Solution of the Three-Dimensional Inverse Acoustic Scattering Problem on the Basis of the Novikovðhenkin Algorithm N

Total Page:16

File Type:pdf, Size:1020Kb

Solution of the Three-Dimensional Inverse Acoustic Scattering Problem on the Basis of the Novikovðhenkin Algorithm N Acoustical Physics, Vol. 51, No. 4, 2005, pp. 367–375. Translated from AkusticheskiÏ Zhurnal, Vol. 51, No. 4, 2005, pp. 437–446. Original Russian Text Copyright © 2005 by Alekseenko, Burov, Rumyantseva. Solution of the Three-Dimensional Inverse Acoustic Scattering Problem on the Basis of the Novikov–Henkin Algorithm N. V. Alekseenko, V. A. Burov, and O. D. Rumyantseva Moscow State University, Vorob’evy gory, Moscow, 119992 Russia e-mail: [email protected] Received May 5, 2004 Abstract—A theoretical study of the practical abilities of the Novikov–Henkin algorithm, which is one of the most promising algorithms for solving three-dimensional inverse monochromatic scattering problems by func- tional analysis methods, is carried out. Numerical simulations are performed for model scatterers of different strengths in an approximation simplifying the reconstruction process. The resulting estimates obtained with the approximate algorithm prove to be acceptable for middle-strength scatterers. For stronger scatterers, an ade- quate reconstruction is possible on the basis of a rigorous solution. © 2005 Pleiades Publishing, Inc. METHODS FOR SOLVING INVERSE number of computing operations than in the iteration SCATTERING PROBLEMS methods. The functional analytical methods for solving one- The inverse scattering problem consists in the deter- dimensional inverse scattering problems appeared as mination of the characteristics of a scatterer located in ᑬ early as in the 1950s (Gel’fand, Levitan, Marchenko, a spatial domain and described by a function v(r), and others). The first comprehensive studies of the mul- ∈ ᑬ where r , from the measured scattered field. In the tidimensional inverse scattering problem were carried case of an infinite domain ᑬ, the function v(r) is out by Berezanskii in the 1950s and by Faddeev and assumed to be rapidly decreasing at infinity. Below, Newton in the 1960–1970s. A systematic investigation scatterers concentrated in a finite domain ᑬ are consid- of this problem in application to quantum mechanics ered. The inverse problem is reduced to estimating v(r) can be found in [7]. In the 1980s, the ideas put forward in the Schrödinger equation or the Helmholtz equation by Faddeev were developed by Nachman and Ablowitz, ∆ 2 ∂ u + k0 u = v(r)u, which coincides with the Schrödinger who proposed a functional approach called the equation in the monochromatic case, for the total wave method (here, the symbol ∂ means differentiation with field u. Here, k0 is the wave number in the homoge- respect to the variable that is the complex conjugate of neous nonabsorbing background medium. For acoustic the main argument). Henkin and Novikov continued problems, in the case of a constant density of the developing this approach by applying it to multidimen- medium, the function v(r) characterizes the deviation sional inverse scattering problems with monochromatic of the phase velocity of sound c(r) in the scattering data [6]. In such a problem, a plane monochromatic inci- ᑬ ≡ ω2 –2 dent wave is characterized by the wave vector k ∈ ޒn, region from its background value c0: v(r) [c0 Ð − while the scattered wave in the far-field zone is charac- c 2(r)]. If the scatterer possesses absorbing properties, ∈ ޒn 2 2 2 c(r) can be formally considered as a complex quantity. terized by the wave vector l , where k = l = k0 Two classes of approaches to solving the inverse scat- and n is the space dimension. The experimental data are tering problem can be distinguished: one of them is represented by the scattering amplitude f(k, l) related to based on iteration methods [1–3], and the other, on the asymptotics of the scattered field in the far-field functional analysis methods [4, 5]; a review of the latter zone according to the formula can be found in [6]. The advantage of the iteration (), () methods is that they can proceed from fragmentary data u rk = exp ikr obtained with different geometries of the experiment () exp ik0 r , r 1 and at different frequencies. These methods impose no + An--------------------------- f k l = k0----- + o ----------------- , n – 1 r n – 1 strict requirements on the completeness of the experi- r r mental scattering data and can use any a priori and π π π2 a posteriori information. The main advantages of the where An = 2 = Ð(1 + i) / k0 and An = 3 = Ð2 . The functional approach are the possibility to obtain a rig- reconstruction of v(r) is based on the following gener- orous solution and (in some cases) the use of a smaller alizations, which were first introduced by Faddeev [8]. 