Albuquerque Citizen, 03-30-1908 Hughes & Mccreight
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Guide to the Charles Morton Agency Collection of American Popular Drama 1842-1950
University of Chicago Library Guide to the Charles Morton Agency Collection of American Popular Drama 1842-1950 © 2007 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Historical Note 3 Scope Note 6 Related Resources 10 Subject Headings 10 INVENTORY 10 Series I: Numbered Plays 10 Series II: Unnumbered Plays and Excerpts 124 Series III: Various Plays, Alphabetical 124 Series IV: Various Plays 139 Series V: Printed Playbills and Scripts 141 Descriptive Summary Identifier ICU.SPCL.MORTONAGENCY Title Morton, Charles, Agency. Collection of American Popular Drama Date 1842-1950 Size 48 linear ft. (96 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract The collection holds theatrical plays of the late 19th early 20th centuries, film screenplays from the Depression and New Deal periods, as well as television scripts from the 1950s. The majority of the plays were written, copyrighted, or possibly produced by Charles Morton and his agency. Information on Use Access No restrictions Citation When quoting material from this collection, the preferred citation is: Morton, Charles, Agency. Collection of American Popular Drama, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Historical Note By the end of the 19th century in America there had developed a fairly large market for playbills and scripts of plays. Theater attendance had increased dramatically through the 19th century and had become progressively more accessible to a wider range of social classes and groups. Not surprisingly, a sort of “play piracy” developed as a consistent problem, particularly since the development of copyright law did not develop extensively until the 20th century. -
Samuel Stark Theater Program Collection M1149
http://oac.cdlib.org/findaid/ark:/13030/c8377gh1 No online items Guide to the Samuel Stark theater program collection M1149 Stark (Samuel) theater program collection Gurudarshan Khalsa Department of Special Collections and University Archives 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Samuel Stark M1149 1 theater program collection M1149 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Samuel Stark theater program collection source: Stark, Samuel Identifier/Call Number: M1149 Physical Description: 41 linear feet Linear Feet(102 boxes) Date (inclusive): 1852-1982 Abstract: The Samuel Stark Theater program collection consists of theater programs primarily from the United States. Scope and Contents The Samuel Stark theater program collection consists entirely of theater programs, primarily from New York, San Francisco, and Los Angeles. There are programs from other United States cities and from other countries as well. The collection is primarily in original order. The programs from New York City are arranged alphabetically by play, and provide an extensive listing of plays from the mid-1870s to the mid-1970s. All other programs in the collection are arranged alphabetically by city and then by theater. Preferred Citation [Identification of item] Samuel Stark theater program collection (M1149), Department of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif. Conditions Governing Access The collection is open for research. Note that material is stored off-site and must be requested at least 36 hours in advance of intended use. Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. -
The STORY of the Famous Players-Lasky Corporation L
. ^^r -".«*»». FAMOUS P1AYERS-LASKY CORPORATION ADOLPM ZUKOR mm. JESSE t.LASKY H»Aw CECIt B.OE MILLE IWrti'C«i««l I TUWYOMl, LIBRARY Brigham Young University RARE BOOK COLLECTION Rare Quarto PN ^r1999 1919 I The STORY of the Famous Players-Lasky Corporation l : i ll ! . .; ,i i i i i)i ! ]il lll) llll l l l lllllll l [|||||IHl H MiilMii 3ES ==?r .:;.Mii !llll li im 3E 1 I i I Walter E. Greene /''ice-President ! Frank A. Garbott Vice-President t I 'l|i"l|!l||||ii 2Z^ ^^ illillllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllHlllllllllllllllllll 2ff 3C JZ The Story of the Famous Players-Lasky Corporation (paramount~Qricra£t ^Motion (pictures -...or ..»«*» FAMOUS PLAYERS-LASKY CORPORATION <L ADOLPH ZUKOR Pres JESSE L.LASKY VkxPrms. CECIL B DE M1LLE Director Cenerol. "NEW YORIC Copyright, IQIQ, by the Famous Players-Lasky Corporation ~ZL M : 1 TTT- I'liiiiiiii'iiiiiiiiMiiiiiiii, 1 1 1 1 1 1 1 1 1 1 t < 1 iii 35 i : ; 1 1 i 1 1 > 1 . 1 W=] s: .^sm: '":;iii!!'i'i:'iniiiii""!"i. ! ":"''.t iiinu'lM u m 3 i i S i 5 1 i im :=^ !l!l!llllllll!lllllli^ 3T Adolph Zukor, President ^t^-Q INTRODUCTION 1 HIS is the complete story of the Famous Players-Lasky Corporation, the world's greatest motion picture enterprise. The story of the Famous Players-Lasky Corporation is the story of the motion picture. For it is this organization which has made the motion picture. Seven years ago, Adolph Zukor saw in the motion picture, then only an amusing toy, amazing and tremendous possibilities. -
The Haunted Bookshop by Christopher Morley to The
