euge groove groove on free download Euge Groove - Groove On! (2017) Artist : Euge Groove Title : Groove On! Year Of Release : 2017 Label : Shanachie Genre : Smooth Jazz Quality : mp3 320 kbps / flac lossless +booklet Total Time : 00:56:06 Total Size : 136 / 367 mb WebSite : Album Preview. Tracklist ------01. Sonnet Xl 02. Groove On 03. Free Time 04. The Healing 05. Round and Round 06. Euge One-Oh-One 07. Last Call 08. Saturday Afternoon 09. Always Love You (feat. Lindsey Webster) 10. Groove On (reprise) 11. The Healing (cinema) Groove On! delivers Euge Grooves trademark funk/jazz grooves on a wide-ranging set including potential radio hits as well as feel-good album tracks. Highlights include a sparkling guest vocal from new Contemporary Jazz vocal sensation Lindsey Webster (who has recently topped the Smooth Jazz radio charts as well) and fellow Smooth Jazz star, guitarist Peter White. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Euge Groove – Groove On (2017) [Qobuz FLAC 24bit/44,1kHz] Euge Groove – Groove On (2017) FLAC (tracks) 24-bit/44,1 kHz | Time – 55:58 minutes | 650 MB | Genre: Jazz Studio Master, Official Digital Download – Source: Qobuz | Digital Booklet, Front Cover | © Shanachie. For over 15 years saxophonist Euge Groove has been a consistent best-seller on the Contemporary Jazz charts, scoring hit after hit at Smooth Jazz radio, including more than half a dozen #1 hits, and hitting #1 on the Billboard Contemporary Jazz chart; in short, Euge Groove is one of the genre’s stars. “Groove On!” delivers Euge Groove’s trademark funk/jazz grooves on a wide-ranging set including potential radio hits as well as feel-good album tracks. Highlights include a sparkling guest vocal from new Contemporary Jazz vocal sensation Lindsey Webster and fellow Smooth Jazz star, guitarist Peter White. Euge Groove’s anticipated eleventh solo recording. Titled ‘Groove On’ it is an exhilarating collection of original material and the latest chapter in a musical story that began in 2000 with his eponymous debut and progressed with a sequence of chart busting albums including ‘Livin Large’, ‘Just Feels Right’, ‘S7ven Large’ and ‘House Of Groove’ all of which produced number one hits. ‘Got 2 Be Groovin’ came in 2014 and 2016 saw the release of ‘Still Euge’ that featured cameo vocals from both Oleta Adams and Rahsaan Patterson. This time around the guests include both Peter White and Lindsey Webster and it is White that comes up trumps with his contribution to the sublimely melodic ‘Euge One – Oh- One’. Elsewhere the high-octane title cut (and also the first track to be serviced to radio) is textbook Euge Groove and when he eases down the tempo for the serene and blues-tinged ‘Free Time’ the result is just as good. The melancholy ‘The Healing’ is a ballad of the highest order that benefits from the collective magic of Lenny Castro on percussion and Phillipe Saisse on keys while later Groove brings down the house with the soul-drenched ‘Last Call’ where interplay with guitarist Jabu Smith is something to savour. ‘Round And Round’ proves to be another Euge Groove classic and with ‘Saturday Night’ he comes up with a steppers beat that is guaranteed to get any party started. For the collection’s only vocal number, ‘Always Love You’, Euge calls upon rising star Lindsey Webster to sensational effect and for the free flowing ‘Sonnet X1’ he switches seamlessly between soprano sax and Hammond B3, an instrument Euge first started playing in the 90’s while touring with Joe Cocker. ‘Groove On’ is a splendid recording that maintains the incredibly high standard at which Euge Groove has performed over the past seventeen years. With a backbone provided by regular collaborators Tracy Carter on keys, bassist Cornelius Mims and drummers Trevor Lawrence Jr. and Dan Needham it is a highlight of the smooth jazz year. Tracklist: 01 – Sonnet XI 02 – Groove On 03 – Free Time 04 – The Healing 05 – Round and Round 06 – Euge One-Oh-One 07 – Last Call 08 – Saturday Afternoon 09 – Always Love You (feat. Lindsey Webster) 10 – Groove On (Reprise) 11 – The Healing (Cinema) Produced, Arranged & Mixed by Euge Groove. Musicians: Euge Groove – soprano & tenor saxophone, flute Tracy Carter – piano Tim Heinz – Hammond B3 Jubu Smith – guitar Peter White – nylon guitar on “6” Cornelius Mims – bass Lenny Castro – percussion Trevor Lawrence Jr. – drums on “1,3,5-8” Dan Needham – drums on “2,4,9-11 Lindsey Webster – vocals on “9” Groove On. “I never really know what song is going to