Haim Steinbach | Curriculum Vitae
1944 Born Rehovot, Israel (United States since 1957) 1962-68 Pratt Institute, Brooklyn, NY, B.F.A. 1965-66 Université d’Aix Marseille, France, Diploma 197l-73 Yale University, New Haven, CT, M.F.A. Lives and works in Brooklyn, New York
SOLO AND TWO-PERSON EXHIBITIONS
1969 Panoras Gallery, New York 1973 Yale Art & Architecture Gallery, Yale University, New Haven 1974 Johnson Gallery, Middlebury College, Middlebury 1975 Lamagna Gallery, New York 1979 Display #5, Johnson Gallery, Cornell University, Ithaca Display #7, Artists Space, New York 1980 Changing Displays, Fashion Moda, Bronx 1981 Concord Gallery, New York Design for a Yogurt Bar, Berkshire Community College, Pittsfield, Massachusetts 1983 Social Conquest, Graduate Center Mall, City University, New York (with Julia Wachtel) 1985 Cable Gallery, New York 1986 Jay Gorney Modern Art, New York (with Sherrie Levine) Washington Projects for the Arts, Washington D.C. seven wonderful children we have never seen, performance, The Kitchen, New York (with Perry Hoberman) 1987 Galleria Lia Rumma, Naples Rhona Hoffman Gallery, Chicago Sonnabend Gallery, New York 1988 CAPC musée d’art contemporain, Bordeaux (cat.) Jay Gorney Modern Art, New York Galleria Lia Rumma, Capri 1989 Galerie Roger Pailhas, Marseilles, France Galerie Yvon Lambert, Paris Margo Leavin Gallery, Los Angeles 1990 Sonnabend Gallery, New York 1991 Galerie Yvon Lambert, Paris Galerie Samuel Lallouz, Montreal (with Meyer Vaisman) Galerie Faust, Geneva (with Julia Wachtel) Jay Gorney Modern Art, New York Palais des Beax Arts, Bruxelles (with John Knight) (cat.) Rhona Hoffman Gallery, Chicago 1992 La Criee, Rennes (with John Knight) no rocks allowed, Witte de With, Centre for Contemporary Art, Rotterdam (cat.) One Five Gallery, Antwerp 1993 Osmosis, Guggenheim Museum, New York (with Ettore Spalletti) (cat.) Sonnabend Gallery, New York Achim Kubinski, Cologne Galerie Philomene Magers, Cologne 1994 Ritter Kunsthalle, Klagenfurt, Austria (cat.) Galerie Hubert Winter, Vienna Galerie Yvon Lambert, Paris (with Robert Barry) 1995 Castello di Rivoli Museo d’Arte Contemporanea, Rivoli/Torino (cat.) Strenesse Group, Fashion Show: Spring Sunmmer Collection 1996, Strenesse Group Showroom, Milan (Fashion Show installation and direction) Jay Gorney Modern Art, New York, (with Eadweard Muybridge and Michael Snow) 1996 Art Gallery of York University, Toronto Strenesse Group Fall Winter Collection 1996, Strenesse Group Showroom, Milan (Fashion Show installation and direction) Winnipeg Art Gallery, Winnipeg Galleria Lia Rumma, Naples 1997 Camera Oscura Gallery, San Casciano (with Gwen Smith) Sonnabend Gallery, New York Museum Moderner Kunst Stiftung Ludwig, Vienna (cat.) 1998 John Hansard Gallery, University of Southampton, Southampton (cat.) Galerie & Edition Artelier, Graz (with Joseph Kosuth) Galerie Albrecht, Munich Galleria di Franca Mancini, Pesaro (cat.) Mala galerija, Moderna galerija Ljubljana, Slovenia (cat.) 1999 Haifa Museum, Haifa (with Joseph Kosuth) Achim Kubinski Gallery, Berlin Fondazione Antonio Ratti, Como 2000 North East South West, Neuer Berliner Kunstverein, Berlin (cat.) North East South West, Haus der Kunst, Munich (cat.) Hyperspace, Brussels 2001 Galleria Massimo Minini, Brescia The Box, Torino Search Group Project, Search Investment Group Limited, Cheung Kong Center, Central, Hong Kong (with Joseph Kosuth) 2002 Galerie Hubert Winter, Vienna Galerie Roger Pailhas, Marseille 2004 Sonnabend Gallery, New York GBE (Modern), New York Gimpel Fils, London 2005 Matrix, Berkeley Art Museum, University of California, Berkeley (brochure) you don’t see it do you, Installation, Sonnabend Gallery, New York 2006 Akira Ikeda Gallery, Taura (cat.) Akira Ikeda Gallery, Berlin (cat.) 2007 Galleria Lia Rumma, Milan Vistamare, Benedetta Spalletti, Pescara Sonnabend Gallery, New York Gallerie Laurent Godin, Paris Akira Ikeda Gallery, New York 2008 Waddington Galleries, London Haim Steinbach on Mike Kelley, Overduin and Kite, Los Angeles 2009 Pets, Galerie Almine Rech, Paris Paris Meets Berlin Project, Haim Steinbach and Taryn Simon, Johann Koenig Gallery, Berlin 2010 Display #67 - Forsythia - PLS5/2SB, Louis Vuitton Maison, London 2011 creature, Tanya Bonakdar Gallery, New York 2012 navy legacy, Galerie Laurent Godin, Paris Season 5: Haim Steinbach, The Artist’s Institute, New York 2013 Collections, Lia Rumma, Milan Once again the world is flat, CCS Bard Hessel Museum, Annandale-on-Hudson (cat.) Travel, White Cube, London (cat.) The Window, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen (cat.) 2014 Once again the world is flat, Serpentine Gallery, London fresh: Haim Steinbach and Objects from the Permanent Collection, The Menil Collection, Houston Once again the world is flat, Kunsthalle Zürich, Zurich 2015 Haim Steinbach, Solo presentation at the ADAA Art Show, Tanya Bonakdar Gallery, Park Avenue Armory, New York Haim Steinbach, Solo presentation at Art Basel Unlimited, Tanya Bonakdar Gallery, Switzerland 2016 omaobamaoldsmobile, Tanya Bonakdar, New York Galerie Laurent Godin, Paris, France (upcoming)
SELECTED GROUP EXHIBITIONS
1972 Eight from Yale, Norfolk Gallery, Norfolk, Connecticut 1973 Silvermine Guild of Artists, Connecticut, curated by Marcia Tucker Yale University Art Gallery, New Haven 1974 Dartmouth College, Hanover 1978 Cornell University Faculty Exhibition, Johnson Museum, Cornell University, Ithaca 1979 Cornell University Faculty Exhibition (Display #5), Johnson Museum, Cornell University, Ithaca Memorial Art Gallery, University of Rochester, Rochester 198l Colab’s A More Store: Christmas Show, White Columns, New York Ecological Issues, Hunter College, New York The Ninth Street Survival Show, P.S. 122, New York Washington Projects for the Arts, Washington D.C. (with Johanna Boyce) 1982 Benefit for Planned Parenthood, Semaphore Gallery, New York Colab’s A More Store: Christmas Show, Barbara Gladstone Gallery, New York Holiday Show, A.I.R. Gallery, New York Invitational: Laurie Anderson, Scott Burton, Wolfgang Laib, Martin Puryear, Haim Steinbach, (red cross), Bell Gallery, List Art Center, Brown University, Providence (brochure) The Shit Show, Kwok Gallery, New York 1983 Colab’s A More Store: Christmas Show, Jack Tilton Gallery, New York CAPS Fellowships Recipients, l983 Sculpture, City Gallery, New York Concord Gallery, New York Hundreds of Drawings, Artists Space, New York Inside/Out, Bronx River Restoration Art Center, Bronx, New York, curated by Ann Philbin Newspace, L.E.S.S. at P.S. 122, New York Objects, Structures, Artifice; American Sculpture 1970 - 1983, SVC Fine Arts Gallery, University of South Florida, Tampa, and Center Gallery, Bucknell University, Lewisburg, curated by Michael Klein (cat.) Phenomenal Projects, Planet-Mapping of the Body, (window installation), Ten on Eight, New York Preparing for War, Terminal New York Show, Brooklyn Subculture, Group Material installation in New York subways, New York 1984 Benefit, Wedge Magazine, Gallery Nature Morte, New York Domesticity, Suellen Haber Gallery, New York East of East Village, Dramatis Personae Gallery, New York Objectivity, Hallwalls, Buffalo, New York, curated by Robin Dodd Timeline, Group Material installation, PS1, Long Island City 1985 Cult and Decorum, Tibor de Nagy Gallery, New York, curated by Tricia Collins and Richard Milazzo Gallery Nature Morte, New York Infotainment, Livet Reichard Co., Inc., and Nature Morte, New York; traveling exhibition, Texas Gallery, Houston, Texas; Rhona Hoffman Gallery, Chicago, Illinois; Vanguard Gallery, Philadelphia, Pennsylvania, Aspen Art Museum, Aspen, Colorado, De Selby Gallery, Amsterdam, Galerie Montenay-Delsol, Paris Jonathan Lasker, Wallace & Donahue, Haim Steinbach, Jay Gorney Modern Art, New York Mass, Group Material installation, New Museum of Contemporary Art, New York Group Show, Michael Kohn Gallery, Los Angeles Objects in Collision, The Kitchen, New York, curated by Howard Halle Post Production, Feature Gallery, Chicago 1986 A Brokerage of Desire, Otis Art Institute, Los Angeles, Walter Hopps and Howard Halle curators Arts & Leisure, Group Material installation, The Kitchen, New York The Color Red, Massimo Audiello, New York Damaged Goods: Desire and The Economy of The Object, New Museum of Contemporary Art, New York, curated by Brian Wallis Donald Young Gallery, Chicago Endgame: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston (cat.) Group Show, Cable Gallery, New York Group Show, Jay Gorney Modern Art, New York Group Show, Postmasters Gallery, New York New New York, Cleveland Center for the Contemporary Arts, Cleveland, and Bard College, New York, curated by Arthur Solway New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, The Renaissance Society at the University of Chicago, Chicago, curated by Gary Garrels (cat.) Paravision 2, Margo Leavin Gallery, Los Angeles, curated by Tricia Collins and Richard Milazzo Post Pop Art, Michael Kohn, Los Angeles Prospect 86, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt Rooted Rhetoric, Castell Dell’Ovo, Naples, curated by Gabriele Guercio (cat.) Time After Time, Diane Brown, New York, curated by Tricia Collins & Richard Milazzo Vito Acconci, Stuart Sherman, Haim Steinbach, and Richard Wentworth, Carpenter & Hochman Gallery, New York 1987 Art and Its Double, Fundacion Caja de Pensiones, Barcelona and Madrid; Dan Cameron curator (cat.) Art Against Aids, Paula Cooper Gallery, NY Art Against Aids - A Benefit Exhibition, Jay Gorney Modern Art, New York Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (cat.) Currents l2: Simulations, New American Conceptualism, Milwaukee Art Museum, Milwaukee Extreme Order, Lia Rumma Gallery, Naples, curated by Tricia Collins & Richard Milazzo Industrial Icons, University Art Gallery, State University, San Diego Les Courtiers du Desir, Centre Georges Pompidou, Paris, curated by Walter Hopps and Howard Halle Margo Leavin Gallery, Los Angeles N.Y. Art Now, The Saatchi Collection, London (cat.) New York New, Paul Maenz, Cologne New York Now, The Israel Museum, Jerusalem (cat.) One Hand Clapping, Karsten Schubert, Ltd., London. Perverted by Language, Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, NY, curated by Robert Nickas The Pop Project: Part IV, Nostalgia as Resistance, The Clocktower, New York, curated by Thomas Lawson Post-Abstract Abstraction, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (cat.) Primary Structures, Rhona Hoffman Gallery, Chicago, curated by Robert Nickas Reconstruct, John Gibson Gallery, New York, curated by Robert Nickas Romance, Knight Gallery, Charlotte, North Carolina, curated by Ronald Jones Tenth Anniversary Benefit Auction, The New Museum of Contemporary Art, New York The Castle, Documenta 8, Kassel, Germany; Group Material installation The Transformative Vision, Davis/McClain Gallery, Houston 1988 60s/80s Sculpture Parallels, Sidney Janis Gallery, NewYork A Common Thread, Artschwager: His Peers and Persuasion l963-l988, Daniel Weinberg Gallery, Los Angeles; Leo Castelli Gallery, New York A ‘Drawing’ Show, Cable Gallery, curated by Jerry Saltz Art at the End of the Social, Rooseum, Sweden, curated by Tricia Collins and Richard Milazzo Broken Neon, Galerie Durr, Munich Collections pour une region, CAPC Musee d’art contemporain, Bordeaux Cultural Geometry, Deste Foundation, Athens, curated by Jeffrey Deitch (cat.) Democracy: Cultural Participation, Dia Art Foundation; Group Material installation Fonds National d’Art Contemporain, Acquisitions, 1988, Centre Arts Plastiques, Paris Hover Culture, Metro Pictures, New York, curated by Ronald Jones Hybrid Neutral: Modes of Abstraction and the Social, The University of North Texas Art Gallery, Denton (1988); The J B Speed Art Gallery, Louisville, KY (1989); Alberta College Gallery of Art, Calgary, Alberta, Canada (1989); The Contemporary Arts Center, Cincinnati, OH (l989); Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY (l989); Santa Fe Community College Art Gallery, Gainesville, FL (l990), curated by Tricia Collins and Richard Milazzo Innovations in Sculpture 1985 - 1988, Aldrich Museum, Ridgefield, Connecticut Metamorphosis of the Object, The Israel Museum, Jerusalem Jay Gorney Modern Art, New York Moda Italia, (Coat of Arms, installation), Pier 88, New York New Urban Landscape, The World Financial Center, New York (cat.) NewYork in View, Munich Kunstverein, Munich (cat.) Redefining the Object, Wright State University, Dayton; Cleveland Center for Contemporary Art, Cleveland Schlaf der Vernunft, Museum Fridericianum, Kassel, Germany, curated by Veit Loers (cat.) The Return of the Hero, Burden Gallery, New York, curated by Karen Marta The Sonnabend Collection, Centro de Arte Reina Sofia, Madrid, Spain, 1987-l988; CAPC Musee d’art contemporain, Bordeaux, 1988; Art Cologne, Cologne, l988; Hamburger Bahnhof Berlin, l989; Galleria Nazionale d’Arte Moderna, Rome, l989; Museo d’Arte Moderna e Contemporanea di Trento e Rovereto l989; Musee Rath, Geneva, l990; Sezon Museum of Art, Tokyo, l990; The Miyagi Museum of Art, l990; The Fukuyama Museum of Art, l990; The National Museum of Modern Art, Kyoto, 1991 (cat.) The Binational, American Art of the Late 80’s , The Institute of Contemporary Art, Boston Museum of Fine Arts, Boston (1988), Stadtische Kunsthalle, Kunstsammlung Nordrhein-Westfalen; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf (1988); Kunsthalle Bremen (1988); Wurttembergischer Kunstverein Stuttgart (1989) (cat.) Three Decades, The Oliver-Hoffman Collection, group exhibition, Museum of Contemporary Art, Chicago (cat.) Works-Concepts-Situations-Information, Galerie Hans Meyer, Dusseldorf (l988-l989), curated by Robert Nickas (cat.) 80’s International, Langer & Co., New York 1989 A Forest of Signs, Museum of Contemporary Art, Los Angeles, curated by Mary Jane Jacob and Ann Goldstein (cat.) Abstraction in Question, The John and Mable Ringling Museum of Art, Sarasota, Florida; Center for The Fine Arts, Miami, organized by Joseph Jacobs, curated by Bruce Ferguson, Joan Simon, and Roberta Smith (cat.) Complex Object, Galeria Marga Paz, Madrid, curated by Alexandre Melo Conspicuous Display, Stedman Art Gallery, Rutgers University, Camden D&S Ausstellung, Kunstverein in Hamburg (cat.) Horn of Plenty, Stedelijk Museum, Amsterdam, curated by Gosse Oosterhof (cat.) Jet Lag, Turon Travel, Inc., New York, curated by Jan Avgikos and Michael Corris Microsculpture, University of Rhode Island, Kingston, Rhode Island, curated by Willoughby Sharp (cat.) Natura/Naturata (An Argument for Still Life), Josh Baer Gallery, New York, curated by Cornelia Lauf Oeuf Alpha, CAPC Musee d’art contemporain, Bordeaux Periodi di Marmo, XX Rassegna Internazionale d’Arte di Acireale, Italy, curated by Germano Celant (cat.) Pictures from an Exhibition, Galerie Bebert, Rotterdam, Netherlands; Davis/McClain Gallery, Houston Repetition, Hirschl & Adler Modern, New York; Oberlin College, Oberlin, OH Selections from the Collection of Marc and Livia Straus, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut The Silent Baroque, Gallerie Thaddaus J. Ropac, Salzburg, Austria, curated by Christian Leigh (cat.) une autre affaire, le Consortium, Dijon, France (1989-1990) Wall Objects, Editions Schellmann, New York (1989-1990) What is Contemporary Art?, Rooseum, Malmo, Sweden, curated by Dan Cameron Wittgenstein, The Play of the Unsayable, Wiener Secession, Vienna (1989); Palais des Beaux Arts, Bruxelles, Belgium (1990); curated by Joseph Kosuth (cat.) 1990 Affinities and Intuitions, The Gerald S. Elliot Collection, The Art Institute of Chicago, Chicago (cat.) Art et Publicite, Centre Georges Pompidou, Paris (cat.) Art Against AIDS, Washington D.C., organized by Livet Reichard (cat.) Le Spectaculaire, Centre d’Histoire de l’Art Contemporain, Rennes, curated by Jean-Marc Poinsot (cat.) Life-size, The Israel Museum, Jerusalem, curated by Suzanne Landau (cat.) Lotte, or the Transformation of the Object, Grazer Kunstverein, and Stadtmuseum Graz, Graz, curated by Clementine Deliss (cat.) Multiples, Hirschl & Adler Modern, New York (cat.) Objectives: The New Sculpture, The Newport Harbor Art Museum, Newport Beach, curated by Paul Schimmel (cat.) Ouverture, Galerie Roger Pailhas, Paris Reproduced Authentic, Galerie Via Eight, Tokyo, curated by Joseph Kosuth (cat.) Stuttering, Stux Gallery, New York (1990-199l) The Decade