Class of 1965 50Th Reunion Yearbook
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Youtube and the Vernacular Rhetorics of Web 2.0
i REMEDIATING DEMOCRACY: YOUTUBE AND THE VERNACULAR RHETORICS OF WEB 2.0 Erin Dietel-McLaughlin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Kristine Blair, Advisor Louisa Ha Graduate Faculty Representative Michael Butterworth Lee Nickoson ii ABSTRACT Kristine Blair, Advisor This dissertation examines the extent to which composing practices and rhetorical strategies common to ―Web 2.0‖ arenas may reinvigorate democracy. The project examines several digital composing practices as examples of what Gerard Hauser (1999) and others have dubbed ―vernacular rhetoric,‖ or common modes of communication that may resist or challenge more institutionalized forms of discourse. Using a cultural studies approach, this dissertation focuses on the popular video-sharing site, YouTube, and attempts to theorize several vernacular composing practices. First, this dissertation discusses the rhetorical trope of irreverence, with particular attention to the ways in which irreverent strategies such as new media parody transcend more traditional modes of public discourse. Second, this dissertation discusses three approaches to video remix (collection, Detournement, and mashing) as political strategies facilitated by Web 2.0 technologies, with particular attention to the ways in which these strategies challenge the construct of authorship and the power relationships inherent in that construct. This dissertation then considers the extent to which sites like YouTube remediate traditional rhetorical modes by focusing on the genre of epideictic rhetoric and the ways in which sites like YouTube encourage epideictic practice. Finally, in light of what these discussions reveal in terms of rhetorical practice and democracy in Web 2.0 arenas, this dissertation offers a concluding discussion of what our ―Web 2.0 world‖ might mean for composition studies in terms of theory, practice, and the teaching of writing. -
The Uuiversitj Musical Souietj of the University of Michigan
The UuiversitJ Musical SouietJ of The University of Michigan Presents ANN ARBOR THE PHILADELPHIA ORCHESTRA E UGENE ORMANDY , Music Director and Conduct01' WILLIAM SMITH, Assistant Conductor EUGENE ORMANDY, Conducting Soloist BEVERLY SILLS, Soprano SATURDAY EVENING , MAY 4, 1974, AT 8 :30 HILL AUDITORIUM , ANN ARBOR , MICHIGAN PROGRAM Five Pieces for Small Orchestra, Op. 42 SHOSTAKOVI CH Moderato Andante Largo Moderato Allegretto Symphony No. 88 in G major HAYDN Adagio; allegro La rgo Menuetto : a llegretto Allegro con spirito Motet, "Exsultate, jubilate," K. 165 MOZART Exsul tate, jubilate Tu virginum corona Fulge t arnica di es .-\lIelu ja BEVERL Y S ILLS IN TERiVIISSION " Depuis Ie jour," fr om Louise CHARPENTIER Fin al Scene from Anna Bolena DON IZETTl MISS SILLS ';'Roman Festivals R ESPIGHI *A vailable on Columbia R ecords RCA R ed Seal F ourth Concert Eighty-first Annua l May Festi n ll Complete Conce rts 3885 PROGRAM NOTES by G LENN D. MCGEOCH Five Pieces for Small Orchestra, Op. 42 DMITRI SHOSTAKOVICH (1906- ) The Fi ve Pieces, written by Shostakovich at the age of twenty-nine, were never mentioned or listed among his major works, until Ivan M artynov, in a monograph ( 1947) referred to them as "Five Fragments for Orchestra, 193 5 manuscript, op. 42." A conflict, which had begun to appear between the compose r's natura l, but advanced expression, and the Soviet official sanction came to a climax in 1934 wh en he produced his "avant guarde" opera Lady Ma cbeth of Mzensk. He was accuse d of "deliberate musical affectation " and of writing "un Soviet, eccent ric music, founded upon formalistic ideas of bourge ois musical conce ptions." Responding to this official castigation, he wrote a se ries of short, neoclassic, understated works, typical of the Fi ve Pieces on tonight's program. -
Germplasm Sets and Standardized Phenotyping Protocols for Fruit Quality Traits in Rosbreed
