The Architectural Context of Carlyle House by Susan Hellman
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Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
A Short History of Georgian Architecture
A SHORT HISTORY OF GEORGIAN ARCHITECTURE Georgia is situated on the isthmus between the Black Sea and the Caspian Sea. In the north it is bounded by the Main Caucasian Range, forming the frontier with Russia, Azerbaijan to the east and in the south by Armenia and Turkey. Geographically Georgia is the meeting place of the European and Asian continents and is located at the crossroads of western and eastern cultures. In classical sources eastern Georgia is called Iberia or Caucasian Iberia, while western Georgia was known to Greeks and Romans as Colchis. Georgia has an elongated form from east to west. Approximately in the centre in the Great Caucasian range extends downwards to the south Surami range, bisecting the country into western and eastern parts. Although this range is not high, it produces different climates on its western and eastern sides. In the western part the climate is milder and on the sea coast sub-tropical with frequent rains, while the eastern part is typically dry. Figure 1 Map of Georgia Georgian vernacular architecture The different climates in western and eastern Georgia, together with distinct local building materials and various cultural differences creates a diverse range of vernacular architectural styles. In western Georgia, because the climate is mild and the region has abundance of timber, vernacular architecture is characterised by timber buildings. Surrounding the timber houses are lawns and decorative trees, which rarely found in the rest of the country. The population and hamlets scattered in the landscape. In eastern Georgia, vernacular architecture is typified by Darbazi, a type of masonry building partially cut into ground and roofed by timber or stone (rarely) constructions known as Darbazi, from which the type derives its name. -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
1 Dataset Illustration
1 Dataset Illustration The images are crawled from Wikimedia. Here we summary the names, index- ing pages and typical images for the 66-class architectural style dataset. Table 1: Summarization of the architectural style dataset. Url stands for the indexing page on Wikimedia. Name Typical images Achaemenid architecture American Foursquare architecture American craftsman style Ancient Egyptian architecture Art Deco architecture Art Nouveau architecture Baroque architecture Bauhaus architecture 1 Name Typical images Beaux-Arts architecture Byzantine architecture Chicago school architecture Colonial architecture Deconstructivism Edwardian architecture Georgian architecture Gothic architecture Greek Revival architecture International style Novelty 2 architecture Name Typical images Palladian architecture Postmodern architecture Queen Anne architecture Romanesque architecture Russian Revival architecture Tudor Revival architecture 2 Task Description 1. 10-class dataset. The ten datasets used in the classification tasks are American craftsman style, Baroque architecture, Chicago school architecture, Colonial architecture, Georgian architecture, Gothic architecture, Greek Revival architecture, Queen Anne architecture, Romanesque architecture and Russian Revival architecture. These styles have lower intra-class vari- ance and the images are mainly captured in frontal view. 2. 25-class dataset. Except for the ten datasets listed above, the other fifteen styles are Achaemenid architecture, American Foursquare architecture, Ancient Egyptian architecture, -
Course Description
American Studies 308, Section 1 American Studies Program, Penn State Harrisburg Fall Semester 2015 Days/Times: MWF 10:10-11 am Location: TBD Instructor: Caitlin Black Primary Email: [email protected] Primary Phone: (717) 948-6020 Office Location and Hours: TBD Course Description This course examines the styles, structures, and concepts of American architecture from Native American roots to modern “green” buildings. Through readings, images, and film, students will learn to identify major architectural styles and will become familiar with important buildings, communities, and movements in American architectural history and material culture. Students will consider the social and political connection of architecture to American experience and ideas. When possible, this course focuses on local examples to illuminate national trends over time. Course Objectives 1. Students will be able to identify key buildings, movements, and figures in American architecture. 2. Students will be able to interpret primary sources (such as maps, photographs, and drawings) used to understand American architecture. 3. Students will learn to understand and use architecture as form of evidence when analyzing themes and events. 4. Students will develop the tools to analyze aspects of American architecture in their social and political contexts and interpret changes over time. Required Texts The following texts are available at the Campus Bookstore. Mark Gelernter, A History of American Architecture (Hanover, NH: University Press of New England, 1999). ISBN: 978-1584651369. Erik Larson, The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America (New York: Crown Publishers, 2003). ISBN: 978-0375725609. (Ebook also available) Daisy M. Myers, Sticks’n Stones: The Myers Family in Levittown (New York: New York Heritage Trust, 2005). -
The Role of Family Portraiture at the Carlyle