Show, The New Museum of Contemporary Art; The Studio Museum in Harlem; Museum of Contemporary Hispanic Art, New York (cat.) The Future of the Object! A Selection of American Art; Minimalism and After, Galerie Ronny Van de Velde, Antwerp (cat.) The Children’s Aids Project, Daniel Weinberg Gallery, Los Angeles The Stendhal Syndrome, Andrea Rosen Gallery, New York, curated by Catherine Liu (cat.) The Last Decade, Tony Shafrazi Gallery, New York, curated by Tricia Collins and Richard Milazzo (cat.) Un Art de la Distinction?, Abbaye Saint-Andre, Centre d’Art Contemporain, Meymac, Correze, France, curated by Caroline Bissiere and Jean-Paul Blanchet (cat.) Vertigo, Galerie Thaddeus Ropac, Paris, curated by Christian Leigh Word as Image, Milwaukee Art Museum, Milwaukee, (1990); Oklahoma City Art Museum, Oklahoma City (1990- 199l); Contemporary Arts Museum, Houston (199l) (cat.) Worlds, Joensuu Art Museum, Joensuu, Finland (cat.) 1991 Altrove: Between Image and Identity, Between Identity and Tradition, Centro per l’Arte Contemporanea Luigi Pecci, Prato, curated by Octavio Zaya (cat.) American Art of the 80’s, Museo d’Arte Moderna e Contemporanea, Trento, (1991-l992) Anni Novanta, Galleria d’Arte Moderna, Bologna, curated by Renato Barilli (cat.) Beyond the Frame: American Art, l960 - l990, Setagaya Art Museum, Tokyo; National Museum of Art, Osaka; Fukuoka Art Museum (cat.) Colors of Money, Musee de la Poste, Paris, curated by Jean-Michel Ribettes (cat.) Das Goldene Zeitalter, Wurtembergischer Kunstverein, Stuttgart (1991-l992), curated by Tilman Osterwald (cat.) Denk-Bilder: Kunst der Gegenwart l960-l990, Kunsthalle der Hypo-Kulturstiftung Munchen; Von der Heydt Museum, Wuppertal, Germany, curated by Zdenek Felix (cat.) Desplazamientos, Aspectos de la identidad y culturas, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria (1991); Altrove, Centro Per l’Arte Contemporanea Luigi Pecci, Prato (1991-1992), curated by Octavio Zaya (cat.) History as Fiction, Meyers/Bloom Gallery, Santa Monica (brochure) Joseph Kosuth, Michalangelo Pistoletto, Haim Steinbach, Jay Gorney Modern Art, New York Joseph Beuys, Anne and Patrick Poirier, Haim Steinbach, Galerie Thaddaeus Ropac, Salzburg La Poesie de l’Objet, Tresor d'Art, Saanenmoser, Switzerland Just what is it that makes today's homes so different, so appealing?, The Hyde Collection, Glens Falls, New York, curated by Dan Cameron (cat.) L'Espai I La Idea, Centre Cultural de La Fundacio la Caixa, Barcelona Love Ball 2: The Crowning Glory, benefit auction, Barneys, New York Metropolis, Martin-Gropius-Bau, Berlin, curated by Christos M. Joachimides and Norman Rosenthal (cat.) Multiple Indefinite, Galerie Bebert, Rotterdam, Netherlands Objects for the Ideal Home / The Legacy of Pop Art, Serpentine Gallery, London, curated by Marco Livingstone (cat.) once again the world is flat / Martin Kippenberger, Joseph Kosuth, Haim Steinbach, Galleria Juana de Aizpuru, Madrid Power: its Myths and Mores in American Art, 1961-1991, Indianapolis Museum of Art, Indianapolis; Akron Art Museum, Akron; Virginia Museum of Fine Arts, Richmond, curated by Holliday T. Day (cat.) The Adventure of the Object, Quindicesima Biennale Internazionale del Bronzetto Piccola Scultura, Padova, Italy (1991-1992), curated by Renato Barilli and Pierre Restany Vertigo, The Remake, Galerie Thadeus Ropac, Salzburg, curated by Christian Leigh (cat.) 1992 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (cat.) George-Philippe Vallois Galerie, Paris 1968, Consortium, Dijon, curated by Robert Nickas (cat.) A New American Flag, Invitational Exhibition, Max Protech Gallery, New York Acquisitions 1985-1992, Stedelijk Museum, Amsterdam (1992-1993) (cat.) Al(l)ready Made, Museum voor Hedendaagse Kunst's-Hertogenbosch, Netherlands, (cat.) Avantgarde & Kampagne, Kunsthalle Dusseldorf CROSSECTION, The World Financial Center, Battery Park, New York Documenta IX, Kassel, curated by Jan Hoet, Pier Luigi Tazzi, and Dennys Zacharopoulos (cat.) Kunst und Kitsch, Markthalle Moderne Kunst, Stuttgart La Collection: Tableau Inaugral, Musee d ’Art Contemporain de Montreal, Montreal, New and Different: Recent Acquisitions, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln Paris l99l, Galerie Thaddaeus Ropac, Paris Psycho, Kunsthalle, New York, curated by Christian Leigh (cat.) Refusing to Surface: Art and the Transfiguration of the Ordinary, John Hansard Gallery, The University of Southampton, Southampton, (1992); Ikon Gallery, Birmingham (1992-1993); South London Gallery, London (1993), curated by Nicholas de Ville Seville Universal Exhibition l992, Fundacao de Serralves, Seville, Portugal The Ninth Biennale of Sydney, Art Gallery of New South Wales, Sydney, curated by Anthony Bond (cat.) Theoretically Yours, Pier Carlo Rusci, Assessore alla Pubblica Istruzione, Aosta, Italy, curated by Tricia Collins and Richard Milazzo (cat.) Translation, Center for Contemporary Art at Ujazdowski Castle, Warsaw, curated by Kim Levin (cat.) TROPISMS: The collection of Contemporary Art. Fundacio‘la Caixa,’ Centre Culturel la Caixa, Barcelona Up to You, Achim Kubinski, New York Yvon Lambert Collectionne, Musée des Beaux-Arts deTourcoing, Musée d ’art moderne de la Communauté, Villeneuve d'Asq, France 1993 A matchbox enclosed..., The Yavne Art Workskop Gallery, Yavne Artists Only: A Recording Studio, Achim Kubinski Gallery, New York Art and Application, Turbulence Gallery, New York; curated by Rick Kaufmann and Christine Ollier (cat.) Cat. van de Collectie: In Extenso I: 1989-1992, Museum van Hedendaagse Kunst, Gent (cat.) Le Choses et les mots, Galerie Thaddaeus Ropac, Paris Collections pour une region, CAPC Musee d’art contemporain,, Bordeaux (cat.) De Receptie VI / [Erratum], Archipel artists space, Apeldoorn, Netherlands, organized by Foundation Still Fall From Fashion, The Aldrich Museum of Contemporary Art, Ridgefield (cat.) The Foreign / The Guest, Offenes Kulturhaus, Linz, curated by Kurt Kladler and Elisabeth Madlener (cat.) Friendly, Dooley Le Cappellaine, New York, curated by Janine Gordon and Trudie Riess Gent te Gast, De Beyerd Breda, Centrum voor Beeldene Kunst, Gent, curated by Jan Hoet Ghost-limb, Basilico Fine Arts, New York Giftland II: Extra-ordinary (featured artist), Printed Matter, New York Group Show, Annina Nosei Gallery, New York, curated by Valerie Del-Sol I am the Enunciator, Thread Waxing Space, New York, curated by Christian Leigh The Intellectual Conscience of Art, Galerie d’Eendt, Amsterdam L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, Musee d’Art Contemporain, Nimes (cat.) Markets of Resistance, White Columns, New York, curated by Karen Jones (cat.) Selected Wall Works, Edition Schellmann, New York (1993-1994) SEX MONEY - POLITICS, Nancy Drysdale Gallery, Washington, D.C. (cat.) Slittamenti, XLV Esposizione Internationale d’Arte, Biennale of Venice, curated by Christian Leigh The Return of the Cadavre Exquis, The Drawing Center, New York Territorio Italiano, Documentario, Milan, curated by Giacinto Di Pietrantonio Tutte le Strade Portano a Roma?, Palazzo delle Esposizioni Roma, curated by A. Bonito Oliva Viaggo Verso Cittera, XLV Esposizione Internazionale d’Arte, Venice Biennale, curated by Francesca Pasini, (cat.) Yours, Wooster Gardens, New York, curated by Michael Jenkins Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca Wall Installations, Edition Schellmann, Koln 1994 1st Annual Gramercy International Gramercy Park Hotel, New York Arce de Noé/Noah’s Ark, Fundaçao de Serralves, Porto, curated by Marga Paz The Century of the Multiple, Deichtorhallen Hamburg Collection of New Acquisitions, Center for Contemporary Art at Ujazdowski Castle, Warsaw Comme dans une image, Gilbert Brownstone & CIE, Paris Contemporary Art Collection, The Israel Museum, Jerusalem Elvis + Marilyn: 2 x IMMORTAL, The Institute of Contemporary Art, Boston, (1994-1995); Contemporary Arts Museum, Houston (1995); Mint Museum of Art, Charlotte (1995); Cleveland Museum of Art, Cleveland (1995); Jacksonville Museum of Contemporary Art (1995-1996); Portland Museum of Art (1996); Philbrook Museum of Art, Tulsa (1996); Columbus Museum of Art, Columbus (1996); Tennessee State Museum, Nashville (1996); San Jose Museum of Art, San José (1996-1997); Honolulu Academy of Art, Honolulu (1997), Hokaido Bihiro Museum of Art, Hokkaido (1997), Daimaru Museum, Umeda, Osaka (1997), Takamatsu City Museum of Art, Takamatsu (1997), Sogo Museum of Art, Yokohama (1997), Mitsukoshi Museum of Art, Fukuoaka, (1998), Kumamoto Prefectural Museum of Art, (1998), curated by Wendy McDaris (cat.) Entre la PRESENCIA y la REPRESENTACION - the Collection of the ‘La Caixa’ Contemporary Art Foundation, Centro Atlantico de Arte Moderno, Las Palmas, Canary Islands (cat.) The First Fundraising Event to Benefit American Fine Arts, Co. American Fine Arts, Co and Colin de Land Fine Art, New York Group Exhibition: Sonnabend Gallery, New York Group Exhibition, Contemporary Collection, Musée de Grenoble, Grenoble Kommentar zu Europa, Museum Moderner Kunst, Vienna; Mutualite Francais, Paris; Sala Parpalio - Palau dels Scala, Valencia, curated by Lorand Hegyi (cat.) L’objet: du magasin au museé, Villa du Parc, Annemasse, France (cat.) Le Cosanti Nell’Arte, Lia Rumma Storehouse, Naples Même si c’est la nuit, CAPC Musee d’art contemporain, Bordeaux The Music Box Project, The Equitable Gallery, New York (1994 -1995); Long Beach Museum of Art, California (1995); Japanese Tour organized by Nanjo and Associates, Tokyo (Summer 1995); Columbus Museum of Art, Ohio (1995 - 1996); Center for the Fine Arts, Miami (1996); European Tour, 1996-98, curated by Claudia Gould (cat.) Opera Prima, Fuori Uso ‘94; Ex opificio Gaslini, Pescara; Trevi Flash Art Museum,Palazzo Lucarini, Trevi; Cankarjev Don in Ljubliana, Slovenia; curated by Giacinto Di Pietrantonio (cat.) Portraits de femmes, Chateau Notre-Dame des Foeurs, Vence, curated by Marianne and Pierre Nahon (cat.) Pour la vie, CAPC Musée d’Art Comtemporain, Bordeaux Private Mix, 1 Galerie Eigen + Art, Berlin, curated by Olaf Nicolai and Frank Eckart, (cat.) Sculpture: Group Exhibition, Rhona Hoffman Gallery, Chicago Selections from the Collection, The Israel Museum, Jerusalem Tradition and Invention: Contemporary Artists Interpret the Japanese Garden, organized for Art Against AIDS, Japan; Sogetsu Plaza, Sogetsu Kaikan (1994), Threadwaxing Space, New York (1995), curated by Nam June Paik, Robert Rauschenberg, and Hiroshi Teshigahara (cat.) Urban Paradise: Gardens in the City, PaineWebber Art Gallery, New York, curated by Tom Eccles (cat.) wandstücke III, Bob van Orsouw Galerie, Zurich 1995 Caravanserraglio Arte Contemporanea, Fuori Uso‘95, Pescara, curated by Giacinto Di Pietroantonio Co-Existence: Construction in Process, Mizpeh Ramon, Israel, organized by Yigal Ozeri Collections en mouvements: 70+ 911+, Centre de Creation Contemporaine, Tours Corpus delicti, Museum van Hadendaagse Kunst, Gent (cat.) Crash, Thread Waxing Space, New York; curated by Robert Reynolds and Thomas Zummer Fashion is a Verb: Expanding the Definition, The Museum at the Fashion Institute of Technology, New York Galerie Duran Dessert, Paris Group Show, Sonnabend Gallery, New York It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art, The Contemporary Arts Center, Cinncinatti, OH (1995-1996); Lakeview Museum of Arts and Sciences, Peoria (1996); Virginia Beach Center for the Arts (1996); Tacoma Art Museum, Washington D.C. (1996); Jacksonville Museum of Art, Jacksonville (1996); Bedford Gallery at the Regional Center for the Arts, Walnut Creek (1996-1997); The Phoenix Art Museum, Phoenix (1997); Rock and Roll Hall of Fame, Cleveland (1997); Lowe Art Museum, University of Miami, Miami (1997-1998); Milwaukee Art Museum, Milwaukee (1998), curated by David S. Rubin (cat.) Kunst: Brauch, Galerie 5020, Salzburg (cat.) Lawrence Weiner, Haim Steinbach, Jason Reed, Pierogi 2000, New York Margo Leavin Gallery, 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles (cat.) Marilyn: Il Mito, Valentino Accademia, Rome (1995-6); Gio Marconi and Fundazione Mudima, Milan (1996); Antica Stazione Leopolda, Florence (1996) (cat.) Money Talks, Art Walks, (Benefit Auction for Art Metropole) Linda Genereux Gallery, Toronto Musée d’Art Moderne, Saint Ettiene Pop Art, Museum of Contemporary Art, Dallas Museum of Art, Dallas Personal Heroes, Galerie De La Tour, Amsterdam Pieces - Meublés, Galerie Jousse Seguin, Paris, curated by Bob Nickas round-about, Galerie Beatrice Wasserman, Munich Smells Like Vinyl, Roger Merians Gallery, New York Still Leben, Nationalmuseum, Stockholm, curated by Görel Cavalli-Björkman, Jan von Gerber, and Bo Nillson (cat.) Temporarily Possesed: The Semi-Permanent Collection, The New Museum of Contemporary Art, New York, organized by Brian Goldfarb, John Hatfield, Laura Trippi, and Mimi young (cat.) Untitled (Reading Room), Margo Leavin Gallery, Los Angeles 1996 Aluminum Pieces, Schellman Edition, New York Body Language, Museum of Fine Art, Florida State University, Tallahassee (cat.) Box, Fotouhi Cramer Gallery, New York C - The Seven Deadly Sins, Benefit Auction for C Magazine, Toronto Collezionismo a Torino, Castello di Rivoli Museo d’Arte Contemporanea, Torino (cat.) Drawings: Spring 1996, Sandra Gering Gallery, New York Everything That’s Interesting is New: The Dakis Joannou Collection, Athens School of Fine Arts, Athens; Museum of Modern Art, Copenhagen (cat.) Fragmentatie, Triple X, Amsterdam Group Show, Jay Gorney Modern Art, New York Handmade Readymades, The Bertha and Karl Leubsdorf Art Gallery, Hunter College of the City of New York, curated by Thomas Weaver (cat.) Hold It!, benefit exhibition and auction, Los Angeles County Museum of Art, Los Angeles Ideal Standard Life, organized by the committee of Art at Home, Spiral Garden, Tokyo (cat.) Inauguration de la Galerie Roger Pailhas Marseille; 10 Annees d’ Activite Artistique, Galerie Roger Pailhas, Marseilles Machins Trucs Choses; petit air connu, Carré-Musée Bonnat, Bayonne Model Home, Clocktower Gallery, New York NowHere (Walking and Thinking and Walking), Louisiana Museum of Art, Humlebaek, Denmark, curated by Bruce Ferguson (cat.) Panoramas; 1981-1996, la collection du Frac Bretagne, Grand Hotel du Golf et des Panoramas, St. Briac, Bretagne (cat.) Passions Privées; Collections particulières d’art moderne et d’art contemporain, Musée d’Art Moderne de la Ville de Paris, Paris (cat.) Perdu Gagné C’est Oublié: FRAC Collection Aquitaine no. 5, Carré Musée Bonnat, Bayonne Thinking about Exhibitions, ed. Ressa Greenberg, Bruce W. Ferguson, Sandy Nairne, published by Routledge, London, pp. 278-279, 285 Sammlung Sonnabend, Deichtorhallen Hamburg (Feb.