come next…thankfully it just comes to me,” confides chart-topping saxophonist, composer and producer Euge Groove, who has scored close to a dozen #1 hits on the Contemporary Jazz Charts. A favorite on radio and the international touring circuit, Euge Groove has garnered a devout following with his irresistible mix of danceable grooves, mind-bending hooks, R&B infused melodies and inspired solos. Having collaborated with everyone from Tina Turner Elton John and Bonnie Raitt to Tower of Power and Aaron Neville, Euge Groove is never short on inspiration. On November 17, 2017, Shanachie Entertainment will release Euge Groove’s anticipated eleventh solo recording, Groove On , an exhilarating collection of originals. Euge’s latest drives home the multi-instrumentalist’s ability to mastermind the perfect mood-drenched set filled with top drawer performances featuring first rate musicians including special guests – guitar wizard Peter White and soul-jazz diva/label mate Lindsey Webster. “I hope my fans hear growth. That is most important to me,” shares Euge Groove. “I think if I stop growing as a writer, player, or producer, it’s time to quit. I put every drop of heart and soul into each album.” Groove On opens with the enticing, jubilant and free-flowing “Sonnet XI” showcasing Euge Groove’s pristine and soaring soprano saxophone lines. Euge also mixes it up on the Hammond B3 (which he does on several tracks). “I actually started playing B3 back in the 90s while on tour with Joe Cocker. I love the sound of the B3. I have a great old B3 at my studio that was a gift from my dad some years ago and I love to use it when I can. I leave the heavy lifting to the experts though. Tim Heinz did a great job on numerous tracks this album.” In addition to Heinz, Euge Groove has culled together an A-list cast on Groove On featuring guitarists Peter White and Jabu Smith, vocalist Lindsey Webster, keyboardist Tracy Carter, bassist Cornelius Mims, drummers Trevor Lawrence, Jr. and Dan Needham, percussionist Lenny Castro and string programmers/arrangers Phillipe Saisse and Austin Creek. A highlight on Groove On is the energized, pulsating and scintillating title track and album’s first single, which features Euge on flute and keyboard. “I’m always nervous until I can get that title cut down” confesses the multi-instrumentalist. “It has to be funky and unique for me, but not going too far as to people saying WTH? Once ‘Groove On’ was written I was like “Yes, I can do this!” Euge also features a high-octane reprise of the single at the end of the recording. The serene and blues-tinged “Free Time” brims with delight as Euge's effervescent soprano leads the way, while the melancholy and pensive "The Healing," is a gorgeous ballad that showcases Euge’s stirring tenor alongside the percussive and string magic of Lenny Castro and Phillipe Saisse. Euge explains that the origins of his compositions are fueled by real life experiences. “‘The Healing’ is a song that came from something I experienced recently. I suffer from anxiety from time to time, and it really reared its ugly head earlier this year. I just miss home so much sometimes on the road that things can get very dark. Mental health is no joke. I am very blessed to have some great professionals to help me make sense of it all and get through those periods. “The Healing” was all about that for me.” Euge’s beautiful ballad will likely bring peace and healing to many who are blessed to hear his heartfelt offering. Groove On also features the euphoric and swooning "Round And Round." Euge’s signature layering of parts sculpt a magnificent sound collage. The rapturous “Euge One – Oh- One” underscores Euge’s penchant for writing sublime melodies and highlights the nylon string guitar of Peter White. “Peter is just my buddy of buddies and I have to have him guest somewhere!” shares Euge who also drops the news that his next project will be a duo album with White. Euge brings the house down with the down home bluesy and soul-drenched number "Last Call." Euge is no doubt testifying as his gorgeous tenor lines and interplay with guitarist Jabu Smith almost stop you in your tracks. "Saturday Afternoon" makes you want to jump to your feet with its cool and swingin’ ‘steppers vibe’ while the tender ballad “Always Love You” offers the album’s lone vocal. “Lindsey Webster and I met on New Year’s Eve in Germany last year,” states Euge Groove. “She has such a great voice and writing style and I kept that in my mind for this