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Industry Standard Softwares
INDUSTRY STANDARD SOFTWARES used in the creation, editing and post-production process within four different areas of Creative Media RESEARCH BY: MELANIE-JO MANGANI 1. PHOTO MANIPULATION SOFTWARES Photo manipulation softwares are applications that can be used to edit photos. Examples are: Photoshop, Lightroom, Affinity Photo, Pixlr and Gimp. Here is an explanation about one of them: PHOTOSHOP You want to make your photos as amazing as your memories? So, use photoshop! That is the main describtion used by Adobe for this software. Photoshop is a sofware used for professional photo editing created by Adobe Systems company. You can work on photoshop, both on Windows and Mac opertaing systems. The purpose of this software is to help us edit any kind of image – manipulate, crop, resize and colour correcting photos (only digital). Who should use photoshop? This software should be used by professional photographers and graphic designers. Technical Specifications / Technical Requirments Windows: 1.6GHz or faster processor Microsoft Windows 7/8/10 (64bit) 4GB of RAM 5GB of available space on hard-disk 1024x768 display resolution Microsoft Directx9 or 10 compatible display driver Mac OS: 64bit multicore intel processor Max Osx v10.10 or v10.11 6GB of RAM 5GB available harddisk space 1024x768 display resolution Advantantages of photoshop: • An new easy way how to organize photos: Photoshop let you import your photos quickly or even videos and then everything will be organized on the software itself. This will help you find the items more easy. • Quick Editing: Photoshop have the fascility of one-click edit. This will help the user to edit a photo with just one click. -
High Level Architecture Framework
Java Media Framework Multimedia Systems: Module 3 Lesson 1 Summary: Sources: H JMF Core Model H JMF 2.0 API Programmers m Guide from Sun: Architecture http://java.sun.com/products/java-media/jmf/2.1/guide/ m Models: time, event, data H JMF 2.0 API H JMF Core Functionality H JMF White Paper from IBM m Presentation http://www- 4.ibm.com/software/developer/library/jmf/jmfwhite. m Processing html m Capture m Storage and Transmission H JMF Extensibility High Level Architecture H A demultiplexer extracts individual tracks of media data JMF Applications, Applets, Beans from a multiplexed media stream. A mutliplexer performs the JMF Presentation and Processing API opposite function, it takes individual tracks of media data and merges them into a single JMF Plug-In API multiplexed media stream. H A codec performs media-data Muxes & Codecs Effects Renderers Demuxes compression and decompression. Each codec has certain input formats that it can handle and H A renderer is an abstraction of a certain output formats that it can presentation device. For audio, the generate presentation device is typically the H An effect filter modifies the computer's hardware audio card track data in some way, often to that outputs sound to the speakers. create special effects such as For video, the presentation device is blur or echo typically the computer monitor. Framework JMF H Media Streams m A media stream is the media data obtained from a local file, acquired over the network, or captured from a camera or microphone. Media streams often contain multiple channels of data called tracks. -
