Current, April 1St, 1976

Total Page:16

File Type:pdf, Size:1020Kb

Current, April 1St, 1976 University of Missouri, St. Louis IRL @ UMSL Current (1970s) Student Newspapers 4-1-1976 Current, April 1st, 1976 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1970s Recommended Citation University of Missouri-St. Louis, "Current, April 1st, 1976" (1976). Current (1970s). 177. https://irl.umsl.edu/current1970s/177 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1970s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. - April 1, 1976 Addhwnma"6mem~~ KWMU board to hear student proposals. we have now." Paul Fey station of about 500 watts for student could take over the weekends, we could Cavin feel that the tremendous number KWMU's advisory board will soon hear use." put no less than 36 ' students to ' work of students desiring work on the stude'nt proposals by the student staff which Vice Chancellor Everett Walters, chair­ almost immediately. stMf is largely due to the newly­ would allow more student broadcasting p,erson of the advisory board, agreed. "The staff is ready, willing, and offered Speech-Communications degree. time. Three proposals, requesting in­ "The low-watt station is really what capable," said Cavin, "and I have every creases of up to 23 additional hours of air But he also feels the degree program has we're pushing for now," he said. "I confidence in their ability to do a good time have been prepared by Terry Cavin, made a solution necessary. would hope that the project could be job." manager of the student staff. "Now that the communications degree undertaken soon, as that situation would , Proposals alternative to taking over the Cavin, who earlier gained the unan­ is being offered, the need for a laboratory be much more flexible than programming weekend would allow students to do imous support of Central Council in the situation is obvious," said Cavin. "They on KWMU and would better serve the broadcasting of presently-programmed student staff's quest to examine the wouldn't expect fhe ehemistry depart­ students.' , shows, rather than allowing the student station's role in the university, is optim- ment to operate without a lab, so how Cavin echoed these sentiments. "Ulti­ staff additional programming. istic about the response of the board. can they expect the Speech Department mately, an additional station should be "We're not going to really insist on " I feel we have shown a definite need, to do so?" constructed," he said. "Complications of one proposal over the others," said and a legitimate complaint," he' said, Donald C. Shields, chairperson of the licences, financing and finding an open Cavin, "but obviously we'd like to get the "and 1 feel the board will be receptive." Speech Department, explained that sever­ FM band will set it back a .few years, but whole weekend." The board, chaired by Vice Chancellor al possibilities are being discussed to we are offering alternative measures until . Walters was uncertain on that point. Everett Walters, earlier heard a presenta­ fulfill the need for a laboratory situation. that time comes. I only hope the board "I'm not so sure about the students tion by Cavin voicing the student staff's Considered already are the possibilities of. will agree that measures should be taken , getting additional air time on KWMU, concern over a need for an improved increased air time, student broadcasting soon." es{,ecially on the \ weekends," he said. on side bands, use of extra time on radio laboratory program. According to To the student staff, t~ most attractive "But maybe something like that can be Cavin, the board acknowledged a definite other FM stations, and the construction 0 .)f its proposals would give the student - worked out." problem, and suggested he submit pro­ of an 'additional non-broadc,ast radio staff the entire weekend for broadcasting. [contInued on page 2] - laboratory. ' posals of solution. ing. accord­ "I think they were a little surprised," "But," said Shields, "these are only ing to Cavin. stop-gap measures. said Cavin. "There ha~e been complaints "That would 'The ultimate gO;l.1 has to be construc­ J.C.Penney by the student staff before, but 1 don't be ideal. " he think they d,emonstrated the ,obvious need tion of an additional 'low-power FM says. "If we. · 0 conflicts cause. fewe, speake,s Genia Qualls size. 'The seating in Benton IS smaller. We need larger seating The University Programming because we need to take in the Board is requesting less money revenue," Kreis said. for speakers from the Budget Long-range Planning is an­ Committee this year, due to other method that student and conflicts resulting from the faculty organizations may use to scheduling policy of the J.C. schedule activities in advance, Penney Building. reserving the J.e. Penney Audi­ Stephanie Kreis, Director of torium, University Center, or the the UPB , said, "We can't put 0 Multi-Purpose Building .. Twice a together a good lecture series. year, letters are sent out to the It's really impossible." various student organizations for STREAKING RETURNS: Students In tbe snacke­ streaking has not dIed. To complete the St. -Pat's Because ' the J.C. Penney long-range planning. A schedule is teria got an extra Ooor show on St. patrick's Day spirit, the two painted their posteriors bright Building was donated to the ,I'ut together from the replies. University of Missouri