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Lower Manhattan June 25 | 4 Pm – 8 Pm
PART OF THE RIVER TO RIVER FESTIVAL LOWER MANHATTAN JUNE 25 | 4 P.M. – 8 P.M. FREE NIGHTATTHEMUSEUMS.ORG visited visited visited African Burial Ground National Archives at NYC Municipal Archives National Monument New York City 31 Chambers Street (bet. Centre & Elk St.) 290 Broadway (bet. Duane & Reade St.) One Bowling Green (bet. Whitehall & State St.) nyc.gov/records nps.gov/afbg archives.gov/nyc Visitors can tour The Municipal Archives current exhibit, The Lung Block: A New York City Slum & Its The oldest and largest known excavated burial ground Connects visitors to our nation’s history. Our theme Forgotten Italian Immigrant Community. Join co- in North America for both free and enslaved Africans. is Revolutionaries and Rights and the historic strides curators Stefano Morello and Kerri Culhane at 6 p.m. It began to use in the 17th century but was only taken throughout history. Engage with costumed for an exploration of the history of immigrant housing rediscovered in 1991. The story is both of the Africans historical interpreters throughout the building. Stop and reform efforts in NYC at the start of the 20th whose holy place this was, but also the story of the into our Learning Center to discover many of the century through one community. Guests will also see modern-day New Yorkers who fought to honor these national treasures of New York, go on an “Archival a special preview of an upcoming exhibit with the ancestors. Programming: Tour the visitor center, view Adventure,” and pull archival facsimile documents Museum of American Finance opening this fall. -
July 15 All Around Low Er M Anhattan 2012 S Eason Festival G Uide R
June 17–July 15 all around Lower Manhattan 2012 Season Festival Guide RiverToRiverNYC.com Free to All River To River® Festival Dear Festivalgoers, Lower Manhattan is a neighborhood that encourages With support from many public exploration—off New York City’s geometric grid, its and private partners since 2002, iconic architecture, winding streets, and waterfront pleasures provide unexpected rewards for our residents, River To River Festival has become workers, and visitors. an essential component of Lower Lower Manhattan Cultural Council (LMCC), as the lead Manhattan’s vital and vibrant partner for the River To River Festival since 2011, is cultural life. privileged to work with our partners Arts Brookfield, Battery Park City Authority, and The Seaport to create a Each summer, the Festival activates more than 25 indoor cultural celebration that resonates with Lower and outdoor locations in the neighborhood with an Manhattan’s particular topography. The Festival’s unparalleled collection of music, dance, theater, visual program has its own icons, histories, and surprises. art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For River To River Festival is made possible by our sponsors. more than 100,000 attendees from around the region We express our deepest thanks to our Founding and and overseas, River To River Festival provides an intense Title Sponsor American Express, as well as the Alliance and rewarding way to experience Lower Manhattan’s for Downtown New York, The Port Authority of New waterfronts, parks, plazas, and other hidden treasures. York and New Jersey, The Lower Manhattan The Festival’s densely packed schedule of daytime, Development Corporation, HUD, and other underwriters. -
Day to Night
DAY TO NIGHT Extend the hours of activity along Water Street GOUVERNEUR LANE OBJECTIVES 1. Program open spaces with regular and seasonal events and public art 2. Illuminate pedestrian space and building facades 3. Provide publicly accessible Wi-Fi and other information technology Changes on Water Street should cultivate street life that extends beyond peak commuting hours. The re-envisioned street and plazas will offer a stage to extend activity into the evening, through the weekend and across the seasons. By generating new activity and building on the improvements being made in the surrounding areas, a coordinated framework for art and events will extend the presence of people, enhance the value of