1063-7710/05/5104-0367 $26.00 © 2005 Pleiades Publishing, Inc. 368 ALEKSEENKO et al. (‡) (b) l ∈ ޒn, are in one-to-one correspondence with f(k, l) k k+ + I = I kI = kI according to the formula [4] (), (), π (), hg k l = f k l + 2 ih∫ g km lR n (3) p m ∈ ޒ kR ×θ[]δ()mk– , g ()m2 – k2 f ()m, l dm; k, l ∈ ޒn; kR here, θ[(m Ð k, g)] is the Heaviside function, whose Ð Ð kI = kI kI = kI argument is the scalar product of the vectors m Ð k and g. From condition (1), which is equivalent to condi- tions (2), it follows that, in the two-dimensional case, Fig. 1. Orientation of mutually orthogonal real and imagi- ± nary components of wave vectors in the (a) two-dimen- only two orientations are possible for the vector kI = kI sional and (b) three-dimensional cases. being orthogonal to a fixed vector kR (Fig. 1a). The mutual orientation of the vectors lR and lI is similar. In To solve the problem under consideration, it is pro- addition, it is assumed that | | | | | | | | posed to formally extend the wave vectors to the com- lR = kR and, hence, lI = kI . (4) ∈ ރn plex domain k, l by assuming that k = kR + ikI The limiting values of h (k, l) that correspond to these ≡ ≡ ≡ g and l = lR + ilI, where kR Rek, kI Imk, lR Rel, two orientations are denoted as h+(k, l) and hÐ(k, l), ≡ and lI Iml. This passage from real values to complex respectively. In the three-dimensional case, the vector 2 ⊥ ones should be performed without leaving the k con- kI (kI kR) can have any direction in the plane perpen- 0 dicular to the fixed vector k . At the same time, when stant-energy surface, which is expressed as R solving a three-dimensional problem, an additional requirement should be introduced: 2 2 2 , ∈ ރn k ==l k0; k l . (1) kI = lI. (5) Requirement (1) means that the following conditions From conditions (2) and (5), it follows that should be simultaneously satisfied: ⊥ ⊥ kI kR, kI lR, lR = kR . (6) ⊥ 2 2 2 ⊥ 2 2 2 Therefore, kI is orthogonal to the plane containing the kI kR, kR – kI ==k0; lI lR, lR – lI k0 . (2) ≡ two vectors kR and lR and, hence, the vector p k Ð l = kR Ð lR. Then, the number of possible orientations of the | |2 2 2 vector kI with respect to this plane becomes equal to Here, the value of k = kR + kI can be as large as one two (Fig. 1b), as in the two-dimensional space. (The | | | | || likes; however, when kR increases, kI should also degenerate case of kR lR is considered as the limiting increase, so that, according to conditions (2), the differ- situation for the case of noncollinear kR and lR.) ence in their squares should always be equal to the 2 “energy” of the incident wave k0 . The above passage is NOVIKOV–HENKIN THREE-DIMENSIONAL accompanied by the generalization of the classical ALGORITHMS FOR SOLVING THE INVERSE wave fields and Green functions to the case of complex SCATTERING PROBLEM wave vectors [6, 9]. In particular, the classical scatter- A functional algorithm for solving the two-dimen- ing amplitude f(k, l) (k, l ∈ ޒn) passes into a general- sional monochromatic inverse scattering problem ized scattering amplitude (generalized scattering data) with relatively strong scatterers was proposed by h(k, l), where k, l ∈ ރn. Novikov in [10] and by Grinevich and Manakov in [11]. Later, this algorithm was studied in application to The imaginary part of the wave vector can be repre- acoustic tomography [9] and was also implemented in sented as k ≡ |k |g, where the vector g ∈ ޒn (|g| = 1) char- a computer program [12, 13]. In the framework of the I I two-dimensional problem, a scatterer v r that causes acterizes the direction of the vector k . When |k | 0, ( ) I I no backscattering can be rigorously and stably recon- the limiting values of the generalized functions depend on structed by a simplified scheme with allowance for mul- the direction g of the infinitesimal but oriented imaginary tiple scattering processes on the basis of the known clas- part kI. The limiting values of the function h(k, l) are sical scattering amplitude and the two limiting functions ≡ | | | | | | ± ∈ ޒ2 hg(kR, lR) lim h (kR + i kI g, lR), where lR = kR = k0 h (k, l) (where k, l ) obtained from it. From the → kI 0 absence of backscattering, it follows that the high-fre- ≡ in the limit. The quantities hg(kR, lR) hγ(k, l), where k, quency components of the spatial spectrum of the scat- ACOUSTICAL PHYSICS Vol. 51 No. 4 2005 SOLUTION OF THE THREE-DIMENSIONAL INVERSE ACOUSTIC SCATTERING PROBLEM 369 1 l terer v˜ (x) ≡ ------------- ∫v ()r exp(Ðixr)dr, where n = 2, are p R ()2π n negligibly small. For weak (Born) scatterers, these are | | ≥ the components with x 2k0. As the scatterer strength increases, the corresponding threshold value for |x| α k becomes smaller than 2k0.