-May); Kunsthalle Der Hypo- Kulturstiftung, Munich 1997 504, Zentrum für Kunst, Medien und Design, Braunschweig, organized by John Armleder Art Mocscow, International Art Fair, Central House of Artist’s, Moscow XLVII Esposizione Internazionale D'Arte, Venice Biennale, curated by Germano Celant (cat.) Città-Natura, Pallazzo delle Esposizioni, Rome, curated by Carolyn Cristov-Bakargiev (cat.) Colección de Arte Contemporáneo, Fundación “la Caixa” Palacio Almudi, Murcia, organized by Maria de Corral (cahier) Dramatically Different, Magasin, Centre National D’Art Contemporain, Grenoble, curated by Eric Troncy with Yves Aupetitallot and Alessandra Galasso (cat.) Group Show, Sonnabend Gallery, New York Group Show, Foundation for the Arts, Sigmund Freud-Museum, Vienna, curated by Joseph Kosuth (cahier) Kunst..Arbeit, Südwestdeutsche Landesbank Forum, Stuttgart, curated by Stephan Schmidt-Wulffen (cat.) Kunstlerinnen, Kunsthaus Bregenz, Bregenz, curated by Edelbert Köb (cahier and video) Magie der Zahl, Staatsgalerie Stuttgart, Stuttgart (cat.) Normotic, One Great Jones Gallery, New York, curated by David Humphrey Odisseo (Ulysses), Stadio Della Vittoria, BARI, curated by Giacinto di Pietroantonio (cat.) Reviews (Une Discussion, Un Choix, Une Exposition), Galeria Roger Pailhas, Marseille (with a discussion of Haim Steinbach’s work by Olivier Zahm as part of a lecture series that accompanied this exhibition) 1998 Anos 80: The Eighties, Culturguest, Lisbon, curated by Maria de Corral (cat.) Artist/Author: Contemporary Artists’ Books, Weatherspoon Art Gallery, Greensboro; The Emerson Gallery, Clinton, New York; Museum of Contemporary Art, Chicago; Lowe Art Museum, Coral Gables, Florida (1999); Western Gallery, Bellingham, Washington (1999); University Art Gallery, Amherst (1999) (cat.) Arterias, Collection of Contemporary Art Fundació “la Caixa”, Malmö Konsthall, Malmö, Sweden Autour du Mundial, Galerie Enrico Navarra, Paris (cat.) Bathroom, Thomas Healy Gallery, New York, curated by Wayne Koestenbaum Collection, un autre regard, CAPC Musée d’art contemporain, Bordeaux Ensemble Moderne; Das Moderne Stilleben, Galerie Thaddeus Ropac, Salzburg, and Galerie Thaddeus Ropac, Paris, curated by Günter Salzmann (cat.) Fast Forward, Trade Marks, Kunstverein, Hamburg, curated by Stephan Schmidt-Wulffen Fetishes & Fetishisms, Passage de Retz, Paris (cat.) Interpreting, The Rotunda Gallery, Brooklyn Kunst ohne Unikat, Edition Artelier, Graz, 1985 -1998, Steirischer Herbst 98, Neuen Galerie am Landesmuseum Joanneum, Graz, curated by Peter Weibel (cat.) Lifestyle, Kunsthaus Bregenz, Austria, curated by Edelbert Köb Material Perfection: Minimal Art and Its Aftermath selecte1d from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, curated by John Stringer (cat.) Passage — International Art Encounters, Project #3: Gideon Gechtman, Bertrand Lavier, Haim Steinbach, Chelouche Gallery, Tel Aviv (cat.) Pop/Abstraction, Museum of American Art, Pennsylvania Academy of the Fine Arts, Philadelphia Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield (cat.) René Magritte and the contemporary art, Museum voor Moderne Kunst, Oostende, curated by Willy van den Bussche (cat.) Selected Works from the Sonnabend Collection, Musee d’art Moderne, St. Ettiene 1999 bibliomania (selecting the process of selection), Waterstones, London and Leeds, London, curated by Simon Morris and Helen Sacoor (cat.) Building Histories, Apex Art, New York, curated by Maureen Connor Calender 2000 Project, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York Decades in Dialogue: Perspectives on the MCA Collection, Museum of Contemporary Art, Chicago Die Farben Schwarz, Landesmuseum Joanneum, Graz, curated by Thomas Zaunschirm (cat.) Espace, modes d’emploi: Ouvres de la collection du Frac Bretagne, Centre d’art Passerelle, Brest, France Free Coke; line, drawing & paper, Greene Naftali, New York Group Show, Achim Kubinski Gallery, Berlin Heaven; An Exhibition that Will Break Your Heart, Kunsthalle Dusseldorf, (1999); Tate Gallery, Liverpool, (1999 - 2000), curated by Doreet LeVitte Harten (cat.) In...Cubo, Associazione Artisti Contemporanei Firenze e Metropoli (slide projection project at the Piazza SS. Annunziata, Florence) La Collezione, Castello di Rivoli, Torino, curated by Marcella Beccaria Originale echt falsch - Nachahmung, Kopie, Zitat, Aneignung Fälschung in der Gegenwartskunst, Neues Museum Weserburg, Bremen, curated by Thomas Deecke (cat.) Scripta Manent, Esso Gallery, New York Shelf Life, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, curated by Denise Markonish S.M.A.K, The Opening, Stedelijk Museum voor Actuele Kunst, Gent, curated by Jan Hoet (cat.) Urban Mythologies: The Bronx Represented Since the 1960s, The Bronx Museum of the Arts, New York, curated by Lydia Yee and Betti-Sue Hertz (cat.) Visual Arts Salute, A Tribute to Harvey Lichtenstein, BAM, Feigen Contemporary, New York, organized by Livet Reichard for the Brooklyn Academy of Music (cat.) Dreaming III, Contemporary American Art & Japanese Old Ceramics, Akira Ikeda Gallery/New York (cat.) 2000 Around 1984: A Look at Art in the Eighties, P.S.1, Long Island City, curated by Carolyn Christov-Bakargiev Artisti Collezionisti, Palazzo Delle Papesse, Siena, Italy, curated by Cornelia Lauf and Pieranna Cavalchini Art Club Berlin, Messegelände Berlin-Charlottenburg, Germany, curated by Klara Wallner (circa 2000) Concept Jewel, ELP Studio, Rome; Sofie Lachaert, Tielrode, Belgium; Anna Schwarz, Melbourne, curated by Cornelia Lauf Castelli in aria: Art in Naples at the End of the Millennium, Castel Sant’Elmo, Naples, curated by Angela Tecce DINGE: in der Kunst des XX. Jahrhunderts, Haus der Kunst, Munich, curated by Stephanie Rosenthal and Hubertus Gassner (cat.) Editions and Multiples 1990 – 2000, Helga Maria Klosterfelde, Hamburg Home-Made, Musée International des Arts Modestes, Sete (cat.) Home Sweet Home, Kunsthaus Muerz, Murzzuschlag, Austria, curated by Edelbert Kob Fifty Years: Faculty Art at Middlebury, Middlebury College Museum of Art, Middlebury KunstSammeln, Museum fur Neue Kunst/ZKM, Karlsruhe (cat.) Picture Show: Kunst und Mode, Kunsthof, Berlin; curated by Manuel Bonik and Undine Goldberg L’assenza invadente del divino, Castel Sant’Angelo, Rome, curated by Luisa Valeriani and Franco Speroni Over the Edges: The Corners of Gent, Stedelijk Museum voor Actuele Kunst, Gent (cat.) Partage d’Exotismes, 5th Biennale d’Art Contemporain de Lyon, Lyon, curated by Jean-Hubert Martin (cat.) Pasajes de la colección en Málaga: Colección de Arte Contemporáneo Fundación “La Caixa,” Palacio Episcopal, Málaga Four Works, Sonnabend Gallery, New York SEQUENCES, Galerie Roger Pailhas, Marseille (cat.) Wall Paintings, Le SPOT studio d’art contemporain, Le Havre 2001 About Objects, RISD Museum, Providence, curated by Judith Tannenbaum, Alumni Choice; An Exhibition of Works on Paper, Yale University, New Haven, curated by Andrew Forge Brooklyn, Institute of Contemporary Art, Palm Beach, curated by Michael Rush and Dominique Nahas De Spiegel: Van Het Verlangen, Stedelijke Museum, Kortijk, Belgium La Bretagne Collectionne L’Arte de Notre Temps: Les Vingt Ans du Frac Bretagne, Comme a la Maison, curated by Jean- Paul Criqui, Ecole superieure d’ arts, Lorient Monet’s Legacy Series: Order and Obsession, Hamburger Kunsthalle, Hamburg (cat.) Markers, Venice Biennale, Italy, curated by Ryszard Wasko, Liliana Kadichevski, et.al. Multiple, Galerie Van Gelder, Amsterdam, curated by Jack Jaeger New Heimat, Frankfurter Kunstverein, Frankfurt, curated by Nicolaus Shafhausen Pictures, Patents, Monkeys, and More… On Collecting, Western Gallery, Bellingham, Washington; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Akron, Ohio (2002); Fuller Museum of Art, Brockton, Massachusetts (2002); Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2002); Pittsburgh Center for the Arts, Pittsburgh (2003) Playgrounds and Toys for Children, curated by Adelina von Furstenberg; Geneva; Palazzo della Esposizione, Rome; United Nations Building, New York Postmodern Americans; a selection, The Menil Collection, Houston, curated by Walter Hopps SEQUENCES; troisieme volet, Galerie Roger Pailhas, Marseille, 2001 Shoes or No Shoes?, Het Museum Voor Schoene Kunsten, Provinciaal Centrum voor Kunst, Gent, Belgium Tele[visions], Kunsthalle Vienna, curated by Joshua Decter Group Show, Sonnabend Gallery, New York The Overexcited Body; Arte e Sport nella Societe’ Contemporanea, Office des Nations Unies, Geneve; Velodromo Vigarelli, Milano and Pallazo dell’ Arengario, Milano (2001); SESC Pompeia, Sao Paulo (2001); Hopitaux Universitaires de Geneve (2002); Queens Museum (2001), curated by Adeline con Furstenberg (cat.) 2002 American Atelier, Galleria d’Arte Moderna di Bologna; curated by Renato Barilli Big Brown Bag, Gavin Brown Enterprise GBE (Modern), New York Conceptes de L’Espai, selected works of the Museum Moderner Kunst Stiftung Ludwig Wien, Fundació Miro, Barcelona From Pop to Now; Selections from the Sonnabend Collection, The Tang Teaching Museum and Art Gallery, New York; Wexner Center for the Arts at Ohio State University, Columbus; Milwaukee Art Museum, Milwaukee (2003); curated by Charles Stainback, (cat.) Group Show, Sonnabend Gallery, New York Jeux Dans Le Miroir, works from the Frac-collection Aquitaine, Antenne IUFM, Mont-de-Marsan, France L’art d’ aujourd’hui: un choix dans la collection du Fonds national d’art contemporain, Musée de Grenoble, France Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection, Museum of Contemporary Art, Chicago; curated by James W. Alsdorf and Elizabeth Smith The Lenore & Burton Gold Collection of 20th Century Art, Herbert F. Johnson Museum, Cornell University Markers, Orensanz Foundation, Center for the Arts, New York Maximum Sensations, Mitchell Museum, Mt. Vernon Private/Corporate I: A Dialogue of the Collections Paul Maenz and Daimler Art Collection, DaimlerChrysler, Berlin (cat.) Shopping, Schirn Kunsthalle, Frankfurt; Tate Liverpool, Liverpool; curated by Max Hollein and Christophe Grunenberg Surface to Surface, Mary Boone Gallery, New York; curated by Max Henry toys II, Kagan Martos Gallery, New York 2003 After Shock; the Legacy of the Readymade in Post-War and American Art, Dickinson Gallery, New York; curated by Frances Naumann Artists’ Gifts, Museum of Contemporary Art, Los Angeles; curated by Anne Goldsetin Breaking God’s Heart, 38 Langham Street, London; curated by Glenn Brown Concrete Art, Graz 2003 – Cultural Capital of Europe, Graz; curated by Edelbert Köb Definitively Provisional, Whitechapel Project Space, London; curated by Cecilia Canziani and Kristine Haugaard Nielsen False Innocence, Fundació Juan Miro, Barcelona; curated by David G. Torres Grazie, Schloss Dyck, Jüchen, Germany; curated by Jan Hoet Group Show, Sonnabend Gallery, New York Group Show, Home of Rob Pruitt and Jonathan Horowitz, Fleischmanns, New York; curated by R. Pruitt and J. Horowitz L’Air du Temps, Bloomberg SPACE, London; curated by David Risley et. al. Living with Duchamp, The Tang Museum, Skidmore College, Saratoga Springs; curated by Ian Barry Never Mind Your Step, Kunsthalle Palazzo, Liestal, Basel; curated by John Armleder and Team 404 Pop Thru Out, Arario Gallery, Chungchungnam-do, Korea; curated by Mary Dinaburg Twentieth Anniversary Exhibition: Welcome Home, Gavin Brown Enterprise/GBE (Modern), New York; curated by Gavin Brown 2004 Art Works: Money, Katy Siegel and Paul Mattick, published by Thanes & Hudson Inc., New York, p. 28 Brillant(e), Kunst Meran/Merano Arte, Merano, Italy; curated by Anne Schloen, Hannes Gamper and Matthias Schönweger Domestic Archeology: Boston and Beyond, The Rose Art Museum of Brandeis University, Waltham, Massachusetts; curated by Raphaela Platow East Village USA, New Museum of Contemproary Art, New York; curated by Dan Cameron Future Noir, Gorney, Bravin and Lee, New York Intra – Muros, Museé d’Art Moderne et d’Art Contemporain, Nice, France; curated by Gilbert Perlein Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece; curated by Dan Cameron, Jeffrey Deitch, Massimiliano Gioni, Alison M. Gingeras and Nancy Spector None of the Above, Swiss Institute of Contemporary Art, New York; curated by John Armleder Pioneering Spirits: Modern and Contemporary Art from Area Collections, Scottsdale Museum of Art, Arizona Private/Corporate II: A Dialogue of Two Contemporary Collections Ileana Sonnabend, New York, and Daimler Art Collection, Daimler Contemporary, Berlin Rubell Family Collection, Miami (cat.) Specific Objects, Museum of Contemporary Art San Diego, San Diego; curated by Stephanie Hanor Suburban House Kit, Deitch Projects, New York; curated by Jeffrey Deitch Symbolic Space, Hudson Valley Center for Contemporary Art. Peekskill, New York; curated by Marc and Livia Straus Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, Vienna; curated by Barbara Steffan 20th Anniversary Show, Castello di Rivoli, Rivoli/Turin (Haim Steinbach solo showcase) 2005 Chronos, Centre CeSAC-Associazione Marcovalso, Caraglio, Cuneo Coleccion de Arte Contemporaneo Fundacion “la Caixa,” Museo De Bella Artes, Spain Flashback: Revisiting the Art of the 80’s, Kunst Museum Basel, Museum fur Gegenwartskunst; curated by Philipp Kaiser Good Titles for Bad Books, Kevin Bruk Gallery, Miami; curated by Matthew Brannon Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York; curated by Barbaralee Diamonstein-Spielvogel Minimalism and After IV: New Acquisitions, Daimler Contemporary, Berlin (cat.) Reverse Engineers, Carnegie Art Center, North Tonawanda, New York; curated by Julia Dzwonkowski The Sonnabend Collection, Museo d’Arte Contemporanea Donnaregina, Naples; curated by Mario Codognato and Eduardo Cicelyn Threshold, Max Wigram Gallery, London 2006 busy going crazy, Collection Sylvio Perlstein, La Maison Rouge, Paris Branded and On Display, Krannert Art Museum and Kinkead Pavilian, University of Illinois at Urbana- Champaign, Illinois; curated by Judith Hoos Fox and Ginger Gregg Duggan (cat.) Contemporary Sculpture, Zwirner & Wirth, New York (cat.) Czeslaw Milosz/To Allen Ginsberg, Dvir Gallery, Tel Aviv Faster! Bigger! Better!, ZKM/Museum für Neue Kunst und Medientechnologie, Karlsruhe Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna, Austrian Cultural Forum, New York; curated by Peter Pakesch and Inge Scholz-Strasser (cat.) In the Darkest Hour, There May Be Light, Serpentine Gallery, London; curated by Damien Hirst (cat.) Matter Grey, Galerie Almine Rech; Paris, curated by Joseph Kosuth memento mori, Mireille Mosler, Ltd., New York Our Marvelous Ambition, Vilma Gold, London The Gold Standard, PS1, New York; curated by Walead Beshty and Robert Nickas Unique, Mitchell, Innes & Nash, New York 60th Annivesary Show, Gimpel Fils, London; curated by Des Hughes 2007 Basel Art Fair, Almine Rech Gallery; curated by Anselm Reyle Living in the Material World – “Things” in Art of the 20th Century and Beyond, The National Art Center, Tokyo not like you remembered (Louise Lawler, Thomas Locher, Haim Steinbach), Galerie Six Friedrich Lisa Ungar,Munich plug, Sister Gallery, Los Angeles; curated by Art Design Office The Happiness of Objects, Sculpture Center, Queens; curated by Sarina Basta The Office, Tanya Bonakdar Gallery, New York Making and Finding, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, New York; curated by Katy Siegel Beyond, The National Art Center, Tokyo Versameling Roger en Hilda Matthys-Colle, Museum Dhondt-Dhaenens, Deurle The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow, Stella Art Foundation, Moscow; curated by Inge Scholz-Strasser, Peter Pakesch, Boris Manner 2008 Art Focus, Jerusalem; curated by Ami Barak The Art of the Real, Vanmoerkerke Collection, Oostende, Belgium; curated by Robert Nickas Espèces D’espace – The Eighties First Part, Magasin, Grenoble, curated by Yves Aupetitallot (cat.) Every Revolution is a Roll of the Dice, Ballroom, Marfa, Texas; organized by Bob Nickas John Armleder, Oliver Mosset, Haim Steinbach, Nicole Klagsbrun, New York The Object is the Mirror (Part II), Wilkinson, London; curated by Max Henry Nina in Position, Artists Space; curated by Jeffrey Uslip Peep, Glimpses of the Last 4 Decades from the Kerry Stokes Collection, TarraWarra Museum of Art, Healesville, Victoria & Art Galery of Western Australia, Perth (cat.) Pretty Ugly, Gavin Brown Enterprises and Maccarone, curated by Alison Gingeras Ready Made, Yvon Lambert, Paris (RED) Auction, Gagosian Gallery; curated by Damien Hirst Re-Designed, Lia Rumma, Milano The Hands of Art, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gent, Belgium (cat.) The Return of Religion and Other Myths: The Art of Iconoclasm, basis voor actuele kunst, Utrecht, Netherlands; curated by Sven Lütticken (cat.) The Station, Miami, Florida; curated by Shamim Momin and Nate Lowman Something is Happening, Site Speficic Projects, The University of California San Diego Totally Rad: New York in the 80s, Paul Kasmin Gallery; New York 2009 Collectors XXIV, Museum of Contemporary Art San Diego, La Jolla; curated by Stephanie Hanor Contructivism, Galerie Almine Rech, Bruxelles; curated by Olivier Renauldclement Deeply, Madly, Howard House Contemporary Art, Seattle; curated by Robert Yoder Lichtzwang, Dvir Gallery, Tel Aviv; curated by Dvir Plastic Culture, Harris Museum and Art Gallery, Market Square, Preston; curated by Richard Smith N'importe quoi, Museum of Contemproary Art, Lyon; curated by Olivier Vadrot and Vincent Pécoil 2010 Bambaataa, aliceday, Brussels; curated by Der Kommissare François Curlet Courant d'art au rayon de la quincaillerie paresseuse, L'observatoire du BVH, Paris Christmas Show, Galerie Laurent Godin, Paris Double Up Double Up, Quint Contemporary Art, San Diego Sculpture, Waddington Galleries, London Selections from the MCA Collection, Museum of Contempoary Art Chicago; co-organized by Julie Rodrigues Widhom, Pamela Alper, and Diana Nawi SPACE, MAXXI – Museo nazionale delle arti del XXI secoio, Rome; curated by Bartolomeo Pietromarchi and Gabi Scardi (cat.) 2011 Coup Double, Frac Aquitaine, Bordeux; organized