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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Holes Live Through This Kindle
HOLES LIVE THROUGH THIS PDF, EPUB, EBOOK Anwyn Crawford | 144 pages | 12 Feb 2015 | Continuum Publishing Corporation | 9781623563776 | English | New York, United States Holes Live Through This PDF Book Place it label side down on the workpiece and centered over where you want the hole. Archived from the original on October 26, Asking for It 4. Continue on UK site. Downing Stadium [x]. Asheville, North Carolina. Irvine Meadows Amphitheatre [x]. The News Journal. Love and her musicians charged through the songs with an urgency that suited their angry, disillusioned message. Irvine Meadows Amphitheatre [x] [xi]. Throughout the record, Love speaks to the atomization of the female form that takes place in the eye of the misogynist. The Gorge Amphitheatre [x]. The smaller diameter holes around the perimeter allow the sawdust from the hole saw to clear and prevent the hole saw from overheating. Universal Amphitheatre [vi]. Blossom Music Center [x]. The Atlanta Constitution. Don't Miss. Dazed media sites. F2 — via Newspapers. While there were plenty of rock songs written by men about hounding and abusing women, there were few about being hounded and abused. Lincoln, Nebraska. September 16, C-1 — via Newspapers. It begins with a kind of Gregorian chant before launching into a dual-bass and guitar assault courtesy of Erlandson and Pfaff. F-4 — via Newspapers. Here was a dead rock god, and here was the woman who survived him. April 29, In August, the band hired Canadian bassist Melissa Auf der Maur , and commenced the tour, with their first date being the Reading Festival. Roy Wilkins Auditorium [i]. -
The Glass Castle: a Memoir
The Glass Castle A Memoir Jeannette Walls SCRIBNER New York London Toronto Sydney Acknowledgments I©d like to thank my brother, Brian, for standing by me when we were growing up and while I wrote this. I©m also grateful to my mother for believing in art and truth and for supporting the idea of the book; to my brilliant and talented older sister, Lori, for coming around to it; and to my younger sister, Maureen, whom I will always love. And to my father, Rex S. Walls, for dreaming all those big dreams. Very special thanks also to my agent, Jennifer Rudolph Walsh, for her compassion, wit, tenacity, and enthusiastic support; to my editor, Nan Graham, for her keen sense of how much is enough and for caring so deeply; and to Alexis Gargagliano for her thoughtful and sensitive readings. My gratitude for their early and constant support goes to Jay and Betsy Taylor, Laurie Peck, Cynthia and David Young, Amy and Jim Scully, Ashley Pearson, Dan Mathews, Susan Watson, and Jessica Taylor and Alex Guerrios. I can never adequately thank my husband, John Taylor, who persuaded me it was time to tell my story and then pulled it out of me. Dark is a way and light is a place, Heaven that never was Nor will be ever is always true ÐDylan Thomas, "Poem on His Birthday" I A WOMAN ON THE STREET I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor. -
Ticket: # 1227953
_____________________________________________________________________________ Ticket: # 1227953 - Spam advertisement emails Date: 9/30/2016 10:20:51 AM City/State/Zip: The Colony, Texas 75056 Company Complaining About: Time Warner _____________________________________________________________________________ Description I have been receiving a number of advertisement emails from American Home Sheild and have unsubscribed but keep receiving them a month later. The unsubscribe URL clearly indicates the business' website name. what futher actions can we take to stop this unwanted communication? _____________________________________________________________________________ Ticket: # 1227954 - UNABLE TO LOG INTO MY EMAIL..SEE MISSOURI HOUSE BILL 214...http://www.stophumantraffickingmo.com/wp- content/uploads/2012/12/HB0214T_highlights.pdf Date: 9/30/2016 10:23:51 AM City/State/Zip: Clayton, Missouri 63105 Company Complaining About: AT&T _____________________________________________________________________________ Description HUMAN TRAFFICKING-ASK JEANNETTE BANKS AND HER HUSBAND ATTORNEY RICHARD BANKS AND ATTORNEY GLEN DALTON AND DIANE DALTON... WHY MY POINTINTIME DOESN'T ALLOW ME TO LOGIN...AND DID THEY HAVE MY EMAIL BLOCKED AT AND ...ASK WHY..FOR I HAVE NOT HIRED THEM FOR ANY THING NOR HAVE I BEEN INVOLVED IN ANY CASE RELATED TO THEM ..SEE IF THEY HAVE MY KIDS ABDUCTED IN A JAIL CELL ON A FALSE CHARGES...IF SO, PLEASE PROSECUTE THEM FOR VIOLATION OF ABUSE OF LEGAL PROCESS...LINE ITEM 15 OF MISSOURI HOUSE BILL 214...SEE IF THEY ARE DEALLING IN MAIL FRAUD..THE LINK WILL BE FLOYD BROWN..AN EMPLOYEE OF UNITED STATES POSTAL SERVICE OUT OF THE MARKET STREET, SAINT LOUIS, MO...LOCATION..I AM A FORMER MEMBER OF THE SAME CHURCH FIRST BAPTIST CHURCH OF CHESTERFIELD...JEANNETTE BANKS WORKS FOR ROOSEVELT HIGH SCHOOL..WHERE THE KIDS EDUCATION IS BEING IMPEDED...BY FORCED SEX TRAFFICKING AND BRINGING UP WITCHES FOR THEIR LOCAL CHURCHES...ST. -
2012 Chevrolet Malibu Owner Manual M