project. Lindsey wrote killer lyrics and it all came together quite smoothly.” Euge Groove’s musical sensibilities are hard-won. Born Steven Eugene Grove in Hagerstown, Maryland, he grew up in a musical home. His mother played piano and taught the church choir and Euge began his musical pursuits at the age of seven, beginning with piano and adding saxophone at nine. Two saxophonists had a profound effect on his approach to playing. “One was French classical player Marcel Mule, who really defied what the sax was supposed to sound like for me and the other was David Sanborn, who took that sound and brought it into the mainstream world,” Euge reminisces. Through the years, Euge’s love of Jazz, R&B, Gospel and Blues have all come together to inform his personalized sound. He explains, “I’ve listened to everyone from Grover (Washington, Jr.) and Sanborn to (Charlie) Parker and Coltrane, as well as (Michael) Brecker, (Stan) Getz, King Curtis, Jr. Walker, Richard Elliot and Kirk Whalum. The more mature we become the more those influences fuse into something new. A graduate of Miami’s School Of Music, Euge launched his professional career in Miami in the mid-80s, playing in salsa bands, Top 40 club bands and doing the occasional high-profile session date like Expose’s “Seasons Change,” a #1 Billboard AC hit. In 1987 he moved to L.A., wrote a track for Richard Elliot’s The Power of Suggestion and Elliot recommended Euge to take over his spot in Tower of Power. Euge toured with TOP for four years, including a year backing Huey Lewis & The News. He went on to record, tour or perform with the likes of Joe Cocker, The Eurythmics, The Gap Band, Elton John, Bonnie Raitt, Aaron Neville and Richard Marx (that’s Euge’s horn on “Keep Coming Back,” a #1 AC hit duet he recorded with Luther Vandross). In 1999, Euge started recording his own material, dubbing himself Euge Groove, and posting his music on the now-defunct MP3.com website; downloading started almost immediately and Euge was soon topping the MP3.com Jazz chart. He signed soon thereafter with Warner Bros. “Vinyl,” his first single from his eponymous Warner Bros. debut, set a record by spending 27 weeks on the R&R charts, eventually ranking #24 for the year. In 2004, Euge Grooves’ Narada debut, Livin’ Large , spent 68 weeks on the Billboard charts. The title track was the #5 most played song for 2004 on the R&R singles chart. Just Feels Right followed in 2005 and its first single was #1 for two months. There followed in the next decade a string of hit singles and best-selling albums; his hit “Religify” was ‘song of the year’ in 2007, and his albums S7ven Large and House Of Groove each spawned #1 hits. Got 2 Be Groovin’ came in 2014 and 2016 saw the release of Still Euge, which featured the hit title track as well as memorable vocal appearances from Oleta Adams and Rahsaan Patterson. Euge Groove further asserts himself as a vital force in the continuum of Contemporary Jazz and promises he has no intentions other than to Groove On ! “I’ve really not known anything else. It’s been such an amazing run for the last 30 plus years. From the amazing people I’ve toured in support of to being able to do my own thing, sometimes I’ll reflect and just say “wow!” The places I’ve been and the people I’ve met..it’s like a real life fairy tale at times.” Still Euge. One of the hardest tasks in creating an album is naming it. I know that might sound odd, but it is what it is. This time it was not the case. "Still Euge", my tenth solo project (why are we so enamored at whole numbers like that?), perfectly sums up my feelings while making this disc. First, "Still" represents me being able to be me! What I was going fo on the album is exactly what I was going for 16 years ago when Euge Groove came out. It's smooth jazz and I'm proud to call it that. Second, "Still", from Pslam 46:10, perfectly describes who I am these days. Everything is gonna be alright! I've been around the world many times and have seen many things good and bad. I know how blessed I am on so many levels. I am truly "Still" Euge. And with that said, I'd like to thank everyone and everything that touches me on a daily basis. My family at home, my family afar, my family on the road, my family in the studio, my family at Shanachie, my family at Chapman management, my family at Variety Arts, my family at Lindsay Wineberg and Associates, my family at Radio, my family at smooth-jazz247, and my family in the audience - you've all been there for a very