THE HAUNTED BOOKSHOP BY CHRISTOPHER MORLEY TO THE BOOKSELLERS Be pleased to know, most worthy, that this little book is dedicated to you in affection and respect. The faults of the composition are plain to you all. I begin merely in the hope of saying something further of the adventures of ROGER MIFFLIN, whose exploits in "Parnassus on Wheels" some of you have been kind enough to applaud. But then came Miss Titania Chapman, and my young advertising man fell in love with her, and the two of them rather ran away with the tale. I think I should explain that the passage in Chapter VIII, dealing with the delightful talent of Mr. Sidney Drew, was written before the lamented death of that charming artist. But as it was a sincere tribute, sincerely meant, I have seen no reason for removing it. Chapters I, II, III, and VI appeared originally in The Bookman, and to the editor of that admirable magazine I owe thanks for his permission to reprint. Now tha Roger is to have ten Parnassuses on the road, I am emboldened to think that some of you may encounter them on their travels. And if you do, I hope you will find that these new errants of the Parnassus on Wheels Corporation are living up to the ancient and honourable traditions of our noble profession. CHRISTOPHER MORLEY. Philadelphia, April 28, 1919 The Haunted Bookshop Chapter I The Haunted Bookshop If you are ever in Brooklyn, that borough of superb sunsets and magnificent vistas of husband-propelled baby-carriages, it is to be hoped you may chance upon a quiet by-street where there is a very remarkable bookshop. -
The Catalogue of the American Play Co with Original Casts
F O R E W O R D ARE 1 0 IN THERE 44 MINUTES TODAY . TAKE FIVE OF THEM AND READ THIS TAKE FIVE MORE AND READ IT AGAIN THOSE TEN MINUTES MAY SET Y OU THINKING AND T H I N K I N G MEANS MONEY . UCCESS needs no press agent t r for e n and he e e, the achi veme ts of the American Play Company n eed none. c To our own lients, the past of the American Play Company speaks for itself ! to those who must eventually become our e r nt and f r w cli nts, its p ese its utu e may, ho ever, be en n r m tio ed in ce tain salient features . The policy of the company is to make prices as n l as m rofi o reaso ab e a legiti ate p t will all w . The stock manager cannot in these times of vital compe afi ord fi a r es tition arti ci l p ic , such as some agents e n . n r d ma d To do so must i evitably cou t failure, and each failure means the elimination of at least one for the of outlet sale stock plays . The America n Play Company stands for Volume of Business at PROFITABLE but not EXCESS IVE rates ! it believes that ten weeks at $250 each e o r or m an m re to a client, buye seller, than one week at a thousand dollars . Its financial policy for e of the m r makes the succ ss anage , and success e f — ful managers m an success ul leases, and those e rofi . -
Lincoln A. Behr Theater Program Collection
McLean County Museum of History Lincoln A. Behr Theater Program Collection Processed by William Lawrence Collection Information Volume of Collection: 1 Box Collection Dates: 1907-1914 Restrictions: None Provenance: Donated by Martha Behr Miller Reproduction Rights: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History Location: Archives Notes: None Brief History Lincoln A. Behr was born in Bloomington June 18, 1896. Behr enjoyed going to the theater as a form of entertainment. Behr and Lyle Barber, a noted pianist, were good friends and often traveled to Chicago to see plays and shows. He lived in Bloomington until 1948 when he relocated to St. Louis, Missouri. He was an employee of the Gulf, Mobile, and Ohio Railroad until he retired in 1956. He and his wife Charlotte moved to Florida where he died on January 1, 1964. Scope Note This collection contains theater and concert programs from several Bloomington theaters including the Chatterton, the Majestic, and the Castle. The collection was donated by his daughter Martha Behr Miller, a former volunteer. 1 Box 1: Chatterton Opera House (flat box) Folder 1: Programs April and Fall, 1910 1.1.1 Opening Program, April 7, 1910, entertainment was Miss Lina Abarbanell in “Madam Sherry” (2 copies) 1.1.2 “1910-1911 Season,” “The Isle of Spice,” (before September 12, 1910) 1.1.3 “1910-1911 Season,” “My Cinderella Girl,” (September 30, 1910?) 1.1.4 “The Time, The Place, and The Girl,” ca. Fall of 1910 1.1.5 “The Commuters,” ca. -
{Patricia Lin Ridge I963 LIBRARY Michigan State University
A HISTORY OF THE CIIEBOYGAN OPERA HOUSE CI’IEBGYCBAN. MICHIGAN FROM 1691 TO I926 Thesis for the Degree of M. A MICHIGAN STATE UNIVERSITY {Patricia Lin Ridge I963 LIBRARY Michigan State University ABSTRACT HISTORY OF THE CHEBOYGAN OPERA HOUSE CHEBOYGAN, MICHIGAN FROM 1891 TO 1920 by Patricia Lin Ridge During the latter part of the nineteenth century a small city in Northern Michigan became engaged in a most unusual enterprise. The City of Cheboygan built Michigan's first municipal-owned theatre, The Cheboygan Opera House. Cheboygan's first theatre, built in 1877, was located in the Town Hall but in 1886 a fire destroyed the entire building. The citizens of Cheboygan felt that a new building should be constructed to serve the entertainment needs of the community. Since a City Hall and fire station for Ward Four were also needed the plans were drawn up to in- corporate all three needs into one multipurpose building. The new brick building was begun in 1887 and finished in 1888. The peOple of Cheboygan were always extremely proud of their Opera House and attempted to induce the most popular theatrical productions of the day to provide constant enter- tainment for the city. Patricia Lin Ridge This study concerns itself with the theatrical activity found in Cheboygan from 1891 to 1920. To present this history factually it was necessary to turn to several sources and collect data that pertained to the theatrical activities of The Cheboygan Opera House. The major source of material was located in two news- paper collections, The Chebquan Democrat and The Cheboygan Eggs, These publications aided considerably in helping to reconstruct the theatrical atmosphere in Cheboygan during the latter decade of the nineteenth century and the early years of the twentieth.