Wide Band Color CCD Spectral Estimation the RGB Contribution Matrix for the MX7C Raw Mode Is Given in Eq
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Auroral Spectral Estimation with Wide-Band Color Mosaic Ccds
Manuscript prepared for Geosci. Instrum. Method. Data Syst. with version 4.2 of the LATEX class copernicus.cls. Date: 2 April 2014 Auroral spectral estimation with wide-band color mosaic CCDs Brian J. Jackel1, Craig Unick1, Mikko T. Syrjasuo¨ 2, Noora Partamies3, James A. Wild4, Emma E. Woodfield5, Ian McWhirter6, Elizabeth Kendall7, and Emma Spanswick1 1Physics and Astronomy Department, University of Calgary, Canada 2School of Electrical Engineering, Aalto University, Finland 3Finnish Meteorological Institute, Helsinki, Finland 4Department of Physics, Lancaster University, United Kingdom 5British Antarctic Survey, Cambridge, United Kingdom 6Department of Physics and Astronomy, University College London, United Kingdom 7SRI International, Menlo Park, California, USA Correspondence to: Brian Jackel [email protected] Abstract. ::::::Optical::::::aurora :::can:::be ::::::::structured::::over::a::::wide::::::range ::of::::::spatial :::and::::::::temporal:::::scales:::::with ::::::spectral:::::::features::::that:::::::depend ::on:::the:::::::energy ::of:::::::::::precipitating ::::::::particles. :::::::::Scientific ::::::studies::::::::typically :::::::combine::::data::::from::::::::multiple ::::::::::instruments :::::which:::are:::::::::::individually ::::::::optimized:::for:::::::spatial,:::::::spectral,:::or :::::::temporal:::::::::resolution.::::One::::::recent :::::::addition ::::::::combines::::::all-sky:::::optics::::with:::::color::::::mosaic:::::CCD::::::::detectors 5 :::::which:Color mosaic CCDs use a matrix of different wide-band -
Under Neon Rainbows by Reggie Davis
Under Neon Rainbows by Reggie Davis Based on, West of Fifth Street The Children of San Francisco Skid Row By Reggie Davis MSW Name: Reggie Davis Address: 2428 Post St. #147 San Francisco, CA. 94115 Phone: 415.571.6101 COPYRIGHT (C) 2014 THIS SCREENPLAY MAY NOT BE USED OR REPRODUCED WITHOUT THE EXPRESS WRITTEN PERMISSION OF THE AUTHOR Under Neon Rainbows by Reggie Davis Based on, West of Fifth Street: The Children of San Francisco's Skid Row By Reggie Davis MSW Name: Reggie Davis Address: 2428 Post St. #147 San Francisco, CA. 94115 Phone: 415.571.6101 Copyright (c) 2014 This screenplay may not be used or reproduced without the express written permission of the author 2. EXT. SAN FRANCISCO TENDERLOIN CITYSCAPE -- ESTABLISHING -- NOON -- MONTAGE We HEAR the angry cacophony of the inner city streets, see its claustrophobic conditions, its hopeless yoke on the prowling PROSTITUTES, TYRANNIES, HUSTLERS, HARD-CORE JUNKIES cruising among decaying peep shows, adult sex shops, and massage parlors. Its in the middle of an overcast day, and VENUS a way to young prostitute is sleeping like a rock out in the open, during the day as a safety precaution - a bag of her personal belongings tightly grasped in her lap. By making herself vulnerable she finds an odd sort of protection that's known as "Natural Surveillance." The rain starts Venus is brought back to life. She slowly gets up and walks under an awning for shelter. She looks "beautifully" damaged. Someone whose life takes as hard as she gives. With the eyes you own when you've survived every war you've lived. -
Telescope from Wikipedia, the Free Encyclopedia
Rainbow From Wikipedia, the free encyclopedia For other uses, see Rainbow (disambiguation). Double rainbow and supernumerary rainbows on the inside of the primary arc. The shadow of the photographer's head on the bottom marks the centre of the rainbow circle (antisolar point). A rainbow is an optical and meteorological phenomenon that causes a spectrum of light to appear in the sky when the Sun shines on to droplets of moisture in the Earth's atmosphere. It takes the form of a multicoloured arc. Rainbows caused by sunlight always appear in the section of sky directly opposite the sun. In a so-called "primary rainbow" (the lowest, and also normally the brightest rainbow) the arc of a rainbow shows red on the outer (or upper) part of the arc, and violet on the inner section. This rainbow is caused by light being refracted then reflected once in droplets of water. In a double rainbow, a second arc may be seen above and outside the primary arc, and has the order of its colours reversed (red faces inward toward the other rainbow, in both rainbows). This second rainbow is caused by light reflecting twice inside water droplets. The region between a double rainbow is dark, and is known as "Alexander's band" or "Alexander's dark band". The reason for this dark band is that, while light below the primary rainbow comes from droplet reflection, and light above the upper (secondary) rainbow also comes from droplet reflection, there is no mechanism for the region between a double rainbow to show any light reflected from water drops. -
“She Comes in Colors”: a Portrait of Painter Sarah Cain
