WHSB Sept 2016 (Bobbed)
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Tickets for Troops Annual Review 2016
TICKETS FOR TROOPS ANNUAL REVIEW 2016 The Sun Military Awards Nominees at Number 10 Downing Street: Tickets For Troops was nominated for ‘Support to Armed Forces’ FOREWORD Thanks to the tremendous philanthropy of our supporters and donors from the nation’s live sports and events industry, 2016 was another active year for Tickets For Troops. We worked closely with hundreds of ticketing professionals, agents, box offices, promoters, clubs, teams and many more groups to ensure our servicemen and women continued to enjoy the delights of the sporting, musical, theatrical and entertainment world. This wonderful generosity combined with some beavering away in the Tickets For Troops office ensured that we were able to distribute 152,652 complimentary tickets for 6,291 events to our military members. Half way through the year, we were delighted to welcome on board a new team of regional volunteers known as ambassadors who are responsible for helping to increase the number of donors in their respective regions. The volunteer opportunity attracted a large number of applications from all around the country and the overall standard was exceptionally high. It was humbling for the team to see how many people from within the forces community wanted to give something back to Tickets For Troops. The regional ambassadors are being managed by our newest employee Elisabeth Roberts - recruited on a part-time basis thanks to the Armed Forces Covenant Fund grant. We were sad to lose Anastasia Baker in October, she was a superb asset to the team with her excellent customer service manner and speedy ticket packaging skills - we wish her well for the future. -
The History of Women in Jazz in Britain
The history of jazz in Britain has been scrutinised in notable publications including Parsonage (2005) The Evolution of Jazz in Britain, 1880-1935 , McKay (2005) Circular Breathing: The Cultural Politics of Jazz in Britain , Simons (2006) Black British Swing and Moore (forthcoming 2007) Inside British Jazz . This body of literature provides a useful basis for specific consideration of the role of women in British jazz. This area is almost completely unresearched but notable exceptions to this trend include Jen Wilson’s work (in her dissertation entitled Syncopated Ladies: British Jazzwomen 1880-1995 and their Influence on Popular Culture ) and George McKay’s chapter ‘From “Male Music” to Feminist Improvising’ in Circular Breathing . Therefore, this chapter will provide a necessarily selective overview of British women in jazz, and offer some limited exploration of the critical issues raised. It is hoped that this will provide a stimulus for more detailed research in the future. Any consideration of this topic must necessarily foreground Ivy Benson 1, who played a fundamental role in encouraging and inspiring female jazz musicians in Britain through her various ‘all-girl’ bands. Benson was born in Yorkshire in 1913 and learned the piano from the age of five. She was something of a child prodigy, performing on Children’s Hour for the British Broadcasting Corporation (BBC) at the age of nine. She also appeared under the name of ‘Baby Benson’ at Working Men’s Clubs (private social clubs founded in the nineteenth century in industrial areas of Great Britain, particularly in the North, with the aim of providing recreation and education for working class men and their families). -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
I Think We're All Writing Very Politically Charged Music
JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her. -
Nozstock the Hidden Valley 2020 “Into the Great Unknown…”
Nozstock The Hidden Valley 2020 “Into the Great Unknown…” Sister Sledge, Bill Bailey, Andy C ft Tonn Piper, Calyx and Teebee w/ LX One, Flava D, Gentleman’s Dub Club and Submotion Orchestra headline, plus Ibibio Sound Machine, Dirty Dike w/ DJ Sammy B-Side, Mungo’s HiFi ft. Gardna, Stanton Warriors, Break, Kingdem: Rodney P, Ty and Blak Twang, Dutty Moonshine Big Band, Tankus The Henge and many more, all-star across a sublime weekend in Herefordshire Nozstock is one of the UK’s longest running festivals and enters its 22nd year, with Into The Great Unknown as its theme. From the dawn of time through to its farthest futuristic reaches, this summer will be its most inspiring and enchanting journey yet. Set on a beautiful working farm across Thurs 23rd - Sunday 26th July, the intimate odyssey is family-run, home-made and proudly independent. It’s not only one of the UK’s longest running festivals, but also one of the most authentic. Nozstock is an odyssey of wild escapism for all in a wondrous family-friendly environment, which packs in so much detail at every turn. Fresh for 2020, as well as Nozstock’s truly wonderful production there are stage revamps across the site and secret DJ sets taking place across the weekend, including in the Cubicles. Now for the lineup. Sister Sledge are responsible for some of the biggest dance anthems of all time, universally cherished songs that bring everyone together in love, life and soulful groove - they are the perfect Sunday night headliners. And bringing an air of unique surrealness to proceedings, Bill Bailey is a comedian, musician, writer, author, director and presenter known for his live shows and his work on TV. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Birmingham Cover
