DOCSLIB.ORG

Late Night Jazz: Girls-Women-Ladies (W) Erstsendung: 29

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Late Night Jazz: Girls-Women-Ladies (W) Erstsendung: 29 Late Night Jazz: Girls-Women-Ladies (W) Erstsendung: 29. Oktober 2016 Samstag, 30. September 2017, 22.05 - 24.00 Uhr Redaktion: Beat Blaser Moderation: Annina Salis Joey DeFrancesco: It's About Time (1995) Label: Concord Track 6: The Most Beautuful Girl In the World Frank Sinatra: Sinatra 80th – All the Best (1956) Label: Capitol CD 1Track 19 : The Lady Is A TrampClark Terry & Kenny Drew : Clark Terry and the Young Titans of Jazz: Live At Marian's (2004) Label: Chiaroscuro CD 1: Track 11: Lady Be Good Oscar Petersen: 'With Respect to Nat - Oscar Peterson Trio & Studio Big Band (1965) Label: Verve Track When My Sugar Walks Down the Street Nat King Cole Trio: Jazz Reference: Nat King Cole - Route 66 (1943) Label: Dreyfus Jazz Track Sweet Lorraine Toots Thielemans & Shirley Horn Trio : Jazz Masters 59 - Toots Thielemans (1991) Label: Verve Track 1: For My Lady Carmen McRae: For Lady Day Vol.1 (1983) Label RCA, Novus Track 2: Miss Brown To You Carmen McRae: The Best Of Carmen McRae (1976) Label Blue Note Track 7: Miss Otis Regrets Bill Mays: Live At the Jazz Standard (2004) Label: Palmetto Track 1: Have You Met Miss Jones Kevin Mahogany: You Got What It Takes (1995) Label: Enja Track 4: Sophisticated Lady Stan Getz: The Final Concert Recording (1990) Label Eagle Reords CD 2 Track 3: Lonely Lady Eliane Elias: Something for You (2007) Label Blue Note Track 5: Waltz For Debby Ray Bryant Trio : Little Susie (1995) Label: Collectable Track 1: Little Susie Pablo Held: Forest of Oblivion (2011) Label: Pirouet Records Track 9: Ana Maria Gregory Porter: Take Me To The Alley (2015) Label: Blue Note Track 7: More Than A Woman Branford & Ellis Marsalis: Loved Ones (1995) Label: Columbia Track 2: Maria Carol Sloane: Sweet & Slow (1993) Label: Concord Track 8: A Woman‘s Intuition Sam Rivers: The Complete Blue Note Sessions (1964) Label: Mosaic Records Track 10: Beatrice Bob Dorough: Sunday At Iridium (2004) Label: Arbors Jazz Track 2: You're the Dangerous Type Of A Girl Othella Dallas: Free And Easy (2009) Label: Yellow Tree Track : Bad Girl Wynton Marsalis: He And She (2009) Label: Blue Note Track 19: Girls ! The Singers Unlimited: The Complete A Capella Sessions (1974) Label: MPS CD 2 Track 1: Girl Talk Trio Esperança: Segundo (1995) Label: Philips Track 7: Garota De Ipanema Charlie Mariano: Silver Blue (2006) Label: Enja Track 2: Cheers To My Lady Reservetitel Scott Hamilton Quintet: My Romance (1996) Label: Concord Track 3: Swingin’Till the Girls Come .