Carlyle House February 2008 D OCENT D ISPATCH Northern Virginia Regional Park Authority Status Preserved and Defined: The Role of Family Portraiture at the Carlyle House by Philippe Halbert Among the most tangible links to the eighteenth century in the Carlyle House collection today are the “3 family pictures” listed between a collection of looking glasses and prints on John Carlyle’s 1780 inventory. Although they were never guests of their American family in Alexandria, William, Rachel, and George Carlyle nonetheless play an important role in our understanding of the life of John Carlyle. In addition to simply providing “faces” to go with the names, their portraits also serve to illustrate the role of family portraiture among the provincial elite. As can be imagined, the ordinary Virginian of the colonial period could not afford to commission a portrait. The collection of three displayed in his fine Mr. and Mrs. Atherton by Arthur Devis, oil on canvas, ca. 1743 high Georgian-Palladian home, in addition to his painted in the colonies and sent to Great Britain, whitewashing interior spaces. Because of their demonstrate Carlyle’s aspirations towards gentility “illuminating” work, they were often referred to and a means by which he meant to convey his status as limners. Although they did not usually sign in the New World as well as the Old. their work, many examples of the limner’s trade survive, such as a series of portraits of the émigré The tradition of portrait-painting in the Huguenot Jacquelin-Ambler family of Jamestown American colonies had its origins in British practice painted ca. -
Colonial Revival Architecture
FYS 100 HE: Landmarks and Legends: Learning Local History Shannon Clarke Professor Benowitz 1 December 2017 Colonial Revival Architecture Most Colonial Revival style houses have a rectangular shape and are normally one to two stories tall.1 They tend to have a medium pitch side-gable roof with narrow eaves, but in some cases a hipped roof and dormers are present.2 The buildings are symmetrical with a large door in the center of the house and have multi-pane windows, which are double hung.3 The centered door is accented with columns, pilasters, pediment, and/or maybe hooded to create a covered porch.4 The door may also have a fanlight, sidelight, or maybe paneled.5 Brick or wood is most commonly used as siding and some other design elements include two-story pilasters, a portico or dentil trim under the eaves.6 The Colonial Revival style is one of the most classic building styles. It is stately and distinguished, which show the owners are people with solid center and traditional values.7 The common Colonial Revival style building is symmetric and each side is a mirror image of the other. Typically decorative elements are restrained and drawn from Greek and Roman architecture.8 In the 1890s, when the Colonial Revival period of architecture was started, it could be found everywhere. One of the big influences that helped the style spread was the World’s Columbian Exposition in Chicago, which influenced architects everywhere to have an appreciation for classical architecture when they left.9 The Georgian style of the Colonial Revival period was one version of the design. -
Alexandria Wellbeing Gazette Packet Page 26 25 Cents Serving Alexandria for Over 200 Years • a Connection Newspaper July 5, 2012
Alexandria Wellbeing Gazette Packet Page 26 25 Cents Serving Alexandria for over 200 years • A Connection Newspaper July 5, 2012 Photos by Photos Louise Krafft /Gazette Packet The force of the June 29 storm is evident on Gunston Road and Martha Custis Drive in Parkfairfax. Powerless Too much wind, too much heat, not enough electricity. s of Monday morning, Four cooling stations opened as July 2, power returned of Saturday morning. By Sunday Ato 11,000 locations in afternoon, all public pools, recre- Alexandria, leaving ation centers, and libraries were 23,000 without electricity. open except for Flora Krause Casey City officials could not put a Health Center, Ellen Coolidge number to the amount of traffic Burke Branch Library and Patrick lights without power, but assured Henry Recreation Center. that progress was being made. Members of the city’s health, However, there were fewer road police, and fire departments sta- closings on Sunday than Monday, tioned themselves at nursing as city crews were closing streets homes and locations with large to pick up debris. See Storm's Wind, Page 6 Alexandria, VA 22314 VA Alexandria, To: 1604 King St., King 1604 To: ted Address Service Reques Service Address material. Time-sensitive Postmaster: Attention Permit #482 Permit Alexandria, VA Alexandria, PAID U.S. Postage U.S. 200 block of N. West Street. 300 block of Mansion Drive. STD PRSRT www.ConnectionNewspapers.com Alexandria Gazette Packet ❖ July 5-11, 2012 ❖ 1 2 ❖ Alexandria Gazette Packet ❖ July 5-11, 2012 www.ConnectionNewspapers.com Alexandria Gazette Editor Steven Mauren 703-778-9415 or [email protected] News Briefs News Gorsuch Re-Elected School Board Chairman by Photos At its organizational meeting on July 2, the Ale School Board voted to re-elect Sheryl Gorsuch as chairman and Helen Morris Montie Martin as vice chairman for the remain- der of 2012. -
Alexandria and Belhaven a Case of Dual Identity
City of Alexandria Office of Historic Alexandria Alexandria Archaeology Studies of the Old Waterfront Alexandria and Belhaven A Case of Dual Identity By Diane Riker © 2009 We returned down the river about 16 miles to Alexandria or Belhaven, a small trading place in one of the finest situations imaginable. Archdeacon Burnaby, October 17591 For the first dozen years of its history, Alexandria, Virginia, was a town with two names. The majority of those who lived, worked and visited here on the crescent bay by the Potomac knew it as Alexandria, while some of its most prominent citizens called it Belhaven. Others, including mapmakers and the visiting archdeacon quoted above, accepted the difference and used both names. More than a century after the initial sales of Alexandria lots took place in mid-July 1749, the first comprehensive history of the town was written. Its author, William F. Carne, claimed that Belhaven had predated Alexandria by at least a decade. In his series of articles published in the Alexandria Gazette in the 1870s and 1880s,2 Carne described a bustling little community of merchants and their families residing at the river end of Oronoco Street as early as the 1730s. In an otherwise estimable work, it was a questionable theory. But it proved contagious. Numerous historians have adopted this view. Which came first: Alexandria or Belhaven? This paper will attempt to disentangle fact from fantasy. Earliest References to Alexandria Among the George Washington papers in the Library of Congress is a half page of smudgy and hurried script, the output perhaps of someone taking notes out of doors. -