Recommended publications
  • A Thesis Entitled Nocturnal Bird Call Recognition System for Wind Farm
    A Thesis entitled Nocturnal Bird Call Recognition System for Wind Farm Applications by Selin A. Bastas Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Science Degree in Electrical Engineering _______________________________________ Dr. Mohsin M. Jamali, Committee Chair _______________________________________ Dr. Junghwan Kim, Committee Member _______________________________________ Dr. Sonmez Sahutoglu, Committee Member _______________________________________ Dr. Patricia R. Komuniecki, Dean College of Graduate Studies The University of Toledo December 2011 Copyright 2011, Selin A. Bastas. This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. An Abstract of Nocturnal Bird Call Recognition System for Wind Farm Applications by Selin A. Bastas Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Science Degree in Electrical Engineering The University of Toledo December 2011 Interaction of birds with wind turbines has become an important public policy issue. Acoustic monitoring of birds in the vicinity of wind turbines can address this important public policy issue. The identification of nocturnal bird flight calls is also important for various applications such as ornithological studies and acoustic monitoring to prevent the negative effects of wind farms, human made structures and devices on birds. Wind turbines may have negative impact on bird population. Therefore, the development of an acoustic monitoring system is critical for the study of bird behavior. This work can be employed by wildlife biologist for developing mitigation techniques for both on- shore/off-shore wind farm applications and to address bird strike issues at airports.
    [Show full text]
  • The Articulatory and Acoustic Characteristics of Polish Sibilants and Their Consequences for Diachronic Change
    The articulatory and acoustic characteristics of Polish sibilants and their consequences for diachronic change Veronique´ Bukmaier & Jonathan Harrington Institute of Phonetics and Speech Processing, University of Munich, Germany [email protected] [email protected] The study is concerned with the relative synchronic stability of three contrastive sibilant fricatives /s ʂɕ/ in Polish. Tongue movement data were collected from nine first-language Polish speakers producing symmetrical real and non-word CVCV sequences in three vowel contexts. A Gaussian model was used to classify the sibilants from spectral information in the noise and from formant frequencies at vowel onset. The physiological analysis showed an almost complete separation between /s ʂɕ/ on tongue-tip parameters. The acoustic analysis showed that the greater energy at higher frequencies distinguished /s/ in the fricative noise from the other two sibilant categories. The most salient information at vowel onset was for /ɕ/, which also had a strong palatalizing effect on the following vowel. Whereas either the noise or vowel onset was largely sufficient for the identification of /s ɕ/ respectively, both sets of cues were necessary to separate /ʂ/ from /s ɕ/. The greater synchronic instability of /ʂ/ may derive from its high articulatory complexity coupled with its comparatively low acoustic salience. The data also suggest that the relatively late stage of /ʂ/ acquisition by children may come about because of the weak acoustic information in the vowel for its distinction from /s/. 1 Introduction While there have been many studies in the last 30 years on the acoustic (Evers, Reetz & Lahiri 1998, Jongman, Wayland & Wong 2000,Nowak2006, Shadle 2006, Cheon & Anderson 2008, Maniwa, Jongman & Wade 2009), perceptual (McGuire 2007, Cheon & Anderson 2008,Li et al.