long time and have allowed me to be me - And I Thank You! Please love who you are and love one another. But most importantly, be "Still". BIOGRAPHY. Euge Groove -- a pseudonym for saxophone journeyman Steve Grove -- began playing piano in the second grade and turned to the saxophone at the age of nine or ten. His teacher gave him a classical education on the instrument, which he followed at the University of Miami's School of Music, where he became interested in jazz. Upon graduation, he initially remained in Miami doing sessions and playing in bands such as Expose, where he can be heard on the group's 1987 number one single "Seasons Change." He then moved to Los Angeles and joined Tower of Power, remaining with the group about four years. Following this experience, he freelanced, doing sessions and working in backup bands, his clients including Joe Cocker, Eurythmics, the Gap Band, Huey Lewis & the News, Elton John, Bonnie Raitt, Aaron Neville, Eros Ramazotti, and Richard Marx. His saxophone appeared on Marx's Top 20 pop and number one AC hit "Keep Coming Back" in 1991. At the end of the '90s, Grove developed the persona of Euge Groove, a corruption of his real name, and recorded a demo that attracted the attention of various labels. This demo soon landed him with Warner Bros. Records. Euge Groove, his debut album, was released in May 2000. At the time, the saxophonist toured in Tina Turner's backup band. He followed up with 2002's Play Date, featuring the singles "Slam Dunk" and "Rewind." In 2004, Grove moved to Narada for the '70s pop-soul-inflected Livin' Large. Grove stuck with the '70s vibe for 2005's Just Feels Right and then incorporated a more gospel approach for 2007's Born 2 Groove. He moved to Shanachie for 2009's Sunday Morning. In 2011, Grove returned with his seventh studio effort, the fittingly titled Seven Large on Shanachie, with two more releases following for the label, 2012's House of Groove and 2014's Got 2 B Groovin. Music. “These times have unleashed a creativity in me that I haven’t felt in years. I think it’s been a time of self-reevaluation. A cleaning of the house so to speak,” confides Euge Groove who has been first call for everyone from Tina Turner, Richard Marx and Joe Cocker to Tower of Power and Huey Lewis. The chart-topping saxophonist, composer and producer who has scored close to a dozen #1 hits, will release his twelfth recording as a leader, Sing My Song, on June 26, 2020… READ MORE. SOLO ALBUMS. Got 2 Be Groovin (2014) Amazon | iTunes. House Of Groove (2012) Amazon | iTunes. Sunday Morning (2009) Amazon | iTunes. Just Feels Right (2005) Amazon | iTunes. EXTENDED DISCOGRAPHY. The Steve Pryor Band Steve Pryor Band (1991) Mark Portmann Driving Beverly Hills (1994) Bonnie Raitt Luck of the Draw (1991) Eros Ramazzotti Eros Live (Italian) (1998) David Royal Mysterious (1995) Michelle Shocked Captain Swing (1989) The Simpsons Simpsons Sing the Blues (1990) Michael Sweet Michael Sweet. Tower of Power Monster on a Leash (1991) Tower of Power What Is Hip?: The Tower of Power . (1999) Tina Turner One Last Time, Live in Concert from Wembley Stadium (Video - 2000) Uncle Festive That We Do Know (1989) Peter White Glow (2001) David Benoit Right Here, Right Now (2004) David Benoit Full Circle (2006) Paula Abdul Spellbound (1991) Pete Anderson Working Class (1994) Rick Braun Kisses In The Rain (2001) Michael Colina Shadows of Urbano (1991) Joe Cocker Live in Berlin DVD (Recorded live in 1997) Richard Elliot Power of Suggestion (1991) Expose Exposure (1986) Expose Greatest Hits (1995) Heart Brigade (1990) Elton John Duets (1993) Huey Lewis and the News Small World (1988) Richard Marx Rush Street (1991) Richard Marx Paid Vacation (1994) Richard Marx Flesh and Bone (1997) Aaron Neville Warm Your Heart (1991) SIDEMAN. Euge has done world tours with: Joe Cocker (1994 -1995, 1997, 1999, opening act 2005) Eros Ramazotti (1996, 1998, 2003-2004) Richard Marx (1990 - 1994) Tower of Power (1988 - 1992) Huey Lewis and the News (1988) BIOGRAPHY. “Fear and creativity can not live in the same room,” declares free-spirited and consummate chart-topping saxophonist, composer, producer and radio host Euge Groove. “You can’t bring fear into the creative process. It took me a while to get that.” Euge Groove’s Ying and Yang and ebb and flow approach to his artistry and life have allowed him to enjoy a career longevity that is atypical. The highly sought after musical chameleon has been called upon for his musical prowess by everyone