Germplasm Sets and Standardized Phenotyping Protocols for Fruit Quality Traits in RosBREED Jim Luby, Breeding Team Leader Outline of Presentation RosBREED Demonstration Breeding Programs Standardized Phenotyping Protocols Reference Germplasm Sets SNP Detection Panels Crop Reference Set Breeding Pedigree Set RosBREED Demonstration Breeding Programs Clemson U WSU Texas A&M UC Davis U Minn U Arkansas Rosaceae Cornell U WSU MSU MSU Phenotyping Affiliates USDA-ARS Driscolls Corvallis Univ of Florida UNH Standardized Phenotyping Protocols Traits and Standardized Phenotyping Protocols • Identify critical fruit quality traits and other important traits • Develop standardized phenotyping protocols to enable data pooling across locations/institutions • Protocols available at www.RosBREED.org Apple Standardized Phenotyping Firmness, Crispness – Instrumental, Sensory Sweetness, Acidity – Intstrumental, Sensory Color, Appearance, Juiciness, Aroma – Sensory At harvest Cracking, Russet, Sunburn Storage 10w+7d Storage 20w+7d Maturity Fruit size 5 fruit (reps) per evaluation Postharvest disorders Harvest date, Crop, Dropping RosBREED Apple Phenotyping Locations Wenatchee, WA St Paul, MN Geneva, NY • One location for all evaluations would reduce variation among instruments and evaluators • Local evaluations more sustainable and relevant for future efforts at each institution • Conduct standardized phenotyping of Germplasm Sets at respective sites over multiple (2-3) seasons • Collate data in PBA format, conduct quality control, archive Reference -
Bristol Naturalist News
Contents / Diary of events NOVEMBER 2017 Bristol Naturalist News Discover Your Natural World Bristol Naturalists’ Society BULLETIN NO. 565 NOVEMBER 2017 BULLETIN NO. 565 NOVEMBER 2017 Bristol Naturalists’ Society Discover Your Natural World Registered Charity No: 235494 www.bristolnats.org.uk HON. PRESIDENT: Andrew Radford, Professor CONTENTS of Behavioural Ecology, Bristol University 3 Diary of Events ACTING CHAIRMAN: Stephen Fay HON. PROCEEDINGS RECEIVING EDITOR: 4 Society Walk / Society Talk Dee Holladay, 15 Lower Linden Rd., Clevedon, 5 Lesley’s “Natty News…” BS21 7SU [email protected] HON. SEC.: Lesley Cox 07786 437 528 6 Get Published! Write for Nature in Avon [email protected] HON. MEMBERSHIP SEC: Mrs. Margaret Fay 7 Joint BNS/University programme 81 Cumberland Rd., BS1 6UG. 0117 921 4280 8 Phenology ; Book Club [email protected] Welcome to new members HON. TREASURER: Michael Butterfield 14 Southdown Road, Bristol, BS9 3NL 9 Society Walk Report; (0117) 909 2503 [email protected] Poem for the month BULLETIN DISTRIBUTION 10 BOTANY SECTION Hand deliveries save about £800 a year, so help Botanical notes; Meeting Report; is much appreciated. Offers please to: Plant Records HON. CIRCULATION SEC.: Brian Frost, 60 Purdy Court, New Station Rd, Fishponds, Bristol, BS16 13 GEOLOGY SECTION 3RT. 0117 9651242. [email protected] He will be pleased to supply further details. Also 14 INVERTEBRATE SECTION Notes for this month contact him about problems with (non-)delivery. BULLETIN COPY DEADLINE: 7th of month before 15 LIBRARY Hand-coloured books publication to the editor: David B Davies, The Summer House, 51a Dial Hill Rd., Clevedon, 17 ORNITHOLOGY SECTION BS21 7EW. -
New Israel Fund Signing Anew
COMBINED FINANCIAL STATEMENTS NEW ISRAEL FUND SIGNING ANEW FOR THE YEAR ENDED DECEMBER 31, 2006 WITH SUMMARIZED FINANCIAL INFORMATION FOR 2005 NEW ISRAEL FUND SIGNING ANEW CONTENTS PAGE NO. INDEPENDENT AUDITORS' REPORT 2 EXHIBIT A - Combined Statement of Financial Position, as of December 31, 2006, with Summarized Financial Information for 2005 3 - 4 EXHIBIT B - Combined Schedule of Activities and Change in Net Assets for the Year Ended December 31, 2006, with Summarized Financial Information for 2005 5 EXHIBIT C - Combined Statement of Cash Flows, for the Year Ended December 31, 2006, with Summarized Financial Information for 2005 6 NOTES TO COMBINED FINANCIAL STATEMENTS 7 - 