“She Comes in Colors”: A Portrait of Painter Sarah Cain BY ANDREW BERARDINI • FEATURES• MAY 10, 2017 Sarah Cain, "Leave Pile," 2007 (detail) This is the first entry in a new series titled “Portraits,” by Momus contributing editor Andrew Berardini. The project is an experiment: Berardini sits with various “figures around art” and casts them – as an artist would sketch – in shades of language befitting their singular selves. It is a series of meditations by the author on friends and strangers: many of whom are dear to him. He positions himself not as objective critic but something akin to Baudelaire’s “partial, passionate, political.” Portraits are not profiles, not biographies; they locate a moment, or a series of moments, which elucidate something evanescent in mid-flight. Meeting subjects at their métiers, among their friends, or alone in their homes; each offers a different kind of reflection. Some are grand, some are modest, some are close. Below, this first portrait of painter Sarah Cain finds her deeply ensconced in feral colors and scheming cats over an afternoon at her studio. The scene rings with an intimacy that would be deadened by flat description. With projects like this one, Momus hopes to mine criticism’s potential for new forms, beyond the traditional essay or review. We’d like to explore the possibility that the work of criticism inheres not only in the explicit content of an argument, but also in the rush of vernacular. Admittedly, this kind of formal experiment is daunting for an editor – especially one concerned foremost with the integrity of criticism. -
Auroral Spectral Estimation with Wide-Band Color Mosaic Ccds
Geosci. Instrum. Method. Data Syst., 3, 71–94, 2014 www.geosci-instrum-method-data-syst.net/3/71/2014/ doi:10.5194/gi-3-71-2014 © Author(s) 2014. CC Attribution 3.0 License. Auroral spectral estimation with wide-band color mosaic CCDs B. J. Jackel1, C. Unick1, M. T. Syrjäsuo2, N. Partamies3, J. A. Wild4, E. E. Woodfield5, I. McWhirter6, E. Kendall7, and E. Spanswick1 1Physics and Astronomy Department, University of Calgary, Calgary, Canada 2School of Electrical Engineering, Aalto University, Espoo, Finland 3Finnish Meteorological Institute, Helsinki, Finland 4Department of Physics, Lancaster University, Lancaster, UK 5British Antarctic Survey, Cambridge, UK 6Department of Physics and Astronomy, University College London, London, UK 7SRI International, Menlo Park, California, USA Correspondence to: B. J. Jackel ([email protected]) Received: 3 November 2013 – Published in Geosci. Instrum. Method. Data Syst. Discuss.: 23 December 2013 Revised: 28 April 2014 – Accepted: 1 May 2014 – Published: 11 June 2014 Abstract. Optical aurora can be structured over a wide range sion. Simultaneous imaging of multiple auroral emissions of spatial and temporal scales with spectral features that de- may be achieved using a single-color camera with a triple- pend on the energy of precipitating particles. Scientific stud- pass filter. Combinations of multiple cameras with simple ies typically combine data from multiple instruments that filters should provide ∼ 50 nm resolution across most of the are individually optimized for spatial, spectral, or temporal visible spectrum. Performance of other instrument designs resolution. One recent addition combines all-sky optics with could be explored and compared using the same quantitative color mosaic CCD (charge-coupled device) detectors that use framework. -
Written by Twelfth-Grade Students at Mission High School with a Foreword by Nikky Finney Curriculum Guide Inside
Written by twelfth-grade students at Mission High School with a foreword by Nikky Finney Curriculum guide inside Mission Center Tenderloin Center Mission Bay Center 826 Valencia Street 180 Golden Gate Avenue 1310 4th Street San Francisco, CA 94110 San Francisco, CA 94102 San Francisco, CA 94158 826valencia.org Published May 2020 by 826 Valencia | Copyright © 2020 by 826 Valencia Program Manager | Ryan Young Program Coordinators | Yareli Arreola, Stina Perkins Program Associates | Diego Hernandez, Hannah Johnson Program Interns | Nico Vallone, Tarryn Warn Editorial Board Volunteer Editors | Tess Canfield, Katie Cugno, Maura Kealey, Anne Sloper, Tarryn Warn Student Editors | Virginia Coello, Jackie Hernandez, Ezrealla Laudenorio, Kimberly Hernandez T. Volunteer Tutors | Kanya Abe, Yareli Arreola, Eedit Bareket, Paolo Bicchieri, Skylar Burkhardt, Sara Bursavich, Tess Canfield, Kevin Cranfill, Reginald Cruz, Katie Cugno, Dory Culver, Lila Cutter, Melissa Dittrich, Sarah Duncan, Sharon Elswit, Renata Espinosa, Ana Medrano Fernandez, Darci Flatley, Rebecca Fox, Nina Gannes, Cristina Giner, Paul Glantz, Sophie Goethals, Anne Guaspari, Thomas Hatfield, Diego Hernandez, Hannah Johnson, Maura Kealey, David Kirp, Ellie MacBride, Naomi Marcus, Michael McNamara, Kevin Meehan, Katey Mokelke, Jake Murphy, Molly Parent, Lucie Pereira, Stina Perkins, Bill Poole, Conan Putnam, Karen Rhodes, Johann Schiffer, Michele Sloat, Anne Sloper, Maria Elena Urquico, Nico Vallone, Tarryn Warn, John Weil Partner Teacher | Catherine Reyes Design Director | Brad Amorosino Publications Project Manager | Meghan Ryan Designer | Molly Schellenger Illustrator | Azul Quetzalli Copyeditor | Christopher Keilman ISBN 978-1-948644-47-1 Printed in Canada by Prolific Graphics Distributed by Ingram Publisher Services 826 Valencia and its free programs are fueled by generous contributions from companies, organizations, government agencies, and individuals who provide more than ninety-five percent of our budget.