from Rock `N' Roll Hall of Famer Tina Turner and balladeer Luther Vandross to UK Blues Rocker Joe Cocker, Richard Marx, Tower of Power and Huey Lewis and the News, among countless others. A road warrior, Euge Groove stays at the top of his game by maintaining a busy touring schedule. “I love live performance, which is probably pretty obvious to anyone that has seen me live,” shares the charismatic saxman. “On a sonic level, I try to capture the space of a live performance when I record. Instead of going for a really ‘dry’ soundstage, I try to envision what the sound would be if it was playing on a theater or small venue stage.” August 19, 2014 Shanachie Entertainment will release GOT 2 BE GROOVIN’ , created over a six month period and the latest installment in Euge Groove’s musical evolution. “It was a blessing to take some time off from touring and really be able to focus on the creating this project,” states Euge. “I’ve built a great studio here at the ‘Groove House’ and it makes me feel good just to sit in it. I’ll light a bunch of candles, incense, warm lighting, and just open the mind to music. It’s an amazing feeling.” In an industry where artists are consistently put in a box and categorized, Euge Groove remains an artist who chooses to continually push the boundaries and let his music go where his heart leads. “Good music is good music, no matter what.” Euge’s open heart and ears have led him to the top of the charts multiple times resulting in thirteen #1 hits. GOT 2 BE GROOVIN’ is sure to find a home at the top once again. GOT 2 BE GROOVIN’ is an exhilarating set of nine originals and one cover that opens with Euge’s soaring soprano saxophone on the alluring “Forever And A Day,” giving a nod to Shakespeare in typical Euge tradition. The album’s title track and first single embodies all the right ingredients for a Euge Groove smash hit, as he struts his stuff and pulls out all the stops concocting a timeless organic groove of jazz, R&B, funk and soul. “This song came out one morning after I had gone to bed diggin’ on James Brown,” explains Euge. “He always had groove that turned the snare beat around and I wanted to capture that but in a modern studio kind of way.” Euge nails the track with its freight train guitar, rolling Hammond B 3 and funk horn section that would have done the ‘Godfather of Soul’ proud. In addition to paying homage to musical influences on GOT 2 BE GROOVIN’ , Euge gives us insight into some of the people closest to him. A family man, many of the album tracks are inspired by his family, including the irresistibly spunky and sparkling R&B number “Miss Bane,” which highlights Euge’s ethereal soprano and was penned in honor of his wife. Euge also dedicated the album’s one cover, the Doug Edwards and David Richardson song “Wild Flower,” to his wife stating that “every lyric in the song seems like it was written just for her.” Through the years “Wild Flower” has been recorded by everyone from The O’Jays and The Neville Brothers to Johnny Mathis and Blake Shelton. Euge’s rendition features Elliot Yamin of American Idol fame who delivers a warm and moving version. The sweet and mellifluous ditty “Hey Hey Lil’ Lilah Belle” captures the jubilant and beautiful energy of Euge’s daughter while “Homie Grown” finds him in good company collaborating with some like-minded creative spirits including guitarist Paul Brown, keyboardist and guitarist Jeff Carruthers, and bassist Roberto Vally. A special highlight on GOT 2 BE GROOVIN’ is the introspective and gorgeous gospel-inflected “Rain Down On Me,” featuring Peter White’s impressionistic guitar in a delicate dance with Euge’s robust tenor. “I associate this song with God and it is about asking for a cleansing of the soul. It is something I beg for from time to time,” confides the multi-instrumentalist. “Groovin Up Hip Street” calls to mind magical vibes of The Blackbyrd’s with its magical groove. Euge shares, “I had an idea to write a song that if it was playing while you were swaggering with confidence on the ‘hip street’ wherever you are and it was playing behind you, this is what it would sound like. It’s four-on-the-floor kick drum is your foot-step and your finger snaps and hand claps push the groove. There is no snare drum on this cut, which is a first for me. Just snaps and claps.” Who wouldn’t want theme a like this?! Euge Groove pays homage to his West Coast roots with “Tango in Tio.” T.O., being a nickname given to his Thousand Oaks neighborhood. GOT 2 BE