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9ROXPH,,,,VVXH,,,0D\,661 The Magic of Magic and Imagination in Fantasy Literature: A Study Based on J. K. Rowling’s Harry Potter Series Mohammad Kawish Haider Research Scholar English Department, Bharathiar University Research and Development Centre Coimbatore India Abstract Fantasy has the longest and richest literary heritage of all forms of genre fiction. Indeed, fantasy could be said to be the progenitor of other forms of literature. It has been distinguished from other forms of literature by its style, its constituents, and its freedom of expression where an author has the choice to use any story telling element to strengthen the narrative. Different writers, scholars, and critics have defined fantasy in different ways and manners. Fantasy is an amalgam of different genres of literature which gives immediate delight to its readers. It has a deep relation with imagination and magic. J. K. Rowling has created a sensation in the literary world by writing Harry Potter series which has attracted people of all age groups. Her fantastic adventurous creation has infused different imaginations in readers of varying age groups – from children to adults. The literary tsunami suggests Harry Potter as not a passing fad. Harry Potter is an epitome of mysterious and miraculous magical realism, and adventurous and suspicious fantasy, with conjuring supernatural and surrealistic imagination. The study aims at defining fantasy and imagination in literature and in Harry Potter series with the association of magic. Key Words: Fantasy, Imagination, Magic, Fairytales, Love 5HIHUHHG 3HHU5HYLHZHG -RXUQDO KWWSZZZLMHOOKFRP 9ROXPH,,,,VVXH,,,0D\,661 “Fantasy lacking in the full character of reality can have compensatory strengths” (Manlove, 26). Fantasy is a genre of literature that commonly employs supernatural elements as the primary plot or setting. It comprises of heart throbbing and penetrating influence. It transcends a make-belief world with uncanny moments. Fantasy is defined as “the literature of unreality,” (Jackson, 9) or as “literature which does not give priority to realistic representation” (Jackson, 13). Usually, works of fantasy genre take place in an imaginary world, or another world beyond our actual real world with metaphysical existence where magical and supernatural creatures are common and prevalent. In the context of literature, fantasy may be described as an imaginative fiction dependent for effect on strangeness of setting (such as other worlds or times) and characters (such as supernatural beings). The human mind has the capability to form different mental images that do not exist in reality. The ability of gestating the images is known as imagination. According to Eagan, “Imagination is the creative capacity for thinking of things “as possibly being so” (43). The term, “imagination” is frequently conflated with fantasy. The structure of a fantasy work is build up on imagination. Zipes claims that, “[fantasy] plays upon the imagination not to open it up to escape into a never-never land but to make greater contact with reality” (141). All human beings have the faculty to conjure new images. Man uses his brain to retrieve his past or explore the future in order to make new images. The function of human brain to make new images is known as creativity or creative art. This creative faculty, grounded on ability of brain to explore elements, is known as imagination as well as fantasy in psychological way. From the general definition of fantasy and imagination, people consider it as opposite of reality. But imagination is not opposite of reality. Every aspect and dimension of life is affected by imagination. Without imagination, no new invention and discovery would be possible. Imagination and fantasy are related to stream-of-consciousness technique as both can travel back and forth narrative with hallucinations. They can co-mingle past, present, and future with supernatural and symbolic elements. As Thedule Ribot says, “every invention, whether large or small, before being implemented, embodied in reality, was held together by the imagination alone. It was a structure erected in the mind through the agency of new combinations and relationships...” (Vygotsky, 10). Fantasy is heavily based on imagination or we can say fantasy is an outcome of the imagination. It is an imagined and continuous episode of images and events. Fantasy is a fascinating amalgam of elements, extracted from the reality and wrapped by our imagination in a new fashion. For instance, if we say there is a house in the middle of the ocean, dolphins 5HIHUHHG 3HHU5HYLHZHG -RXUQDO KWWSZZZLMHOOKFRP 9ROXPH,,,,VVXH,,,0D\,661 frequently come to that house and stay in the house and play with us. This evokes fantasy, but the elements used like ocean, house, and dolphin are real. We have distorted the story in some strange way. The perspectives of fantasy may be different from imagination. Imagination assimilates reality whereas fantasy