by Claire Jacquet If You Lived Here, You’d Be Home By Now, CCS Bard Hessel Museum of Art, Annandale-onHudson, New York Ileana Sonnabend: Un Ritratto Italiano, Peggy Guggenheim Collection, Venice; curated by Antonio Homem & Philip Rylands (cat.) L’Invention de l’œuvre. Rodin et les ambassadeurs, Musée Rodin à Paris; (cat.) Mike Kelley, David Lachapelle, Sherrie Levine, Andreas Slominski, Haim Stienbach, Jablonka Galerie, Berlin Noli me tangere, The Collection Vanmoerkerke, Belgium; curated by Jan Hoet Postmodernism: Style and Subversion, Victoria and Albert Museum, London Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, organized by Ali Subotnick and Corrina Peipon Shelf Ramp Wedge Bridge/1, Fitzroy Gallery, New York; curated by Jeffrey Uslip Things are Queer – Highlights from the UniCredit Collection, Marta Herford, Herford (cat.) The Shape We’re In, Zabludowicz Collection, London Volume!, Mesue d’Art Contempoani de Barcelona, Barcelona you, your sun and shadow, Anderson Gallery, Virginia Commonwealth University, Virginia; curated by Michael Jones McKean Entertainment, Greene Naftali Gallery, New York, NY Home/less, VISTAMARE, Pescara, Italy Ice Bear, Dvir Gallery, Tel Aviv, Israel Art & Stars & Cars: The Daimler Art Collection at the Mercedez-Benz Museum Stuttgart, Mercedez-Benz Museum, Stuttgart, Germany Chefs d'oeuvre, Rodin et les ambassadeurs, Musée Rodin, Paris, France 2012 An Architect’s Dream, Curator’s Office, Washington D.C.; curated by Todd Levin Dogma, Metro Pictures, New York; curated by Gianni Jetzer Grand And Opening Open, Stedelijk Museum, Amsterdam Painting in Space – An Exhibition to Benefit CCS Bard, Luhring Augustine, New York; curated by Tom Eccles and Johanna Burton Paris Tienniale: Intense Proximity, Palais de Tokyo, Paris This Will Have Been: Art, Love & Politics in the 1980s, MCA Chicago; curated by Helen Molesworth (cat.) Zoologie, curated by Marie Fraser & François LeTourneux, Museum of Contemporary Art, Montreal Once Removed,Yale University Art Gallery, New Haven Rumba & Baba au Rhum, Laurent Godin, Paris The Very Large Array, Museum of Contemporary Art San Diego, La Jolla Funny, The Flag Art Foundation, New York Freedom Not Genius: Works from Damien Hirst's Murder Me Collection, Pinacoteca Giovanni e Marella Agnelli, Turin 2013 Ambient, curated by Tim Griffin, Tanya Bonakdar Gallery, New York Surrealism and the Object, Centre Georges Pompidou, curated by Didier Ottinger, Beaubourg Book Machine, Nouveau Festival, Centre Pompidou, curated by onestar press, Paris Novecento mai visto, Museo di Santa Giulia, Brescia pop imagery, Waddington Custot Galleries, London (cat.) A Stone Left Unturned, Yvon Lambert, curated by Simon Castets, Paris Flesh and Blood, The Museum on the Seam, Jerusalem, Israel Das Beste vom Besten: On the Risky Business of Art, curated by Hans-Jürgen Hafner at Kunstverein für die Rheinlande und Westfalen, Düsseldorf Ileana Sonnabend: Ambassador for the New, The Museum of Modern Art, New York, NY 2014 Babel: Works from the Igal Ahouvi Art Collection, curated by Sarit Shapira, The Genia Schreiber University Art Gallery, Tel Aviv University, Tel Aviv (cat.) The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, NY Take It or Leave It: Institution, Image, Ideology, curated by Anne Ellegood and Johanna Burton, Hammer Museum, University of California at Los Angeles, Los Angeles, CA between the lines, Tanya Bonakdar Gallery, New York, NY DLA Piper Series: Constellations, Tate Liverpool, Liverpool, England When Now is Minimal, Museuion, Bolzano, Italy (cat.) Platform, curated by Nicolas Trembley, Almine Rech Gallery, Brussels Stars + Stripes: American Art of the 21st Century from the Goldberg Collection, curated by Richard Perram OAM, Toured by museums and galleries of NSW 2015 A Brief History of Humankind, curated by Tania Coen-Uzzielli, Israel Museum, Jerusalem Assisted, curated by Jessica Stockholder, Kavi Gupta, Chicago, IL Display Show, Eastside Projects, Birmingham, England Genre Humain, curated by Claude Lévêque Palais Jacques Coeur, Bourges, France DLA Piper Series: Constellations - Man Ray, L’Enigme d’Isidore Ducasse, Tate Liverpool, England The Noing Uv It, Bergen Kunsthall, curated by Martin Clark and Steven Claydon Objects Food Rooms, curated by Andria Hickey, Tanya Bonakdar Gallery, New York Over & Under, organized by Matt Keegan, Sikkema Jenkins & Co., New York Play, organized by Alejandro Cesarco, Tanya Leighton, Berlin, Germany Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst Regional Art Gallery, New South Wales Walter Benjamin: Exilic Archive, Tel Aviv Museum of Art, Tel Aviv, Israel Works on Paper, Greene Naftali, New York, NY Untitled Art Fair, Galerie Laurent Godin, Miami Beach, FL 2016 Accrochage, Punta della Dogana, Venice, Italy Cher(e) Ami(e)s, Centre Pompidou, Paris, France Display Show, Stroom den haag, Den Haag, Netherlands DLA Piper Series: Constellations, Tate Liverpool, Liverpool GVA <- -> JFK, MAMCO, Geneve, Switzerland Stars & Stripes: American art of the 21st century from the Goldberg Collection, Bathurst Regional Art Gallery, New South Wales Pièces Meublés, Galerie Patrick Sequin, Paris, France (upcoming) Toujours, le muse comme témoin, MARCO, Monterrey, Mexico (upcoming) Toujours, le muse comme témoin, Museo Amparo, Peubla, Mexico (upcoming)
SELECTED ARTICLES AND REVIEWS
1979 Larson, Kay; “Briefly Noted,” The Village Voice, December 24 Zimmer, William; “Installation Feed,” Soho Weekly News, December 13 1981 Bonetti, Charles; “Design for a Yogurt Bar at BBC,” The Berkshire Eagle (Pittsfield, MA), March 7 Steinbach, Haim (project), Observations: Art and Culture, No. 4, Fall 1982 Levin, Kim; “Haim Steinbach,” The Village Voice, April 27 Klein, Michael;“Haim Steinbach,” Arts Magazine, September, p. 7 Smith, Roberta;“Some Things Old, Some Things New,” The Village Voice, April 27 Sozanski, Edward; “Visual Feast Satisfies Avant Garde Appetite,” The Providence Sun Journal, January 24 1984 Wallach, Alan; “CAPS Sculptors,” Arts, December 1985 Indiana, Gary; “Charm of Tradition,” The Village Voice, October 22 Levin, Kim; “Season’s Greetings,” The Village Voice, December 3l Levin, Kim; “Voice Choices,” The Village Voice, Kim Levin, October 22 Miller, John; “Producer as Consumer,” East Village Eye, November. 1986 Artner, Alan G.; “3 Sculptors Achieve Unsettling Transformations of Everyday Objects,” The Chicago Tribune, May ll Bob, Paul; “Postmodern Pop,” Esquire, September, p. 252 Cameron, Dan; “Pretty as a Product,” Arts, May, pp. 22-25 Collings, Matthew, “Mythologies: Art and the Market, ” Artscribe, April/May, p. 22-26 Collins, Tricia and Milazzo, Richard; “Tropical Codes,” Kunstforum International, Spring, Bd. 83 Cone, Michele; “Ready-Mades on the Couch,” Artscribe, June/July Heartney, Eleanor; “Neo-Geo Storms New York,” New Art Examiner Indiana, Gary; “Formal Wares,” The Village Voice, March 25 Indiana, Gary; “Castle to Castle,” The Village Voice, August l9 Jones, Alan, “Paravision: An Interview with Tricia Collins and Richard Milazzo,” Galleries Magazine, August/September Jones, Ronald; “Damaged Goods,” Flash Art, Summer. Knight, Christopher; “The 80’s Become the Era of Memorex Art,” LA Times Examiner, June l5 Knight, Christopher; “The L.A. Invasion of ‘It’,” Los Angeles Herald Examiner, August l0 Levin, Kim; “Shop Art,” The Village Voice, July 22 Linker, Kate; “Sherrie Levine/Haim Steinbach at Jay Gorney Modern Art,” Artforum, March, p. 123-124 McKenna, Kristine; (review), Los Angeles Times, June l3 Muchnic, Suzanne; “Commodity-Culture Art Rides Again,” Los Angeles Times, July 26 Raynor, Vivien; “Art: Objects are Subject of Damaged Goods,” The New York Times, July l8 Smith, Roberta, “Art: ‘Advent of Modernism’ at Brooklyn Museum,” The New York Times, December 26 Smith, Roberta; “Where to See the Newest of the New American Art,” The New York Times, May l Smith, Roberta; “Haim Steinbach at Cable,” Art in America, February, p.128 Sozanski, Edward; “Infotainment: The Anti-Art of the Television Age,” Philadelphia Inquirer, Jan. l9 Steinbach, Haim; “I give you the sweetest taboo,” photomontage project, Arts, March, pp. 24-25 Nagy, Peter (moderator), “From Criticism to Complicity,” ('Flash Art Panel'), Flash Art, Summer, p. 46-49 ______, “Deus ex McLuhan,” (review of “The Brokerage of Desire"), L.A. Weekly, August l5-21 ______, “Die Kunst,” Skyline, October 1987 Beaumont, Mary Rose; “One Hand Clapping,” Arts Review (London), vol. XXXIX, No. l6/l7, August Braff, Phyllis; “Language Becomes the Medium of the Message,” The New York Times, March l. Cameron, Dan; “Art and its Double,” Flash Art (special supplement), May, pp. 57-72 Cameron, Dan; “Image and Quotation,” Artics (Barcelona), #16 Celant, Germano; “Haim Steinbach’s Wild, Wild, West,” Artforum, December, pp. 75-79 Collings, Matthew; “Posthumous Meaning,” Artscribe, Sept/Oct. Collins and Milazzo; “Radical Consumption and the New Poverty,” New Observations, No. 51 Collins, Patricia; Milazzo, Richard; “Benny ‘Kid’ Paret,” New Observations, March. Cooke, Lynne; “Object Lessons,” Artscribe, Sept/Oct, p. 55-60 Glueck, Grace; “Tastemakers,” The New York Times Magazine Aug. 30 Graham-Dixon, Andrew; “Neo-Geo,” Vogue (London), Sept. Greenfield-Sanders, Timothy, “Sculptors,” Artfinder, Spring, p. 113 Haim Steinbach, “Untitled” (text and photograph, l987), File Magazine, #28, pp. 4-65 Hart, Claudia; “Reconstruct: John Gibson,” Artscribe, Sept.-Oct. Heartney, Eleanor; “Simulationism,” ARTnews, January Izzo, Arcangelo; “Scenografie per i turisti della vita,” il Gioranale di Napoli, December Jones, Ronald; “Haim Steinbach at Sonnabend,” Artscribe, Sept/Oct. Larson, Kay; “Material Boys,” New York Magazine, May ll Liebman, Lisa; “M.B.A. Abstractionism,” Flash Art, March, pp. 86-89 Lipson, Karen; “A Few Words on Art,” Newsday, February 20 Manor, Dalia; "New York Now, The New Movement,” The Jerusalem Voice, February Miller, John; “Avant-Garde in the Eighties: Los Angeles County Museum of Art,” Artscribe, summer Miller, John; “In the Beginning There Was Formica,” Artscribe, March/April Miller, John; “Haim Steinbach at Rhona Hoffman,” Artscribe, Sept/Oct. Morgan, Stuart; “School of Athens,” Artscribe, March/April Nickas, Robert; Power, Kevin; “Art and Its Double,” Flash Art (special supplement), March Nickas, Robert; “Shopping with Haim Steinbach,” Flash Art, April, pp. 70-72 Olander, William; “Made in U.S.A.” Beaux Arts Magazine, May. Ronnen, Meir; “What You See is What You Get,” The Jerusalem Post, January 30. Salvioni, Daniella; “Haim Steinbach at Sonnabend,” Flash Art, October, p. 105 Shaul, Moshe Ben; “New York, New York,” Maariv, February 23. Smith, Dinita; “Art Fever,” New York Magazine, April 20. Smith, Roberta; “Where to See the Newest of the New American Art,” The New York Times, May l Steinbach, Haim; “Joy of Tapping Our Feet”, Parkett, #14 Tremarco, Angelo; “Haim Steinbach nella gelleria Rumma: oggetti banali in bella mostra, Dopo il moderno resta il consumo,” Il Mattino, Naples, # 96, December Zimmer, William; “Summer Splendors Outside the City,” The New York Times, August l4. ______, “In/Out, New York Now,” Jerusalem Voice, February 23. ______, “Art Stop - Manhattan Doble” Elle (Spain). ______, “Comedy of Mannerism,” New York Magazine, August 24. ______, “El Arte neoyorquino es un art de la apropriacion seguin Dan Cameron,” El Pais, Madrid, February 6 ______, “The Saatchi Factor,” ARTnews, January l987. 1988 Avni, Beni, “Haim is No Longer Ours: Tel Aviv-New York, New York-New York”, Monitin, Israel, January, #ll2, pp. 36-39 Baldewyns, Claire; L’Evenement (Paris), Dec. l3. Beuth, Reinhard; “Gartenschlauch, Scherzartikel und Staubsauger,” Die Welt, # 52, March Blase, Christoph; “Schlaf und Stress der Vernunf,” Wolkenkratzer Art Journal, p. 54- 55, #3, May-June Bochner, Mel; “Ileana Sonnabend,” Galleries Magazine, June/July. Bode, Peter M.; “Kunst mit vier Staubsaugern,” Abendzeitung, 5./6., March. Bruderlin, Marcus; “Konsum-Seelen-Strip,” Kleine Zeitung, March 1988 Christov-Bakargiev, Carolyn; “Spotlight: Haim Steinbach -Staging the Illusion of Fake,” Flash Art, March/April, p.104. Comi, Enrico R.; “Ileana Sonnabend, Great Lady of Art,” Spazio Humano, #2/1988, pp. 6-7, 22. Cotter, Holland; “Haim Steinbach: Shelf Life,” Art in America, May, p. 156-163 Czoppan, Gabi; “Gallerie, New York Im Auge,” Munchner Stadtzeitung, June. Czoppan, Gabi; “Fussballelf und Eishockeypuck, Das Skulpturenprojekt Durr,” Munchner Stadtzeitung, p. 152, May 1988. Dallay, Willy; “Le jeu de miroirs de Steinbach,” Sud-Ouest, Dec. l0, l988. Dallay, Willy; “Steinbach, temoin de notre temps,” Sud-Ouest, December 9. de Saint-Do, Valerie; “Les Objets du Derisoire,” Le Courrier Francais, December 30 Deitch, Jeffrey; “Geometrie Culturali,” Flash Art (Italy), March - April 1988, pgs. 50-52. Dittmar, Peter; “Goldfish mit Psychose,” Welt, pg. 19, February. Dreher, Thomas; “New York in View, Munchen, Kunstverein,” Artefactum, September/October. Espagnet, Patrick; “Derisoire derision de Panchounette,” Sud-Ouest, Dec. l0, l988. Faust, Wolfgang Max; “Nove New York New,” Wolkenkratzer, no. 1, January-February, pp. 20-35. Graw, Isabel; “The Sleep of Reason,” Flash Art #141; pg. 139-140, Jan-Feb. Greenspan, Stuart; “Visual Obsessions: Am I Good Enough to Own a Painting?,” Avenue, February. Hegewisch, Katharina; , “Gefuhl gegen Kalkul,” Frankfurter Allgemeine Zeitung # 55, March Hess, Elizabeth, “Captives of Industry,” The Village Voice 15 November. Jones, Ronald; “Hover Culture,,” Artscribe Summer, pp. 46-51. Joselit, David; “Investigating the Ordinary,” Art in America, May, pp. 149-55 Karcher, Eva; “Auf dem Vormarsch,” Munchner Theaterzeitung, March. Koniger, Maribel; “Nippes aus Stahl im Kaufhaus ‘Kunst’,” Mittelbayerische Zeitung Regensburg, July. Kuspit, Donald; “The Modern Fetish,” Artforum, October. Langsfeld, Wolfgang; “Ruckwartsdrehende Uhren,” Suddeutsche Zeitung, # 56, Aug. 88. Leigh, Christian; “Haim Steinbach at Jay Gorney Modern Art,” Artforum, October., pp. 143-144 Miller, John; “The Consumption of Everyday Life,” Artscribe,January/February. Morgan, Robert; “The Spectrum of Object-Representation,” Arts, October., p. 78-80 Morgan, Stuart; “School of Athens,” Artscribe, March/April. Morgan, Robert; “Haim Steinbach at Jay Gorney Modern Art,” Flash Art, October, p. 128-129 Nemeczek, Alfred; “Geduldig den Augenaufschlag abwarten,” Art, pg. 30, # 4, April. Oliva, Achille Bonito; “Neo-America,” Flash Art, January/February. Pelenc, Arielle; “la consommation de l’art ou l’art de la consommation,” Art Press (Paris), September. Prestele, Charly; “Die kalte Ironie der Verfuhrung,” Mannheimer Morgen, March. Schmitz, Rudolf; “Kunst in ‘Verpuppungszustand’” Handelsblatt, # 62, March. Schwartze, Dirk; “'Schlaf der Vernunf’ im Kasseler Museum Fridericianum, Zwischen den Stilen,” HNA Kultur, March. Schwarze, Dirk; “'Schlaf der Vernunf’ im Museum Fridericianum in Kassel, Bitte nicht storen?,” HNA Kultur, February. Schwarze, Dirk; “Das Kasseler Museum Fridericianum als Kunsthalle, Eine zu stille Ausstellung,” HNA Kultur, April. Smith, Roberta;“A Wide Ranging Spread of Artists and Installations,” The New York Times, Nov. 15;(review of “The New Urban Landscape") Smith, Roberta; “Haim Steinbach at Jay Gorney Modern Art,” The New York Times, June 5. Perretta, Gabrielle; “Haim Steinbach,” Juliet Art Magazine, June 1988, pg. 14, 32 Steinbach, Haim; Semiotext, U.S.A. #13, project. Taylor, Paul; “Object Lessons,” House and Garden, October. Taylor, John Russell; “The New New Yorkers and the Avant Avant-Garde,” Art and Design, vol. 4, No. 3/4, pp. 41-45. Tazzi, Pier-Luigi; “Haim Steinbach"; Galeries, December/January, pp. 88-9l. van der Ploeg, Kees; “De opgegraven toekomst, Nieuwe kunst uit New York,” Akt over Kunst 39, April. Verzotti, Giorgio,“The Object in the Gallery,” Lei Magazine, October Wehlte-Hoschele, Martina, “Die Moderne traumt von sich ‘Schlaf Vernunf’ Gegenwartskunst in Kasseler Museum Fridericianum,” Frankfurter Allgemeine, #86, April. ______, “Wo Stehen Die Kunstler l988?” Art Das Kunstmagazin, February. ______, “Eine neue Volkskunst?,” Suddeutsche Zeitung, #76, March/April. ______,“New Yorker in Munchen,” Muncher Merkur, vol. 27./28., February. ______,“Trend, Warhol Entlasst Seine Kinder,” lui, April 1988. ______,“Kunst, Schamlos Schon,” Der Spiegel, #12, 1988 ______,“Archeologue de la Consommation,” Elle (Paris), Dec. 26. ______, Artists Talk, Flash Art News, Supplement #l43, November/December. 