MIX COURSE Javhastudios, 2021

01. Gain Staging. Spectrum analysis 06. Transients. and measuring tools. -Principle of uncertainty -Gain Staging -Clicks and Cracks -Sampling rate and -Wrong information bit depth -Detection of unwanted transients -Peak and RMS Meter -Transients designers -The K-System -Spectrum analyzers 07. Gate and expanders. -Goniometer -Gate -Hold 02. Preamps. -Hysteresis window -What is a Preamp? -Expanders -How to use it -Focusing and uses -Advantages -Coloration 08. Advanced compression. -Upward compression 03. Filters and EQs. -Downward compression -Frecuency range -Comparative -Kinds of filter -Microdinamics and macrodinamics -Shelving EQ -Serial compression -Parametric EQ -Paralell compression -Paragrafic EQ -Grafic EQ 09. Panning. -EQ choices and uses -Monitor placement -The paning law 04. Advanced EQ and phase displacement. -Positioning -The EQ balance -Front and Rear -Choosing harmonics or fundamental -Instruments placement -Low end problems -Mono instruments -Linear phase EQ -The instrument´s weight at panning -Choosing different EQs -Push down resonances 10. Reverb (1 by 2). -The enclosure´s sound 05. Compressors. -Reverb´s properties -Fundamental parts -Early reflections and tail reverb -Using the compressor -Principle of masking -Attack and release time -The Hass effect -Knee and Side-Chain -Kinds of reverb -Kinds of compression, choices and uses -The Mono reverb -Harmonic distortion

The course will start February 2nd and ending June 29th. Every Tuesday from 19 h to 20 h (Spain time). You can do the complete course or only the classes that you consider. This is an exclusive video conference course via Zoom. For book your assistance or obtain more info, write to: [email protected] MIX COURSE Javhastudios, 2021

11. Reverb (2 by 2). 18. Advanced dynamics. -Continue from previous class -Multiband compressors -Dynamic EQ 12. Time Effects. -Delay 19. Psichoacoustics. -Echo -Sound pressure level -Flanger -Pitch -Phaser -Sonority -Chorus -Timbre -Mono effects -Formants -Masking 13. Gain Effects. -The perception of the Mid range -Overdrive, Distortion and Fuzz -Aural exciters 20. Automation. -Choices and uses -The importance of automation -Faders automation 14. Advanced techniques. -Plugins automation -M/S -Microdynamic developments -Noise reduction -Macrodynamic developments -Transients recovery -Fade In & Fade Out -Layering 21. General Approaches. 15. Channel Strip. -The importance of noise -Eq and Comp vs Comp and Eq -Choosing between noise and clean sound -Phase and Anti-phase fixing -Dark mixes vs bright mixes -Mono compatibility in a stereo mix -Dynamic mixes, hot mixes and dynamic -The importance of mono sound range inside the mix -Kick and Bass -Strings and Pads 16. Vocals. -Vocal treatment 22. Reference listenings. -Vocal channel strip -The Loudness War -Vocal layers -Levels for send to mastering -Lead Vocals and second vocals -Essential Records -Ear training 17. Sends, Groups, Busses and VCA’s. -Working with groups -Differences between sends and busses -Busses process -Using VCA’s