The Charlie Daniels Band

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22 FOR IMMEDIATE RELEASE JULY 24, 2012 BOULEVARD CASINO PRESENTS THE CHARLIE DANIELS BAND LIVE AT THE RED ROBINSON SHOW THEATRE SATURDAY, OCTOBER 27 Coquitlam, BC – Singer-songwriter Charlie Daniels has been performing for well over fifty years. His rebel anthems, “Long Haired Country Boy” and “The South’s Gonna Do It” propelled his 1975 collection, Fire on the Mountain to Double Platinum status. In 1979, Daniels and The Charlie Daniels Band won a Grammy Award in for their chart-busting hit, “The Devil Went Down to Georgia” which went on to be featured on the soundtrack for the film, Urban Cowboy. The band’s music knows no genre having scored hits on the country, rock and pop charts … hits including “Uneasy Rider”, “In America”, “The Legend of Wooley Swamp” and “Still in Saigon”. Their most recent album, Land That I Love – a compilation of Daniels’ former patriotic work along with two new songs – was released in 2010. In addition to their Grammy Award, they have also earned awards from the Academy of Country Music, the Country Music Association and the Gospel Music Association. Daniels is a proud member of the Grand Ole Opry as well as having been inducted into the Musicians Hall of Fame. He also received a star on Music City’s Walk of Fame. The Charlie Daniels Band still enjoy performing to sold-out audiences throughout North America and will be appearing at Boulevard Casino’s Red Robinson Show Theatre for one night only on October 27, 2012. TICKETS ON SALE THURSDAY, JULY 26 @ 10:00 AM DOORS 7:00 PM SHOW 8:00 PM Tickets: Orchestra $39.50 & Golden Circle $49.50 (+ Service Charges) Tickets available at all Ticketmaster Outlets or charge-by-phone 1-855-985-5000 or order on-line at www.ticketmaster.ca For media inquiries, please contact: Donnie Gordon - Manager, Entertainment Publicity & Promotions TEL: (604) 247-4127 FAX: (604) 247-8587 [email protected] .

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Discography 2016
The Charlie Daniels Band Discography 2016 Night Hawk CDC Records BFD066 2015 The CDB Live at Billy Bob's dvd/cd Smith Music 5075-2 2014 Off The Grid - Doin' It Dylan Blue Hat BLH 9716 2013 Hits of the South Blue Hat/RED BLH9713 2012 Hallelujah It's Christmas Time Again Blue Hat/Buffet's Inc. BLH9712 2011 Let 'Em Win or Bring 'Em Home (single) Hopesong Digital-GMV BLH-SGL-2011 2010 Land That I Love Blue Hat/E1 Ent E1E-CD-2323 2009 Charlie Daniels & Friends Joy to the World Blue Hat/E1 Ent KOC-CD4754 2008 Preachin', Prayin', Singin' Blue Hat / Koch KOC-DV 4241 2007 Deuces Blue Hat / Koch KOC-CD 4239 2007 Volunteer Jam # Eagle Eye Media EE 39150-9 2007 Live From Iraq Blue Hat / Koch KOC-CD 4240 2006 Charlie Daniels-The Ultimate Collection Sparrow/EMI 73849 2005 Country Stars N' Stripes Cracker Barrel 240601 2005 Tailgate Party (re-release) Blue Hat / Koch KOC-CD 9854 2005 CDB DVD Live # Blue Hat / Koch KOC-DV 9886 2005 Fiddle Fire (re-release) Blue Hat / Koch KOC-CD 9855 2005 Charlie Daniels/Songs From The Longleaf Pines Blue Hat / Koch KOC-CD-9823 2004 Essential Super Hits Blue Hat/Koch KOC-CD-9818 2003 Freedom and Justice for All Blue Hat / Audium AUD-CD 8188 2002 A Merry Christmas To All Blue Hat / Audium AUD-CD-8163 2002 Redneck Fiddlin' Man Blue Hat / Audium AUD-CD-8159 2002 The Ultimate Charlie Daniels Band Epic / Legacy 86456 2001 How Sweet The Sound Sparrow SPD 51908 2001 The Live Album Blue Hat / Audium AUD-8133 2000 Road Dogs Blue Hat BLH 9711 1999 Volunteer Jam-Live Performance.Vol 1 & Vol 2 Blue Hat BLH 9704/9705 1999 Tailgate
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Y 2 0 ANDRE MALRAUX: the ANTICOLONIAL and ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University Of
Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Cruz, Richard A., Andre Malraux: The Anticolonial and Antifascist Years. Doctor of Philosophy (History), May, 1996, 281 pp., 175 titles. This dissertation provides an explanation of how Andr6 Malraux, a man of great influence on twentieth century European culture, developed his political ideology, first as an anticolonial social reformer in the 1920s, then as an antifascist militant in the 1930s. Almost all of the previous studies of Malraux have focused on his literary life, and most of them are rife with errors. This dissertation focuses on the facts of his life, rather than on a fanciful recreation from his fiction. The major sources consulted are government documents, such as police reports and dispatches, the newspapers that Malraux founded with Paul Monin, other Indochinese and Parisian newspapers, and Malraux's speeches and interviews. Other sources include the memoirs of Clara Malraux, as well as other memoirs and reminiscences from people who knew Andre Malraux during the 1920s and the 1930s. The dissertation begins with a survey of Malraux's early years, followed by a detailed account of his experiences in Indochina.