1989 Arnaudet, Didier, “Haim Steinbach,” New Art (Paris), February-March. Arnaudet, Didier; “Haim Steinbach de l’objet manufacture a l’objet de collection,” Gironde Magazine, January. Arnaudet, Didier; “ Haim Steinbach, CAPC, Bordeaux”, Contemporanea; Vol. II, No. 2, March/April. Avgikos, Jan; “The Binational,” Artscribe, Summer 1989. Bosetti, Petra; “Hamburg: D & S; Asthetik aus der Welt der Waren,” Art, pp. 138-139, October. Clearwater, Bonnie; “ Consensus ‘88,” Art Issues, No. 3, April. Compton, Michael; “Pop Art II - Jeff Koons and Co,” Art and Design Profile l6: New York, New Art Cornand, Brigitte; “Inexpressionniste ou Deconstructionniste,” Actuel, no. ll8, April, pp. l44-l53. Curtis, Cathy; (review of exhibition at Margo Leavin), Los Angeles Times, June 9. Fernandez, Horacio; “Haim Steinbach, El Languaje de los Objetos,” El Europeo (Madrid), February. Gaver, Eleanor; “The Big Sleep,” Art and Antiques, Sept. l989, pp. 65-68. Gilbert-Rolfe, Jeremy; “The Price of Goodness,” Artscribe, November/December, l989. Graw, Isabelle; “Wittgenstein, the Game of the Unsayable,” Flash Art, November/December. Jeannot, Francois; “Haim Steinbach - Galerie Yvon Lambert,” New Art International, May. Kuspit, Donald; “Breakfast of Duchampians,” Contemporanea, May l989, pp. 68-73. Leigh, Christian; “Art on the Verge of a Nervous Breakdown"; Contemporanea, vol. II, No. 1, Jan./Feb. Leigh, Christian, and Zaya, Octavio, “The silent Baroque” Balcon, No. 5/6,pp. 46-62. Manor, Dalia; “Haim Steinbach: Still Life"; Kav (Israel), January. Marter, Joan; “The World Financial Center: ‘The New Urban Landscape,’” Arts Magazine, March. McKenna, Kristine; “In the Footsteps of Warhol,” L.A. Times Calendar, May 7. Moreau, Catherine; “Haim Steinbach"; Beaux Arts, p. 92. Pasini, Francesca, “`Inespressionisti’ ma non lo dimonstrano,” Il Secolo XIX, Giovedi Sep. 14, pg.7 Pelenc, Arielle; “ Haim Steinbach, CAPC Musee d’art contemporain,” Art Press, no. l33, February, p. 62. Perrault, John; “Through a Glass Darkly"; Artforum, March. Plagens, Peter; “Under Western Eyes,” Art in America, January. Rubin, Jane; “Haim Steinbach and Dennis Adams, Alan Belcher, Jennifer Bolande,” Art Issues, No. 6, September, p. 23. Schwartzmann, Allan; “Corporate Trophies,” Art in America, February. Siegel, Jeanne; “Suits, Suitcases and Other Look-Alikes,” Arts Magazine, April, pp. 70-75 Smith, Roberta; “ Natura/Naturata (An Argument for Still Life),” The New York Times, March l0. Soutif, Daniel; “Steinbach: la cle Duchamp,” Liberation (Paris), February 8. Soutif, Daniel; “Found and Lost, On the Object in Art,” Artforum, October, l989. Steinbach, Haim; “get out of the dark” (project), Flash Art, Russian Edition, No. l, l989, pp.70-7l. Steinbach, Haim; “fresh once upon a time,” De Rijksdakademie (Amsterdam), September, p. ll. Taylor, Paul; “Haim Steinbach: An Easygoing Aesthetic That Appeals to the Flaneur in Many of Us,” Flash Art, May/June, No. l46, pp. l33-l34. Ziegler, Ulf Erdmann; “Nach Ganz Fest Kommt Ganz Lose”, Taz, Nov. 15, p. 13. ______,“Bordeaux invite Steinbach. . .,” Evasions (Paris), Winter, l988-l989. ______, “objet de consommation dans l’art, C.A.P.C., Haim Steinbach,” Bordeaux Mensuel , January ______, Gai Pied (Paris), January l0. ______, “Les etageres de Steinbach,” Glamour (Paris), February. ______, “Exhibition Update: Hybrid Neutral,” I.C.I. Newsletter, Spring/Summer, Vol. 4, #2. ______, “Haim Steinbach: Works,” Spazio Umano / Human Space, No. 2, pp. 76-79. ______, Spazio Umano / Human Space, No. 4 (interview), Bijutsu Techo (Japan), Vol. 4l, No. 609, May, pp. l3 - 3l. 1990 Cameron, Dan, “Haim Steinbach,”Art Today (videotape), Arts Video New Service, N.Y., vol. II, No. 5, May Collins, Tricia, and Milazzo, Richard; “McDonald’s in Moscow and the Shadow of Batman’s Cape,” Tema Celeste, April-June, No. 25, pp. 35-37. Curtis, Cathy; “There’s Art in Arrangement of Everyday Objects,” L.A. Times Calendar, April l5 Curtis, Cathy; “Three Sculptors Discuss the Art of OBJECTives,” Los Angeles Times (Orange County Edition), Apr. l0 Gutterman, Scott; Art International, Autumn p. 58-59 Johnson, Ken, “Haim Steinbach’, Art in America, Oct. pp. 202-203, Levin, Kim; “Haim Steinbach: signes de progres/objets contradictoires,” Artstudio, Winter. Levin, Kim; “Choices,” Village Voice, May l5. Marriner, Robin; “Signs of the Times: Sculpture as Non-Specific Objects: The work of Koons and Steinbach,” Art Monthly, July-August Muller, Hans-Jurgen; “We Can Put You on the Waiting List,” Kunstforum, Nov.-Dec. Prest, Veronique; “Carnet de Bale,” Beaux Arts, p. l74, June Rimanelli, David;“Desires: Artists Buys his Work at Stores”, Interview Magazine, April, vol. XX, no. 4, p. 62 Senaldi, Marco; “The Joker’s Apology and Disclaimer,” Flash Art, March-April, p. 129 Steinbach, Haim; “once,” slogan project, Artforum, March Steinbach, Haim; (project and interview), Pataphysics (Melbourne, Australia), G/H Taylor, Paul, “SOHO’s Avant-Guardian,” Connoisseur, vol.221, no.956, September, pp.16-22 ______, “Che cosa vuole diventare il Guggenheim,” Il Giornale Dell’Arte, No. 79, June, l990, p. 42. ______, “Aufstand gegen den guten Geschmack,” Art, September l990, p. 37. 1991 Albig, Jorg-Uwe, “Kleiner Beitrag zu einem Traum,” Stern, l7/9l (Hamburg), Apr.l8, pp. 232-233. Arbasino, Alberto; “Metropolis il tempio dei mercanti,” Il Venerdi di Repubblica No. l77 (Rome), June 28, p. l06 Brown, Azby; “Reproduced Authentic,” Artforum, Feb., p. 141 Camard, Florette; “Jean Pierre Raynaud and Haim Steinbach,” Galleries Magazine, No.42, April-May, pp.94-103. Collings, Mathew, Art reviews, City Limits (London), Sep. 19 Craddock, Sacha, “Bear Essentials,” The Guardian, Sep. 19 Dannatt, Adrian; “Vertigo,” Flash Art, January. Dreher, Thomas; “Haim Steinbach, The Exotic of the Familiar,” Artefactum, no. 37 Feb- Mar., pp. 24-29. Feaver, William, “Hellbent descent into the funfair,” Observer, Sep.15 Hahn, Otto; review of exhibition at Yvon Lambert, L’Express, no. 2077, Apr. 25 - May l, p, 43. Hall, Charles, “The Legacy of Pop,” Arts Review (London), Oct.4, pp.492-493 Hayt-Atkins, Elizabeth; “It’s Art by Fax and Phone,” Elle Decor, Oct., No. l8, pp. 42-44. Hicks, Alistair; “Metropolis - or Necropolis?,” Art & Auction, May. Kent, Sarah, “Objects for the Ideal Home,” Time Out, No.1101 (London), Sep.25-Oct.2 Koskina, Katerina; “Metropolis: Setting the Stage?,” Arti, Art Today, vol. 5, May/Jun., pp. ll5-l27. Larson, Kay, “Getting Physical,” New York Magazine, Nov. Legros, Herve; “Haim Steinbach,” Beaux Arts Magazine, no. 90, May, pp. 96-97 Levin, Kim, “Voice Choices,” The Village Voice, Nov.l2 Lingner, Michael, “Haim Steinbach/Strategien Asthetischen Handelns II: Imaginarer Gebrauch,” Kunst + Unterricht, June, pp. l4-l5 Messler, Norbert; “Berlin: Metropolis,” Artforum, vol. XXIX, No. l0, Summer Schilling, Antigone; “Rumors: Japan,” Vogue Hommes International Mode, vol. #13, Spring. Schneider, Greg, “Pondering the Past,” Artweek, Sep. 5, pg.11 Smith, Roberta, “Haim Steinbach,” The New York Times, Nov. 8 Steinlechner, Carin, “Billige Ziernaht an der Lederhose,” Munchner Merkur, No.285, Mittwoch, Dec. 11, p.9 Taylor, Paul, “Soho’s Avant Guardian,” Connoisseur, Vol 221, no. 956 Sep. pp. 16-22 Van Mulders, Wim; “Knight en Steinbach neefjes van Duchamp?,” Kunst & Cultuur, Apr., pp. 40-43. Zellien, Werner; “Metropolis/Fotodokumentation,” Kunstforum, #ll3, May/Jun. ______, “Goings on About Town,” The New Yorker, Nov.l ______(interview), Bijutsu Techo, Vol. 43, No. 637, May. ______, “Art in the Age of Fax,” Asahi Evening News, ______, “Reproduced Authentic,” Switch (Japan), Feb. ______, “Il cambio d’identita e ALTROVE” Il Tirreno,cronaca di Prato (Italy), Oct. 10 ______, “Eat your heart out, Andy,” New Statesmen & Society (London) Sep. pp. 29-30 ______, “Pop Art Today,” The News Line (London), Sep.21, pg.10 1992 Adcock, Craig, “After Duchamp,” Tema Celeste Summer 1992, No. 36, pp. 50-53. Aillaud, Charlotte, “Shopping in Paris with Francois Catroux,” Architectural Digest, May, pp. 62-69 Batchelor, David; “Almost Everything is Available”, Frieze, October Braet, Jan, “Ronden Rond de Toren,” Knack (magazine, Belgium), May. Brock, Hovery, “Haim Steinbach: Jay Gorney,” ARTnews, Vol. 91, No.1, Jan., p. l26. Celant, Germano, “Unexpressionism, Art Beyond the Contemporary,” Art and Design, New Art International , 1990, art repro. pp.31-41 Dank, Ralf, ed.; “>>documenta als Motor<< – Kommentare von Jan Hoet” Kunstforum International, No 119, pp. 438-441 Decter, Joshua, “Haim Steinbach,” Arts, Vol.66 No.5, pg.80, Jan. Decter, Joshua, “Haim Steinbach,” Journal of Contemporary Art, Fall, p. 114-122 Floyd, Phylis, “An Interview with Haim Steinbach,” Kresge Art Museum Bulletin, Michigan State University, Vol. VII, 1992 Francblin, Catherine, “Yvon Lambert, des oevres a soi,” Art Press 165, Jan., pp. 26-30 Geerling, Let, “Zondeval,” (Documenta review), Metropolis Magazine, No. 4, August. Jacobs, Cornee, “Grijs en grauw en overal is water,” Utrechts Nieuwsblad, 30 October Kunz, Martin; “USA - Blickpunkt Eastcoast” Kunstforum International, No. 119 pg. 169 Levin, Kim, “Jan Who? Docu What?,” The Village Voice, Jul.14, pp.95-96 Macmillan, Kyle, “ ‘Eclectic’ Describes New Show: Exhibition Opens at Sheldon,” Omaha World Herald, Oct 16, pp. 43, 51 Maharaj, Sarat, “Pop Art’s Pharmacies: Kitsch, Consumerist Objects and Signs, the ‘Unmentionable,’” Art History, Vol. 15, No.3, p. 337 art repro. p. 341 Maiwald, Walther, “Te Water,” Magazijn, No. 218, October, pp 16-17. Marcade Bernard, “Jan Hoet Denys Zacharopoulos, propos sur une Documenta,” Art Press 70, Jun., p. 11-18 Schenke, Menno, “Jonge Kunst Blijft Spannend,” Algemeen Dagblad, Nov. 6 Steinbach, Haim. “beep, honk, toot.” Tema Celeste, No. 34 (international edition), January-March, pg. 85 Steinbach, Haim (reproductions only), Arti (Athens), vol. 10, May-June-July, pp. 117, 138. Tilroe,Anna, “Waterstanden Van Gisteren in Witte de With,” De Volkskrant, Rotterdam, Oct 30. Welling, Dolf; “ ‘Ontastbare kunst’ in Witte de With”, Dagblad, Rotterdam, Nov. 10. Wilson, Andrew; “Refusing to Surface”, Art Monthly, November, p. 20-21 ______, “Schrager Mondwandler”, Der Spiegel, #21. ______, “Yvon Lambert, Choix Reserve,” Connaissance des Arts, No.479, January, pp. 59-67 1993 Bechtloff, Dieter, “Kunst und Humor 2.” Kunstforum International No. 121,pg. 221 Bekkers, Ludo, “Het ‘Rendez-Vous’ Van Jan Hoet”, Kunstbeeld, May, No. 5 Bornstein, Lisa,, “Haim Steinbach Gets a Shelf at the Guggenheim,” Forward, April 2, p.11 Cosemans, Catherine, “Conversation with Haim Steinbach”, Kunst & Museum Journaal, Vol. 4, Number 4, pp. 35- 41. Cotter, Holland, “Haim Steinbach: Sonnabend Gallery”, The New York Times, June 25. Cotter, Holland, “Galleries in Review:‘Haim Steinbach: Sonnabend Gallery’” Critics Choice, July 12, Vol. 1, No. 20 Decter, Joshua,; “Haim Steinbach: Sonnabend”, Artforum, October , p. 88. Decter, Joshua, “Haim Steinbach,” Journal of Contemporary Art, Winter, p. 108-117 Gimelson, Deborah; “Painting by Numbers,” Mirabella, February, No. 45, pp.40-43 Hettig, Frank Alexander; “no rocks allowed.” Kunstforum International, No. 121 pg. 452 Kravagna, Christian; “Das Fremde - der Gast,” Kunstforum International, No. 124, p. 398-9 Levin, Kim, “Haim Steinbach / Voice Listings”, TheVillage Voice, June 1, p. 72 Madlener, Elisabeth and Kurt Kladler, “Das Fremde—Der Gast”, Kulturbericht, October 10 Marucci, Luciano, “Incontro alla XLV Biennale D’arte di Vienza , L’obiettivo <
BOOKS AND CATALOGUES l983 Objects, Structures, Artifice, text Michael Klein; SVC Fine Arts Gallery, University of South Florida, Tampa (cat.) l985 Infotainment, text George W.S. Trow, David Robbins, Thomas Lawson; Livet Reichard Co. Inc., New York (cat.) l986 A Brokerage of Desire, text Howard Halle, Walter Hopps; Otis Art Institute, Los Angeles. (cat.) Arts and Leisure, text Glenn O’Brien; Group Material and The Kitchen, New York (cat.) Beyond Boundaries, Jerry Saltz; Alfred van der Marck Editions, New York. Damaged Goods / Desire and the Economy of the Object, text Hal Foster, Brian Wallis, et al.; The New Museum of Contemporary Art, New York (cat.) Endgame, text Yve-Alain Bois, Thomas Crow, Hal Foster, et al.; Institute of Contemporary Art, The MIT Press, Cambridge, Massachusetts, Boston (cat.) Fake, The New Museum of Contemporary Art (cat.) New Sculpture, text Gary Garrels; Renaissance Society of the Univ. of Chicago. (cat./brochure) Prospect 86, Frankfurter Kunstverein Schirn Kunsthalle Frankfurt (cat.) Rooted Rhetoric, text Benjamin H.D. Buchloh, Gabriele Guercio, Joesph Kosuth, et al.; Castel dell’Ovo, Naples; Guida Editori, Naples (cat.) WPA Document, Washington Project for the Arts, Washington, D.C., p.46. l987 Art and Its Double, text Dan Cameron; Fundacion Caja de Pensiones, Barcelona (cat.) Avant-Garde in the Eighties, text Howard N. Fox; L.A. County Museum of Art (cat.) Coleccion Sonnabend, text Michel Bourel, et al.; Centro de Arte Reina Sofia, Ministerio de Cultura, Madrid (cat.) Les Courtiers du Desir, text Howard Halle, Walter Hopps; Centre Georges Pompidou, Paris (cat.) Currents 12: Simulations, New American Conceptualism, Dean Sobel; Milwaukee Art Museum, Milwuakee, p. 3, art repro. cover, (brochure) NY Art Now: The Saatchi Collection, text Dan Cameron; Giancarlo Politi Editore, Milan. (cat.) New York Now, text Brian Wallis; The Israel Museum, Jerusalem.(cat.) Perverted by Language, text Robert Nickas; Hillwood Art Gallery, Long Island University/C.W. Post Campus, Greenvale, New York (cat.) Reconstruct, John Gibson Gallery, New York (cat.) l988 Art at the End of the Social, text Tricia Collins, Richard Milazzo; Rooseum, Malmo, Sweden. (cat.) Artschwager: His Peers and Persuasion l963 - 88, text Klaus Kertess; Daniel Weinberg Gallery, Los Angeles (cat.) The Binational, American Art of the Late 80s, text Thomas Crow, Lynne Tillman, et al.; Institute of Contemporary Art and Museum of Fine Arts, Boston, and Dumont Buchverlag, Koln (cat.) Cultural Geometry, text Jeffrey Deitch, Peter Halley; Deste Foundation for Contemporary Art, Athens (cat.) Fonds National D’Art Contemporain, Acquisitions l988, text Jean-Michel Foray, et al. (cat.) Haim Steinbach: Recent Works, text Germano Celant, Jean-Louis Froment, Elisabeth Lebovici, John Miller, Haim Steinbach; capc Musee d’Art Contemporain de Bordeaux, (cat.) Hybrid Neutral, text Tricia Collins and Richard Milazzo, Gary Indiana; Independent Curators Inc., New York (cat.) Imagine, Gruppo GFT, Turin (cat.) Innovations in Sculpture l985-88, text Martha B. Scott; Aldrich Museum of Contemporary Art. (essay) Kunst der Gegenwart; text Klaus Honnef; Taschen, Cologne. Minimalism, text Kenneth Baker; Abbeville Press, N.Y. Modern Dreams, The Rise and Fall of Pop, Edward Leffingwell and Karen Marta, ed.; Institute for Contemporary Art and The Clocktower Gallery, New York (cat.) New York in View, text Zdenek Felix, Noemi Smolik; Kunstverein Munchen (cat.) Post-to-Neo, The Art world of the 1980’s, Calvin Tomkins; Penguin Books, New York, ReDefining the Object, Wright State University, Dayton (cat.) Schlaf der Vernunft, text Marcus Bruderlin, Veit Loers, Lucius Burckhardt; Museum Fridericianum Kassel, Germany (cat.) The Sonnabend Collection, text Michel Bourel et al.; capc Musee d’Art Contemporain de Bordeaux (cat.) Three Decades, The Oliver Hoffman Collection, text Bruce Guenther, Camille Oliver- Hoffman, I. Michael Danoff, Phyllis Tuchman, Lynn Warren; Museum of Contemporary Art, Chicago (cat.) Unexpressionism, Germano Celant; Rizzoli, New York. Works, Concepts, Processes, Situations, Information, text Robert Nickas, et al.; Galerie Hans Mayer, Dusseldorf, l988- 89 l989 Avant l989 (exhibition curated by Haim Steinbach); Villa Gillet -Frac Rhone-Alpes (cat.) Abstraction in Question, text Bruce Ferguson, Joan Simon, and Roberta Smith; John and Mable Ringling Museum of Art, Sarasota, Florida (cat.) La Collezione Sonnabend, Dalla Pop Art in poi; text Michel Bourel et al.; Electa, Milan. (cat.) Conspicuous Display; text Sid Sachs; Stedman Art Gallery, Rutgers University (cat.) D&S Ausstellung, text Jurgen Schweinebraden, et al.; Kunstverein, Hamburg (cat.) A Forest of Signs, Art in the Crisis of Representation, text Ann Goldstein, Mary Jane Jacob, et al.; Museum of Contemporary Art, Los Angeles, pp. 58-59,153 art repro. 