open space and reposition the role of Water Street in Lower Manhattan. EXISTING STREET ACTIVITY Activity on Water Street is dominated by office workers during commuting hours and at lunchtime on weekdays. The busiest intersections during rush hour are at the most convenient access points for public transportation: Fulton, Wall, Broad, and Whitehall streets, with up to 2,000 pedestrians crossing Water Street in one direction in an hour at Clockwise from top left: Sidewalk and POPS in front of 88 Pine; Public art in POPS at 88 Pine; Blank wall and parking garage at Water Street and Pine Street; Arcade at Hanover Square obscuring retail each intersection. Alliance for Downtown New York 41 During warmer months, office workers venture to public spaces and sidewalks where street vendors are set up. People gather outside to eat or socialize, whether on nearby benches or in those public plazas with ample sun, minimal wind, and vegetation, such as Old Slip and 100 Wall Street. -
The Architectural Evolution of Lower Manhattan from About 1880
The Architectural Evolution of Lower Manhattan From About 1880 Streets Completely or Partially Demapped Douglas R. McKibben . Barley Street. Circa 1797, the name of what was later Duane Street between Greenwich Street and Rose Street. By 1803, the part east of Centre Street was called Colden Street. Both Barley and Colden Streets were merged into Duane Street in 1809. Batavia (New Batavia) Street ran east from Roosevelt Street to James Street. Originally known as Batavia Lane, it was renamed Batavia Street in 1817. Closed in 1948 for the Alfred E. Smith Houses Bishop’s Lane An alley running from between 174 and 176 Chambers 102-106 Warren Street (S.S. Long & Brothers) Street south to between 102-100 NE corner (273-277) Washington Street Warren Street between Washington and Greenwich and Bishops Lane (right side of building) Streets. Eliminated about 1970 for urban renewal. circa 1906 See Tour 11 Section 1 S Photo by: Byron Company, collection of the Museum of the City of New York Lionel Pincus and Princess Firyal Map Division, The New York Public Library. "Plate 5 " The New York Public Library Digital Collections. 1916. http://digitalcollections.nypl.org/items/510d47e208f3-a3d9-e040-e00a18064a99 Burling Slip was named Van Clyff's Slip in the 1690s and by the 1730s was also called Lyons Slip and Rodman's Slip. By 1757 it was Burling Slip Though filled in 1833, the resulting street from Pearl Street to the East River continued to be called Burling Slip until 1931, when it was made part of John Street and renumbered. Cedar Street which was named Little Queen Street until 1794. -
FRAUNCES TAVERN BLOCK HISTORIC DISTRICT, Borough of Manhattan
FRAUNCES TAVERN BLOCK HISTORIC DISTRICT DESIGNATION REPORT 1978 City of New York Edward I . Koch, Mayor Landmarks Preservation Commission Kent L. Barwick, Chairman Morris Ketchum, Jr., Vice Chairman Commissioners R. Michael Brown Thomas J. Evans Elisabeth Coit James Marston Fitch George R. Collins Marie V. McGovern William J. Conklin Beverly Moss Spatt FRAUNCES TAVERN BLOCK HISTORIC DISTRICT 66 - c 22 Water DESIGNATED NOV. 14, 1978 LANDMARKS PRESERVATION., COMMISSION FTB-HD Landmarks Preservation Commission November 14, 1978, Designation List 120 LP-0994 FRAUNCES TAVERN BLOCK HISTORIC DISTRICT, Borough of Manhattan BOUNDARIES The property bounded by the southern curb line of Pearl Street, the western curb line of Coenties Slip, the northern curb line of Water Street, and the eastern curb line of Broad Street, Manhattan. TESTIMONY AT THE PUBLIC HEARING On March 14, 1978, the Landmarks Preservation Commission held a public hearing on this area which is now proposed as an Historic District (Item No. 14). Three persons spoke in favor of the proposed designation. There were no speakers in opposition to designation. -1 FTB-HD Introduction The Fre.unces Tavern Block Historic District, bounded by Fearl, Broad, and Water Streets, and Coenties Slip, stands today as a vivid reminder of the early history and development of this section of Manhattan. Now a single block of low-rise commercial buildings dating from the 19th century--with the exception of the 18th-century Fraunces Tavern--it contrasts greatly with the modern office towers surrounding it. The block, which was created entirely on landfill, was the first extension of the Manhattan shoreline for commercial purposes, and its development involved some of New York's most prominent families. -