primarily' , ' [contInued on p&J(e 2) 0 as two runners In baseball caps attempted ~ prove green. [photo by Romondo Davis] for continuing education pur­ poses, the scheduling policy of the building centers 6round Ex­ tension Division activities. The .. Shuttle service to expand Extension Division has exclusive use of the building up to 60 days The shuttle bus program However, at this point there is One rider stated, "I wouldn't be before a scheduled event. which makes it possible for 44 not enough student response to able to afford to ride up here if I . "The people that are really in students from SO\lth St. Louis to warrant establishing these , I didn't have the bus." In addi­ demand we can't get in 60 days ride a bus to and from UMSL routes. tion to the money saved by the notice because they're booked will be expanded for the fall, Sanders said that at preregis­ shuttle bus, there are other , up," Kreis said. As a result, 1976 semester. The service will tration a fact sheet will be advantages to it. money budgeted for lectures is encompass at least two addi­ distributed about the shuttle Another rider commented. "I not being spent. "It's terribly tional route,s, said Neill Sanders, service. He urges each student don't have to worry about park­ frustrating to have the money to assistant director of admissions. to read through the information ing or about driving all the way spend and not really be able to The shuttle service, which to find $lut if the service appeals out here either." Someone else put a good series together, " - began this year, "grew from to him. If there are enough said that getting home at 3:25 Kreis said. "We ask for less and requests from the UMSL com­ requests for the St. Charles, by the earlier bus was a con­ less money each year for spea­ munity and students for an West County or another route, venience. kers, because we 'can't spend alternative 'means of transporta­ Sanders said he will try to set it However, all comments were it," she continued. tion," Sanders stated. up. not favorable. One rider said. Kreis and the UPB choose to Each bus holds 44 students Applications must be tunfed "It limits time because all our schedule lectures for the J.C. and the cost for each rider is $60 in to the Admissions Office by classes have to ,be scheduled' Penney Auditorium rather than a semester. which is the same as April 30. 1976. between certain hours." Another the Benton Hall Theater, Stadler $.78 a day. Each bus will arrive Students who ride the bus said. "It's a lousy ride," Lecture Halls, or Multi-Purpose near the library at 9:15 am and have mixed feelings about it. [continued on p&J(e 3] Building for several reasons. .. nders have the option of depart­ "The primary reason I'm con­ ing at either 2:45 or 5:15 pm. cerned about this is because it's In addition to the present President applications due the only one we can schedule in South St. Louis bus, which Applications for student body April 14 and 15. The drawings advance," Kreis said. leaves from Willmore Park, presidential and vice presidential for placement on the ballot will Using the Benton Theater is there will definitely be a South elections, and Central Council be held at 2:00 Monday. April S. I especially difficult, according to St. Louis County bus and a elections. are due by 5:00 Friday Central Council is the student Kreis, because it is tied up with North St. Louis City bus. at the information desk. At government at UMSL, and th.e University Players. Even The pick-up point for the present one application for ap­ meets approximately once a when they are not performing South St. Louis County bus will proximately 22 council positions month on Sunday afternoons. the props set up are impractical be at Lemay Ferry and Lind- has been filed, according to Membership consists of those for a speaker, she explained.
Recommended publications
  • James Ivory in France
    James Ivory in France James Ivory is seated next to the large desk of the late Ismail Merchant in their Manhattan office overlooking 57th Street and the Hearst building. On the wall hangs a large poster of Merchant’s book Paris: Filming and Feasting in France. It is a reminder of the seven films Merchant-Ivory Productions made in France, a source of inspiration for over 50 years. ....................................................Greta Scacchi and Nick Nolte in Jefferson in Paris © Seth Rubin When did you go to Paris for the first time? Jhabvala was reading. I had always been interested in Paris in James Ivory: It was in 1950, and I was 22. I the 1920’s, and I liked the story very much. Not only was it my had taken the boat train from Victoria Station first French film, but it was also my first feature in which I in London, and then we went to Cherbourg, thought there was a true overall harmony and an artistic then on the train again. We arrived at Gare du balance within the film itself of the acting, writing, Nord. There were very tall, late 19th-century photography, décor, and music. apartment buildings which I remember to this day, lining the track, which say to every And it brought you an award? traveler: Here is Paris! JI: It was Isabelle Adjani’s first English role, and she received for this film –and the movie Possession– the Best Actress You were following some college classmates Award at the Cannes Film Festival the following year. traveling to France? JI: I did not want to be left behind.
