2019 Heritage Awards CELEBRATING 25 YEARS
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Woolloomooloo-Brochure-170719.Pdf
Your companion on the road. We make your life stress-free by providing everything you need to create the stay you want. Apartment living with the benefits of a hotel service. stay real. Sydney’s harbour side suburb. Nesuto Woolloomooloo is situated on the Sydney city centre fringe, in the beautiful harbour side suburb of Woolloomooloo, about 900 metres from the heart of Sydney city on the eastern side towards Potts Point. These fabulous serviced-apartments are set in a beautiful heritage listed 4 storey building, located amongst traditional Sydney terrace houses in the tree lined streets of historic Woolloomooloo, a 3-minute walk from the restaurants and bars at Finger Wharf and the legendary Harry’s Cafe de Wheels. Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of self-contained Studio, One, Two and Three Bedroom Apartments, allowing you to enjoy all the comforts of home whilst providing the convenience of apartment style accommodation, making it ideal for corporate and leisure travellers looking for short term or long stay accommodation within Sydney. Nesuto. stay real. A WELCOMING LIVING SPACE Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of spacious self-contained Studio, One, Two and Three Bedroom Apartments in varying styles and layouts. We offer fully equipped kitchenettes, varied bedding arrangements and spacious living areas, ideal for guests wanting more space, solo travellers, couples, families, corporate workers or larger groups looking for a home away from home experience. Our Two and Three Bedroom apartments, along with some Studio apartments, have full length balconies offering spectacular views of the Sydney CBD cityscape and Sydney Harbour Bridge. -
3.3 Precinct and Internal Address System 3.4 Building/Wharf
22 3.3 Precinct and internal 3.4 Building/Wharf Identification address system Currently Wharf 4/5 has large neon signage Articulating individual venues, arts at the main Hickson Road entry point for companies, tenancies and public facilities the Sydney Theatre Company and Sydney within the overall precinct can be resolved Dance Company. Similar large neon building using the existing Wharf and Pier numbering signage is also located on the north facade and the historical internal and external bay of the finger wharf (in poor condition). numbers and other retained markers and There are also Walsh Bay Signage Code signs within the finger wharf structures. signs identifying vehicle entry points to each The inconsistent use of the terms ‘wharf’, wharf/pier. and ‘pier’ should be addressed and The renovation of Wharf 4/5 removed the corrected prior to development of signage significant large hand painted harbour and mapping. The existing theatres are facing pier numbers ‘4’ and ‘5’ which should well known as Wharf 4/5 whilst the eastern be reinterpreted and installed in a similar finger wharf is referred to as Pier 2/3. location similar to Pier 2/3. The utilitarian Confusion is extended with entries to the and functional nature of these elements east and west sides of Wharf 4/5 individually should be retained or reimagined where signed as Pier 4 and Pier 5. The general use they have been previously removed. of the term ‘wharf’ is encouraged following the more common local terminology of New building, wharf and pier identification ‘finger wharf’, Woolloomooloo Wharf, Manly is to be incorporated into the new works, Wharf etc. -
Greater Parramatta and the Olympic Peninsula Is the the Way We All Imagine Greater Sydney
Greater Our true centre: the connected, Parramatta and the unifying heart GPOP Olympic Peninsula About Us The Greater Sydney Commission (the Commission) was established by the NSW Government to lead metropolitan planning for Greater Sydney. This means the Commission plays a co-ordinating role in economic, social and environmental planning across the whole of Greater Sydney. The Commission has specific roles and responsibilities, such as producing District Plans, the Metropolitan Strategy and identifying infrastructure priorities. Collaboration and engagement are at the core of everything the Commission does. We work across government, with communities, interest groups, institutions, business and investors to ensure that planning for Greater Sydney results in a productive, liveable and sustainable future city. October 2016 FOREWORD CHIEF COMMISSIONER’S DISTRICT COMMISSIONER’S FOREWORD FOREWORD It’s time for a change of perspective and a change in Greater Parramatta and the Olympic Peninsula is the the way we all imagine Greater Sydney. geographic and demographic heart of Greater Sydney, Today, more than 2 million people live west of Sydney and a key part of the West Central District. Olympic Park, yet everyday around 300,000 people We have the opportunity to shape the transformation leave the region to travel for work. of the place we now call GPOP. Greater Sydney needs a true city at its centre, close Global best practice shows that a co-ordinated to its heart. We need a central ‘30-minute city’, that is approach to public and private investment is critical connected to the north, south, east and west. for successful transformation, involving innovation and GPOP is the name we have given to the Greater enterprise. -