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Charlie Daniels Bio
CHARLIE DANIELS BIO Charlie Daniels is partly Western and partly Southern. His signature “bull rider” hat and belt buckle, his lifestyle on Twin Pines Ranch (a boyhood dream come true), his love of horses, cowboy lore and the heroes of championship rodeo, Western movies, and Louis L’Amour novels, identify him as a Westerner. The son of a lumberjack and a Southerner by birth, his music - rock, country, bluegrass, blues, gospel — is quintessentially Southern. It hasn’t been so much a style of music, but more the values consistently reflected in several styles that have connected Charlie Daniels with millions of fans. For decades, he has steadfastly refused to label his music as anything other than “CDB music,” music that has been popularized on a variety of radio formats. Like so many great American success stories, the Charlie Daniels saga begins in rural obscurity. Born in 1936 in Wilmington, North Carolina, he was raised on a musical diet that included Pentecostal gospel, local bluegrass bands, and the rhythm & blues and country music emanating respectively from Nashville’s 50,000-watt mega broadcasters WLAC and WSM. While enroute to California in 1959 the group paused in Texas to record “Jaguar,” an instrumental produced by the Bob Johnston, which was picked up for national distribution by Epic. The two wrote “It Hurts Me,” which became the B-side of a 1964 Presley hit. In 1969, Daniels moved to middle Tennessee to find work as a session guitarist in Nashville. Among his more notable sessions were the Bob Dylan albums of 1969-70 Nashville Skyline, New Morning, and Self Portrait.
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Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards.
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“Uneasy Rider” by Charlie Daniels Band
“Uneasy Rider” by Charlie Daniels Band I was takin’ a trip out to LA, Toolin’ along in my Chevrolet Tokin’ on a number and diggin’ on the radio Jes’ as I cross the Mississippi line I heard that highway start to whine And I knew that left rear tire was about to go Well the spare was flat and I got uptight ‘Cause there wasn’t a fillin’ station in sight So I jes’ limped down the shoulder on the rim I went as far as I could and when I stopped the car It was right in front of this little bar A kind of a redneck lookin’ joint called the Dew Drop Inn Well I stuffed my hair up under my hat And told the bartender that I had a flat And would he be kind enough to give me change for a one There was one thing I was sure proud to see There wasn’t a soul in the place ‘cept for him an’ me And he just looked disgusted an’ pointed toward the telephone I called up the station down the road a ways And he said he wasn’t very busy t’day And he could have somebody there in jest ‘bout ten minutes or so He said now you jes’ stay right where yer at and I didn’t bother Tellin’ the durn fool I sure as hell didn’t have anyplace else to go I jes ordered up a beer and sat down at the bar When some guy walked in an’ said who owns this car With the peace sign the mag wheels and four on the floor Well he looked at me and I damn near died And I decided that I’d jus wait outside So I layed a dollar on the bar and headed for the door Jes’ when I thought I’d get outta there with my skin These five big dude come strollin’ in With this one old drunk chick and some fella with
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CHARLIE DANIELS BAND “Live at Rockpalast”
CHARLIE DANIELS BAND “Live At Rockpalast” Elisabeth Richter Hildesheimer Straße 83 30169 Hannover GERMANY Tel.: 0049‐511‐806916‐16 Fax: 0049‐511‐806916‐29 Cell: 0049‐177‐7218403 Release: 30.03.2012 elisabeth.richter@mig‐music.de CD Kat. Nr.: MIG 90462 www.mig‐music.de Barcode: 885513904621 Format: 1 CD Jewel Genre: Southern Rock In 1977, the West German broadcasting corporation WDR set a milestone in show biz with the very first Rockpalast night which has been trendsetting to this day – an all-night marathon rock show aired live on TV, free of all restraints. Right from the beginning, the makers of Rockpalast had a soft spot for featuring musicians who were little known in Germany but who were top acts in their home countries, in most cases, the US. Charlie Daniels was one of them. In autumn 1980, he and his band played a single concert at Westfalenhalle in Dortmund, Germany. Charlie was born in 1936 in North Carolina which he left for Nashville, Tennessee, at the end of the 1960s. There he worked as a session musician and played on several Bob Dylan albums and some recordings by Leonhard Cohen. In 1970 he released his debut solo album, entitled Charlie Daniels. His first Charlie Daniels Band album Honey in the Rock followed in 1972. This excellent piece of work already indicated the musical direction the band would take in the following years: southern rock with distinct borrowings from country music. Charlie Daniels’ Rockpalast concert at Westfalenhalle, now released the first time on DVD and CD, opens with one of this album’s songs, ”Funky Junky“, a sweeping and swinging song which wins the audience over right away.