    [Show full text]
  • Over His Long Career, the Icon of American Cinema Defined a Style of Filmmaking That Embraced the Burnished Heights of Society, Culture, and Sophistication
    JAMES IVORY OVER HIS LONG CAREER, THE ICON OF AMERICAN CINEMA DEFINED A STYLE OF FILMMAKING THAT EMBRACED THE BURNISHED HEIGHTS OF SOCIETY, CULTURE, AND SOPHISTICATION. BUT JAMES IVORY AND HIS LATE PARTNER, ISMAIL MERCHANT, WERE ALSO INVETERATE OUTSIDERS WHOSE ART WAS AS POLITICALLY PROVOCATIVE AS IT WAS VISUALLY MANNERED. AT AGE 88, THE WRITER-DIRECTOR IS STILL BRINGING STORIES TO THE SCREEN THAT FEW OTHERS WOULD DARE. By CHRISTOPHER BOLLEN Photography SEBASTIAN KIM JAMES IVORY IN CLAVERACK, NY, FEBRUARY 2017. COAT: JEFFREY RUDES. SHIRT: IVORY’S OWN. On a mantle in James Ivory’s country house in but also managed to provoke, astonish, and seduce. the depths of winter. It just got to be too much, and I IVORY: I go all the time. I suppose it’s the place I love IVORY: I saw this collection of Indian miniature upstate New York sits a framed photo of actress In the case of Maurice, perhaps because the film was remember deciding to go back to New York to work most in the world. When I went to Europe for the paintings in the gallery of a dealer in San Francisco. Maggie Smith, dressed up in 1920s finery, from the so disarmingly refined and the quality of the act- on Surviving Picasso. first time, I went to Paris and then to Venice. So after I was so captivated by them. I thought, “Gosh, I’ll set of Ivory’s 1981 filmQuartet . By the fireplace in an ing and directing so strong, its central gay love story BOLLEN: The winters up here can be bleak.
    [Show full text]
  • Patrice Chéreau. Cineasta Del Corpo Retrospettiva
    Patrice Chéreau. Cineasta del corpo Retrospettiva 16 - 21 febbraio 2010 Cinema Gnomo Milano Iniziativa promossa dal Comune di Milano A cura di Pier Giorgio Carizzoni Organizzata dall’ Associazione Culturale Dioniso Con il patrocinio del Centre Culturel Français de Milan Media partner: Rai Radio Tre Martedì 16 febbraio 2010 si inaugura al Cinema Gnomo di Milano la prima retrospettiva italiana di Patrice Chéreau, celebre regista francese di teatro e di cinema, al quale il Comune di Milano rende omaggio fino a domenica 21 febbraio con la proiezione dei 10 lungometraggi da lui diretti dal 1975 a oggi. L’iniziativa, curata da Pier Giorgio Carizzoni e organizzata dall’Associazione Culturale Dioniso con il patrocinio del Centre Culturel Français de Milan e la collaborazione di Rai RadioTre, si svolge in concomitanza con la presenza a Milano di Chéreau per la regia lirica dell’opera “Da una casa di morti” di Leoš Janá ček, al Teatro alla Scala dal 28 febbraio. Chéreau ha diretto nei suoi film alcuni dei più grandi attori del cinema europeo: Isabelle Huppert, Valeria Bruni Tedeschi, Jean-Louis Trintignant, Isabelle Adjani, Daniel Auteuil, Charlotte Gainsbourg, Simone Signoret, Charlotte Rampling, Jean-Hugues Anglade. Dalla sua filmografia emerge il profilo di un autore che sa esplorare con notevole vigore espressivo i volti e i corpi dei suoi personaggi, indagando in profondità nei risvolti più intimi e nascosti dell’animo umano, senza compiacimenti né rassicurazioni. Circa la metà dei film in programma, irreperibili in Italia, sono presentati in versione originale con sottotitoli in italiano. La rassegna si inaugura martedi 16 con la proiezione di Persécution (ore 18:30, replica domenica 21 ore 21:15, versione originale con sottotitoli in italiano), ultimo film diretto dal regista, presentato al Festival del cinema di Venezia 2009 e alla “Panoramica” milanese in anteprima assoluta, che racconta l’infelicità di un uomo perseguitato e persecutore, amante geloso e infedele fagocitato dal suo stesso narcisismo.