Chevrolet Malibu Owner Manual - 2012 Black plate (1,1) 2012 Chevrolet Malibu Owner Manual M In Brief . 1-1 Storage . 4-1 Climate Controls . 8-1 Instrument Panel . 1-2 Storage Compartments . 4-1 Climate Control Systems . 8-1 Initial Drive Information . 1-3 Additional Storage Features . 4-4 Air Vents . 8-9 Vehicle Features . 1-16 Performance and Instruments and Controls . 5-1 Driving and Operating . 9-1 Maintenance . 1-20 Controls . 5-2 Driving Information . 9-2 Warning Lights, Gauges, and Starting and Operating . 9-14 Keys, Doors, and Indicators . 5-8 Engine Exhaust . 9-21 Windows . 2-1 Information Displays . 5-22 Automatic Transmission . 9-22 Keys and Locks . 2-2 Vehicle Messages . 5-25 Brakes . 9-25 Doors . 2-9 Vehicle Personalization . 5-29 Ride Control Systems . 9-27 Vehicle Security. 2-11 Cruise Control . 9-31 Exterior Mirrors . 2-13 Lighting . 6-1 Fuel . 9-33 Interior Mirrors . 2-14 Exterior Lighting . 6-1 Towing. 9-39 Windows . 2-15 Interior Lighting . 6-5 Conversions and Add-Ons . 9-45 Roof . 2-18 Lighting Features . 6-6 Vehicle Care . 10-1 Seats and Restraints . 3-1 Infotainment System . 7-1 General Information . 10-2 Head Restraints . 3-2 Introduction . 7-1 Vehicle Checks . 10-4 Front Seats . 3-3 Radio . 7-6 Headlamp Aiming . 10-25 Rear Seats . 3-7 Audio Players . 7-13 Bulb Replacement . 10-25 Safety Belts . 3-8 Phone . 7-23 Electrical System . 10-30 Airbag System . 3-17 Wheels and Tires . 10-38 Child Restraints . 3-30 Jump Starting . 10-76 Towing. -
Gospel Ideology and the African American Womanist Novel
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 4-2006 Doers of the Living Word: Gospel Ideology and the African American Womanist Novel Rebecca Erin Huskey Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the African American Studies Commons, English Language and Literature Commons, and the Women's Studies Commons Recommended Citation Huskey, Rebecca Erin, "Doers of the Living Word: Gospel Ideology and the African American Womanist Novel" (2006). Dissertations. 954. https://scholarworks.wmich.edu/dissertations/954 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DOERS OF THE LIVING WORD: GOSPEL IDEOLOGY AND THE AFRICAN AMERICAN WOMANIST NOVEL by Rebecca Erin Huskey A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan April 2006 DOERS OF THE LIVING WORD: GOSPEL IDEOLOGY AND THE AFRICAN AMERICAN WOMANIST NOVEL Rebecca Erin Huskey, Ph.D. Western Michigan University, 2006 In Playing in the Dark, Toni Morrison issues a charge and illuminates the challenge that she and other African American writers face in defining the self through a racially oppressive language: Neither blackness nor “people of color” stimulates in me notions of excessive, limitless love, anarchy, or routine dread. I cannot rely on these metaphorical shortcuts because I am a black writer struggling with and through a language that can powerfully evoke and enforce hidden signs of racial superiority, cultural hegemony, and dismissive “othering” of people and language which are by no means marginal or already and completely known and knowable in my work. -
(English Literature) Paper III– Prose Duration – 3 Hours, Max. Marks
1 B. A. Part II (English Literature) Paper III– Prose Duration – 3 hours, Max. Marks – 50 The following essays are prescribed for detailed study: 1. Francis Bacon: “Of Studies” 2. Proverbs, Chapter XV. (from The Bible) 3. Addison: “Will Wimble” 4. Steele: “The Spectator Club” 5. Goldsmith: “Beau Tibbs” 6. Johnson: “Letter to Chesterfield” 7. Lamb: “Dream Children” 8. Charlotte Perkins Gilman: “The Yellow Wallpaper” 9. Anita Desai: “A Farewell Party” 10. James Thurber: “The Secret of Waltermity” 11. Katherine Mansfield: “The Fly” Non‐Detailed Study R. K. Narayan’s The Guide Pattern The question paper will be divided into five units. In Unit I, there will be a compulsory question carrying 16 marks, in which candidates will be asked to explain with reference to the context any four out of seven passages from the essays and stories prescribed. Units II, III, and IV will consist of essay‐type question on the essays/essayists and stories prescribed. The following unit‐wise division of the essayists and story writers will be observed in asking questions. Unit II – Bacon, The Bible (Book of Proverbs), Addison, Steele Unit III‐ Goldsmith, Johnson, Lamb and Charlotte Perkins Gilman Unit IV – Anita Desai, James Thurber, Catherine Mansfield In Units II, III and IV, there will be a question each on any two essayists/story writers in the Unit and candidates will be asked to answer any one question. Questions in Unit II will carry 9 marks each and those in Units III and IV will carry 8 marks each. Unit V: There will be five short‐ answer questions on R. -
How to Look Expensive: a Beauty Editor\'S Secrets To
How to Look Expensive How to Look Expensive A Beauty Editor’s Secrets to Getting Gorgeous without Breaking the Bank ANDREA POMERANTZ LUSTIG GOTHAM BOOKS Published by Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.); Penguin Books Ltd, 80 Strand, London WC2R 0RL, England; Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Published by Gotham Books, a member of Penguin Group (USA) Inc. First printing, August 2012 10 9 8 7 6 5 4 3 2 1 Copyright © 2012 by Andrea Pomerantz Lustig All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. An extension of this copyright page can be found on pages 208–209. Illustrations