South Street Seaport
A Guide to Historic New York City Neighborhoods S OUTH S TREET S E A P O RT MANHATTAN SOUTH STREET SEAPORT Located in lower Manhattan along the East River waterfront, the South Street Seaport provides a pivotal connection to New York City’s early days as a center of maritime industry. Indeed, the city’s settlement and growth were inextricably linked to its success, and this history remains embodied in the area’s low-scale, early 19th century commercial buildings, as well as its historic piers and streets, complete with The Historic Districts Council is New York’s citywide advocate for historic buildings and historic Belgian blocks. neighborhoods. The Six to Celebrate program annually identifies six historic New York City The area around Peck Slip was for centuries a Native American trading destination; neighborhoods that merit preservation as priorities for HDC’s advocacy and consultation its proximity to Long Island and the presence of a cove made this a natural landing over a yearlong period. point for canoes, linking footpaths on either side of the East River. Settlers of New Amsterdam took advantage of this geography by establishing the colony’s first official The six, chosen from applications submitted by community organizations, are selected on the ferry service in 1642, linking Brooklyn to what became Peck Slip. The marshy shoreline basis of the architectural and historic merit of the area, the level of threat to the neighborhood, was once peppered with inlets that became docks and wharves for the shipping the strength and willingness of the local advocates, and the potential for HDC’s preservation industry, and the ferry service allowed for the transportation of agricultural goods support to be meaningful. -
Robert Indiana
ROBERT INDIANA BIOGRAPHY 1928 Born in Newcastle, Indiana 1929 Moves to the capital of Indiana, Indianapolis, centre of the thriving automotive industry. The automobile is a focus of his family’s life Beginning of the Great Depression 1935 Starts school at the age of seven in Moorseville where his intention to become an artist is greatly encouraged by a sympathetic teacher, Miss Ruth Coffman 1936 First trip to Texas to visit the Centennial Exposition at Fort Worth 1942 Leaves his mother’s home to return to Indianapolis and live with his remarried father in order to attend Arsenal Technical School. Works after school at Western Union and the Indianapolis Star but continues painting and holds a solo show of watercolors Words play the central role in the most elaborate and time-consuming project of his high school days; an illuminated transcription in the medieval style of the Second Chapter of Luke in Latin which he gives to the Arsenal Technical School upon graduation and is still regularly displayed there 1945 Attends Saturday scholarship classes at the John Herron Art Institute and takes instruction in semi-nude drawing under Edwin Fulwider 1946 Receives a scholarship to the John Herron Art Institute A second trip to Texas, this time to San Antonio 1948 While stationed nearby in Rome, New York, attends evening classes at Syracuse University and the Munson-Williams-Proctor Institute in Utica where he comes into his first contact with an instructor oriented to an international viewpoint – Oscar Weissbuch Visits New York City for the first time 1949 During the last year of his service edits the Sourdough Sentinel in Anchorage, Alaska, from which he returns home to Columbus, Indiana, on emergency leave for the death of his mother Attends the School of The Art Institute of Chicago for four years under the GI Bill of Rights, majoring in painting and graphics. -
Robert Indiana: a Sculpture Retrospective June 16–September 23, 2018 1905 Building, South Galleries and Sculpture Court