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • Où Sont Les Femmes? Francine Laurendeau
    Document généré le 25 sept. 2021 06:13 Séquences La revue de cinéma Où sont les femmes? Francine Laurendeau Numéro 198, septembre–octobre 1998 URI : https://id.erudit.org/iderudit/49167ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Laurendeau, F. (1998). Où sont les femmes? Séquences, (198), 10–12. Tous droits réservés © La revue Séquences Inc., 1998 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ I E S T I V A L S CANNES 98 Où sont les remmes? as un seul film réalisé par une ans, Samira Makhmalbaf. Pendant le tournage femme, cette année, parmi les du film Silence, où elle est l'assistante de son P vingt-deux longs métrages de la com­ père (Mohsen Makhmalbaf, on l'aura deviné), pétition officielle, la plus prestigieuse et la elle est frappée par un fait divers situé dans un plus visible, donc la plus exposée des sections quartier pauvre de Téhéran. Un homme âgé du Festival de Cannes.
    [Show full text]
  • Contemporary European Cinema
    Contemporary European Cinema 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ CONTEMPORARY EUROPEAN CINEMA Contents Page IMPORTANT NOTE............................................................................................... 1 GENERAL INFORMATION.................................................................................... 2 APPROACHES TO RESEARCH, by Samantha Bakhurst .................................... 4 INTRODUCTION ................................................................................................... 6 NATIONAL CINEMAS • Books............................................................................................................... 8 • Journal Articles ................................................................................................ 17 THE INDUSTRY • Books............................................................................................................... 21 • Journal Articles ................................................................................................ 24 BOX OFFICE • Journal articles ................................................................................................ 28 FESTIVALS • Journal articles ................................................................................................ 31 TABLE ................................................................................................................... 35 WEB SITES ..........................................................................................................
    [Show full text]
  • P20 Layout 1
    20 Friday Lifestyle | Movies Friday, January 5, 2018 Cate Blanchett to head Cannes festival jury ate Blanchett, the double Oscar-winning actress leading a Hollywood campaign to tackle sexual harassment in the Cworkplace, will head the jury at this year’s Cannes Film Festival, organizers said yesterday. Australian Blanchett, 48, who helped launch the “Time’s Up” initiative this week following a string of sexual assault accusations against prominent men in the film industry, will become the 12th woman to lead the prestigious panel at Cannes, which kicks off on May 8. “We’re very pleased to welcome a rare and unique artist with talent and conviction,” Cannes president Pierre Lescure and del- egate general Thierry Fremaux said in a joint statement. “Our conversations this autumn convince us she will be a committed president, and a passionate and generous spectator.” The choice of Blanchett, who was named best actress at the 2014 Academy Awards for her role in Woody Allen’s “Blue Jasmine”, will be seen as politically charged after a year in which the sexual harassment scandal surrounding Hollywood mogul Harvey Weinstein sparked a deluge of allegations against powerful men in entertainment, politics and the media. Any male who thinks it’s his prerogative to sexually This combination of pictures created yesterday shows (from top left) US actress and president of the jury of 71th Cannes Festival Cate Blanchett on April 11, 2017, New Zealander director and president of the 67th Cannes Festival Jane Campion on May 13, 2014, French intimidate or
    [Show full text]
  • Gagosian Gallery