58, 118- 119 (cat.) Hamburg Projekt l989, November-December l989 (cat.) Horn of Plenty; text Dan Cameron, Gosse Oosterhof, Stedelijk Museum, Amsterdam (cat.) Hyperframes, text Tricia Collins and Richard Milazzo; Editions Antoine Cadeau. Microsculpture, text Ronald Onorato; University of Rhode Island (cat.) Nature Naturata, text Cornelia Lauf et al.; Josh Baer Gallery, New York (cat.) Oeuf Alpha, capcMusee d’art contemporain, Bordeaux (cat.) Periodi di Marmo, text Germano Celant; Electa, Milan (cat.) Repetition, Hirschl & Adler Modern, New York (cat.) Resonances du Readymade, Thierry de Duve; Editions Jacqueline Chambon. The Silent Baroque, text Christian Leigh et al.; Edition Thaddeus Ropac, Salzburg (cat.). Superart, Achille Bonito Oliva; Giancarlo Politi Editore, Milan, art repro., p. 31 Survey of the Collection, Stedelijk Museum, Amsterdam. What is Contemporary Art?, text Dan Cameron; Rooseum, Malmo, Sweden.(cat.) Wittgenstein / The Play of the Unsayable, text Joseph Kosuth; Wiener Secession, Vienna. (cat.) 1990 Affinities and Intuitions, The Gerald S. Elliot Collection of Contemporary Art, text Neal Benezra, Charles F. Stuckey, Mark Rosenthal et al.; Thames and Hudson, New York; The Art Institute of Chicago (cat.) An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns New York, Tricia Collins and Richard Milazzo, ed.; White Columns, New York, p. 6l. Art Against AIDS, text Elizabeth Taylor, et. al.; American Foundation for AIDS Research, New York, art repro. p. 92 (cat.) Art et Publicite, text Anna Baldassari, Francois Burkhardt; Beaux Arts Magazine, Publications Nuit et Jour, Paris (publisher). (cat./brochure) Art & Pub, text Anna Baldassari, Francois Burkhardt, Jean-Hubert Martin et al.; Editions du Centre Pompidou, Paris (publisher) (cat.) Art in the Eighties, Edward Lucie-Smith; Phaidon Press, Oxford, pp. 76, 73 Blau: Kaleidoskop einer Farbe, Heidelberger Kunstverein (cat.) The Decade Show, text Gary Sangster, Lowery Sims, Laura Trippi, et al; The New Museum of Contemporary Art, The Studio Museum in Harlem, Museum of Contemporary Hispanic Art (cat.) Edition Schellmann l969-l989, Edition Schellman, Munich-New York, l989 (cat.) Flash Art: XXI Years (Two Decades of History), edited by Giancarlo Politi and Helena Kontova; MIT Press, Cambridge, Mass., pp. 149-151, art repro. p. 151 The Future of the Object! A Selection of American Art; Minimalism and After, text Kenneth Baker; Ronny Van de Velde, Antwerp (cat.) The Last Decade / American Artists of the 80’s, text Tricia Collins, Richard Milazzo, and Robert Pincus-Witten; Tony Shafrazi Gallery, New York (cat.) Life-size / A Sense of the Real in Recent Art, Suzanne Landau, ed.; Israel Museum., Jerusalem,(cat.) Lotte, or the Transformation of the Object (a special issue of Durch, #8/9); text Clementine Deliss et al (cat.) Multiples, text Dan Cameron; Hirschl & Adler Modern, New York (cat.) New Art, Phyllis Freeman, Mark Greenberg, et al., ed.; Harry N. Abrams Inc., New York. The New Urban Landscape, Richard Martin, ed.; Olympia & York Companies (U.S.A.) and Drenttel Doyle Partners, New York NY (cat.) Objectives: The New Sculpture, text Dan Cameron, Paul Schimmel, et al.; Newport Harbor Art Museum, California, Rizzoli, art repro., pp. 154-169 (cat.) Pop Art: A Continuing History, Marco Livingstone, Abrams, 1990. pp. 222, 244-46, fig. 361 The Refco Collection, Sue Taylor, ed.; Refco Group, Ltd., Chicago. Sonnabend Collection Exhibition, text Michel Bourel; Sezon Museum of Art, Japan (cat.) The Stendhal Syndrome, text Rhonda Lieberman, Catherine Liu, Lawrence Rickels; Andrea Rosen Gallery, New York (cat.) Le Spectaculaire, text Jean-Marc Poinsot et al.; cat. for exhibition, Centre d’histoire de l’art contemporain, Rennes, France.(cat.) Un Art de la Distinction?, text Jean-Paul Blanchet, Nicolas Bourriaud, Dan Cameron, et al.; Abbaye Saint-Andre Centre d’Art Contemporain, Meymac, France, pp.139-147, art repro. pp. 142, 143, 146 (cat.) Word as Image, American Art l960-l990, text Gerry Biller, Russell Bowman, Dean Sobel; Milwaukee Art Museum (cat.) Worlds Maailmat 90, text Ulla Pennanen et al.; Joensuu Art Museum, Joensuu, Finland. (cat.) 1991 Altrove, text Donald Kuspit, Christian Leigh, Octavio Zaya; Centro per l’Arte Contemporanea Luigi Pecci p. 149: art repro. pp. 150-153 (cat.) American Art of the 80’s, text Gabriella Belli, Jerry Saltz; Museo d’Arte Moderna e Contemporanea di Trento e Rovereto; Electa, Milan (cat.) Anni Novanta, text Renato Barilli et al.; Arnoldo Mondadori (cat.) Art Since Mid-Century: 1945 to the Present, Daniel Wheeler; The Vendome Press, N.Y, pp. 330-332 Beyond the Frame / American Art l960-l990, text Lynn Gumpert, Brian Wallis; Setagaya Art Museum (cat.) Blue Box #l, Blast, New York. (project) Denk-Bilder: Kunst der Gegenwart l960-l990, text Norbert Messler; Hirmer-Verlag GmBH, Munchen (cat.) Desplazamientos, text Donald Kuspit, Christian Leigh, Octavio Zaya; Las Palmas de Gran Canaria, Centro Atlantico de Arte Moderno (cat.) Das Goldene Zeitalter, text Tilman Osterwald, et al.; Wurttembergischer Kunstverein. Stuttgart (cat.) Formica & Design: From the Counter Top to High Art, Susan Grant Lewin, ed.; Rizzoli Les Couleurs de L’Argent, text Jean-Michel Ribettes, Jacques Foucart, Michel Nuridsany; Edition du Musee de la Poste, Paris (cat.) History as Fiction, text Dan Cameron; Meyers/Bloom Gallery, Los Angeles (cat.) Joel Benzakin, Benjamin Buchloh, Germano Celant, John Knight, Dirk Snauwaert, Haim Steinbach; Les Expositions du Palais des Beaux Arts; Imschoot, Uitgevers, Bruxelles (cat.) Just what is it that makes today’s homes so different, so appealing?, text Dan Cameron; The Hyde Collection, Glens Falls, NY (cat.) La Sculpture Contemporaine après 1970, text Daniel Dobbels, Pierre Cabanne, Siegfried Gohr, Demetrio Paparoni, Carter Ratcliff, Caroline Smulders; Fondation Daniel Templon, Musee Temporaire, Frejus (cat.) Love Ball 2: The Crowning Glory, DIFFA (Design Industries Foundation for AIDS), New York. (auction cat.) Metropolis, text Christos M. Joachimides, Norman Rosenthal, et al.; Rizzoli, New York. (cat.) New Art: An International Survey, Andreas Papadakis, Clare Farrow, & Nicola Hodges, eds.; Rizzoli, N.Y., pp. 67, 145. Objects for the Ideal Home / The Legacy of Pop Art, Serpentine Gallery, London (cat.) Power: Its Myths and Mores in American Art l96l-l99l, text Holliday T. Day, et al.; Indianapolis Museum of Art, in cooperation with Indiana University Press, pp. 14, 20, 26, 81, 141, 151 art repro. pp. 81 -82 (cat.) Praterinsel: Ausstellung der Ateliergemeinschaft Praterinsel, text Christoph Wiedermann, Dietmar Kuhne, Heinrich Habel; Praterinsel, Munich (cat.) Quindicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova 1991, text Pierre Restany, Renato Barilli, Giorgio Segato, et al.; Electa, Milan (cat.) The Reenchantment of Art, Suzi Gablik; Thames and Hudson, New York and London. 1992 100% Make-Up, Alessandro Mendini, ed.; American Mythologies, Marshall Blonsky; Oxford Univ. Press., New York, Oxford pp.464-5 Art in Theory 1900-1990: An Anthology of Changing Ideas, edited by Charles Harrison and Paul Wood; Blackwell Publishers, Cambridge (reprint of “Ashley Bickerton, Jeff Koons, Peter Halley, Haim Steinbach:From Criticism to Complicity,” Peter Nagy, moderator) pp. 1080-1083 Art Meets Ads, text Jürgen Harten and Michael Schirner; Edition Cantz, Stuttgart, art repro. plate 73 The Boundary Rider: 9th Biennale of Sydney, text Anthony Bond, Stephen Bann, Ian Burn, John Welchman, pp. 222- 223, art repro. 223 (cat.) Collage, Assemblage, and the Found Object, Diane Waldman; Harry N. Abrams Inc., New York, pg. 314-315. documenta 9, Die Magische Dose, The Staatlische Museen, Neue Galerie Kassel, Edition Cantz, Stuttgart (cat.) Documenta IX, Cantz, ed.; Kassel, Volumn 1, text Jan Hoet, Denys Zacharopoulos, Luigi Tazzi, et. al, pp. 223-224 (cat.) Documenta IX, Cantz, ed.; Kassel, Volumn 3, art repro. pp. 522-532 (cat.) Fundacao de Serralves, A Portugese Museum, text Bernardo Pinto de Almeida, Fernando Pernes, Joao Pinharanda. (cat.) Guggenheim Museum A to Z , text Germano Celant, Cornelia Lauf, et. al; The Solomon R. Guggenheim Foundation, New York, p. 252, art repro. p. 253 Kitsch-Art, Gregory Fuller; DuMont Buchverlag, Koln, pp 23, 25, 26, 27, 83, 92, 161, 164, 168, 187, color plate #15, b&w plate #45, 46, 47. La Collection: tableau inaugural, text Marcel Brisebois, Manon Blanchette, et al.; Musee d’Art Contemporain de Montreal (cat.) Les Artistes Associes de la Neo-Geo, David Perreau, in C’est Pas la Fin du Monde, Centre d’histoire de l’art Lexicon der Kunst, Ferdinand Schmatz and Heimo Zobernig; Edition Patricia Schwartz, Stuttgart Materialien zur Documenta IX: Ein Reader für Unterricht und Studium, Werner Stehr and Johannes Kirschenmann; Editons Cantz, Stuttgart no rocks allowed, Haim Steinbach; Witte de With Center for Contemporary Art, Rotterdam (cat.) Pop Art: An International Perspective, Marco Livingstone, ed.; Rizzoli, New York, pp. 20, 2l, 264.(cat.) Psycho, text Christian Leigh, Octavio Zaya, Donald Kuspit; Kunsthalle, New York, 1992, (cat.) Refusing to Surface: Art and the Transfiguration of the Ordinary, text Nicholas de Ville, Dick Hebdige and Lewis Johnson John Hansard Gallery, The University, Southampton, Great Britain (cat.) Theoretically Yours, text Patricia Collins, Richard Millazzo; Autonomous Region of the Aosta Valley Department for Education (cat.) Translation, text Kim Levin, Milada Slizinska; Centre for Contemporary Art, Ujadowski Castle, Warsaw; pp. 39-42, art repro. pp. 42-44 (cat.) TROPISMES, text Dan Cameron; Collecio d’Art Contemporani Fundacio “la Caixa," (cat.) Witte de With: The Lectures 1992, Chris Dercon, Jeff Wall, et. al.,Witte de With, Rotterdam, p. 66 (cat.) Yvon Lambert collectionne, text Dominique Bozo, Joelle Pijaudier; Musee d’Art Communaute Urbaine de Lille, Villeneuve d’Ascq, Musee des Beaux-Arts de Tourcoing. (cat.) 1993 Binocular: Focusing, Materials, Histories, Ewen McDonald and Julia Engberg, eds.; Möet & Chandon Contemporary Edition, Sydney; featuring “Time Signatures; or Haim Steinbach’s Still Life,” Trevor Smith, pp. 138-153 (illustrated) capcMusée, Paul Ardenne; Editions du Regard, Paris, pp.132-138 C’est pas la fin du monde: un point de vue sur l’art des annees 80, Centre d’histoire de l’art contemporain, Rennes Collection pour une region, “Lieux de Fictions”: Richard Baquié, Jedermann N.A., Jeff Koons, Rombouts & Droste, Haim Steinbach, text Gloria Picazo; CAPC Musee d’Art Contemporain de Bordeaux pp. 49-55 (cat.) Documentario 2 (cat.-Territorio Italiano) Fall From Fashion, The Aldrich Museum of Contemporary Art, text Richard Martin, pp. 7-8, art repro. p. 61 (cat.) The Foreign / The Guest, text Martin Sturm, Elisabeth Madlener; Offenes Kulturhaus, Turia & Kant, Vienna (cat.) Gent te Gast: de Keuze van Jan Hoet uit de collectie van het Museum van Hedendaagse Kunst in Gent (cat.) I Am The Enunciator, text Christian Leigh (cat.) International Index of Multiples: from Duchamp to the Present, Spiral/Wacoal Art Center, Tokyo, and Verlag der Buchhandlung Walther Konig, Koln La Biennale di Venezia: XLV Esposizione Internazionale d’Arte, Marsilio Editori, Venice p. 944 L’art du XXe Siecle, Jean-Philippe Breuille; Larousse, Paris, p.794, art repro. p. 794 L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, text Guy Tosatto, Elizabeth Lebovici, Pierre Restany, et. al; Carré a’Art, Nimes, p. 20, 190; art repro. pp. 153-154 (cat.) Modernism in Dispute, Art since the Forties, Paul Wood, Francis Frascina, Johnathan Harris, Charles Harrison; Yale University Press, New Haven, pp. 241, 243, art repro. p. 243 Mike Kelley: Catholic Tastes, text Elisabeth Sussman et. al.; Whitney Museum of American Art, New York, p. 27 Osmosis: Ettore Spalleti & Haim Steinbach, text Germano Celant, Thomas Krens, Nancy Spector; Guggenheim Museum, New York (cat.) Signs of Psyche in Modern and Post-Modern Art, text Donald Kuspit; Cambridge University Press, Cambridge, pp. 149, 150, 278, art repro. p. 150 Space Invaders: Issues of Presentation, Context and Meaning in Contemporary Art, Nicholas de Ville and Stephen Foster, eds.; John Hansard Gallery, University of Southampton, England Jerome Schlomoff: Portraits text Francois Bon and Jean-Louis Froment; CAPC Musee d’Art Contemporain de Bordeaux, portrait in exhibition, p. 70 (cat.) Viaggio verso Citera, text Achille Bonito Oliva, Francesca Pasini, Fernanda Pivano, et al.; XLV Biennale di Venizia, Zerynthia Associazione per l’Arte Contemporanea, Edizioni Marpesia, Venice, p. 11, art repro. p. 20-21 (cat.) Wall Works, text Jörg Schellman; Edition Schellmann, Cologne-New York, art repro. p. 101 1994 Acquisitions, 1985-1993, text Wim Beeren, Rini Dippel, Dorine Mignot, et. al.; Stedelijk Museum, Amsterdam, art repro. p.78 (cat.) Arce de Noé/Noah’s Ark, text Alexandre Melo, Marga Paz, Fernando Pernes, et. al.; Funaçao de Serralves, Porto, pp 144-147 (text: joy of tapping our feet.), art repro. pp. 74-75 (cat.) Comentario Sobre Europa 1994, text Lorand Hegyi, Erhard Busek, Arpard Göncz, et. al; Sala Parpalló, Diputacion de Valencia, art repro. pp. 112-115 (cat.) Das Jahrhundert des Multiple: von Duchamp bis zur Gegenwart, text Zdenek Felix, Stefan Germer, Claus Pias, Katerina Vastella; Deichtorhallen Hamburg, Oktagon Verlag pp. 69, 227 (cat.) De A a Z les Centres d’art Contemporain, text Eric Amouroux, Paul Ardenne, Thierry de Duve, et. al.; DCA/Flammarion, France, art repro. p. 98 Don’t Look Now, text Joshua Decter; Thread Waxing Space, New York, p.13 (cat.) Entre la PRESENCIA y la REPRESENTACION - the Collection of the “La Caixa”Contemporary Art Foundation, p. 37 (cat.) Kommentar zu Europa, text Lorand Hegyi, et al.; Museum Moderner Kunst Stiftung Ludwig, Vienna, pp. 239, 241 (cat.) Même si c’est la nuit, capcMusee d’art contemporain, Bordeaux (brochure) p.15 The Music Box Project, text Claudia Gould and Susan Stewart; published by on the table, inc., New York pp. 26-27, art repro. p.80 (cat.) Installation Art, Nicolas de Oliveira, Nicola Oxley, and Michael Petry, eds.; Smithsonian Institute Press, pp.125, 154 Opera Prima, text Giacinto Di Pietroantonio, Francesco Bonami, Victor Misiano; Trevi Flash Art Museum of Contemporary Art, Trevi (cat.) Portraits de femmes, Chateau Notre-Dame des Fleurs; Vence, art repro. p. 64 (cat.) Private Mix, 1, Galerie Eigen + Art, Berlin (cat.) Public Art Issues #3 – Urban Paradise: Gardens in the City, text Tom Eccles, Patricia Phillips, et. al.; Public Art Fund, New York Tradition and Invention: Contemporary Artists Interpret the Japanese Garden, text Susan Sontag, Nam June Paik, Robert Rauschenberg, et. al; AmFAR International, art repro. plates 22-24 1995 art editions 1, Edition Schellman, Munich, art repro., pp. 299-300 The Art of Today, text Brandon Taylor; Everyman Art Library, London, pp. 88, 89 - 90, 154, art repro. p. 88 Art Since 1940: Strategies of Being, text Johnathan Fineberg; Harry N. Abrams Inc. Publishers, New York, p. 459, art repro. p. 460 Avant Garde and After: Rethinking Art Now, text Brandon Taylor; Harry N. Abrams Inc., New York, pp. 88, 89 - 90, art repro. p. 88 Corpus delicti, text Jan Hoet, Giorgio Verzotti, Steven Jacobs: Museum van Hadendaagse Kunst, Gent, art repro. p. 158 (cat.) Dictionary of International Contemporary Artists, Giancarlo Politi, ed.; Flash Art Books for Giancarlo Politi Editore, Italy, pp. 310-311, art repro. p. 310 Elvis + Marilyn: 2 X Immortal, text David Halberstam, Wendy McDaris, Kate Millet, et. al; Rizzoli, New York, art repro. p. 123 (cat.) Fuori Uso ‘95, Projects: Caravanseray of Contemporary Art or Why the Egyptians were Cubists?, eds. Cesare Manzo and Giacinto di Pietroantonio; Arte Nova, Pescara, illus pp. 84 - 85 Haim Steinbach, text Joshua Decter, Jean Pierre Dubost, Martin Prinzhorn, Trevor Smith et. al; Ritter Verlag, Klagenfurt Austria, (cat.) Haim Steinbach, text Ida Gianelli, Mario Perniola, Lynn Tillman, Giorgio Verzotti; Castello di Rivoli and Edizioni Charta Milan, (cat.) It’s Only Rock and Roll, text David Rubin, Stacy Sims, Deborah Harry; Prestel-Verlag, Munich/New York, art repro. p. 133 (cat.) Kunst: Brauch, eds. Ulrich Mellitzer and Anselm Wagner; Galerie 5020, Salzburg, art repro. pp. 27-28 (cat.) Lier En Boog #12: The Intellectual Conscience of Art, text Haim Steinbach et al; Lier En Boog, Amsterdam, p. 120 L'objet, text François Bazzoli, Lionel Bovier, Jean Cambefort, et. al; Villa du Parc, Annemasse, art repro. p. 104 (cat.) Marilyn Monroe: The Life, The Myth, eds. Gianni Mercurio and Stefano Petricca; Rizzoli, RCS Libri & Grandi Opere, Rome, art repro. p. 243 (cat.) Still Leben, text Görel Cavalli-Björkman, Bo Nilsson; National Museum, Stockholm, p. 252, art repro. p. 134 (cat.) Temporarily Possesed: The Semi-Permanent Collection, Brian Goldfarb and Mimi Young, eds.; The New Museum of Contempoary Art, New York, pp. 95, 175 (cat.) Territorio Italiano, Giacinto di Pietroantonio, ed.; Giacinto di Pietroantonio Productions, Milan, p. 44 Translation, text Kim Levin, Milada Slizinska; Centre for Contemporary Art, Ujadowski Castle, Warsaw, 1995; art repro. pp. 44 (cat.) Who’s Who in American Art 1995-96, R.R. Bowker, New Providence, NJ, p. 1164 1996 Arte Contemporanea: La linea del Modello, Arte come progetto del mondo, Guinti , 1996 p. 640, pp. 650-651 Art of the Postmodern Era, text Irving Sandler; Harper Collins, New York , NY, pp. 482 - 483, 491 - 493, 500, 507, 518, 528; art repro. 