Capabilities of the Horchow Auditorium and the Orientation
Performance Capabilities of Horchow Auditorium and Atrium at the Dallas Museum of Art Horchow Auditorium Capacity and Stage: The auditorium seats 333 people (with a 12 removable chair option in the back), maxing out the capacity at 345). The stage is 45’ X 18’and the screen is 27’ X 14’. A height adjustable podium, microphone, podium clock and light are standard equipment available. Installed/Available Equipment Sound: Lighting: 24 channel sound board 24 fixed lights 4 stage monitors (with up to 4 Mixes) 5 movers (these give a wide array of lighting looks) 6 hardwired microphones 4 wireless lavaliere microphones 2 handheld wireless microphones (with headphone option) 9-foot Steinway Concert Grand Piano 3 Bose towers (these have been requested by Acoustic performers before and work very well) Music stands Projection Panasonic PTRQ32 4K 20,000 Lumen Laser Projector Preferred Video Formats in Horchow Blu Ray DVD Apple ProRes 4:2:2 Standard in a .mov wrapper H.264 in a .mov wrapper Formats we can use, but are not optimal MPEG-1/2 Dirac / VC-2 DivX® (1/2/3/4/5/6) MJPEG (A/B) MPEG-4 ASP WMV 1/2 XviD WMV 3 / WMV-9 / VC-1 3ivX D4 Sorenson 1/3 H.261/H.263 / H.263i DV H.264 / MPEG-4 AVC On2 VP3/VP5/VP6 Cinepak Indeo Video v3 (IV32) Theora Real Video (1/2/3/4) Atrium Capacity and Stage: The Atrium seats up to 500 people (chair rental required). The stage available to be installed in the Atrium is 16’ x 12’ x 1’. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Compression for Great Video and Audio Master Tips and Common Sense
Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Preservation Metadata Dictionary Version 1.2 October 2015
Preservation Metadata Dictionary Version 1.2 October 2015 A publication by: Digital Preservation Office, Netherlands Institute for Sound and Vision Beth Delaney Hanneke Smulders Yvette Hollander Annemieke de Jong Daniël Steinmeier Introduction In the Preservation Metadata Dictionary V 1.2 (PMD) the Netherlands Institute for Sound and Vision has summarized the definitions of preservation metadata, a combination of a variety of existing standards, to best serve the needs of the institute as an audiovisual archive. Preservation metadata include the categories of technical metadata and provenance metadata. Parts of the descriptive metadata are also included in the category preservation metadata, namely the attributes needed to identify a digital object. The fourth category of preservation metadata are the rights metadata. This dictionary contains the possible selection and definition of all metadata used in recording the digital preservation process at Sound and Vision. In the PMD, the attributes are defined that can be allocated to each digital object (audio, video, film, text, photograph) ingested in the Digital Archive. This includes both technical metadata attributes of a file and attributes describing actions (‘events’), results of those actions (‘outcomes’) and their associated ‘agents’ (responsible organization, software or person. After all, these are the data that are required to provide the Digital Archive, its depositors and its users evidence of the digital provenance of a digital object, and hence its authenticity. The Dictionary also contains rights attributes that must be structurally related to a digital object. These rights relate not only to (re)use rights, but also preservation rights. The collection attributes in the Preservation Metadata Dictionary V1.2 are based among others on the standards PBCore, the Library of Congress VideoMD and AudioMD, PREMIS, NARA reVTMD and the ANSI/NISO Z39.87 Data Dictionary Technical Metadata for Digital Still Images. -