GROOVIN’ closes with “In Love with You” featuring vocalist Chanel Haynes from Trin-i-Tee 5:7. Euge explains how he connected with the singer. “My wife happened to be at her sister’s house in Austin for a party and was helping to clean up when she heard someone singing in the next room. She was freaking out over her voice. It turned out to be Chanel. Her voice is ridiculous. At times it’s like listening to Toni Braxton, then she goes all Tina Turner on you!” Born Steven Eugene Grove in Hagerstown, Maryland, Euge Groove grew up in a musical home. His mother played piano and taught the Cherub choir at Christ Lutheran Church and he began his own musical pursuits at the age of seven, beginning with the piano and adding the saxophone at nine. But for Euge it was in elementary school where he discovered that music was his calling. “In fifth grade I thought I'd be in school band the rest of my life.” He later discovered two saxophonists who had a profound effect on his approach to playing. “One was French classical player Marcel Mule, who really defined what the sax was supposed to sound like for me and the other was David Sanborn. He took that sound and brought it into the mainstream world,” reminisces the worldly saxophonist. Through the years, Euge’s love of Jazz, R&B, Gospel and Blues have all come together to inform his personalized sound. He explains, “I've listened to everyone from Grover (Washington Jr.) and (David) Sanborn to (Charlie) Parker and (John) Coltrane as well as (Michael) Brecker, (Stan) Getz, King Curtis, Junior Walker, Richard Elliott and Kirk Whalum. The thing is, the more mature we become the more those influences fuse into something new. I always listened to a lot of R&B growing up, fused that with Pop music, then with the Gospel music. Hopefully all of these influences come through in my music and I am able to create my own unique expression.” A graduate of the University of Miami's School of Music, Euge launched his professional career in Miami in the mid 80s, playing in Salsa bands, top 40 club bands and doing the occasional high profile session date like Expose's “Seasons Change,” a #1 Billboard AC hit. Not long after he moved to L.A. in 1987, he wrote a track for Richard Elliot's THE POWER OF SUGGESTION album, and Elliot recommended Euge to take over his spot in Tower of Power. Euge toured with TOP for four years, including a year backing Huey Lewis & The News. His resume grew from there to include recording, touring or performing stints with Joe Cocker, The Eurythmics, The Gap Band, Elton John, Bonnie Raitt, Aaron Neville and Richard Marx. Marx included Euge's horn on “Keep Coming Back,” a #1 AC hit duet he recorded with Luther Vandross. In 1999, coming off the road after two years of touring with popular Italian singer Eros Ramazotti and Joe Cocker, the saxophonist paved the way for his eventual solo stardom by recording some tracks of his own. Without a record label to distribute the music, Euge put his songs on the now-defunct MP3.com website, dubbing himself “Euge Groove” and downloading started almost immediately and Euge was soon topping the MP3.com Jazz chart. He signed soon thereafter with Warner Bros. “Vinyl,” his first single from his self-titled Warner Bros. debut, set a record by spending 27 weeks on the R&R charts, eventually ranking at #24 for the year. PLAY DATE kept the trend going with two more #1 radio hits, “Slam Dunk” and “Rewind.” In 2004, Euge Groove's Narada debut, LIVIN' LARGE , spent 68 weeks on the Billboard charts, debuted at #4 and came in at #25 overall for 2004. "Livin' Large," the single, was the #5 most played song for 2004 on the R&R singles chart. "XXL" spent 36 weeks on the radio chart. JUST FEELS RIGHT followed in 2005 and its first single, "Get Em Goin'," was #1 for two months. BORN TO GROOVE followed in 2007 and featured several chart-topping singles, including “song of the year” for Relgify. His Shanachie debut was in 2009 and included the #1 smash hit title track and the top five single “All For You.” 2011 saw the release of S7VEN LARGE whose title track scored a #1 hit. 2012 brought the release of HOUSE OF GROOVE , which spawned two #1 hits. When Euge Groove is not in the studio or on the road he finds comfort in being with his family, cooking, swimming, running, playing with animals and gardening. The saxman who makes his home his sanctuary confides, “It is my prayer that when people hear this new music that they will listen and be relaxed through this new journey.”