Load more

Recommended publications
  • Congressional Record United States of America PROCEEDINGS and DEBATES of the 106Th CONGRESS, SECOND SESSION
    E PL UR UM IB N U U S Congressional Record United States of America PROCEEDINGS AND DEBATES OF THE 106th CONGRESS, SECOND SESSION Vol. 146 WASHINGTON, FRIDAY, JUNE 23, 2000 No. 81 House of Representatives The House met at 9 a.m. lic for which it stands, one nation under God, gentlewoman from Colorado (Ms. The Chaplain, the Reverend Daniel P. indivisible, with liberty and justice for all. DEGETTE) had been disposed of and the Coughlin, offered the following prayer: f bill was open for amendment from page Almighty God, at times as true be- 35, line 8, through page 35, line 14. ANNOUNCEMENT BY THE SPEAKER lievers we seem aliens in a hostile land. Pursuant to the order of the House of Confirm us in our calling to be Your The SPEAKER. The Chair will enter- that day, no further amendment to the people. tain 1-minutes at the end of the legisla- bill shall be in order except pro forma As sojourners on our way to Your tive day today. amendments offered by the chairman eternal dominions, we can be so pre- f and ranking member of the Committee occupied ourselves that we are not as on Appropriations or their designees GENERAL LEAVE attentive as You would have us be to for the purpose of debate and amend- the human dramas that surround us Mr. ROGERS. Mr. Speaker, I ask ments printed in the CONGRESSIONAL each day. unanimous consent that all Members RECORD on or before June 22, 2000, At other times we are so distracted may have 5 legislative days within which may be offered only by the Mem- by flash bulbs and public opinion and which to revise and extend their re- ber who caused it to be printed or his so captivated by passing things that we marks on H.R.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • WDR 3 Persönlich Mit Götz Alsmann Vom 03.07.2021
    WDR 3 – Persönlich mit Götz Alsmann 03. Juli 2021 13:04-15:00 Stand: 03.07.2021 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. C’est Si Bon K/T: Seelen/ Hornez/ Betti 3:06 LOUIS AMSTRONG Polydor 71508; LC: 00309 LP: Louis Armstrong singt und spielt Welterfolge 2. Recoil K/T: George Handy 3:26 GEORGE HANDY X 1004; LC: 00316 LP: Handyland U.S.A. 3. Crazy Lady K/T: George Handy 3:03 GEORGE HANDY wie Titel 2 4. Rip Van Winkle K/T: Levinson/ Handy/ Leeds 3:23 BOYD RAEBURN Savoy 70543; LC: 00337 LP: Man With The Horns 5. Yerxa K/T: Hal McKusick 3:16 BOYD RAEBURN wie Titel 4 6. That Old Black Magic K/T: Harold Arlen/ Johnny Mercer 2:47 EARL BOSTIC King 827; LC: 99999 LP: Earl Bostic Plays Bossa Nova 7. Help Yourself To Some K/T: Brown 2:38 Tomorrow Ranwood 8152; LC: 99999 THE MILLS BROTHERS LP: Golden Anniversary 8. I’ve Found A New Baby K/T: Palmer/ Williams 2:48 THE MILLS BROTHERS MCA 1556; LC: 00171 LP: The Early Mills Brothers 9. The Flat Foot Floogie K/T: Gaillard/ Stewart/ Green 2:58 LOUIS ARMSTRONG & Historia 619; LC: 99999 THE MILLS BROTHERS LP: Louis Armstrong 10. Ida Sweet As Apple Cider K/T: Eddie Leonard 2:15 THE FOUR KNIGHTS Monogram 8; LC: 99999 EP: The Four Knights Sing Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt.
    [Show full text]
  • Sommaire Catalogue Jazz / Blues Octobre 2011
    SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 108 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 108 CONGRESS, FIRST SESSION Vol. 149 WASHINGTON, MONDAY, JUNE 9, 2003 No. 83 House of Representatives The House met at 12:30 p.m. and was morning hour debates. The Chair will and what happened is it resulted in the called to order by the Speaker pro tem- alternate recognition between the par- arrests of many activists after a mass pore (Mr. ISSA). ties, with each party limited to not to demonstration turned violent with f exceed 30 minutes, and each Member hundreds injured. Now, the defendants except the majority leader, the minor- were sent for trial under martial law. DESIGNATION OF THE SPEAKER ity leader or the minority whip limited The arrests and trials clearly articu- PRO TEMPORE to not to exceed 5 minutes. lated a need for changes in the govern- The SPEAKER pro tempore laid be- The Chair recognizes the gentleman ment and focused world attention on fore the House the following commu- from Florida (Mr. STEARNS) for 5 min- the political situation in Taiwan. nication from the Speaker: utes. Mr. Chen used his legal skills to de- WASHINGTON, DC, f fend their right to protest an authori- June 9, 2003. HONORING PRESIDENT CHEN OF tarian government. For his service, he I hereby appoint the Honorable DARRELL E. TAIWAN was imprisoned for 8 months. ISSA to act as Speaker pro tempore on this President Chen has served as a Taipei day. Mr. STEARNS. Mr. Speaker, I would city council member and, of course, as J.