Apple Final Cut Pro Final Cut Pro 6
Final Cut Pro 6 ܼೄཫ٩ ߦޞӎݎබ K Apple Inc. Applec఼ c Apple ҵሟ c DVD Studio Pro cFinal Cutc Copyright © 2008 Apple Inc. ѮટႤಯੈd Final Cut Pro cFinal Cut Studio cFireWire ciDVD ciTunes c Macc MacBookc Mac OSc PowerBook ߦ QuickTime ව ؇പ ࣓ယস ࿚გྭ ሧdם ܚപ࣓؇ ᄊ ٵி ቡ Ԋ؇൧ ҵd ؛Apple Inc. ᅿଧ ࢅ ๒ ࢧߦ Final Cut Studio പ࣓؇ᄗ࿔҉؇๐ᄗᇢࡩීᄊࠞস ႽܑሧְսѓའႽᄊᄡဲཿᄊְਭപ࣓؇؇dӤ Cinema Tools ߦ Finder ව Apple Inc. ؇൧ҵd ᄊᄡ൧႞ᄊ໑ĩതսුְە؆ܑሧְսѓའ؇ഋߧӨ ķा ယসࠌඕԣd ར d Dolby Laboratories Dolby Laboratories۽սѓ འ؇ ҉ࡩຖ ݤᄗ Ԭ؇ለ ՝ ߞව Dolbyۺ qDolby rcq Pro Logicrߦข D ቡԊ Laboratories ؇൧ҵd༥ݦঙ؇ࡱୃ , © 1992–1997؛Apple ҵሟව Apple Inc. ᅿଧࢅ๒ࢧߦ ؇൧ ҵd༥ा Apple ؇ර ྗ ୍ ĩࣞq ࣑ ௯ rApple Dolby Laboratories, Inc. ѮટႤಯੈd ଧڳҵሟ (Shift-Option-K) ᄊᄡ൧႞ᄊ໑সࡘ༖ ൧ҵߦफӤݦ IntelcIntel Core ߦ Xeon ව Intel Corp. ᅿଧࢅ๒ڷĩӋಱস҆ሙেವڧћߦሾ ؇൧ҵd؛ࢧߦ ాो ᇼd ᇥ਼ຖࢅ؇๒ݦตߦԣసୢՍවྯჭݦต؇൧ შٵ གྷମႺलੑѮ҉ාԊ൪؇ཱቻd Apple ҸןԣసऩӷফĩӋӤڼҵdຖࢅ؇؝ഺ ᆕd AppleܗӤܢཤגࡩ༵ን Ӥܢᇥ࿖ԣస؇ခࡩᄊٵ ሏഌসࡩ໙࣋d Apple ᆕdܗ ӥ྄ໆപ࣓cჭᄊՓဟߦڡቡķᄐᄡ Apple ाԪ ؇ѓ҉ࡩݙĩმְ҉ාԊሱ؇࿀ئInternet ᇁ ჷ q r؇ሧॸᇘᄐتೞӭᄡ ؇൯ᄗӤd Koffee House Mayhemসᄲிᅿూ൪ণ Jean-Paul Bonjour ഖᅅຖݤdqKoffee House Mayhemr Apple Inc. © 2004 Jean-Paul Bonjour. ѮટႤಯੈd 1 Infinite Loop http://www.jbonjour.com Cupertino, CA 95014–2084 ჷq r؇ሧ ॸᇘᄐتೞӭᄡ 408-996-1010 A Sus Ordenes Eric Escobar ഖ ᅅຖݤ dq r Ѯટ Ⴄ www.apple.com A Sus Ordenes © 2004 Eric Escobar. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Fastest Free Youtubeer for Mac
Fastest Free Youtubeer For Mac Fastest Free Youtubeer For Mac 1 / 4 2 / 4 Teclado hid drivers for mac If our internet connection drops so does the fun, and there is also the danger that videos will be taken offline in the future and we won’t be able to access them at all.. Part 2: Best Video Editing Software for Beginners (Video Tutorial) Recommended: Wondershare Filmora for Mac offers some persuasive advantages over other video editing tools available for Apple Mac.. AIFF, AVI, BMP, DV Stream, FLC, MPEG-4 Includes twelve studio-quality effects; Create slide shows Discontinued to release new version For semi-pros AVI, MP4, FFmpeg. 1. youtube 2. youtube to mp3 3. youtube vanced Here we compare some great Mac video editors, followed by the detailed information of each editor for your reference. youtube youtube, youtube mp3, youtube music, youtube download, youtube to mp4, youtube vanced, youtube studio, youtube convertisseur, youtube premium, youtube kids, youtube to mp3, youtube-dl, youtube activate, youtube vanced 4pda Download 3gp to mp3 converter mac • Supports almost all kinds of video formats, including MP4, AVI, MOV, AVCHD, MKV and more.. QuickTime, AVI, R3D, MXF, DPX Learning curve is not steep; Offer advance color grading Single screen editing workflow is not friendly MPEG-2, AVC, RED R3D, DPX, Apple Pro Res.. • Video Editor for Free Top 10 Best Free Video Editing Software in 2018 for Mac Users Many people are looking of free Mac video editing software since they have tons of videos and are eager to edit the videos either for better presentation or preservation. -
Format Support