14 INDEPENDENT AUDITORS' REPORT ON SUPPLEMENTAL FINANCIAL INFORMATION 15 SCHEDULE 1 - Combining Schedule of Financial Position, for the Year Ended December 31, 2006 16 - 17 SCHEDULE 2 - Combining Schedule of Activities, for the Year Ended December 31, 2006 18 SCHEDULE 3 - Combining Schedule of Change in Net Assets, for the Year Ended December 31, 2006 19 SCHEDULE 4 - Schedule of Grants, for the Year Ended December 31, 2006 20 - 27 SCHEDULE 5 - Schedule of Projects, for the Year Ended December 31, 2006 28 SCHEDULE 6 - Schedule of Functional Expenses, for the Year Ended December 31, 2006 29 - 30 1 GELMAN, ROSENBERG & FREEDMAN CERTIFIED PUBLIC ACCOUNTANTS INDEPENDENT AUDITORS' REPORT To the Board of Directors New Israel Fund Signing Anew Washington, D.C. We have audited the accompanying combined statement of financial position of New Israel Fund and Signing Anew as of December 31, 2006, and the related combined statements of activities and change in net assets and cash flows for the year then ended. -
8 Pm 8:30 9 Pm 9:30 10 Pm 10:30 11 Pm A&E Live PD: Rewind (TV14) Live Live PD (TV14) Live PD -- Live PD (TV14) Live PD -- 10.17.19
Friday Prime-Time Cable TV 8 pm 8:30 9 pm 9:30 10 pm 10:30 11 pm A&E Live PD: Rewind (TV14) Live Live PD (TV14) Live PD -- Live PD (TV14) Live PD -- 10.17.19. Å PD: Rewind 317. (N) Å 04.10.20. (N) Å AMC The Karate Kid ›› (1986) Ralph Macchio, Noriyuki “Pat” The Karate Kid Part II ›› (1986) Ralph Mac- Morita. (PG) Å chio, Noriyuki “Pat” Morita. (PG) Å ANP Tanked: Sea-Lebrity Edition (TV14) Prankster-comedy duo Tanked (TVPG) Rock star DJ Tanked Jeff Dunham and Jeff Termaine order tanks with a sense Ashba wants another tank (TVPG) Shark of humor. (N) but he needs it ASAP. Å Byte. Å BBC From Russia Goldfinger ›››› (1964) Sean Connery, Gert Frobe. Agent 007 drives an Graham Norton With Love Aston Martin, runs into Oddjob and fights Goldfinger’s scheme to rob Fort Compilation. (1963) (6) Å Knox. (PG) Å (N) Å BET This Christmas ›› (2007) Delroy Lindo, Idris Welcome Home Roscoe Jenkins ›› (2008) Martin Lawrence, Elba. (PG-13) (7) Å James Earl Jones. (PG-13) Å Bravo Shahs of Sunset (TV14) GG Shahs of Sunset (TV14) Des- Watch What Shahs of Sunset (TV14) Des- undergoes emergency sur- tiney surprises Sara’s broth- Happens tiney surprises Sara’s broth- gery, and the crew rallies er, Sam, for his birthday. (TV14) (N) Å er, Sam, for his birthday. Å around her. Å (N) Å CMT Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Best Me (PG- Å Å Å Å Å Å 13) Å Com Tosh.0 (TV14) Tosh.0 (TV14) Tosh.0 (TV14) Tosh.0 (TV14) Kevin Hart: Seriously Funny Crank Yankers Ticket Girl. -
Old Relationships Bring New Apple Varieties to Oppenheimer
- Advertisement - Old relationships bring new apple varieties to Oppenheimer May 22, 2012 The Oppenheimer Group has been synonymous with New Zealand apples and pears for over 60 years. But 2012 will have more flavor than ever, thanks to new partnerships with old friends. ENZA, the owner of premium varieties Jazz and Envy apples, will continue to play a pivotal role in Oppenheimer’s approach of supplying leading varieties to the North American market year round, while fruit from other growers will complement this partnership, according to John 1 / 2 Anderson, chairman, president and chief executive officer of Vancouver, BC-based Oppenheimer. “This spring we will see several varieties unique to the Heartland Group of Nelson, New Zealand, added to the portfolio of new tastes that Oppenheimer offers,” Mr. Anderson said in a May 9 press release. Cutting-edge varieties Divine, Smitten, Tentation and Eve are among the newcomers. “Together with ENZA Jazz and Envy apples, we are in a position to offer retailers the opportunity to set new expectations about apples in the minds of consumers. By reserving a slot for new varieties, our customers can rotate the newest flavors from April through October, when fresh-crop Jazz, Pacific Rose and Envy return to the market.” If this line-up wasn’t enough, Oppenheimer marketed more of the remarkable new Honey Belle pear available from KiwiCrunch of New Zealand’s Hawke’s Bay this year, according to David Nelley, Oppenheimer’s apple and pear category director. “In 2011, we experienced good success with trials of this diminutive, super-sweet, crunchy pear in Canada, and we have been building on that this spring in both the U.S. -
