Creative Production Synergies in Penrith and the Blue Mountains

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Creative Production Synergies in Penrith and the Blue Mountains Creative Production Synergies in Penrith and the Blue Mountains Report June 2020 Cecelia Cmielewski, Phillip Mar, Ien Ang, David Rowe and Deborah Stevenson The project team Professor Deborah Stevenson Emeritus Professor David Rowe Distinguished Professor Ien Ang Associate Professor Liam Magee Dr. Cecelia Cmielewski Dr. Phillip Mar DOI: 10.26183/3p8b-x436 https://doi.org/10.26183/3p8b-x436 COVER IMAGE: illuminart and Evelyn Roth Illuminated Bilby for Real Festival. 2019. Photo: andre&dominique. To cite this report: Cmielewski C, Mar P, Ang I, Rowe D and Stevenson D. 2020. Creative Production Synergies in Penrith and the Blue Mountains. Western Sydney University. Disclaimer This is an independent report produced by Western Sydney University for Penrith City Council and Blue Mountains City Council. The accuracy and content of the report are the sole responsibility of the project team and its views do not necessarily represent those of the Penrith and Blue Mountains City Councils. !2 Acknowledgements With respect for Aboriginal cultural protocol and out of recognition that its campuses occupy their traditional lands, Western Sydney University acknowledges the Darug, Eora, Dharawal (also referred to as Tharawal) and Wiradjuri peoples and thanks them for their support of its work in their lands (Greater Western Sydney and beyond). This project was commissioned by Penrith City Council and conducted by a research team from Western Sydney University’s Institute for Culture and Society (ICS). Penrith City Council and Blue Mountains City Council in collaboration with Blue Mountains Economic Enterprise contributed resources for the project. The project team would like to acknowledge the contributions of: Anne Hurni, Rachel Pagitz and Karen Harris (Penrith City Council), Lin Mountstephen (Blue Mountains City Council) and Ann Niddrie (Blue Mountains Economic Enterprise). The transcription services of SquidInkle were also invaluable in preparing this report. We also express our gratitude to the cultural venue operators, individual artists, creative enterprises, and cultural organisations who participated and shared their experiences in interviews with us. Without their generous insights this research would not have been possible. !3 Table of Contents Acknowledgements ………………………………………………………………………3 Executive Summary……………………………………………………………………….6 Introduction ……………………………………………………………………………….10 Background Objectives Methods About the LGAs Strategic and Policy Context…………………………………………………………….13 Cultural infrastructure in New South Wales Cultural infrastructure in Western Sydney Cultural infrastructure in Penrith and the Blue Mountains Penrith City Council: Cultivating Creativity in a Growing Region…………………19 Cultural landscape Educational landscape Governance and support structure Council-led cultural development and city activation Penrith Performing and Visual Arts (PP&VA) Direct delivery of cultural and creative projects Real (River Environment Arts Lifestyle) Festival Resourcing challenges Cultural infrastructure provision Policies and plans for the future Conclusion Blue Mountains City Council: Maximising the Potential of a City of the Arts…….30 Cultural landscape Governance structure Resourcing cultural infrastructure and programs Major cultural facilities Direct Council support for arts and culture Blue Mountains City of the Arts grants program Direct delivery of art project initiatives Creative sector development Cultural infrastructure provision Future policy and plans Conclusion Significant Regional Cultural Institutions……………………………………………39 Joan Sutherland Performing Arts Centre Penrith Conservatorium Penrith Regional Gallery and The Lewers Bequest Blue Mountains Cultural Centre Blue Mountains Theatre and Community Hub MTNS MADE Creative Industries Cluster (Blue Mountains) !4 Dance …………………………………………………………………………………..57 Wagana Aboriginal Dancers (Blue Mountains) Performance Art Western Sydney (PAWS) (Penrith) Digital Arts and Culture………………………………………………………………63 DiG Space Program (Penrith) TAFE NSW (Penrith and the Blue Mountains) Digital Ecologies Lab (Penrith) Film and Screen Media………………………………………………………………..70 Independent filmmaking (Penrith) Filmmaking industry cluster (Blue Mountains) illuminart (Blue Mountains) Music……………………………………………………………………………………75 Former all-girl punk band Violent Minx (Penrith) Live and Local Lockdown; Open Mic (Penrith) Music Hunter and other Blue Mountains music entrepreneurs (Blue Mountains) Penrith Symphony Orchestra, Penrith Youth Orchestra, Choral groups Theatre …………………………………………………………………………….…..84 Q Theatre (Penrith) The Acting Factory (Penrith) Visual Arts……………………………………………………………………….