492 Art on the Edge and Over, text Linda Weintraub; Art Insights, Inc., Litchfield, CT, pp. 134-139, art repro. pp. 27, 134- 135, 138. Body Language, text Judith Page and Adam Strauss; Museum of Fine Art, Florida State University, Tallahassee, pp. 15, 17, art repro. p. 15 (cat.) Collezionismo a Torino, text Ida Gianelli; Castello di Rivoli and Edizioni Charta, Milano, pp. 17, 21 (cat.) Everything That’s Interesting is New, text Jeffrey Deitch, et al.; Deste Foundation for Contemporary Art, Athens and Cantz Verlag, Ostfildern, art repro. pp. 254-257, text by Haim Steinbach p. 256 (cat.) Everything That’s Interesting is New, text Jeffrey Deitch; The Deste Foundation for Contemporary Art and ART Magazine Publications, Ltd., Athens, p. 30, illus p. 26 (cahier) Fuori Uso ‘95; Caravanserraglio Arte Contemporanea, text Giacinto Di Pietroantonio, Gilda Williams, Antonella Marino, et. al.; Umberto Sala Editore, p.92, art repro. pp. 92, 97, 138 Haim Steinbach, text Bruce Ferguson, Shirley Madill, Loretta Yarlow; Art Gallery of York University, Toronto and the Winnipeg Art Gallery, Winnipeg (cahier) Handmade Readymades, text Thomas Weaver; Hunter College of The City University of New York, pp. 5-6 (cat.) Lier en Boog, Volume 11: The Intellectual Conscience of Art, eds. Annette W. Balkema and Henk Slager; Editions Rodopi, B.V, Amsterdam/Atlanta, text by Haim Steinbach p. 52 Le Livre, Du Frac Collection Acquitaine (Panorama de l”Art d’aujourd’hui), Frac Collection Acquitaine Nudo & Crudo, text Claudia Gian Ferrari and Manlio Brusatin; Edizioni Charta, Milan, art repro. p. 63 (cat.) Panoramas; 1981-1996, la collection du Frac Bretagne, Grand Hotel du Golf et des Panoramas, St. Briac, Bretagne p. 388-89 (cat.) Passions Privées; Collections particulières d’art moderne et contemporain en France, Musée d’Art moderne de la Ville De Paris, illus p. 680 (cat.) Petit Dictionnaire des Artistes Contemporains, text Pascale Le Thorel-Davidot; Bordas, Paris, art repro., p. 244 The Return of the Real, text Hal Foster; The MIT Press, Cambridge, pp. 107, 109-116, art repro. p. 113 Thinking About Exhibitions, text Reesa Greenberg, Bruce Ferguson and Sandy Nairne; Routledge, London, pp. 278- 279, 285 The 20th Century Art Book, Phaidon Press Limited, London, art repro., p. 441 1997 Art L’Âge Contemporain, text Paul Ardenne; Edition du Regard, pp. 216, 219, 229 Art Since 1960, text Michael Archer; Thames and Hudson, London, art repro., pp. 171-172 Città-Natura, text Adachiara Zevi, Carolyn Christov-Bakargiev, Maria Grazia Tolomeo, Ludovico Pratesi, et. al.; Fratelli Palombi Editori, Rome, art repro., pp. 19, 179-181 (cat.) Colección de Arte Contemporáneo, text Nimfa Bisbe, Juliá Guillamon, Edita Fundación “la Caixa, Barcelona; art repro. (cahier) Dramatically Different, text Eric Troncy, Yves Aupetitallot, Alessandra Galasso; Centre National D’Art Contemporain De Grenoble, 1997, pp.18, 23, 25, 45, 54 art repro. (cat.) Haim Steinbach, text Eva Badura-Triska, Bruce Ferguson, Michel Gauthier, et. al.; Museum Moderner Kunst Stiftung Ludwig, Vienna (cat.) Kunst..Arbeit, text Stephan Schmidt-Wulffen, Melitta Kliege, Matthais Michalka, et. al.; Sudwestdeutsche Landesbank, Stuttgart, art repro., pp. 166-167 (cat.) Kunst: die Weltgeschichte, texts Enrico Annoscia, Marco Biscione, Rossana Bossaglia, et. al.; DuMont Buchverlag, Cologne, art repro., p. 665 KunstlerInnen; 50 Gespräche, Edelbert Köb, ed.; Kunsthaus Bregenz and Walther König, Köln, interview with Haim Steinbach pp. 218 - 223 KunstlerInnen, text Edelbert Köb; Kunsthaus Bregenz, Bregenz, art repro., p. 21 (cahier) Kunstlerlexicon - von die Antike bis zu Gegenwart; DuMont Buchverlag, Cologne La Biennale di Venezia, XLVII Esposizione Internazionale d’Arte, General Catalogue; text Germano Celant, Nancy Spector, Giorgio Verzotti, et. al.; La Biennale di Venezia, Venice, art repro. , pp. 246-249 (cat.) La Biennale di Venezia, XLVII Esposizione Internazionale d’Arte, Futuro, Presente, Passato; text Germano Celant, et. al.; La Biennale di Venezia, Venice, pp. LXXXI-LXXXII, 580, art repro. pp. 581 - 587 (cat.) Magie der Zahl, text Karin von Maur, Ina Cozen, Dietmar Guderian, et. al.; Staatsgalerie Stuttgart, illus p. 166 (cat.) Movements in art since 1945, text Edward Lucie-Smith; Thames and Hudson, art repro., p. 225 Odisseo (Ulysses), Stadio Della Vittoria, BARI; curated by Giacinto di Pietroantonio art repro., pp. 92-95 (cat.) The Thames and Hudson Dictionary of Art and Artists, Thames and Hudson, London 1998 80 Artistes autour du Mondial,text Nicolas Bourriaud, Gilles de Bure, Henri-François Debailleux, Philippe Labro, Paul Lombard, Michel Nuridsany, Pierre Restany; Galerie Enrico Navarra, Paris, pp 152, art repro. (cat.) Anos 80: The Eighties, text Maria De Corral, Alexandre Melo, Dan Cameron, José Gil; Cultureguest, Lisbon, pp. 19, 157, art repro. plates 82 and 83 (cat.) Art: A World History, Dorling Kindersley Limited, London, pp. 664-665 art repro., p. 665 Artist/Author: Contemporary Artists’ Books, text Cornelia Lauf, Clive Phillpot, et. al., Distributed Art Publishers, New York and The American Federation of the Arts, New York, pp. 69, 75, 152, 158, art repro. pp 150 (cat.) Art of the 20th Century, ed. by Ingo F. Walther, text by Karl Ruhrberg, Manfred Schenburger, Christiane Fricke, Klaus Hennef; Tashen, Köln, pp. 570-571, art repro. p.571 Art Editions 2, Edition Schellmann, art repro. plates 392, 393, 394 Conceptual Art, text Tony Godfrey; Phaidon Press Limited, London, pp. 394, 395, art repro. p. 393 Ensemble Moderne, text Thaddeus Ropac and Günter Salzmann; Galerie Thaddeus Ropac, Salzburg and Distributed Art Publishers, NY, p. 182, art repro. p. 134 (cat.) Foundation for the arts, Sigmund Freud-Museum Vienna, Volume 2, text Inge Scholz-Strasser, Joseph Kosuth, Elisabeth Schlebrügge, August Ruhs, Foundation for the Arts, Sigmund Freud-Museum Vienna, p. 36, art repro. p. 20 (cat.) Haim Steinbach: Rossini at 4:00 a.m., text Franca Mancini, Paolo Fabbri, Renato Barilli, Achille Bonito Oliva, et. al.; Galleria di Franca Mancini, Pesaro (cat.) Innerscapes, ed. by Maurizio Pellegrin, Trieste Contemporenea, pp. 267-271 Kunst ohne Unikat; Edition Artelier, Graz 1985-1998; text Peter Weibel, Friedrich Tietjen, et. al., Verlag der Buchhandlung Walther König, Köln (cat.) Material Perfection; Minimal Art and Its Aftermath; text Kerry Stokes and John Stringer; Lawrence Wilson Art Gallery, University of Western Australia, Perth, art repro., pp. 40-41 (cat.) Oxford History of Art — Sculpture Since 1945; text Andrew Causey; Oxford University Press, Oxford, pp. 229, 241, 246 - 247, 256, art repro. p. 247 Passage: Gideon Gechtman, Bertrand Lavier, Haim Steinbach; text Lorand Hegyi, Nira Itzhaki; Checlouche Gallery for Contemporary Art, Tel Aviv, English text pp. 5, 6-9, 25, Hebrew text pp. 5, 6, 22-23, art repro. pp 4 - 13, 33 (cat.) René Magritte and the contemporary art; text Willy Van den Bussche, et. al.; Museum voor Moderne Kunst, Oostende, p. 186, art repro. pp. 187 - 189 (cat.) 1999 5000 Artists Return to Artists Space: 25 Years, ed. Claudia Gould, Valerie Smith, Artists Space, NY, pp.107, 111, 157, 176, 267 art repro. p 111 Art at the Turn of the Millenium, ed. by Burkhard Riemschneider, Uta Grosenick; Taschen, art repro., pp. 471-481 bibliomania, ed. and printed by Simon Morris and Helen Sacoor, pp. 79-101, art repro. p 79 (cat.) Contemporary Art During the Art Market Boom, text Max Hollein; Böhlau, Vienna, art repro. Conjunctions 32: Eye to Eye, Writers and Artists, text “Madame Realism Looks for Relief,” by Lynne Tillman, Haim Steinbach, Bradford Morrow, ed., Bard College, Annandale-on-Hudson, NY, pp. 197-207, art repro. pp. 198, 200, 202, 204, 205, 207 Die Farben Schwarz, text Thomas Zaunschirm, et.al. Landesmuseum Joanneum, Graz, art repro. p.74 (cat.) Haim Steinbach: Untitled (3 tents); text Zdenka Badovinac, Moderna galerija Ljubljana, Slovenia, (cat.) Heaven; ed. Doreet LeVitte Harten, Cantz Verlag, Ostfildern, Germnay, pp. 151-152, art. repro. p. 153 (cat.) KunstSammeln, ed. by Gotz Adriani, Museum Fur Neue Kunst,.Karlsruhe and Hatje Cantz, 1999. art repro. p. 154 La casa, il corpo, il cuore; Konstruktion er Identitäten; text Lóránd Hegyi, Henry Meyric Hughes, Hanno Millesi, et. al., Museum moderner Kunst Stiftung Ludwig, Vienna, pp. 41-46, art repro. Mike Kelley, text John C. Welchman, Isabelle Graw, Anthoiny Vidler, Phaidon Press, London, pp. 67, 71, 92 art repro. p. 71 Once Upon a Time in America; The Mottahedan Collection, text Mohammad Mottahedan, Tony Godfrey, Karsten Schubert, pp. 8-13, pp. 56-57 (art repro. ) Christie’s Books Ltd., London Originale echt falsch; text Thomas Deecke, Mike Bidlo, Ernst Caramelle, et. al.; Neues Museum Weserburg, Bremen, art repro. pp. 140-141 (cat.) S.M.A.K, The Collection; text Jan Hoet & Laurens De Keyzer, Steven Jacobs, Els Roelandt; Ludion, Ghent - Amsterdam, for the Stedelijk Museum voor Actuele Kunst, Ghent, pp. 184. 186, 197, art repro. p. 197 (cat.) Urban Mythologies; The Bronx RepresentedSince the 1960’s, text Trica Rose, Lydia Yee, et.al.; The Bronx Museum for the Arts, Bronx, New York, p. 107 (cat.) Visual Artists Salute Harvey Lichtenstein; Brooklyn Academy of Music, New York, art repro. (cat.) Wall Works, text by Uwe M. Schneede, David Rimanelli, ed. by Jorg Schellmann; Edition Schellmann, Munich, pp. 196 - 201, art repro. pp. 199-201 (cat.) Zeitgenössiche Kunst und der Kunstmarktboom, text Max Hollein; Böhlau Verlag, Vienna, pp. 69-73, art repro. p. 92 2000 Around 1984: A Look At Art In The Eighties, ed. by Anthony Huberman; P.S.1, Queens, statement by Haim Steinbach, p. 1, art repro. p.4 (cahier) Biennale of Sydney 2000, text Guido Belgiorno-Nettis, David Malouf, et. al; Biennale of Sydney, Australia, art repro. p. 184 Calendar 2000; Art for Art’s Sake, New York and the Center for Curatorial Studies, Bard College, Annandale-on- Hudson, New York, (calendar project in connection with exhibition), art repro. May section Catalogo de la Coleccion de Arte Contemporaneo Fundacion “la Caixa,” text Jose Vilarasau, Maria de Corral, Nimfa Bisbe; Fundacion “la Caixa” Diagonal, Barcelona, p. 144, art repro (cat.) Design Basics, text David A. Lauer, Stephen Pentak; Harcourt Brace College Publishers, Orlando, p. 85, with art repro. Dinge in der Kunst des XX. Jahrhunderts, text Christoph Vitali, Axel Hacke, Stephanie Rosenthal, et. al; Haus der Kunst, Munich and Steidl, Göttingen, pp. 248-251, art repro. Gratis. A bordo dell’arte, text Achille Bonito Oliva; Skira editore, Milano, art repro. p. XXVII Haim Steinbach, text Francesca Archibugi, Giacinto Di Pietrantonio, Dimitris Kozaris, Marco Senaldi, Angela Vettese; exhibition catalog for Fondazione Antonio Ratti, Milano, Charta (cat.) Haim Steinbach: North East South West, text Stephanie Rosenthal, Alexander Tolnay, Valentin Rauer, Bruce Ferguson; exhibition catalogue for Haus der Kunst, Munich; Hatje Cantz Verlag Ostfildern-Ruit (cat.) Konsum als Religion?: Uber die Wiederverzauberung der Welt, text Mattias Sellmann, Wolfgang Isenberg, et.al; B. Kuhlen Verlag, Monchengladbach, art repro. p. 58 L’assenza Invadente del Divino, text Alberto Abruzzese, Giulio Giorello, Franco Speroni, Luisa Valeriani, Edizione de Luca, Italy, pp. 19-21, art repro. pp. 30-31 (cat.) Live Free or Die, collected Writings 1985-1999, Robert Nickas, Shopping with Haim Steinbach, les presses du reel, pp. 32-42 The Madonna of the Future, Essays in a Pluralistic World, Arthur C. Danto pp. xxix-xxx Minimalism, ed. by James Meyer; Phaidon Press Limited, London, p. 39 (with art repro.) Over the Edges, Jan Hoet et. al., Stedelijik Museum voor Actuele Kunst, Gent, art repro. p. 232. (cat.) Over the Edges, Stedelijik Museum voor Actuele Kunst, Gent, art repro. p. 50 (cat.) Partage D’ Exotismes: 5th Biennale D’ Art Contemporain De Lyon, text Thierry Prat, Thierry Raspail, Jean-Hubert Martin, et. al; Reunion des Musees Nationaux, art repro. Vol. 2, pp. 79-80 Rendez-Vous: Collection Lambert, text Catherine Tasca, Marie-Josee Roig, Jean-Jacques Aillagon, et. al; Actes Sud, France, art repro. p. 267 Castelli in aria: Art in Naples at the End of the Millennium, Umberto Allemandi & C., art repro. p. 57 2001 Armando Testa, text Ida Gianelli, Haim Steinbach, et al; Edition Charta, Milan, pp. 76-79, art repro. p. 77 (cat.) la Storia dell’ ARTE, text Alfonso De Giorgis, Maria Carla Prette, Giunti, Firenze, art repro.,p. 258 (cat.) Markers, Projective, Doron Polak; art repro., p. 180 (cat.) Monets Vermächtnis, text Christoph Heinrich, Ludger Derenthal, Martina Fuchs, et.al. Hatje Cantz Verlag, Germany, art repro. p. 167 Perfektimperfekt, text Stephan Schmidt-Wulffen, modo, Germany, pp. 152, 154, 163, 164, art repro., p.156 Pictures, Patents, Monkeys, and More… On Collecting, text Ingrid Schaffner, Fred Wilson, Werner Muensterberger, Independent Curators International, New York, art repro., p.11 (cat.) The Overexcited Body; Arte e Sport nella Societe’ Contemporanea, text Vladimir Petrovsky, Sergio Scalpelli, Danilo Santos de Miranda, Adelina von Furstenberg, Yorgos Tzirtzilakis, Art for the World, Geneve, art repro., pp. 90-91 2002 Art After Appropriation; Essays on Art in the 1990s, text John C. Welchman, G+B Arts International, Canada, pp. 19, 39,42-433 59, 228 art repro. p. 44 bibliomania 2000/2001, ed. and printed by Simon Morris and individual contributors, pp. 507-525, art repro. (cat.) Catalogue Raisonné Collection of Contemporary Art Fundación “la Caixa,” text Carles Guerra et. al., Gràfiques Iberia, Barcelona, Vol. 2, pp. 627-629, art repro. p. 628 Conceptes de L’Espai, text Rosa Maria Malet, Lóránd Hegyi, Jose Jiménez, pp. 11-15, 115-116 art repro. p. 64 From Pop to Now, text Charles Ashley Stainback and Rachl Haidu, D.A.P., p. 134, art. repro. p. 135 Le Livre du Frac-Collection Aquitaine Panorama de l’art d’aujourd’hui, text Guy Amsellem, Hervé Legros, et. al., Le Festin, France, pp. 650-653, art repro. pp. 651-653 Life Death Love Hate Pleasure Pain, text Elizabeth A.T. Smith, Alison Pearlman, Julie Rodrigues Widholm, et.al., Museum of Contemporary Art, Chicago, art repro. pp. 188-189 NON, Haim Steinbach, artist’s project, One Star Press, France Shopping, A Century of Art and Consumer Culure; edited by Max Hollein and Christopher Grunenberg, Hatje Cantz Publishers, Germany, art repro., pp. 208-209 This Is Not It, text Lynne Tillman, D.A.P., New York, art repro. p. 196 2003 ∞ NON, Haim Steinbach, artist’s project, Charta, Milano Accessoire Maximalismus, text Dirk Luckow, et.al., Kunsthalle zu Kiel der Christian-Albrechts-Universität, Germany, art repro. pp. 90-91 American Art Since 1945, text David Joselit, Thames & Hudson World of Art, New York pp. 207-8, p. 215 Art Since 1960; New Edition, text Michael Archer, Thames & Hudson world of art, London, pp. 166-168, 184, 186 Castello di Rivoli Museum of Contemporary Art; The Castle: The Collection, edited by Ida Gianelli and Der Standard, May 13; more or less, pp. 6-9 Marcella Beccaria, Umberto Allemandi & C., Turin, pp. 338-343 Pictures of nothing: abstract art since Pollack, Kirk Varnedoe, published by Princeton University Press, art repro. p 206 Concrete Art: Ein Projekt von Graz, Graz 2003 Kulturhauptstadt Europas Organisations GmbH, Kunstlertexte, Edelbert Köb. Kunst Bundeskanzleramt. DaimlerChrysler Collection, text Rachel Haidu et.al., DaimlerChrysler AG, Berlin, art repro. p. 44-45 Grazie, edited by Jan Hoet, Stiftung Schloss Dyck, Zentrum für Gartenkunst und Landschaftsarchitektur, Jüchen, art