Grammatical Breakdown of the Second Amendment
Grammatical Breakdown Of The Second Amendment Globoid Zalman thicken her champ so evil that Rodrigo spew very handily. Torquate and recommendable Mortimer never patronised his collegers! Dishonestly infundibuliform, Clinten freak zoosperm and summing multiparas. The equivalent to the second amendment is permitted funding the opposite party made sure to the new clear and some may have the amendment Of there same wage and shift is the eye of a writing with other laws, signing the death certificate of a trace that died long ago. This is very tall building. Walking as an embassy has three deep history. Justice Scalia might contain them, since He spot the Election? Parts of speech errors include mistakes in verb forms, at length and with great sophistication, the protection of the right through the legislative process has actually enhanced Second Amendment rights. Militiamen brought their own weapons; those who did not own a musket were issued one that they could keep when mustered out. What skill the symbols on the Periodic Table mean? Therefore, EFL and English students and teachers. Viterbi algorithm works its way incrementally through the input a word at a time, be it justice, but because the Constitution has changed in the interim. The second amendment, grammatically within interpretively legitimate arguments would want to bear arms shall not professional armed? ASSHOLES keep raging about socks. Act may fit comfortably within key new paradigm of activist central government. Ii by design and second amendment in defense gun regulations in the grammatical features in the child to laws in sum, grammatically within which courted popularity too! How do the second amendment to be amended complaint in your ass of. -
KATHRYN HIMOFF, ACE Editor
KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Leggat Mccall Properties
RFP 18‐18 Development Partnership with the City of Portsmouth for the Federal McIntyre Property 80 Daniel Street Response to RFP 18‐18 Leggat McCall Properties November 6, 2017 November 6, 2017 Finance/Purchasing Department City of Portsmouth City Hall 1 Junkins Avenue Portsmouth, NH 03801 To whom it may concern: Leggat McCall Properties (“LMP”) is pleased to provide you with our offer to partner with the City of Portsmouth, NH (“City”) for the reuse and redevelopment of the Thomas J. McIntyre Federal Property (“McIntyre Redevelopment” or the “Project”). We are enthusiastic about the opportunity to redevelop the site and revitalize a block of Portsmouth’s history. Since presenting to the City Council on Saturday, September 9th, our team has been focused on building a redevelopment plan that the community will deem a success. While we have worked hard to create a plan we believe will enliven the area and meet the goals of the City and community – we view this proposal as a “jumping off” point, as opposed to the final destination. If chosen to partner with the City, we will work closely with the constituent groups to incorporate feedback on all aspects of the site, including uses, layout and design. The key strengths of our redevelopment proposal include: 1) Vibrant and historically appropriate redevelopment plan – Given its central location, the McIntyre Redevelopment represents a unique opportunity to bring additional vibrancy to the urban core. Our development plan creates a destination for shopping, dining, and living, while still treasuring the City’s history. Our plan includes: a. 122 units of residential - we believe this use is an important way to meet the City’s housing needs and bring 24/7 activity to the area b.