…….89 Modern Art Projects Blue Mountains Sculpture at Scenic World (Blue Mountains) Collaborative activation and presentation (Blue Mountains) Local Charm (Penrith) Black Door Gallery (Penrith) Writing and Literature………………………………………………………………100 Varuna, The Writers’ House (Blue Mountains) WestWords Centre for Writing (Western Sydney) Creative Co-working Spaces and Shared Facilities………………………………104 Nauti Studios Hazelhurst (Blue Mountains) Creative Fringe (Penrith) Blue Mountains Tool Library and Artist Resource Centre (Toolo) Findings and Recommendations…………………………………………………..111 Further Considerations References…………………………………………………………………………….125 Image Credits Appendix 1: Creative Production Enablers and Support Survey Summary…..134 Appendix 2: Interviews……………………………………………………………..139 Appendix 3: Researcher Biographies……………………………………….……..141 !5 Blue Mountains Cultural Centre Library. Executive Summary Regional leadership in arts and the Australia Council for the a need which has now cultural production is evident Arts announced a reduction in significantly increased. It is in Penrith and the Blue the number of organisations to important that PCC and BMCC Mountains through the receive four-year contracts. strengthen their alliance to different yet complementary These environmental and support artists and creative approaches of the City health catastrophes, coupled producers and to advocate for Councils. This research project with a reduced capacity in the equity in State and Federal arts began in August 2019, the arts and cultural sector, have and cultural development interview phase was significantly and negatively funding to increase cultural completed in early December impacted on the region’s arts investment in Greater Western 2019, and this report was and cultural life. The loss of Sydney. PCC and BMCC need completed in June 2020. Australia Council funding to to encourage and establish key Therefore, the research the Australian Theatre for strategic partnerships to enable spanned a very challenging Young People, for example, further investment and period of drought and severe reducing opportunities for development for a sustainable bushfires over the summer young people in the region. arts and cultural sector in across New South Wales, Penrith, Blue Mountains and followed almost immediately The realisation of the Greater Western Sydney. by the COVID-19 pandemic. importance of the arts, cultural Businesses in arts and and creative practices to The survey established in recreation services were among people’s daily lives has come conjunction with this research the first and most severely to the fore during the means that the Councils affected by the need to enforce pandemic (Cantillon 2020), but understand the region’s Government social distancing also underlined its precarity creative practitioners current restrictions, with 94 per cent of and the extent to which artists needs. the sector reporting an adverse and cultural practitioners impact of the Government largely exist outside the usual By taking bold actions that restrictions in the March employment categories. This include the establishment of a Business COVID-19 survey report has shown the need for Cultural Technology Centre, a (Australian Bureau of Statistics investment in creative Contemporary Art Centre, and 2020). Also, during this period production capacity building – creating dispersed creative !6 hubs with high level digital existing regional facilities program. Bold investment in capacity, momentum will be provide opportunities for cultural infrastructure would maintained. Flexible, cutting- cultural and creative signal a creative and socially edge cultural infrastructure is practitioners, with the aid of responsible agenda on the part now needed more than ever. both local governments, to of the both Councils for the become involved in reshaping benefit of the entire region. The emerging Aerotropolis, the region’s cultural landscape. government attention under The Quarter health precinct the Western Sydney City Deal could also be encouraged to and the investment in the develop an arts and cultural Key Strategies and Recommendations Five key strategies have been identified that will lead to greater creative production and development in the local area and broader region.Under these five strategies the following recommendations could be converted into actions over the coming decade. Strategy 1: Continue and strengthen the work that the two Councils have already begun, both independently and jointly, and advocate for new funding and partnerships to enhance and expand opportunities for creative practitioners in the region. Recommendations 1.1 The PCC and BMCC strengthen partnerships with entities, such as those in the Penrith’s The Quarter (Health and Education Precinct) and Aerotropolis precincts, and explore opportunities through the Western Sydney City Deal to foster regional creative
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