The City of Sydney
The City of Sydney City Planning, Urban Design and Planning, CVUT. Seminar Work by Phoebe Ford. LOCATION The City of Sydney, by M.S. Hill, 1888. State Library of New South Wales. Regional Relations The New South Wales Government conceptualises Sydney as ‘a city of cities’ comprising: The Central Business District (CBD) which is within the City of Sydney Local Government Area (LGA), the topic of my presentation, and North Sydney, which make up ‘Global Sydney’, and the regional cities of Parramatta, Liverpool and Penrith. This planning concept applies the Marchetti principle which aims to create a fair and efficient city which offers jobs closer to homes, less travel time and less reliance on a single CBD to generate employment. The concept is that cities should be supported by major and specialized centres which concentrate housing, commercial activity and local services within a transport and economic network. Walking catchment centres along rail and public transport corridors ‘One-hour Cities’ of the Greater Metropolitan Region of Sydney Sydney’s sub-regions and local government areas Inner Sydney Regional Context City of Sydney Local Government Area Importance Within Broader Context of the Settlements Network • Over the last 20 years, ‘the Global Economic Corridor’ - the concentration of jobs and infrastructure from Macquarie Park through Chatswood, St Leonards, North Sydney and the CBD to Sydney Airport and Port Botany- has emerged as a feature of Sydney and Australia's economy. • The corridor has been built on the benefits that businesses involved in areas such as finance, legal services, information technology, engineering and marketing have derived from being near to each other and to transport infrastructure such as the airport. -
1. North Sydney Centre Planning Area
1. N ORTH M A T E R G A R D E N S P S A C M Y I F R YDNEY E I T C L E M M E E D T E N T E L N D W A H A R Z D R E L B D A EDEN N EDEN ST K S S T T S C T S T BERNARD LANE P BERNARD ROAD CLOSUR L E D ENTRE B O R B O W N O H O E S I C R GH H H A U R C H A R C K L N W O H WEST A Y T ST M U K A R L CONSERVATION AREA N L C S Y A A N O T H E V McLAREN STREET E U ST A S N N C D T G O N E M A L G P T N I O U E A A S B R R E A CASSINS LN D U S N T R C E M K N WHEELER LN CUNNINGHAM ST A S L C M S H P O H S U R S A I T N N c R W I T L A D L E E V R S A LANNING G E S S C R T T E R E E NORTH SYDNEY CIVIC CENTRE F S N A JAMES PL B L ST WILLIAM S C E T R TUCKER ST O R R N D Y B CENTRAL BUSINESS DISTRICT L U E ST PETERS PARK MILLER MILLER ST ST MILLER ST P G M A A O S C M CIVIC U P A N L I A A F T LANE Z I C N S C A T O R K E REA R S S S E E IOTT ST CONSERVATIONLL AREA E T T T N T A H T ST N T DENISO Z S S I ELIZABETH PLAZA WALKER STREET O Y P I E S D R N I N WARD ST T N H S M E BARDSLEY G Y I T LE L O L S G ST ARNETT ST GDNS M D D LANE SPRIN H AC ONAL LITTLE S T S U O T T S N T N T A H H ST WALKER R WALKER ST HAMPDEN S A I T D G M H S P W D P D E O A WALKER N A R S L WALKER ST P N LITTLE I S A Y T R F R I K T T S O K T N ARTHUR ST ARTHUR ST RIDGE STREET A ROAD CLOSURE R T H M U I R D D L E LN M I S S WARRINGAH EXPRESSWAY DCP CHARACTER STATEMENTS S T ST ALFRED O R B M R I A S T Y W ST O LFRED A N ITTLE H L A A V NEUTRAL ST E L I N HIGH STREET G RESERVE ST NEUTRAL H I G H Page 289 DCP CHARACTER STATEMENTS North Sydney Centre Character Statement The North -
The 'Eeeuw' Factor