    Art Territory April 22, 2016 GAGOSIAN GALLERY The Pool as a Fire Jean Pigozzi’s book, “Pool Party: Sixty Years at the World’s Most Famous Pool” Una Meistere Jean Pigozzi. Elle Macpherson, 1991. Archival pigment print, 20 x 24 inches (50.8 x 61 cm). Edition of 15, plus 3 APs. © Jean Pigozzi. Courtesy of Gagosian Gallery “I see the symbol of the pool as a place where people used to settle around the fire. It’s a central focus of fun activities, where people are very relaxed, tell stories, jump in the pool and have a good time. That’s why I did this book, it’s completely based around the pool, and only around the pool,” says Jean Pigozzi – photographer, art collector, philanthropist and one of today's most extravagant characters on the contemporary art scene – when asked by Arterritory.com what is it about swimming pools that fascinates him, and could they be seen as a symbol of hedonism. Rizzoli Publications has just released Pigozzi's book, “Pool Party: Sixty Years at the World’s Most Famous Pool”, while New York's Gagosian Gallery has opened the doors to the exhibition “Johnny's Pool” (through May 28). The book is a collection of more than 100 photographs taken alongside Pigozzi's legendary “blue pool” at his Villa Dorane, on Cap d'Antibes. On the cover, supermodel Elle Macpherson carouses on an inflatable pool toy, while the pages within feature practically every show-business star of the 20th and 21st centuries: Sharon Stone, Naomi Campbell, Mick Jagger, Michael Douglas, Jack Nicholson, Robert de Niro, Helmut Newton, Swifty Lazar, Jane Fonda, Elizabeth Taylor, Mick Jagger, Julian Schnabel, Larry Gagosian, Woody Allen, and even Bono, who writes in the book's introduction: “Villa Dorane seemed like a chapter F.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Clara DeLamater: Franco American sculptor born in Neuilly, France. site: www.claradelamater.com Studies . Graphic Art School, Académie Julian, Paris, one year. Montparnasse School of Art, Atelier Moirignot, Paris, seven years. Fine Art School of Paris, Atelier Etienne Martin (sculpture), G. Picon (history of Art) Mr Gili (Drawing) Mr Lecoeur (Anatomy), three years. Apprenticeship and mastery of stone carving, technique of the three compasses, with Maître Jacques Gestalder, seven years. Commissions & Professional experience. 1977 - City of Saint Denis, commission of a zouave, plaster sculpture. 1978 - 80 - Sculpture professor at the Art School (CFTA) 8th arrd of Paris. 1981- 82 - Paris Opera: Tosca and Romeo and Juliette conductor S.Ozawa, Kiritekanawa and Barbara Hendrix, creation and realisation of four life size sculptures and participation of a 5 meter sculpture (Tosca). 1981- 82 - Cultural center Maurice Ravel, commission of a stone monument 2x2x1 meter (7 tons of stone). 1984 - Montparnasse cemetery, commission of a low relief 1,30x80x30 in stone for a writer (mr. Jaubert) on the theme, eternity, close to the tomb of Gainsbourg. 1985 - Commission of the Prince of Saudi Arabia of a bas relief in onyx in his home ave Foch in Paris 16 arrd. 1986 - Restauration of stone sculptures on the XVII th century facade, Paris 16arrd. 1987 - 88 - Commission of the Elysée Palace for the bust of President François Mitterrand ; 12 sittings of 3 hours at the Elysée Palace, Paris. 1988 - Commission of the bust of Marianne in bronze (symbol of France) for the main Town Hall of Marseille and Aix en Provence and other cities.
    [Show full text]
  • Le Cinéma Français De a À Z Olivier Bourque
    Document generated on 10/02/2021 5:23 a.m. Séquences La revue de cinéma Le cinéma français de A à Z Olivier Bourque Le cinéma français Number 253, March–April 2008 URI: https://id.erudit.org/iderudit/47352ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Bourque, O. (2008). Le cinéma français de A à Z. Séquences, (253), 31–31. Tous droits réservés © La revue Séquences Inc., 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ LE CINÉMA FRANÇAIS I DOSSIER LE CINÉMA FRANÇAIS DE A À Z • ABDELLATIF KECHICHE: Nouveau grand réalisateur français. • ' NOUVELLE VAGUE: Ils sont plusieurs au tournant des années 60 César du meilleur film en 2004 avec L'Esquive, il a frappé à prendre la caméra à l'épaule et à se laisser emporter par un grand coup cette année avec La Graine et le mulet que une joie filmique: Claude Chabrol, Louis Malle, Éric Rohmer plusieurs considèrent comme le plus grand film tricolore ou Jacques Rivette. Le terme a été inventé par Françoise depuis Sous le soleil de Satan.
