscopiesa Short title: 3-D fluorescent test sample Ilya Olevsko,1* Kaitlin Szederkenyi,2,3,* Jennifer Corridon,4,5 Aaron Au,3 Brigitte Delhomme,2 Thierry Bastien, 4,6 Julien Fernandes,7 Christopher Yip,3 Martin Oheim,2,4,5, ✉ and Adi Salomon,1,2,, ✉ 1 Institute of Nanotechnology and Advanced Materials (BINA), Department of Chemistry, Bar-Ilan University, Ramat-Gan, 52900 Israel; 2 Université de Paris, CNRS, SPPIN - Saints-Pères Paris Institute for the Neurosciences, F-75006 Pa- ris, France; 3 University of Toronto, Donnelly Centre for Cellular & Biomolecular Research, 160 College St, To- ronto, ON M5S 3E1, Canada; 4 Université de Paris, CNRS UMS 2009, INSERM US 36, BioMedTech Facilities, Campus Saint Ger- main, F-76006 Paris, France; 5 Université de Paris, Service Commun de Microscopie (SCM), Campus Saint Germain, F-76006 Paris, France; 6 Université de Paris, Plateforme de Prototypage, Campus Saint Germain, F-76006 Paris, France; 7 UTechS Photonic BioImaging, C2RT, Institut Pasteur, F-75015 Paris, France. *Co-first authors ✉Address correspondence either to Prof. Adi Salomon, Bar Ilan University, Dept. of Chemistry, Institute of Nanotechnology and Ad- vanced Materials (BINA). Website: https://www.lab-salomon.com, e-mail: [email protected], or Dr. -
Motion and Context Sensing Techniques for Pen Computing
Motion and Context Sensing Techniques for Pen Computing Ken Hinckley1, Xiang ‘Anthony’ Chen1,2, and Hrvoje Benko1 * Microsoft Research, Redmond, WA, USA1 and Carnegie Mellon University Dept. of Computer Science2 ABSTRACT We explore techniques for a slender and untethered stylus prototype enhanced with a full suite of inertial sensors (three-axis accelerometer, gyroscope, and magnetometer). We present a taxonomy of enhanced stylus input techniques and consider a number of novel possibilities that combine motion sensors with pen stroke and touchscreen inputs on a pen + touch slate. These Fig. 1 Our wireless prototype has accelerometer, gyro, and inertial sensors enable motion-gesture inputs, as well sensing the magnetometer sensors in a ~19 cm Χ 11.5 mm diameter stylus. context of how the user is holding or using the stylus, even when Our system employs a custom pen augmented with inertial the pen is not in contact with the tablet screen. Our initial results sensors (accelerometer, gyro, and magnetometer, each a 3-axis suggest that sensor-enhanced stylus input offers a potentially rich sensor, for nine total sensing dimensions) as well as a low-power modality to augment interaction with slate computers. radio. Our stylus prototype also thus supports fully untethered Keywords: Stylus, motion sensing, sensors, pen+touch, pen input operation in a slender profile with no protrusions (Fig. 1). This allows us to explore numerous interactive possibilities that were Index Terms: H.5.2 Information Interfaces & Presentation: Input cumbersome in previous systems: our prototype supports direct input on tablet displays, allows pen tilting and other motions far 1 INTRODUCTION from the digitizer, and uses a thin, light, and wireless stylus. -
France Invades the 1961 White House
France Invades the 1961 White House Christopher Early East Carolina University Visual Arts and Design Faculty Mentor Hunt McKinnon East Carolina University Throughout its history, America‟s White House has undergone many changes through its many administrations. While a select few presidents worked to improve it, most others merely neglected it. No one, however, worked harder in restoring the White House interior than Jacqueline Kennedy, wife of President John F. Kennedy, who occupied the Executive Mansion from January 1961 until November 1963. Soon after Kennedy‟s election to the presidency in November 1960, a pregnant Jacqueline Kennedy visited the White House, as per protocol, and was given a tour of her soon-to-be-home by the outgoing First Lady, Mamie Eisenhower. “Jackie‟s first visit to the White House was her coming-out party as the next first lady.” 1 After viewing the condition of the White House, Mrs. Kennedy was appalled by its drab furniture and design. She was shocked that the White House interior, that of America‟s preeminent home, had been so woefully decorated. To her, it was nothing short of a national disgrace. Soon after taking up residence in the White House, both the President and his First Lady were struck by how depressing, drab, and tasteless the home appeared. Furniture in rooms did not match with each other, nor did paintings adorning the walls. There were no unifying themes in individual rooms or the mansion as a whole. “To her dismay she found the upstairs family quarters decorated with what she called „early Statler‟; it was so cheerless and undistinguished it wasn‟t even worthy of a second-class hotel. -
Computer Desk Design for Education
Shaping conferencing and education sm Subject: Computer Desks for Education Computer desks for education differ from those designed for home of office. In the home, a computer desk might resemble a nice hutch, so it blends with the design scheme of the rest of the home furnishings. Ergonomics are usually secondary to the need to hide the computer when not in use. In the office, The computer desk is treated as an ergonomic cockpit. The design assumption is that the user will stay seated for many Showroom / Studio hours in a productive, engaged, state, and the physical stamina to do this is supported by 514-F Progress Drive idealized, relaxed body posture. Linthicum, MD 21090 Video IP: The computer classroom desk meets these criteria: 24.35.10.114 T 800 770 7042 • Multi-Use. Computer Desks must support computer activity, then convert to support M 410 916 4378 other teaching methods and activities that do not involve computers. flipIT® Computer F 8 7 7 6 2 0 7 4 11 Desks and Laptop Desks meet this point by rotating the screen or laptop to a position [email protected] under the desktop. The FP Series Computer Desk does the by simply providing enough [email protected] www.smartdesks.com desktop space for the LCD and text materials to be used simultaneously or alternately. The DT Series Computer Desk might use a monitor arm to accomplish this, as well. The MV Series Computer Desk uses a glass window to view the LCD. (Caveat: overhead lighting and glass tops don’t work together well—too much glare). -