    [Show full text]
  • Detection and Classification of Whale Acoustic Signals
    Detection and Classification of Whale Acoustic Signals by Yin Xian Department of Electrical and Computer Engineering Duke University Date: Approved: Loren Nolte, Supervisor Douglas Nowacek (Co-supervisor) Robert Calderbank (Co-supervisor) Xiaobai Sun Ingrid Daubechies Galen Reeves Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Electrical and Computer Engineering in the Graduate School of Duke University 2016 Abstract Detection and Classification of Whale Acoustic Signals by Yin Xian Department of Electrical and Computer Engineering Duke University Date: Approved: Loren Nolte, Supervisor Douglas Nowacek (Co-supervisor) Robert Calderbank (Co-supervisor) Xiaobai Sun Ingrid Daubechies Galen Reeves An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Electrical and Computer Engineering in the Graduate School of Duke University 2016 Copyright c 2016 by Yin Xian All rights reserved except the rights granted by the Creative Commons Attribution-Noncommercial Licence Abstract This dissertation focuses on two vital challenges in relation to whale acoustic signals: detection and classification. In detection, we evaluated the influence of the uncertain ocean environment on the spectrogram-based detector, and derived the likelihood ratio of the proposed Short Time Fourier Transform detector. Experimental results showed that the proposed detector outperforms detectors based on the spectrogram. The proposed detector is more sensitive to environmental changes because it includes phase information. In classification, our focus is on finding a robust and sparse representation of whale vocalizations. Because whale vocalizations can be modeled as polynomial phase sig- nals, we can represent the whale calls by their polynomial phase coefficients.
    [Show full text]
  • Music Information Retrieval Using Social Tags and Audio
    A Survey of Audio-Based Music Classification and Annotation Zhouyu Fu, Guojun Lu, Kai Ming Ting, and Dengsheng Zhang IEEE Trans. on Multimedia, vol. 13, no. 2, April 2011 presenter : Yin-Tzu Lin (阿孜孜^.^) 2011/08 Types of Music Representation • Music Notation – Scores – Like text with formatting symbolic • Time-stamped events – E.g. Midi – Like unformatted text • Audio – E.g. CD, MP3 – Like speech 2 Image from: http://en.wikipedia.org/wiki/Graphic_notation Inspired by Prof. Shigeki Sagayama’s talk and Donald Byrd’s slide Intra-Song Info Retrieval Composition Arrangement probabilistic Music Theory Symbolic inverse problem Learning Score Transcription MIDI Conversion Accompaniment Melody Extraction Performer Structural Segmentation Synthesize Key Detection Chord Detection Rhythm Pattern Tempo/Beat Extraction Modified speed Onset Detection Modified timbre Modified pitch Separation Audio 3 Inspired by Prof. Shigeki Sagayama’s talk Inter-Song Info Retrieval • Generic-similar – Music Classification • Genre, Artist, Mood, Emotion… Music Database – Tag Classification(Music Annotation) – Recommendation • Specific-similar – Query by Singing/Humming – Cover Song Identification – Score Following 4 Classification Tasks • Genre Classification • Mood Classification • Artist Identification • Instrument Recognition • Music Annotation 5 Paper Outline • Audio Features – Low-level features – Middle-level features – Song-level feature representations • Classifiers Learning • Classification Task • Future Research Issues 6 Audio Features 7 Low-level Features
    [Show full text]
  • Selecting Proper Features and Classifiers for Accurate Identification of Musical Instruments
    International Journal of Machine Learning and Computing, Vol. 3, No. 2, April 2013 Selecting Proper Features and Classifiers for Accurate Identification of Musical Instruments D. M. Chandwadkar and M. S. Sutaone y The performance of the learning procedure is evaluated Abstract—Selection of effective feature set and proper by classifying new sound samples (cross-validation). classifier is a challenging task in problems where machine One of the most crucial aspects in the above procedure of learning techniques are used. In automatic identification of instrument classification is to find the right features [2] and musical instruments also it is very crucial to find the right set of classifiers. Most of the research on audio signal processing features and accurate classifier. In this paper, the role of various features with different classifiers on automatic has been focusing on speech recognition and speaker identification of musical instruments is discussed. Piano, identification. Few features used for these can be directly acoustic guitar, xylophone and violin are identified using applied to solve the instrument classification problem. various features and classifiers. Spectral features like spectral In this paper, feature extraction and selection for centroid, spectral slope, spectral spread, spectral kurtosis, instrument classification using machine learning techniques spectral skewness and spectral roll-off are used along with autocorrelation coefficients and Mel Frequency Cepstral is considered. Four instruments: piano, acoustic guitar, Coefficients (MFCC) for this purpose. The dependence of xylophone and violin are identified using various features instrument identification accuracy on these features is studied and classifiers. A number of spectral features, MFCCs, and for different classifiers. Decision trees, k nearest neighbour autocorrelation coefficients are used.