NEWLING—THE ‘EEEUW’ FACTOR THE ‘EEEUW’ FACTOR: The Viscerally Sensorial Realities of Being the Colonial Gastronomer Jacqui Newling Sydney Living Museums Author’s statement: This paper includes images that people may find confronting or disturbing. No offence is intended in showing these images. This article was prepared on Gadigal and Wangal lands. The places in Sydney Living Museums’ care are on Aboriginal lands. Sydney Living Museums acknowledges the First Nations Peoples, the traditional custodians, and pays respects to the Elders, past and present, and to all Aboriginal and Torres Strait Islander peoples. Abstract As the Colonial Gastronomer at Sydney Living Museums I research, interpret, write, blog, lecture, broadcast and present interactive programs to engage and educate audiences about Australian colonial food and heritage. But how do you learn about the sensory qualities of foods that were popular two hundred years ago, especially those that have been discarded from the mainstream (particularly Anglo-Celtic) Australian culinary repertoire? How they looked and tasted, their textures and aromas? My answer: make them. This has meant preparing and cooking foods that many Australian people find offensive, distasteful, disgusting and ‘gross’: calves’ feet jelly, boiled calves’ heads, brawned pig’s face, peeled tongues, and collared eels so fresh they twitch and jump on the Locale: The Australasian-Pacific Journal of Regional Food Studies Number 7, 2018 —45— NEWLING—THE ‘EEEUW’ FACTOR benchtop when filleted. This auto-ethnographic analysis draws on my experiences of working with articles of culinary disgust, particularly animal heads and tongues, to reflect upon the pedagogical processes involved in my role as the Colonial Gastronomer. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
27 May 2020 Ordinary Council Meeting Agenda
Ordinary Council Meeting 27 May 2020 Council Chambers, Town Hall, Sturt Street, Ballarat AGENDA Public Copy Ordinary Council Meeting Agenda 27 May 2020 NOTICE IS HEREBY GIVEN THAT A MEETING OF BALLARAT CITY COUNCIL WILL BE HELD IN THE COUNCIL CHAMBERS, TOWN HALL, STURT STREET, BALLARAT ON WEDNESDAY 27 MAY 2020 AT 7:00PM. This meeting is being broadcast live on the internet and the recording of this meeting will be published on council’s website www.ballarat.vic.gov.au after the meeting. Information about the broadcasting and publishing recordings of council meetings is available in council’s broadcasting and publishing recordings of council meetings procedure available on the council’s website. AGENDA ORDER OF BUSINESS: 1. Opening Declaration........................................................................................................4 2. Apologies For Absence...................................................................................................4 3. Disclosure Of Interest .....................................................................................................4 4. Confirmation Of Minutes.................................................................................................4 5. Matters Arising From The Minutes.................................................................................4 6. Public Question Time......................................................................................................5 7. Reports From Committees/Councillors.........................................................................6 -
2013 NSW Museum & Gallery Sector Census and Survey
2013 NSW Museum & Gallery Sector Census and Survey 43-51 Cowper Wharf Road September 2013 Woolloomooloo NSW 2011 w: www.mgnsw.org.au t: 61 2 9358 1760 Introduction • This report is presented in two parts: The 2013 NSW Museum & Gallery Sector Census and the 2013 NSW Small to Medium Museum & Gallery Survey. • The data for both studies was collected in the period February to May 2013. • This report presents the first comprehensive survey of the small to medium museum & gallery sector undertaken by Museums & Galleries NSW since 2008 • It is also the first comprehensive census of the museum & gallery sector undertaken since 1999. Images used by permission. Cover images L to R Glasshouse, Port Macquarie; Eden Killer Whale Museum , Eden; Australian Fossil and Mineral Museum, Bathurst; Lighting Ridge Museum Lightning Ridge; Hawkesbury Gallery, Windsor; Newcastle Museum , Newcastle; Bathurst Regional Gallery, Bathurst; Campbelltown arts Centre, Campbelltown, Armidale Aboriginal Keeping place and Cultural Centre, Armidale; Australian Centre for Photography, Paddington; Australian Country Music Hall of Fame, Tamworth; Powerhouse Museum, Tamworth 2 Table of contents Background 5 Objectives 6 Methodology 7 Definitions 9 2013 Museums and Gallery Sector Census Background 13 Results 15 Catergorisation by Practice 17 2013 Small to Medium Museums & Gallery Sector Survey Executive Summary 21 Results 27 Conclusions 75 Appendices 81 3 Acknowledgements Museums & Galleries NSW (M&G NSW) would like to acknowledge and thank: • The organisations and individuals -
ANZAC Memorial Visit