Robert Indiana: A Sculpture Retrospective June 16–September 23, 2018 1905 Building, South Galleries and Sculpture Court This exhibition explores the more than five-decade career of one of America’s most beloved artists, Robert Indiana (American, 1928–2018). A selective survey of Indiana’s sculpture, it also includes numerous paintings, prints, and drawings, highlighting how Indiana’s thinking in visual form crossed different media. This quintessentially American artist returned to frequently autobiographical motifs, symbols, and imagery often after many decades of quiet reflection and rumination, building a corpus of work that ever more meaningfully reflected what it meant to be an American artist—and what it meant to be Robert Indiana—as the years passed. While LOVE will likely always remain the artist’s greatest contribution in the public imagination, his work beyond and apart from this memorable image places Indiana among the great American artists of the second half of the twentieth century. This exhibition introduces lesser-known late works—the Vinalhaven Woods, bronze editions of sculptures from different eras in his career, and the marble LOVEs—to make the case for the breadth and import of Indiana’s achievement. *** Zenith, 1960 Gesso and iron on wood panel Private Collection This small construction is among Indiana’s earliest sculptural works and introduces many elements of his later practice, including the prominent use of white gesso and the incorporation of rusted metal found objects. The circle and diamond shapes also find echoes in Indiana’s later work. Soul, 1960 Gesso, oil, and iron on wood with iron-and- wooden wheels Private Collection Indiana was raised in the Christian Science faith, and although he was not exceptionally religious, many ideas introduced there—for example, the circle as a symbol of eternity or the integral relationship between love and God—found their way into works, including Soul, through the decades. -
The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections
Guide to the Geographic File ca 1800-present (Bulk 1850-1950) PR20 The New-York Historical Society 170 Central Park West New York, NY 10024 Descriptive Summary Title: Geographic File Dates: ca 1800-present (bulk 1850-1950) Abstract: The Geographic File includes prints, photographs, and newspaper clippings of street views and buildings in the five boroughs (Series III and IV), arranged by location or by type of structure. Series I and II contain foreign views and United States views outside of New York City. Quantity: 135 linear feet (160 boxes; 124 drawers of flat files) Call Phrase: PR 20 Note: This is a PDF version of a legacy finding aid that has not been updated recently and is provided “as is.” It is key-word searchable and can be used to identify and request materials through our online request system (AEON). PR 000 2 The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections PR 020 GEOGRAPHIC FILE Series I. Foreign Views Series II. American Views Series III. New York City Views (Manhattan) Series IV. New York City Views (Other Boroughs) Processed by Committee Current as of May 25, 2006 PR 020 3 Provenance Material is a combination of gifts and purchases. Individual dates or information can be found on the verso of most items. Access The collection is open to qualified researchers. Portions of the collection that have been photocopied or microfilmed will be brought to the researcher in that format; microfilm can be made available through Interlibrary Loan. Photocopying Photocopying will be undertaken by staff only, and is limited to twenty exposures of stable, unbound material per day. -
Aka One Wall Street Court