Episode 6 Format Support FILE FORMAT CODEC Episode Episode Episode Pro EngineCOMMENTS Adaptive bitrate streaming Microsoft Smooth Streaming H.264 (AAC audio) O Windows OS only. Available with Episode Engine License. Apple HLS H.264 (AAC audio) O Available with Episode Engine License. Windows Media WMV, ASF VC-1 O O O WM9 I/O I/O I/O WMV7 and 8 through F4M component on Mac WMA I/O I/O I/O WMA Pro I/O I/O I/O Flash FLV Flash 8 (VP6s/VP6e) I/O I/O I/O SWF Flash 8 (VP6s/VP6e) I/O I/O I/O MOV/MP4/F4V Flash 9 (H.264) I/O I/O I/O F4V as extension to MP4 WebM WebM VP8 O O O Vorbis O O O 3GPP 3GPP AAC I/O I/O I/O H.263 I/O I/O I/O H.264 I/O I/O I/O MainConcept and x264 MPEG-4 I/O I/O I/O 3GPP2 3GPP2 AAC I/O I/O I/O H.263 I/O I/O I/O H.264 I/O I/O I/O MainConcept and x264 MPEG-4 I/O I/O I/O MPEG Elementary Streams MPEG-1 Elementary Stream MPEG-1 (video) I/O I/O I/O MPEG-2 Elementary Stream MPEG-2 I/O I/O I/O MPEG Program Streams PS AAC O O O MainConcept and x264 H.264 I/O I/O I/O MPEG-1/2 (audio) I/O I/O I/O MPEG-2 I/O I/O I/O MPEG-4 I/O I/O I/O MPEG Transport Streams TS AAC I O O AES I I/O I/O H.264 I I/O I/O MainConcept and x264 AVCHD I I I HDV I I/O I/O MPEG - 1/2 (audio) I I/O I/O MPEG - 2 I I/O I/O MPEG - 4 I I/O I/O PCM I I I Matrox MAX H.264 I/O I/O I/O QT codec (*output possible via QT), Requires Matrox MAX hardware - Mac OS X only MPEG System Streams M1A MPEG-1 (audio) I/O I/O I/O M1V MPEG-1 (audio) I/O I/O I/O Episode 6 Format Support Format Support FILE FORMAT CODEC Episode Episode Episode Pro EngineCOMMENTS MPEG-4 MP4 AAC I/O I/O I/O -
C a N O N 7 D D S
Content: - Equipment use policy - Canon EOS 7D DSLR as a video camera - Checkout specifications - Equipment specifications - Important camera dials, switches, and buttons - Movie recording menu settings - Shooting mode: manual exposure recommendations - Manual focus - Important LCD monitor displays - Quick control button - Editing with Final Cut Express - Sound Recording - Battery consumption - Recommendations Canon 7D DSLR 7D Canon equipment use policy EQUIPMENT ACCESS: Access to the Media Center is granted to all students, faculty, and staff with a validated SAIC photo I.D. card. Reservations are recommended otherwise equipment may not be available. Remember to be prompt. Reservations are held for 30 minutes and then deleted. Allow at least 15 minutes to check out equipment. When returning equipment, wait until your checkout is cleared from the computer. FINES: The school enforces a strict fine policy designed to give access of equipment to the maximum amount of individuals. Fines are enforced for lateness and equipment abuse. Those who receive a fine will be denied access to equipment until the fine is paid. Fines are calculated to the minute based on an hourly fine amount. 1 Canon EOS 7D DSLR Checkout as a video camera specifications One of the main differences between the Canon 7D CHECKOUT DURATION and other Canon DSLR models available to you at 3 days per checkout (longer checkouts require the Media Center (30/40 and 50D), is the possibility a special request form and manager approval) of shooting HD video. As you may already know, DSLR video is “revolutionizing” HD video production. Reservation limit per w eek The large image sensors on these cameras yield for No back to back reservations longer lenses, resulting in images with an impressively Fine per da y shallow depth of field - similar to the “film” look.