    [Show full text]
  • The Subjective Size of Melodic Intervals Over a Two-Octave Range
    JournalPsychonomic Bulletin & Review 2005, ??12 (?),(6), ???-???1068-1075 The subjective size of melodic intervals over a two-octave range FRANK A. RUSSO and WILLIAM FORDE THOMPSON University of Toronto, Mississauga, Ontario, Canada Musically trained and untrained participants provided magnitude estimates of the size of melodic intervals. Each interval was formed by a sequence of two pitches that differed by between 50 cents (one half of a semitone) and 2,400 cents (two octaves) and was presented in a high or a low pitch register and in an ascending or a descending direction. Estimates were larger for intervals in the high pitch register than for those in the low pitch register and for descending intervals than for ascending intervals. Ascending intervals were perceived as larger than descending intervals when presented in a high pitch register, but descending intervals were perceived as larger than ascending intervals when presented in a low pitch register. For intervals up to an octave in size, differentiation of intervals was greater for trained listeners than for untrained listeners. We discuss the implications for psychophysi- cal pitch scales and models of music perception. Sensitivity to relations between pitches, called relative scale describes the most basic model of pitch. Category pitch, is fundamental to music experience and is the basis labels associated with intervals assume a logarithmic re- of the concept of a musical interval. A musical interval lation between pitch height and frequency; that is, inter- is created when two tones are sounded simultaneously or vals spanning the same log frequency are associated with sequentially. They are experienced as large or small and as equivalent category labels, regardless of transposition.
    [Show full text]
  • Data-Driven Cepstral and Neural Learning of Features for Robust Micro-Doppler Classification
    Data-driven cepstral and neural learning of features for robust micro-Doppler classification Baris Erola, Mehmet Saygin Seyfioglub, Sevgi Zubeyde Gurbuzc, and Moeness Amina aCenter for Advanced Communication, Villanova University, Villanova, PA 19085, USA bDept. of Electrical-Electronics Eng., TOBB Univ. of Economics and Technology, Ankara, Turkey cDept. of Electrical and Computer Engineering, University of Alabama, AL 35487, USA ABSTRACT Automatic target recognition (ATR) using micro-Doppler analysis is a technique that has been a topic of great research over the past decade, with key applications to border control and security, perimeter defense, and force protection. Patterns in the movements of animals, humans, and drones can all be accomplished through classification of the target’s micro-Doppler signature. Typically, classification is based on a set of fixed, pre-defined features extracted from the signature; however, such features can perform poorly under low signal-to-noise ratio (SNR), or when the number and similarity of classes increases. This paper proposes a novel set of data-driven frequency-warped cepstral coefficients (FWCC) for classification of micro-Doppler signatures, and compares performance with that attained from the data-driven features learned in deep neural networks (DNNs). FWCC features are computed by first filtering the discrete Fourier Transform (DFT) of the input signal using a frequency-warped filter bank, and then computing the discrete cosine transform (DCT) of the logarithm. The filter bank is optimized for radar using genetic algorithms (GA) to adjust the spacing, weight, and width of individual filters. For a 11-class case of human activity recognition, it is shown that the proposed data-driven FWCC features yield similar classification accuracy to that of DNNs, and thus provides interesting insights on the benefits of learned features.