FINANCIAL NEW YORK 82 BEAVER DISTRICT NY STREET AKA ONE WALL STREET COURT CONCEPTUAL RENDERING SPACE DETAILS LOCATION LOWER LEVEL South block between Pearl and Hanover Streets APPROXIMATE SIZE Lower Level 4,900 SF TERM Long term POSSESSION Immediate 100 FT APPROXIMATE FRONTAGE 100 FT on Beaver Street 100 FT PEARL STREET 100 FT on Pearl Street SITE STATUS Formerly Fino Ristorante Italiano CEILING HEIGHT 4,900 SF BEAVER STREET Lower Level 14 FT NEIGHBORS Haru, Sweetgreen, Joe & The Juice, Delmonico’s, Bobby Vans, &pizza, The Dead Rabbit and CAVA COMMENTS Fully vented restaurant/lounge opportunity Lower Level with two grand entrances Now vacant and ready to lease Located at the base of the frequently photographed Cocoa Exchange Building, one of New York City’s few landmarks similar in shape to the Flatiron Building Six new windows being installed along Beaver and Pearl Streets CONCEPTUAL RENDERING AREA DEMOGRAPHICS LOWER MANHATTAN EMPLOYEES 314,832 TOTAL HOUSEHOLDS 33,215 RESIDENTS 64,000 AVERAGE HOUSEHOLD INCOME $242,000 ANNUAL RESIDENTIAL DISPOSABLE INCOME $3.2 Billion RESTAURANTS 435 VISITORS 14.2 Million EXISTING HOTEL ROOMS 6,092 ANNUAL RIDERSHIP 130,000,000 Riders SUBWAY 14 Subway Lines 12 Subway Stations FERRY LINES Staten Island Ferry Downtown Alliance 2019 numbers Financial District Manhattan, NY April 2018 CATHERINE SLIP WORLD TRADE CENTERCATHERINE SLIP BROOKFIELD PLACE FULTON CENTER 1 NEW YORK PLAZA CHAMBERS STREET CHAMBERS STREET CHAMBERS STREET NEW YORK UNNAMED STREET MADISON STREET P.S. 234 MUNICIPAL Aesop Aspinal Of London -
House and Old Slips Have Taken Fire
1 7 . : ‘ g - - ) .. sTP 3 Lok B s';'& : ’ i ‘ "?"| ,'r.",‘ ,\t“‘?’“ b s ’ . N, ,’-" : g - i . st . X ) »'. g i » iy :\ ’ : —‘: " " a 2 & ',b.":v;t X . ! 3 . g h i a 8 5, d » .; ’ - ) ‘l;;\' ‘l e eS ——————— e o ' 3 v¢l ‘.. VOL. X. NO. 16. WARREN; R. I. SATURDAY, DECEMBER 26, 1835. NEW SERIES NO. 73. ‘ yg=Printed and Published every Satorda | ArrLETREE.—We are in- ~_Both LL,No’. MammouTH sides of Old Slip, (including the of goods, some in boxes, others just as of damage already sustained-—such geods CHARLES RAND’A /debted to u highly respectuble gentleman Franklin market) street to they |us by aperson just from the " 2mr?:g?Market-Street, Warren, R. 1. | from Pear! were snatched from the shelves ; as could be hastily saved, are strewed in immediate dollars per annum, payable 'of Hardy county, for the following facts the East River. with fixed,bayonets ueighboorhood., Pk TerMs.—Two in maries patrolling a- the streets. We shall annex = at year, to A Mathmouth Appletree on wong list of the 7~ NEW YORK three monthe, or $2,50 the end of the irelative 2 North side of Coenties Slip, from Pear | them for protection agninst marau- occupants of the stores and sufferers, . ns GAZETTE.— Advertisements conspicuously inserted on farm of Capt. Danicl coun- street to the river: ders all eyes fixed the The publication of 1 will be re- JF® for McNeiroflhl: und upon volumes we can gather, in the confusion that pre- Shis the usual terms of One Dollar per squure, three try. -
Official Journals
THE CITY RECORD. OFFICIAL JOURNALS. VOL. XXIII. NEW YORK, THURSDAY, AUGUST 29, 1895- NUMBER 6, 786. BOARD OF ALDERMEN. Resolved, That permission be and the same is hereby given to Margaret Smith to lay a con- STATED MEETING. crete or cement sidewalk from house to curb in front of her premises No. 708 Tremont avenue TUESDAY, August 27, 1895, 1 o'clock P. M. (which are twenty feet front), material to be furnished and work done at her own expense and The Board met in room No. 16, City Hall. under the direction of the Commissioner of Street Improvements of the Twenty-third and Twenty- PRESENT: fourth Wards. Johneroloman, President, Aldermen John P. Windolph, Vice-President, Nicholas T. Brown, Which was laid over. William E. Burke, Thomas M. Campbell, William Clancy, Thomas Dwyer, Christian Goetz, The President laid before the Board the following message from his Honor the Mayor Elias Goodman, Frank J. Goodwin, Joseph T. Hackett, Benjamin E. Hall, Jeremiah Kennefick, CITY OF NEW YORK-OFFICE OF THE MAYOR, August 20, 1895. Francis J. Lantry, Frederick L. Marshall, Robert Muh, John J. Murphy, Andrew A. Noonan, To the Honorable the Board of Aldermen: John T. Oakley, John J. O'Brien, William M. K. Olcott, Charles A. Parker, Rufus R. Randall, GENTLEMEN-I return herewith, without approval, resolution of your Honorable Body to lay Andrew Robinson, Joseph Schilling, Henry L. School, William Tait, Charles Wines, Collin H. mater-mains in One Hundred and Sixty-fourth street, from Railroad avenue, West, to Morris ave- Woodward, Jacob C. Wund. nue, on the ground that a similar resolution was approved by me on March 21, 1895, and bids for The minutes of the last meeting were read and approved.