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Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
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Charlie Daniels — Bio
Charlie Daniels — Bio From his Dove Award winning gospel albums to his genre- defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 81, Charlie has parlayed his passion for music into a multi- platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing on the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards.
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SENATE JOINT RESOLUTION 1079 by Beavers a RESOLUTION To
SENATE JOINT RESOLUTION 1079 By Beavers A RESOLUTION to honor and recognize the musical contributions of Charlie Daniels. WHEREAS, it is appropriate that the members of this General Assembly should pause to pay tribute to those noteworthy Tennesseans who, through their extraordinary musical talents, have earned the universal respect of their peers and fans; and WHEREAS, throughout its illustrious history, Tennessee has been blessed with many exemplary citizens who have made significant contributions to the field of country and popular music; and WHEREAS, one such outstanding musician who has become a permanent fixture of American music is Mr. Charlie Daniels; and WHEREAS, his countless contributions were deservingly recognized in March of 2008, when Charlie Daniels gathered with friends and family in a special reception at BMI’s Music Row offices in Nashville to celebrate Mr. Daniels’s fifty-year anniversary in the music industry; and WHEREAS, hosted by BMI’s Vice-President of Writer/Publisher Relations, Judy Williams, the event included presentations and recognitions from Nashville Mayor Karl Dean; Gaylord Entertainment’s Senior Vice-President of Media and Entertainment, Steve Buchanan, on behalf of the Grand Ole Opry; Mr. Daniels’s longtime manager and President of Blue Hat Records, David Corlew; and from other prominent figures, both in the music industry and in Charlie Daniels’s life; and WHEREAS, the presenters recognized Mr. Daniels’s considerable musical and humanitarian achievements, such as his dedication and unwavering support of the men and women of the United States Armed Forces, the historical and cultural impact of his Volunteer Jam concerts, and his unparalleled legacy as both a musician and songwriter; and SJR1079 01799151 -1- WHEREAS, this year has been very eventful for Charlie Daniels; after receiving an invitation to join the Grand Ole Opry from Martina McBride in November of 2007, Mr.
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Suggesting Songs for Media Creation Using Semantics
2010 International Conference on Pattern Recognition Suggesting Songs for Media Creation Using Semantics Dhiraj Joshi, Mark. D. Wood, Jiebo Luo Eastman Kodak Research Laboratories {dhiraj.joshi, mark.d.wood, jiebo.luo}@kodak.com Abstract task, as the amount of candidate content can easily In this paper, we describe a method for matching song number into the thousands. We describe a method to lyrics with semantic annotations of picture collections assist people in selecting appropriate songs to in order to suggest songs that reflect picture content in accompany their multimedia creations. Inference is lyrics or genre. Picture collections are first analyzed to performed using a combination of visual content and extract a variety of semantic information including geographical information of pictures. scene type, event type, and geospatial information. While music retrieval from audio features has been When aggregated over a picture collection, this studied in the information retrieval community [8], the semantic information forms a semantic signature of the problem of associating music with pictures is still open. collection. Typical picture collections in our scenario Previous work has considered limited aspects of the consist of photo subdirectories in which people store problem. In [1], the authors extract semantic concepts pictures of a place, activity, or event. Picture from the lyrics of songs and generate search terms from collections are expected to contain coherent semantic those concepts to identify appropriate pictures from content describing in part or whole the event or activity online sources to go with the lyrics in order to produce they depict. The semantic signature of a picture a music video.
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Vietnam Songs 1960’S-1970’S
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Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
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