Worcestershire Cover Online.qxp_Worcestershire 05/01/2016 11:36 Page 1 Your FREE essential entertainment guide for the Midlands Worcestershire ’ Whatwww.whatsonlive.co.uk sOnISSUE 361 JANUARY 2016 STEPHEN K AMOS OUT ON TOUR inside: Yourthe 16-pagelist week by week listings guide LEONALEONA LEWISLEWIS EMPOWERED IN THE MIDLANDS interviewinterview inside...inside... Belgrade (FP) DEC 2015.qxp_Layout 1 17/12/2015 20:22 Page 1 Contents December Region 1 (REVAMP).qxp_Layout 1 18/12/2015 21:22 Page 1 January 2016 Contents The Rocky Horror Show - Frank N Furter back in Brum with a brand new version page 28 Nicola Benedetti Kevin Hart Anna Maxwell Martin the list Acclaimed violinist joins the Little Fockers star live in Brum BAFTA winner brings Lady Your 16-page CBSO at Symphony Hall page 24 Macbeth to The REP week-by-week listings guide page 16 page 22 page 51 inside: 4. First Word 11. Food 14. Music 24. Comedy 28. Theatre 38. Film 42. Visual Arts 44. Events @whatsonbrum @whatsonwarwicks @whatsonworcs Birmingham What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Editorial: Brian O’Faolain [email protected] 01743 281701 Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Chris Eldon Lee, Heather Kincaid, Steve Adams, Helen Stallard, Clare Higgins, Tina Freeth. -
Record of the Week
ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Sfjazz Education Become a Member Tickets About Sfjazz
TICKETS TICKETS ON SALE 2|28 • 11AM • MEMBERS SFJAZZ Afro-Latin Jazz guest instructors OKAN 3|6 • 11AM • PUBLIC EDUCATION FREE SUMMER WORKSHOPS BART These workshops for advanced middle and high school WEB Civic Center Station GOUGH FRANKLIN VAN POLK LARKIN HYDE jazz musicians focus on theory, improvisation, audition SFJAZZ.org (SFJAZZ is only a NESS ST ST ST skills, and more. Sign-ups open May 1. 10 minute walk from ST DIGITAL LAB INTENSIVES PHONE Civic Center BART.) ST AVE • 12-4PM 7|11 THEORY & SIGHT-READING MUNI ST 8 Learn music and audio production in our state-of-the-art Public 866.920.5299 GROVE TH ST Digital Lab! We off er dynamic programs for older teens 7|19 AFRO-LATIN JAZZ W/ SPECIAL GUESTS OKAN • 1:30-4:30PM Members 415.788.7353 Metro: Van Ness or ST Civic Center Stations HAYES 9 and adults in songwriting, arranging, production, record- 7|25 IMPROVISATION W/ JEANNE GEIGER • 10AM-2PM TH Bus: 5, 5R, 6, 7X, 21, ST ing, mixing, and more. Our low student-teacher ratio and IN PERSON FELL ST 10 8|1 AUDITION SKILLS • 10AM-2PM 47, 49, 7, 7R, 90 TH the latest in gear and software make our intensives the 201 Franklin Street (at Fell), San Francisco ST OAK ST 11 summer destination for digital music. Each series contains PARKING TH 4 SFJAZZ.ORG/EDUCATION ST twenty hours of instruction Performing Arts ST Garage Members $300 | Public $360 Civic Center Garage MARKET SUMMER INTERNSHIPS California Parking ENSEMBLES & MORE Place 2 Park For detailed directions, please visit 511.org 6|23-27 INTRO TO MUSIC PRODUCTION • 1-5PM SFJAZZ’s passionate interns are indispensable to achieving Douglas Parking Auditions for the Fall 2020 Monday Night Band take our goals as an organization. -
An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock
Thursday, October 25, 2018, 8pm Fox Theater, Oakland An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Pat Metheny was born in Lee’s Summit (MO) on one of the very first jazz musicians to treat the August 12, 1954, into a musical family. Starting synthesizer as a serious musical instrument. on trumpet at the age of eight, he switched to Years before the invention of MIDI technology, guitar at age 12. By the age of 15, he was work - Metheny was using the Synclavier as a compos - ing regularly with the best jazz musicians in ing tool. He has also been instrumental in the Kansas City, receiving valuable on-the-band - development of several new kinds of guitars, in - stand experience at an unusually young age. cluding the soprano acoustic guitar, the 42-string Metheny first burst onto the international jazz Pikasso guitar, Ibanez’s PM series of jazz guitars, scene in 1974. Over the course of his three-year and a variety of other custom instruments. stint with vibraphone great Gary Burton, the It is one thing to attain popularity as a musi - young Missourian quickly displayed his soon- cian, but it is another to receive the kind of to-become trademark playing style, which acclaim Metheny has garnered from critics and blends the loose and flexible articulation peers. Over the years, he has won countless polls customarily reserved for horn players with an as Best Jazz Guitarist along with awards includ - advanced rhythmic and harmonic sensibility— ing gold records for (Still Life) Talking, Letter a way of playing and improvising that is mod - from Home, and Secret Story . -
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Saving You By (author) Charlotte Nash Sep 17, 2019 | Paperback $24.99 | Three escaped pensioners. One single mother. A road trip to rescue her son. The new emotionally compelling page-turner by Australia's Charlotte Nash In their tiny pale green cottage under the trees, Mallory Cook and her five-year- old son, Harry, are a little family unit who weather the storms of life together. Money is tight after Harry's father, Duncan, abandoned them to expand his business in New York. So when Duncan fails to return Harry after a visit, Mallory boards a plane to bring her son home any way she can. During the journey, a chance encounter with three retirees on the run from their care home leads Mallory on an unlikely group road trip across the United States. 9780733636479 Zadie, Ernie and Jock each have their own reasons for making the journey and English along the way the four of them will learn the lengths they will travel to save each other - and themselves. 384 pages Saving You is the beautiful, emotionally compelling page-turner by Charlotte Nash, bestselling Australian author of The Horseman and The Paris Wedding. Subject If you love the stories of Jojo Moyes and Fiona McCallum you will devour this FICTION / Family Life / General book. 'I was enthralled... Nash's skilled storytelling will keep you turning pages until Distributor the very end.' FLEUR McDONALD Hachette Book Group Contributor Bio Charlotte Nash is the bestselling author of six novels, including four set in country Australia, and The Paris Wedding, which has been sold in eight countries and translated into multiple languages.