    [Show full text]
  • Előadó Album Címe Hanghordozó Kiadó Release Oszlop1 Oszlop2
    Előadó Album címe Hanghordozó Kiadó Release Oszlop1 Oszlop2 Oszlop3Oszlop4 Oszlop5 A CAMP A CAMP CD STOCK 2001.08.16 A FINE FRENZY BOMB IN A BIRDCAGE CD VIRGI 2009.08.27 A FINE FRENZY PINES CD VIRGI 2012.10.11 A FLOCK OF SEAGULLS BEST OF -12TR- CD JIVE 2005.12.05 A FLOCK OF SEAGULLS PLAYLIST-VERY BEST OF CD EPIC 1990.06.30 A TEENS GREATEST HITS CD STOCK 2004.05.20 A TRIBE CALLED QUEST LOW END THEORY CD JIVE 2003.08.28 A TRIBE CALLED QUEST MIDNIGHT MARAUDERS CD JIVE 2003.08.28 A TRIBE CALLED QUEST PEOPLE'S INSTINCTIVE TRAV CD JIVE 2003.08.28 A.F.I. SING THE SORROW CD UNIV 2003.04.22 A.F.I. DECEMBER UNDERGROUND CD IN.SC 2006.06.01 AALIYAH AGE AIN'T NOTHIN' BUT A N CD JIVE 2005.12.05 AALIYAH AALIYAH CD UNIV 2007.10.04 AALIYAH ONE IN A MILLION CD UNIV 2007.10.04 AALIYAH I CARE 4 U CD UNIV 2007.11.29 AARSETH, EIVIND ELECTRONIQUE NOIRE CD VERVE 1998.05.11 AARSETH, EIVIND CONNECTED CD JAZZL 2004.06.03 ABBA 18 HITS CD UNIV 2005.08.25 ABBA RING RING + 3 CD POLYG 2001.06.21 ABBA WATERLOO + 3 CD POLYG 2001.06.21 ABBA ABBA + 2 CD POLYG 2001.06.21 ABBA ARRIVAL + 2 CD POLYG 2001.06.21 ABBA ALBUM + 1 CD POLYG 2001.06.21 ABBA VOULEZ-VOUS + 3 CD POLYG 2001.06.21 ABBA SUPERTROUPER + 3 CD POLYG 2001.06.21 ABBA VISITORS + 5 CD POLYG 2001.06.21 ABBA NAME OF THE GAME CD SPECT 2002.10.07 ABBA CLASSIC:MASTERS.
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • The Songs of Jimmy Mchugh
    Late Night Jazz: The Songs of Jimmy McHugh Samstag, 06. Mai 2017, 22.05 - 24.00 Uhr Der Name von Jimmy McHugh mag vergessen sein, seine Songs sind es nicht. Geboren 1894 begann er nach dem Ersten Weltkrieg für die Irving Berlin Company an zu arbeiten. Von 1917 datiert sein erster Song, bis zu seinem Lebensende 1969 schrieb er deren gut 250, fast immer in Zusammenarbeit mit den Textern Dorothy Fields oder Harold Adamson. Jimmy McHugh’s bekanntestes Lied ist zweifellos „On the Sunny Side of the Street“, unvergessen sind aber auch Perlen wie „Exactly Like You“, „I Can’t Give You Anything But Love“ oder „I’m in the Mood for Love“. Redaktion: Beat Blaser Moderation: Annina Salis Sonny Rollins: Sonny Rollins' Finest Hour (1957) Label: Verve Track 3: On The Sunny Side Of The Street Shirley Horn: You Won't Forget Me (1990) Label: Verve Track 7: I Just Found Out About Love Sonny Stitt: Sonny Stitt sits in with the Oscar Peterson Trio (1959) Label: Verve Track 1: I Can't Give You Anything But Love Wesla Whitfield: Let’s Get Lost (2000) Label: High Note Track 14: I'm Shooting High Track 12: You're the One for Me Frank Sinatra: Sinatra-Basie –A Musical First (1962) Label: Reprise Track 10: I Won't Dance Stefano Bollani: I’m In The Mood For Love (2008) Label: Venus Track 3: I'm In The Mood For Love Kurt Elling: Flirting With Twilight (2001) Label: Blue Note Track 11: Say It Chet Baker: The Complete Original Chet Baker Sings Sessions (1954) Label: Gambit Track 12: Let’s Get Lost John Coltrane : Ballads (1962) Label: Impulse! Track 3 : Too Young To
    [Show full text]
  • The Nat King Cole Songbook