ANZAC Memorial Hyde Park June 2013 On Thursday 27th June the Scouts from 1st Ermington had the opportunity to visit the ANAZ Memorial at Hyde Park in the city. We caught the train from Eastwood station for the journey into Sydney - alighting from the train at Town Hall station. Fortunately the weather was kind and we had a nice walk up to the memo- rial through Hyde park. Although it was early evening and dark the memo- rial looked terrific. The curator for the evening introduced himself to the troop and there was much interest in his background as he was both a Vietnam veteran and a former scout. The evening started with a short video and the scouts were surprised at the footage of the opening because at the time the memorial was the tallest building in the city and the opening was attending by 100,000 people. We were given a tour of the different parts of the memorial (inside and out). Learning about the different parts of the memorial was extremely in- teresting. The Scouts were invited to release a Commemorative star representing an Australian service man or woman killed while serving their country or since deceased - a very humbling experience Another highlight of the evening was the Scouts being able to see a banner signed by Baden Powell. We departed the memorial at 8:20 for our return trip, arriving back into Eastwood at 9:10pm. A big thank you to the Scouts and Leaders that were able to participate in this activity. The ANZAC War Memorial, completed in 1934, is the main commemorative military monument of Sydney, Australia. -
The Concert in the Australian Bush Was Already Going Strong When
Three Days in While the acoustics of the bush may not be as fine-tuned as those of the Sydney Opera House, the outdoor chorus played up the interconnectivity of SYDNEY music and nature much like a performance of John Cage’s 1972 composition, ‘Bird Cage’. The avant- The concert in the Australian bush was garde composer pioneered indeterminacy in music already going strong when we arrived. and described the need for a space in which “people are free to move and birds to fly.” Easy to do when By Monica Frim there’s not a bad seat in the bush. All you have to do Visitors aboard the Photography by John and Monica Frim Skyway thrill to is show up. 360-degree views of Enter Blue Mountains Tours, a family–owned the Jamison Valley Magpies warbled and trilled, mynah birds whistled and wailed, white crested as they glide toward cockatoos screeched out a raucous chorus from their various perches—picnic tables, company headed by Graham Chapman that picks up Scenic World in the day-trippers from their hotels in Sydney and takes Blue Mountains of eucalyptus trees and even the patchy grass at our feet. Kookaburras joined in New South Wales. them on small-group tours to the Blue Mountains. with their laughter, while we, a motley troop of wayfarers from various parts of Only 40 miles west of Australia’s capital city, the world, tucked into an Aussie bush breakfast of fried eggs and ham in a bun. Blue Mountains National Park is part of the Blue Nature’s open air concert hall permitted food but it came with peril: thieving birds Graham Chapman of Blue Mountains Tours, poses with that brazenly swooped and swiped at the provisions in our hands, the sounds of a kangaroo in the background during a bush walk in the Blue Mountains. -
Re-Shaping a First World War Narrative : a Sculptural Memorialisation Inspired by the Letters and Diaries of One New Zealand
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Re-Shaping a First World War Narrative: A Sculptural Memorialisation Inspired by the Letters and Diaries of One New Zealand Soldier David Guerin 94114985 2020 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts Massey University, Wellington, New Zealand (Cover) Alfred Owen Wilkinson, On Active Service in the Great War, Volume 1 Anzac; Volume 2 France 1916–17; Volume 3 France, Flanders, Germany (Dunedin: Self-published/A.H. Reed, 1920; 1922; 1924). (Above) Alfred Owen Wilkinson, 2/1498, New Zealand Field Artillery, First New Zealand Expeditionary Force, 1915, left, & 1917, right. 2 Dedication Dedicated to: Alfred Owen Wilkinson, 1893 ̶ 1962, 2/1498, NZFA, 1NZEF; Alexander John McKay Manson, 11/1642, MC, MiD, 1895 ̶ 1975; John Guerin, 1889 ̶ 1918, 57069, Canterbury Regiment; and Christopher Michael Guerin, 1957 ̶ 2006; And all they stood for. Alfred Owen Wilkinson, On Active Service in the Great War, Volume 1 Anzac; Volume 2 France 1916–17; Volume 3 France, Flanders, Germany (Dunedin: Self-published/A.H. Reed, 1920; 1922; 1924). 3 Acknowledgements Distinguished Professor Sally J. Morgan and Professor Kingsley Baird, thesis supervisors, for their perseverance and perspicacity, their vigilance and, most of all, their patience. With gratitude and untold thanks. All my fellow PhD candidates and staff at Whiti o Rehua/School of Arts, and Toi Rauwhārangi/ College of Creative Arts, Te Kunenga ki Pūrehuroa o Pukeahu Whanganui-a- Tara/Massey University, Wellington, especially Jess Richards.