    [Show full text]
  • Psychoacoustics of Multichannel Audio
    THE PSYCHOACOUSTICS OF MULTICHANNEL AUDIO J. ROBERT STUART Meridian Audio Ltd Stonehill, Huntingdon, PE18 6ED England ABSTRACT This is a tutorial paper giving an introduction to the perception of multichannel sound reproduction. The important underlying psychoacoustic phenomena are reviewed – starting with the behaviour of the auditory periphery and moving on through binaural perception, central binaural phenomena and cognition. The author highlights the way the perception of a recording can be changed according to the number of replay channels used. The paper opens the question of relating perceptual and cognitive responses to directional sound or to sound fields. 1. INTRODUCTION 3.1 Pitch Multichannel systems are normally intended to present a The cochlea aids frequency selectivity by dispersing three-dimensional sound to the listener. In general, the excitation on the basilar membrane on a frequency- more loudspeakers that can be applied, the more accurately dependent basis. Exciting frequencies are mapped on a the sound field can be reproduced. Since all multichannel pitch scale roughly according to the dispersion (position) systems do not have a 1:1 relationship between transmitted and the integral of auditory filtering function. Several channels and loudspeaker feeds, a deep understanding of scales of pitch have been used; the most common being the human binaural system is necessary to avoid spatial, mel, bark and E.. Fig. 1 shows the inter-relationship loudness or timbral discrepancies. between these scales. This paper reviews some of the basic psychoacoustic The mel scale derives from subjective pitch testing and was mechanisms that are relevant to this topic. defined so that 1000mel º 1kHz.
    [Show full text]
  • Analyzing Noise Robustness of Mfcc and Gfcc Features in Speaker Identification
    ANALYZING NOISE ROBUSTNESS OF MFCC AND GFCC FEATURES IN SPEAKER IDENTIFICATION Xiaojia Zhao1and DeLiang Wang1,2 1Department of Computer Science and Engineering, The Ohio State University, USA 2Center for Cognitive Science, The Ohio State University, USA {zhaox, dwang}@cse.ohio-state.edu ABSTRACT prior to speaker recognition. The human ability to perform speaker recognition in Automatic speaker recognition can achieve a high level of noisy conditions has motivated studies of robust speaker performance in matched training and testing conditions. recognition from the perspective of computational auditory However, such performance drops significantly in mis- scene analysis. In one such study [4], we showed that a new matched noisy conditions. Recent research indicates that a speaker feature, gammatone frequency cepstral coefficients new speaker feature, gammatone frequency cepstral coeffi- (GFCC), shows superior noise robustness to commonly used cients (GFCC), exhibits superior noise robustness to com- mel-frequency cepstral coefficients (MFCC) in speaker iden- monly used mel-frequency cepstral coefficients (MFCC). To tification (SID) tasks (see also [5]). As for the reason, we gain a deep understanding of the intrinsic robustness of speculated that the front-end of GFCC, the gammatone GFCC relative to MFCC, we design speaker identification filterbank, might be more noise-robust than that of MFCC, experiments to systematically analyze their differences and the mel-filterbank. In particular, the frequency scales em- similarities. This study reveals that the nonlinear rectifica- ployed in the two filterbanks were believed to be the key tion accounts for the noise robustness differences primarily. difference although no convincing evidence was presented Moreover, this study suggests how to enhance MFCC ro- to support this hypothesis.
    [Show full text]
  • Lecture 6: Frequency Scales: Semitones, Mels, and Erbs
    Review Semitones Mel ERB Summary Lecture 6: Frequency Scales: Semitones, Mels, and ERBs Mark Hasegawa-Johnson ECE 417: Multimedia Signal Processing, Fall 2020 Review Semitones Mel ERB Summary 1 Review: Equivalent Rectangular Bandwidth 2 Musical Pitch: Semitones, and Constant-Q Filterbanks 3 Perceived Pitch: Mels, and Mel-Filterbank Coefficients 4 Masking: Equivalent Rectangular Bandwidth Scale 5 Summary Review Semitones Mel ERB Summary Outline 1 Review: Equivalent Rectangular Bandwidth 2 Musical Pitch: Semitones, and Constant-Q Filterbanks 3 Perceived Pitch: Mels, and Mel-Filterbank Coefficients 4 Masking: Equivalent Rectangular Bandwidth Scale 5 Summary Review Semitones Mel ERB Summary Fletcher's Model of Masking, Reviewed 1 The human ear pre-processes the audio using a bank of bandpass filters. 2 The power of the noise signal, in the filter centered at fc , is Z FS =2 2 Nfc = 2 R(f )jHfc (f )j df 0 3 2 The power of the tone is Tfc = A =2, if the tone is at frequency fc . 4 If there is any band in which Nfc + Tfc 10 log10 > 1dB Nfc then the tone is audible. Otherwise, not. Review Semitones Mel ERB Summary Equivalent rectangular bandwidth (ERB) The frequency resolution of your ear is better at low frequencies. In fact, the dependence is roughly linear (Glasberg and Moore, 1990): b ≈ 0:108f + 24:7 These are often called (approximately) constant-Q filters, because the quality factor is f Q = ≈ 9:26 b The dependence of b on f is not quite linear. A more precise formula is given in (Moore and Glasberg, 1983) as: f 2 f b = 6:23 + 93:39 + 28:52 1000 1000 Review Semitones Mel ERB Summary Equivalent rectangular bandwidth (ERB) By Dick Lyon, public domain image 2009, https://commons.wikimedia.org/wiki/File:ERB_vs_frequency.svg Review Semitones Mel ERB Summary The Gammatone Filter The shape of the filter is not actually rectangular.