    [Show full text]
  • Camille Claudel 1915’ Stars Juliette Binoche - Nytimes.Com
    ‘Camille Claudel 1915’ Stars Juliette Binoche - NYTimes.com http://www.nytimes.com/2013/10/16/movies/camille-claudel-1915-star... HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR U.S. Edition Try a Digital Subscription Log In Register Now Help Search All NYTimes.com Movies WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies or Showtimes by ZIP Code More in Movies » In Theaters Coming Soon Critics' Picks On DVD Tickets & Showtimes Trailers ArtsBeat MOVIE REVIEW Log in to see what your friends are sharing Log In With Facebook The Agony of an Artist’s Commitment on nytimes.com. Privacy Policy | What’s ‘Camille Claudel 1915’ Stars Juliette Binoche This? What’s Popular Now Felony Counts for Oregon Father’s 2 in Suicide of Memorial Trek Bullied Across Country 12-Year-Old Ends in a Family’s Second Tragedy Tickets & Showtimes Enter your ZIP code or city to view tickets and showtimes in your area. More Theaters Near You » Kino Lorber Juliette Binoche as Camille Claudel, a sculptor and former mistress of Rodin’s, who spent years in a mental institution. By STEPHEN HOLDEN Published: October 15, 2013 The brutally austere films of the French director Bruno Dumont FACEBOOK scrutinize human behavior with a chilly, quasi-scientific detachment TWITTER that borders on misanthropy. His characters are pitiable creatures GOOGLE+ whose baser instincts are in conflict with their spiritual aspirations. SAVE The sexual couplings in his movies are anti-romantic; his lovers rut like farm animals. E-MAIL SHARE More About This Movie When Mr.
    [Show full text]
  • Fall 2019 Rizzoli Fall 2019
    I SBN 978-0-8478-6740-0 9 780847 867400 FALL 2019 RIZZOLI FALL 2019 Smith Street Books FA19 cover INSIDE LEFT_FULL SIZE_REV Yeezy.qxp_Layout 1 2/27/19 3:25 PM Page 1 TABLE OF CONTENTS RIZZOLI Marie-Hélène de Taillac . .48 5D . .65 100 Dream Cars . .31 Minä Perhonen . .61 Achille Salvagni . .55 Missoni . .49 Adrian: Hollywood Designer . .37 Morphosis . .52 Aēsop . .39 Musings on Fashion & Style . .35 Alexander Ponomarev . .68 The New Elegance . .47 America’s Great Mountain Trails . .24 No Place Like Home . .21 Arakawa: Diagrams for the Imagination . .58 Nyoman Masriadi . .69 The Art of the Host . .17 On Style . .7 Ashley Longshore . .43 Parfums Schiaparelli . .36 Asian Bohemian Chic . .66 Pecans . .40 Bejeweled . .50 Persona . .22 The Bisazza Foundation . .64 Phoenix . .42 A Book Lover’s Guide to New York . .101 Pierre Yovanovitch . .53 Bricks and Brownstone . .20 Portraits of a Master’s Heart For a Silent Dreamland . .69 Broken Nature . .88 Renewing Tradition . .46 Bvlgari . .70 Richard Diebenkorn . .14 California Romantica . .20 Rick Owens Fashion . .8 Climbing Rock . .30 Rooms with a History . .16 Craig McDean: Manual . .18 Sailing America . .25 David Yarrow Photography . .5 Shio Kusaka . .59 Def Jam . .101 Skrebneski Documented . .36 The Dior Sessions . .50 Southern Hospitality at Home . .28 DJ Khaled . .9 The Style of Movement . .23 Eataly: All About Dolci . .40 Team Penske . .60 Eden Revisited . .56 Together Forever . .32 Elemental: The Interior Designs of Fiona Barratt Campbell .26 Travel with Me Forever . .38 English Gardens . .13 Ultimate Cars . .71 English House Style from the Archives of Country Life .
    [Show full text]