may spring up from inquisitiveness, desire, horror, frustration, etc. But both imagination and fantasy are interconnected in some way. In fairytales, all the materials and elements portrayed are original but the narration only is imaginary, and that creates fantasy genre. As C. S. Lewis says, “reason is the natural organ of truth; but imagination is the organ of meaning” (265). Fantasy is a form of creativity and creativity would be impossible without the imagination. Fantasy genre has usually been divided into different sub-headings/ sub-genres such as fairytales, folklores, modern fantasy, magic fiction, science fiction, epics, and traditional fantasy etc. Fantasy and magic play an integral part of the literature through the centuries and ages, for instance, Homer’s Odyssey, Edmund Spenser’s The Faerie Queene, Ursula K. Le Guin’s A Wizard of Earthsea, and so on. Magic has a very deep concern and relation with fantasy. There are plenty of books that feature magic in different forms. Writers incorporate different types of magic in their fantasy works such as The Snow child by Eowyn Ivey, Alice in wonderland by Lewis Carroll, The Hobbit, Lord of the Rings by J. R. R. Tolkien, The Chronicles of Narnia by Lewis, and so many in ancient time and in contemporary time. In The Hidden Key to Harry Potter, John Granger has commented that: It is not sloppy thinking or failed memory that has led so many critics and casual readers to remark that while reading about Harry, they experienced again the feelings and challenges they remembered from Narnia and Middle Earth. These books are trying to do the same thing and use many of the same tools, which together produce effects of remarkable resemblance (336). J. K. Rowling’s Harry Potter novels have given a new direction and dimension to fantasy genre in English literature. She has helped to revolutionized fantasy with her Harry Potter books. In the age of technological advancement, a myriad of entertainment sources are available, Harry Potter series has brought children and adolescents back to reading: The Harry Potter phenomenon has taken the world by storm, and in many ways the series appears to be responsible for a renaissance in reading for children all over the world, despite its competition from the supposedly more competition forms of entertainment available on videos, television, or the Internet (Alton, 141). Harry Potter novels revolve around an orphaned boy, who enrols at Hogwarts School of Witchcraft and Wizardy, and his adventurous contention with the evil wizard Lord Voldemort. Rowling’s Harry Potter world is full of drollness and imagination. She has taken us to the space 5HIHUHHG 3HHU5HYLHZHG -RXUQDO KWWSZZZLMHOOKFRP 9ROXPH,,,,VVXH,,,0D\,661 of fantasy where every ingredient of fantasy is utilised. The novel doesn’t fall into one genre but many genres such as epic fantasy, dark fantasy, coming-of-age fantasy, science fiction, horror fiction, magic realism, and bildungsroman. Philip Nel has categorised Harry Potter as an epic fantasy, “By featuring more than hundred characters, the Harry Potter series is an epic fantasy” (36). Magic in its different forms is an indispensible property of the fantasy genre. It refers to different type of extraordinary phenomenon. “The term magic is used to label a wide variety of things. Magic is applied to supernatural events that only seem possible in the world of fantasy and to those natural events that stimulate a sense of wonder or amazement” (Neil, 124). In ancient times, magic shows materialised people’s fervent desire and fantasies such as flying in air, fast travelling, immortality, control over other creatures, invisibility and understanding the language of animals. In Harry Potter series, Rowling has created a world full of magic, imagination and witchcraft. In the series, magic serves as an important part of the plot. It is an essential part of the narration. In the series, magic is rendered as a powerful and supernatural phenomenon. Rowling has colligated magic with life, death, love, emotion, disease, and with so many aspects. She has imbued the story with magic. Life and Death are important themes of the novels. She has applied magic as weapon to subdue death. Magical techniques have been used to determine and subdue life and death. In the first novel, Harry Potter and the Philosopher’s Stone, Lord Voldemort is depicted in the quest of the “philosopher’s stone,” as it contains the power to terminate death. Another life giving/death conquering tool is unicorn blood that is also full of magic. The imbibing of unicorn blood will keep a person alive or away from death even if death is imminent. It is clear in following lines: “‘Harry Potter, do you know what Unicorn blood is used for?’ ‘No’, said Harry, startled by the question. (...) ‘This is because it is a monstrous thing, to slay a unicorn’, said Firenze. ‘Only one who has nothing to loose, and every thing to gain, would commit such a crime.
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