    [Show full text]
  • Discrimination-Emphasized Mel-Frequency-Warping for Time-Varying Speaker Recognition
    APSIPA ASC 2011 Xi’an Discrimination-Emphasized Mel-Frequency-Warping for Time-Varying Speaker Recognition 1Linlin Wang, 2Thomas Fang Zheng, 3Chenhao Zhang and 4Gang Wang Center for Speech and Language Technologies, Division of Technical Innovation and Development, Tsinghua National Laboratory for Information Science and Technology Department of Computer Science and Technology, Tsinghua University, Beijing, 100084 E-mail: { 1wangll, 3zhangchh, 4wanggang }@cslt.riit.tsinghua.edu.cn, [email protected] Tel/Fax: +86-10-62796393 Abstract— Performance degradation with time varying is a voice just as that of fingerprints, they put forward this issue at generally acknowledged phenomenon in speaker recognition and the same time [3]. There was no evidence regarding the it is widely assumed that speaker models should be updated from stability of speaker-specific information throughout time. In time to time to maintain representativeness. However, it is costly, 1997, Sadaoki Furui summarized advances in automatic user-unfriendly, and sometimes, perhaps unrealistic, which speaker recognition in decades and also left the way to deal hinders the technology from practical applications. From a pattern recognition point of view, the time-varying issue in with long-term variability in people’s voice as an open speaker recognition requires such features that are speaker- question [1]. A similar idea was expressed in [4], where the specific, and as stable as possible across time-varying sessions. authors argued that a big challenge to uniquely characterize a Therefore, after searching and analyzing the most stable parts of person’s voice was that voice changes over time. feature space, a Discrimination-emphasized Mel-frequency- Performance degradation has also been observed in warping method is proposed.
    [Show full text]
  • Expressive Sampling Synthesis. Learning Extended Source-Filter Models from Instrument Sound Databases for Expressive Sample Manipulations Henrik Hahn
    Expressive sampling synthesis. Learning extended source-filter models from instrument sound databases for expressive sample manipulations Henrik Hahn To cite this version: Henrik Hahn. Expressive sampling synthesis. Learning extended source-filter models from instrument sound databases for expressive sample manipulations. Signal and Image Processing. Université Pierre et Marie Curie - Paris VI, 2015. English. NNT : 2015PA066564. tel-01331028 HAL Id: tel-01331028 https://tel.archives-ouvertes.fr/tel-01331028 Submitted on 7 Jul 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. i THESE` DE DOCTORAT DE l’UNIVERSITE´ PIERRE ET MARIE CURIE Ecole´ doctorale Informatique, T´el´ecommunications et Electronique´ (EDITE) Expressive Sampling Synthesis Learning Extended Source–Filter Models from Instrument Sound Databases for Expressive Sample Manipulations Presented by Henrik Hahn September 2015 Submitted in partial fulfillment of the requirements for the degree of DOCTEUR de l’UNIVERSITE´ PIERRE ET MARIE CURIE Supervisor Axel R¨obel Analysis/Synthesis group, IRCAM, Paris, France Reviewer Xavier Serra MTG, Universitat Pompeu Fabra, Barcelona, Spain Vesa V¨alim¨aki Aalto University, Espoo, Finland Examiner Sylvain Marchand Universit´ede La Rochelle, France Bertrand David T´el´ecom ParisTech, Paris, France Jean-Luc Zarader UPMC Paris VI, Paris, France This page is intentionally left blank.
    [Show full text]