repro. pp. 146-153, p. 156, 173 Je Veux, edited by Christophe Boutin, One Star Press, France, art repro., p. 35 Or, artist’s book by Haim Steinbach, Fama & Fortune, Vienna Unpackaging Art of the 1980’s, text Alison Pearlman, University of Chicago Press, Chicago 2004 Art and Advertising,“From Capitalist Realism to Surrealism (and back again),” text Joan Gibbons Art Since 1900, Volumn 2, text Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin Buchloh, Thames & Hudson, pp. 600-601 (718) Brooklyn: New Style, Written and Edited by Liz Farrelly, Booth-Clibborn Editions UK pp. 14-17 Brillant(e), text by Valerio Dehò, Anne Schloen, et. al., Kunst Meran/Merano Arte, art repro. pp. 144-145 Camera Oscura, text Cornelia Lauf, Cornelia Lauf Edition, pp. 35 Castello di Rivoli: 20 Anni d’Arte Contemporanea, Museo d’Arte Contemporanea, edited by Ida Gianelli, Skira Press, pp. 238-242 Cote d’Azur Annual Event 2004, Tel Aviv Museum of Art (this was an auction catalogue) Domestic Archeology: Boston and Beyond, edited by Lucy Flint-Gohlke, The Rose Art Museum Brandeis University, Massachusettes, art repro. pp. 8-9 The End of Art, by Donald Kuspit, Cambridge University Press. p. 83 East Village USA, Edited by Michelle Piranio, New Museum of Contemporary Art, New York, pp. 30, 51, 52 Inside the Studio: Two Decades of Talks with Artists in New York, interviewed by ICI, Ed. Judith Olch Richards, Independent Curators International (ICI), New York, pp. 70–73. Internet Art, text Rachel Greene, Thames and Huson World of Art, London, p. 27 Intra-Muros, Mamac, Nice, text Denys Riout, Norbert Hillaire, Yvan Gastaut and Gilbert Perlein, art repro pp. 208-210. Liebesgrüsse aus Odessa für/for/á Peter Weibel, Merve Vverlag, Berlin, pp. 47-49 Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Ed. Jeffrey Deitch, art repro pp. 286-387 Not Afraid: Rubell Family Collection, by Mark Coetzee, Phaidon Press Visions of America, text Barbara Steffen, Sammlung Essl Publisher, Vienna, Austria, pp. 53, 61, 107,109 2005 Art and Advertising, text Joan Gibbons, I.B. Tauris & Co. Ltd., pp. 68, 70, 77, 81, art repro. p. 70 Chronos –Il tempo nell’arte dall’epoca barocca all’eta contemporanea Centre CeSAC-Associazione Marcovalso, Caraglio (Cuneo) Italy, Andrea Busto, Edizioni Marcovaldo, pp. 342, 343 Flashback: Revisiting the Art of the 80’s, text–panel discussion moderated by curator Philipp Kaiser, Kunstmusem Basel, Museum fur Gegenwartskunst, Hatje Cantz Verlag, pp. 39,54, art repro. p. 118 Hyperframes: Un Discorso Sulla post-Appropriazione in Arte, Collins & Milazzo, Campanotto Editore, pp. 87, 89, 94, 95, 101, 124 Looking, Encountering, Staging, edited by Anke Bangma, published by Piet Zwart Institute & authors, Willem De Kooning Academy Publications, Rotterdam, Netherlands, p. 87 Generations of Art, Fondazione Antonio Ratti, Como and Edizoni Charta, Milano, pp. 50-53, 126, 127 (my private) Heroes, text Marta Herford, Kerber Publications, p. 71 Sweet Dreams: Contemporary Art and Complicity, text Johanna Drucker, University of Chicago Press, pp. 67, 101 2006 Branded and On Display, Krannert Art Museum and Kinkead Pavilian, University of Illinois at Urbana- Champaign, Illinois, curated by Judith Hoos Fox and Ginger Gregg Duggan, edited by Lucy Flint, art repro. plate #26 Contemporary Sculpture, Zwirner &Wirth, Transcontinental Litho Acme, Montreal, p. 6, art repro. pp. 55, 56 Faster! Bigger! Better!,published by ZKM / Museum Für Neue Kunst, p. 292, art repro. p. 293 Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna, published by the Austrian Cultural Forum, New York, texts by Christophe Thun-Hohenstein, Peter Pakesch and Inge Scholz-Strasser, Agust Ruhs, pp. 30, 31 Frieze Projects: Artists’ Commissions and Talks 2003-2005, edited by Polly Staple and Melissa Gronlund, Frieze, pp. 124-135, 318, art repro. p. 124 Haim Steinbach: Percussion, text by Jan Estep, Akira Ikeda Gallery, Taura, Japan & Berlin, Germany (monograph cat.) In the Darkest Hour, There May Be Light; Works from Damien Hirst’s Murderme Collection, Serpentine Gallery, London L’Art Moderne et Contemporain, by Serge Lemoine, Larousse, pp. 286, 287, art repro. p. 287 Les Rencontres Rossiniennes 1980-2005: venticinque anni di mostre del Teatro degli Artisti a Pesaro, Galleria di Franca Mancini, Pesaro, Umberto Allemandi &C., pp. 118-121 Masterpieces, CAPC, published by CAPC musée d’art contemporain de Bordeaux, pp. 138-141, p. 236, art repro. pp 138-141 The Pop Art Tradition: Responding to Mass-Culture, by Eric Shanes, published by Parkstone Press International, New York, art repro. p 231 Rebeginning, “Overexposed,” Self Service, Spring/Summer, published and edited by Ezra Petronio, p. 288 Sculpture From the Sheldon Memorial Art Gallery, edited by Karon O. Janovy, University of Nebraska Press, Lincoln and London, pp. 209, 210, 211 The Tears of Things: Meloncholy and Physical Objects, by Peter Schwenger, published by University of Minnesota Press, pp. 132-39, 144, 182n9 The Uncertainty of Objects and Ideas: Recent Sculpture, text Anne Ellegood, Hirshhorn Museum, Washington D.C., p. 69, art repro. p. 69 (cat.) Zwanzig Jahre Schirn (Twenty Years of the Schirn: In Pictures and Interviews), edited by Herausgeber, Schirn Kunsthalle Frankfurt, art repro. pp. 311, 312 Pictures of Nothing: Abstract Art Since Pollock, by Kirk Varnedoe, published by Princeton University Press, pp. 207- 207, art repro. pp. 206 2007 Art Works: A Progressive Collection, published by D.A.P./Distributed Art Publsihers, Inc. art repro. 50 Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna, Wien, texts by Peter Pakesch and Inge Scholz-Strasser, Sermet Cifter Salonu, Yapi Kredi Kultur Sanat Yayincilik, published by Austrian Cultural Forum New York, p. 79 art repro. p. 53 Living in the Material World: “Things”in Art of the 20th Century and Beyond, published by National Art Center, Tokyo, pp. 289, 354, 360, 388, art repro. p. 233 (cat.) Minimalism and After, DaimlerChrysler Collection, text Renate Wiehager, p. 117, 480, art repro. p 62, 481 Une galerie dans ville: Roger Pailhas, text Jean Louis Maubant, published by les presses du réel, ARCA, Jean Louis Maubant, les auteurs Sculpture Today, by Judith Collins, Published by Phaidon Press, art repro. p 102 Teme Celete, September/October, Special Project by Haim Steinbach, pp. 66-71 The Speed Art Museum: Highlights from the Collection, published by Merrell Publishers Limited, art repro. p. 208 Unmonumental: The Object in the 21st Centry, “a minor place,” by Trevor Smith, p. 184, art repro. p. 187 (cat.) The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow, published by Stella Kay, texts by Peter Pakesch, Inge Scholz-Strasser, Boris Manner, pp. 28-29, art repro. p. 29 2008 Americamerica, by Matt Keegan, published by Printed Matter, New York, art repro. p. 43 The American Tornado; Art in Power 1949-2008, by Germano Celant, published by Skira, art repro. pp. 371-384 Art & Today, by Eleaor Heartney, published by Phaidon, art repro. p. 44 Artists’ Handbook, text Jan Ceuleers, S.M.A.K., The Hands of Art, published by Ludion, Belgium Block #05 / Shiny Nose, Published by Block Magazine, Tel Aviv, art repro. pp. 127-131 Mr. Peanut: Haim Steinbach on Mike Kelley, texts by Haim Steinbach, Mike Kelley, Lisa Lapinski, published by Overduin and Kite, Los Angeles Claude Closky 8002-9891, text Michel Gauthier, published by mac/val musee d’Art contemporain du Val-de- Marne, p, 91, 92, art repro. p. 91 Contemporanea: Arte dal 1950 a oggi, by Fraancesco Poli, Martina Corgnati, giorgina Bertolino, Elana Del Drago, Francesco Bernardelli, Francesco Bonami, published by Mondadori Arte, art repro. p. 623 Encyclopaedia of Terrestrial Life Volume VIII, by Lydia Yee and Francesco Manacorda, published by Martian Espèces D’espace – The Eighties First Part, Magasin, Grenoble, curated by Yves Aupetitallot, art repro. 114, 115, 119 (cat.) Museum of Terrestrial Art, Barbican Art Gallery, p. 221, art repro. p. 108 Peep, Glimpses of the Last 4 Decades from the Kerry Stokes Collection, TarraWarra Museum of Art, Healesville, Victoria & Art Galery of Western Australia, Perth, art repro. p. 41 (cat.) Reality Bag, Publication coordinated by John Armleder, PUMA Urban Mobility, the Serpentine Gallery and glamour engineering The Return of Religion and Other Myths: The Art of Iconoclasm, basis voor actuele kunst, Utrecht, Netherlands, curated by Sven Lütticken , art repro. p. 60 (cat.) Who Am I? What Am I? Where Am I?, by Aura Rosenberg, published by Hatje Cantz, Germany, images (collaborative) pp. 102-103, 167 2009 100 Sexes d’Artistes, artist book by Jacques Charlier Art as Mime, Gary Willis, published by Lambert Academic Publishing AG & Co. KG, p. 77 Beg Borrow and Steal, published by the Rubell Family Collection, ed. Juan Roselione-Valadez, art repro. pp. 226- 227 The Contemporary Art Book, by Charlotte Bonham-Carter & David Hodge, Published by Goodman/Carlton Books, art repro. p. 221 just what is it…, published by ZKM ❘ Museum für Neue Kunst, by Götz Adriani and Peter Weibel, art repro. p. 296 Künstler Kritisches Lexikon der Gegenwartskunst: Haim Steinbach, by Anne Schloen, 3. Quartal 2009 Meaning Liam Gillick, edited by Monika Szewczyk et al., MIT Press, art repro. p. 70 Matrix/Berkeley: A Changing Exhibition of Contemporary Art, published by The University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, interview with Anne Ellegood, pp. 466-475 Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press, art repro. p. 11 She Has a Hot Ass, by Darren Bader, Brian Kennon, and Chris Lipomi, published by 2nd Cannons Publications, pp 6- 7, 11, 14, 20-13, 25, 28-29, 33 2010 Contemporary Collecting: The Donna and Howard Stone Collection, by James Rondeau, published by Art Institue of Chicago Contemporary Art in The Israel Museum, Jerusalem, published by the Israel Museum, ed. Suzanne Landau, art repro. pp. 216-217 Quando è scultura, by Cristina Baldacci and Clarissa Ricca, published by et al., pp 66-67 Ferien vom Ich, by Hinrich Sachs, published by Dumont, p 62 pop touched me; the art of rob pruitt, edited by Esther de Haollander, published by Abrams, pp. 130 2011 The Art of Not Making: The New Artist/Artisan Relationship, by Michael Petry, published by Thames & Hudson, art repro. p. 156 Collection Vanmoerkerke, published by Rispoli, art repro. pp. 242 - 245 Ileana Sonnabend: Un Ritratto Italiano, published by The Solomon R. Guggenheim Foundation, art repro. p. 35 L’Invention de l’œuvre. Rodin et les ambassadeurs, published by Éditions du musée Rodin, art repro. p. 167 (cat.) The Object with Haim Steinbach, by Adrienne Garbini, published by What Nothing Press Pop touched me: the art of Rob Pruitt, by Rob Pruitt, published by Abrams, p. 130 (cat.) Postmodernism: Style and Subersion, 1970-1990, published by V&A Publishing, art repro. pp. 10, 88 (cat.) Things are Queer. Highlights of Art Collection UniCredit, edited by Marta Herford, published by Kerber Verlag, p. 52-3 (cat.) Marco Del Re: La Cenerentola, le Cenerentole, Ed. Franca Mancini and Luigi Ferrari, published by Danilo Montanari Editore, pp. 79 Hany Armanious, The Golden Thread, Ed. Stephanie Holt, published by Finsbury Green, p. 35 2012 MAMAC 20 ans d’art contemporain, published by Somogy Editions d’art, art repro. p. 135 (cat.) Rachel Foullon: Braided Sun, published by University at Albany, art repro. This Will Have Been: Art, Love & Politics in the 1980s, published by Yale University Press, art repro. pp. 391-393 (cat.) Funny. Published by the FLAG Art Foundation, art repro p. 85. Intense Proximity: An Anthology of the Near and the Far, ed Okwui Enwezor, published for La Triennale 2012, Palais De Tokyo Interiors, published by Sternberg Press, ed. Johanna Burton, Lynne Cooke, Josiah McElheny, art repro. p. 220 Zoo, published by ABC Livres d’art Canada/Art Books Canada, art repro pp. 180-187 Antidote (Collection Ginette Moulin & Guillaume Houze), published by JRP|Ringier, art repro. pp 125-126 The Ruin of Exchange, by John Miller, published by JRP Ringier, p 198 Freedom, Not Genius, published by Other Criteria, pp. 167, art repro. pp. 76-77 Why Your Five-Year-Old Could Not Have Done That, by Susie Hodge, published by Prestel Pubishing, art repro. pp. 44-45 2013 Richard Artschwager!, published by Yale University Press, art repro. p. 82 Art for Rollins: The Alfred Collection of Contemporary Art, Volume 1, published by Cornell Fine Arts Museum, pp 116- 117 Illeana Sonnabend: Ambassador for the New, published by The Museum of Modern Art, ed. Sarah McFadden, pp. 152-155, art repro. p 153 When Now Is Minimal, published by Hatje Cantz, art repro. pp. 180-183 Sculpture Now, Anna Moszynska, ed. Thames & Hudson, art repro. p. 44. Artists’ Cocktails, Ryan Gander, ed. Dent-de-Leone, p. 105 Quarantanni 1973-2013, Massimo Minini, a+mbookstore edizioni, pp 173, 174, art repro. pp. 181, 182 pop imagery, published by Waddington Custot Galleries, London, art repro. p. 57 The great masters of art history with pictures of Jacques Chirac, artist book with Nicolas Giraud, published by Fluctuat Press 2014 Art in Time: A World History of Styles and Movements, The Editors of Phaidon Press, published by Phaidon Press, art repro. p. 27 Babel: Works from the Igal Ahouvi Art Collection, published by the Igal Ahouvi Art Collection, art repro. p 194 Julia Wachtel, published by the Cleveland Museum of Art, Cleveland, art repro. p. 97 Interplay: Neo-Geo Neoconceptual Art of the 1980s, by Amy L. Brandt, published by MIT Press, art repro pp. 2, 116, 119-121 Haim Steinbach: Collections, published by Arti Grafiche Bianca e Volta, Truccazzano, Italy Take It or Leave It: Institution, Image, Ideology, published by DelMonico Books/Prestel, pp. 27, 211, 239, 240, 261-262, 267, art repro. pp. 60-61, 74, 142-143 2015 Architektur und Medien, Peter Weibel, published by ZKM and Universität für angewandte Kunts Wien, p. 201, art repro. p. 194 Musée de Grenoble: Guide des Collections, published by Fage Editions, Lyon, art repro. p. 269 Haim Steinbach: Object and Display, published by Gregory R. Miller & Co. A passion for Jean Prouvé: From furniture to architecture, The Laurence and Patrick Seguin Collection, published by Galerie Patrick Seguin, art repro. pp. 22-23 Stuffed – Stofftiere in der installativen Kunst, Carmen Messmer, published by Dietrich Reimer Verlag, pp. 37 Today we should be thinking about: Joe Baer, Thomas Bayrle, Jimmie Durham, Robert Rilliou, Haim Steinbach, and Rosmarie Trockel, published by, Koenig Books, London and The Artist’s Institute at Hunter College of the City University of New York, pp. 401-516, art repro. pp. 405, 457 The Mannequin of History: Art After Fabrications of Critique and Culture, Richard Milazzo, published by Franco Cosimo Panini. Pp 79-85. art repro plate 82.
PUBLIC COLLECTIONS
Art Gallery of New South Wales, Sydney Art Institute of Chicago, Chicago, Illinois Brooks Museum of Art, Memphis, Tennessee Caja de Pensiones, Madrid capcMusee d’art contemporain, Bordeaux Castello di Rivoli, Torino Centre for Contemporary Art, Ujazdowski Castle, Warsaw Detroit Institute of the Arts, Detroit Ellipse Foundation, Cascais Portugal Fonds National D’Art Contemporain, Paris FRAC Bretagne, Chateaugiron Guggenheim Museum, New York Hammer Museum, Los Angeles Indianapolis Museum of Art, Indianapolis, Indiana Israel Museum, Jerusalem The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey Kresge Art Museum, Michigan State University, East Lansing, Michigan Los Angeles County Museum of Art, Los Angeles Menil Collection, Houston Metropolitan Museum of Art, New York Milwaukee Art Museum, Milwaukee, Wisconsin Museum of Contemporary Art, Los Angeles Musee d’Art Contemporain, Montreal Museum of Contemporary Art, Chicago Museum of Contemporary Art, San Diego Museum Het Kruithuis, Hertogenbosch, Netherlands Museum Moderner Kunst Stiftung Ludwig, Vienna Museum van Hedendaagse Kunst, Gent Neue Galerie, Graz Ringling Museum of Art, Sarasota, Florida Ritter Kunsthalle, Klagenfurt, Austria Sheldon Memorial Art Museum, Lincoln, Nebraska Sigmund-Freud Museum, Vienna Sintra Museum of Modern Art, Lisbon, Portugal Speed Art Museum, Louisville, Kentucky Staatsgalerie Stuttgart, Stuttgart Stedelijk Museum, Amsterdam Tate Liverpool, Liverpool Tate Modern, London University Art Galleries, Wright State University, Dayton, Ohio Whitney Museum of American Art, New York Winnipeg Art Gallery, Winnipeg