Ancient with Modern Course Handbook Urban Design: Ancient with Modern Urban Design: Ancient with Modern
Urban Design: Ancient with Modern Course Handbook Urban Design: Ancient with Modern Urban Design: Ancient with Modern Teaching Institution: Chelsea College of Arts Credits: 3 Class Hours: 5 hours/week for 10 weeks Tutor: George Rome Innes Course Outline Assessment This module will take place outside college, in the city. You Final project (100%) will see great buildings, important interiors and unique treasures. Each session’s visit will be recorded in your diary, Project as photographs,sketches and notes. Consider how the Critical Commentary buildings we see were constructed with the technology of their time, consider the use of materials. Look at the Choose two buildings where new uses have been processes used in making furniture and smaller artefacts. implemented or new additions built within the past twenty years. Think of who used the buildings, who uses them now and why? Choose one you consider to be successful design and one you consider to be unsuccessful. How do you feel modern and ancient work together in each case? They should be buildings that you yourself have seen, but the choice of buildings and the opinions are entirely Aims yours. This course will provide you with: Where appropriate look at planning, circulation, lighting and ambience. • To introduce the students to the History of Western Art, Architecture and Design Concentrate on details, junctions where one material meets another. Look at the suitability of materials. • To engender a critical understanding of how old and new design can work together This is to be presented on A4 sheets (one sided) as a visual commentary with annotated illustrations. -
Ahs Chronicles 2B.Qxp
Editor: Linda Greenberg Spring 2006 Reaching for the Channel: Some Documentary and Archaeological Evidence of Extending Alexandria’s Waterfront By Steven J. Shephard, Ph.D., RPA Assistant City Archaeologist, Alexandria, Virginia If somehow we could go back in time and sail up West’s Hunting Creek Warehouse (Harrison the Potomac in 1748, arriving at the site that would 1987:II:405; Smith and Miller 1989:14). From this become Alexandria, we would find an incredibly dif- point a crescent bay curved south to another headland, ferent place than we see today — not just due to the Point Lumley (the foot of current Duke Street), named growth of the city, but to major changes in topography. for “a certain Capt. Lumney [sic] whose vessel used to Approaching the shore, the tall banks would be lay along there” (Thomas Graffort, 1789, in Miller impressive, and there would be a crescent bay lying 1987:4) . between the two projecting headlands. The one to the The land rose abruptly from the flats to a height north was West’s Point, where a rough road cut of fifteen or twenty feet and the only road cutting through the bank down to a little wharf area (the foot down to the wharf was Oronoco, the terminus of the of current Oronoco Street). On the banks were a scat- tobacco Rolling Road coming from the west. Travelers tering of wooden structures, a house, a tavern or “ordi- visiting the early town remarked on the loftiness of the nary,” and two larger tobacco warehouses. This was banks. These banks were probably overgrown with one of the official tobacco inspection stations author- vegetation and the flats were dry enough to build ized by Governor Gooch’s act of 1730 known as Hugh structures on. -
An Overview of Corey A
Alexandria Fire Department, City of Alexandria in the Commonwealth of Virginia An Overview of Corey A. Smedley Fire & EMS Chief The City of Alexandria AND The Alexandria Fire Department City Manager Mark B. Jinks Mayor Justin Wilson Alexandria Fire Department, City of Alexandria in the Commonwealth of Virginia City of Alexandria Corey A. Smedley Fire & EMS Chief Area Total: 15.35 sq. mi. | Land – 14.93 sq. mi. Water – .41 sq. mi. Borders West: Fairfax County, VA Borders North: Arlington County, VA Borders South: Fairfax County, VA Borders East: Potomac River Prince George’s County, MD Borders Northeast: Washington, DC Alexandria Fire Department, City of Alexandria in the Commonwealth of Virginia The City of Alexandria is Home to: Corey A. Smedley Fire & EMS Chief George Washington Gadsby’s Tavern Museum John Carlyle House Masonic National Memorial The two, 18th-century taverns that The 18th-century historic house make up Gadsby’s Tavern Museum museum in Old Town was A repository of many capture the changing landscape of completed in 1753 by John Carlyle, artifacts and the history the early United States. Visitors can a founder of Alexandria. of American Freemasons, learn about that complex time the Memorial remains a through tours, programs, and lasting monument to special events. George Washington. Alexandria Fire Department, City of Alexandria in the Commonwealth of Virginia The City of Alexandria is Home to: Corey A. Smedley Fire & EMS Chief National Science Alexandria City Hall Torpedo Factory Foundation HQ Founded in 1974 in an old munitions plant, Torpedo Factory Art Center is home to the nation’s largest number of publicly accessible working artist studios under one roof.