    Late Night Jazz – The Nat King Cole Songbook Samstag, 22. September 2018 22.05 – 24.00 SRF 2 Kultur Es gab wohl keinen populäreren schwarzen Entertainer vor Michael Jackson als Nat King Cole. Geboren 1919, wurde er mit seinem Trio in den frühen 1940er-Jahren als swingender Sänger und brillanter Pianist berühmt. In der zweiten Hälfte seiner Karriere bis zu seinem frühen Tod 1965 war Cole der Sweet-Sänger schlechthin. Zwei Stunden Songs, die durch Nat King Cole berühmt wurden, in Interpretationen von Sängerinnen und Musikern, die ihrem grossen Kollegen Tribut zollen. Redaktion: Beat Blaser Moderation: Annina Salis Lester Young - Ultimate Lester Young (1946) Label: Verve Track 11: I Want to Be Happy The Best of the Nat King Cole Trio - The Vocal Classics, Vol. 1 (1942-1946) Label: Capitol Track 18: But She's My Buddy's Chick Kirk Lightsey Trio - From Kirk to Nat (1990) Label: Criss Cross Track 04: Bop Kick Diana Krall – All for You: A Dedication to The Nat King Cole Trio (1995) Label: Impulse Track 04: Frim Fram Sauce Nat King Cole & George Shearing - Let There Be Love (1961) Label: Blue Note Track 08: Fly Me to The Moon Clifford Brown: Clifford Brown & Strings (1955) Label: Verve Track 05: Stardust Oscar Peterson – Romance: The Vocal Styling of Oscar Peterson (1952) Label: Verve Track 02: Too Marvellous for Words Oscar Peterson - With Respect to Nat: Oscar Peterson Trio & Orchestra (1965) Label: Verve Track 01: When My Sugar Walks Down the Street Art Pepper - Discoveries (1954) Label: Savoy Track 17: The Way You Look Tonight The Singers Unlimited - The Complete a Capella Sessions (1974) Label: MPS Track 26: Sweet Lorraine Denzal Sinclaire - Denzal Sinclaire (2005) Label: Verve Track 01: Day in Day Out John Pizzarelli - Dear Mr.
    [Show full text]
  • Philips – Phonogram
    AUSTRALIAN RECORD LABELS PHILIPS – PHONOGRAM 1953–1970 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS – PHONOGRAM, 1953–1970 PHILIPS – PHONOGRAM LABELS INCLUDED IN THIS LISTING BUDDAH 1968-1970 POLYDOR 1956-1970 FONTANA 1958-1970 RIVERSIDE 1962-1964, 1969-1970 KAMA SUTRA 1969-1970 ROULETTE 1958-1961, 1970 LIMELIGHT 1965-1967 SWEET PEACH 1969-1970 MERCURY 1968-1970 TOPS 1958-1959 MGM 1967-1970 VERVE 1967-1970 PHILIPS 1953-1970 ZODIAC 1964-1970 A BRIEF HISTORY OF PHILIPS – PHONOGRAM 1891 GERARD PHILIPS, A 23 YEAR OLD ENGINEER, ESTABLISHES PHILIPS' FIRST FACTORY IN EINDHOVEN, THE NETHERLANDS. IN ITS FIRST YEAR THE FACTORY MADE 11,000 BULBS 1898 THE GERMAN-BASED SIEMENS COMPANY FOUNDS DEUTSCHE GRAMMOPHON GESELLSCHAFT (DGG) 1924 POLYDOR IS INTRODUCED AS A SECOND BRAND NAME FOR DGG ABROAD 1926 ESTABLISHMENT OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD IN SYDNEY, IMPORTING PHILIPS PRODUCTS FROM THE NETHERLANDS. ANTON DEN HERTOG IS THE FIRST MANAGING DIRECTOR. 1927 PHILIPS HEAD OFFICE AT 69 CLARENCE ST, SYDNEY 1929 DECCA RECORDS (LONDON) LICENCES H. W. VAN ZOELEN TO DISTRIBUTE THEIR RECORDS IN THE NETHERLANDS. HE FORMS HOLLANDSCHE DECCA DISTRIBUTIE (HDD). DURING THE 1930’S, HDD ESTABLISHES FACILITIES FOR A & R, RECORDING AND MANUFACTURE 1942 PHILIPS BUYS HDD 1942 FRANCISCUS N. LEDDY BECOMES MANAGING DIRECTOR OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD 1943 PHILIPS ELECTRICAL INDUSTRIES OF AUSTRALIA PTY LTD ESTABLISHED 1950 PHILIPS ELECTRONICS N.V. COMBINES ITS VARIOUS MUSIC BUSINESSES AND CREATES PHILIPS PHONOGRAPHISCHE INDUSTRIES (PPI), A WHOLLY OWNED SUBSIDIARY 1951 PPI AGREES TO DISTRIBUTE COLUMBIA RECORDINGS OUTSIDE THE U.S. THIS AGREEMENT RUNS TO 1961 1953 FIRST ISSUES FROM THE PHILIPS INTERNATIONAL CATALOGUE ARE RELEASED IN AUSTRALIA ON JUNE 4, 1953.
    [Show full text]
  • Atomic Energy
    THURSDAY, NOVEMBER 11, 1971 WASHINGTON, D.C. Volume 36 ■ Number 218 Pages 21569-21658 PART I Part II. begins on page 21651 HIGHLIGHTS OF THIS ISSUE This listing does not affect the legal status of any document published in this issue. Detailed table of contents appears inside. INCOME, ESTATE, AND GIFT TAX RETURNS— Presidential Executive order authorizing inspec­ tion by the Committee on Public Works............— 21575 ECONOMIC STABILIZATION— OEP supplemen­ tary guidelines effective 11—11—71-------- 21598 ANIMAL QUARANTINE— USDA proposes revision of hog cholera interstate regulations; comments within 30 days________________________________________ 21652 MEAT IMPORTS— USDA regulations on excessive meat importation; effective 11-11 -71 ------------ 21577 ANIMAL FEED LOTS— USDA regulation revoking approved lots; effective 11-11-71...... 21579 VIRUSES, SERUMS, AND TOXINS— USDA revo­ cation of regulations re anti-hog serum and chol­ era virus; effective 11-11 -71____________ 21579 ENVIRONMENT— AEC amendments to interim statement on implementation of National En­ vironmental Policy Act............ ......................... 21579 NUCLEAR LIABILITY INSURANCE— AEC regula­ tion relating to indemnity waivers of defenses endorsement...... ......... ................. ........-.................... 21580 FOOD ADDITIVES— FDA provision for safe use of certain drugs as antioxidant and stabilizer for polymers; effective 11—11—71............ 21588 SHIPMENT AND STORAGE OF FOOD AND ANI­ MAL FEED— FDA revision of policy on secondhand containers ...................................................................
    [Show full text]
  • Mel Lewis Audiovisual Collection Finding Aid (PDF)
    Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City The Mel Lewis Collection SIZE: DATE RANGE: 1939-1989 ACQUISITION: ACCESS: This is a non-circulation collection. Listening stations are available in the archives. COPYRIGHT: Requests for permission to publish material from this collection should be discussed with the Special Collections Librarian or other authorized agent. ACCEPTED BY: Chuck Haddix PROCESSED BY: Andrew Hansbrough/Cody Kauhl SUPERVISING ARCHIVIST: Kelley Martin BIOGRAPHICAL SKETCH: http://library.umkc.edu/spec-col-collections/lewis-mel Mel Lewis (May 10, 1929-February 2, 1990) was born Melvin Sokoloff in Buffalo, New York, to Russian immigrant parents. His father was a drummer in the Buffalo area who inspired his son to follow in his footsteps from an early age. Still in his mid teens, Lewis played with nationally known jazz musicians Harold Austin and Lenny Lewis. Early credits also include stints with Bernie Burns (1946), Boyd Raeburn (1948), Alvino Rey (1948-9), Ray Anthony (1949-50, 1953-54), and Tex Beneke (1950- 53). In 1954 he joined Stan Kenton's band, playing alongside such musicians as Jimmy Giuffre, Maynard Ferguson, Laurindo Almeida, Vido Musso, and vocalist June Christy. During his three-year tenure with Kenton, Lewis also worked and recorded with the Frank Rosolino quintet and the Hampton Hawes Trio. In 1957, Lewis settled in Los Angeles where he led a quintet with another ex-Kenton sideman, saxophonist Bill Holman. He worked with the big bands of Gerald Wilson and Terry Gibbs, recording with the latter between 1959-62. The early 1960s saw Lewis in New York with the Gerry Mulligan Concert Jazz Band, in Europe with Dizzy Gillespie, and in Russia with Benny Goodman.
    [Show full text]