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SIMON INGRAM B GOW LANGSFORD GALLERY SIMON INGRAM b. 1971, New Zealand. Lives and works in Auckland Simon Ingram’s painting practice sets up a conversation between art and technology. Having exhibited in New Zealand, Europe and the U.S. for more than ten years, Ingram has an established exhibition history, a highlight of which is his inclusion in Minus Space at P.S.1 Contemporary Art Center - MoMA affiliate in Long Island City, New York. Ingram has a Doctorate of Fine Art from Elam School of Fine Art, University of Auckland (2006) where he is now a Senior Lecturer. He has won notable awards, including the University of Auckland Best Doctoral Thesis Award (2007). His work is held in key New Zealand private collections and in public collections including the Auckland Art Gallery Collection. Simon Ingram has exhibited with Gow Langsford Gallery since 2008. EDUCATION 2006 DocFA, University of Auckland, New Zealand 1999 Masters in Visual Arts, Sydney College of Art, University of Western Sydney, Australia Certificate in Information Technology, Sydney TAFE, Sydney, Australia 1995 Post Graduate Diploma, University of Western Sydney, Australia 1992 BA Fine Art, University of Auckland, New Zealand SOLO EXHIBITIONS 2013 Radio Painting Station, JAR, Auckland 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY Interview with a Painting, Gow Langsford Gallery, Auckland Smoking Bolts, Artspace, Sydney 2011 En Plein Air, The Suburban, Chicago Little Wolf Field Recordings, The Great Poor Farm Experiment, Chicago Radio Painting, Gow Langsford Gallery, Auckland 2009 Random Walk in Brussels, CCNOA, Brussels /Brüssel Boing Boom Tschak! Gow Langsford Gallery, Auckland 2007 Drawing for an Autopoietical Painting:Monochrome in C with Monochrome in K, A Centre for Art, Auckland 2006 Matter Thinks, Snowwhite Gallery, Unitec, Auckland Reading Room, Jackson Mac Low Interview with a Painting, rm103, Auckland 2005 Painting as Machine, George Fraser Gallery, University of Auckland, Auckland Drawing Machine, Clubs Project Space, Melbourne Drawing Machine, Canary Gallery, Auckland Garden, Vavasour Godkin Gallery, Auckland 2004 Painting as Machine, Auckland, Te Tuhi Centre for the Arts, Auckland Towards a Painting that Thinks, MOP Projects, Sydney 2003 Dialogical Paintings, rm103, Auckland Simon Ingram—MOP Projects, Sydney Space Paintings, Vavasour Godkin Gallery, Auckland 2001 Lines, Vavasour Godkin Gallery, Auckland AEIOU, Published Art Bookshop, Sydney 1999 Informational Space, Vavasour Godkin Gallery, Auckland Simon Ingram, Gallery South, Sydney 1998 Studio Show, 18th Street Santa Monica, Santa Monica, California 1997 Industrial Watercolours, Vavasour Godkin Gallery, Auckland Information Paintings, CBD Gallery, Sydney 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY 1996 Instrumental, Vavasour Godkin Gallery, Auckland Paintings with Rules, CBD Gallery, Sydney SELECTED GROUP EXHIBITIONS 2014 Freeze, Gow Langsford Gallery, Auckland 2013 Studio Situation, as part of As Many Structures as I Can, The Dowse Art Museum, Wellington 2012 Looking for the Waterhole, as part of Dark Sky, Adam Art Gallery, Wellington Procedure, RM, Auckland Contact: Artists from Aotearoa New Zealand, Frankfurter Kunstverein, Frankfurt am Main Simon Ingram and James Cousins, 21st Projects, New York 2011 Driven to Abstraction, Gow Langsford Gallery, Auckland The Last Group Show: Dashper, Gardiner, Ingram, Nixon. SNO67, Sydney Non-Objective, Sydney 2010 Julian Dashper (1960-2009): It Is Life, Minus Space, Brooklyn With Your Eyes Only in Brussels, CCNOA, Brussels TAG: James Cousins and Simon Ingram, Gow Langsford Gallery, Auckland 2009 With Your Eyes Only—Perceptive Moments (An Investment in Time), Kunstverein Medienturm, Graz Self-Making Painting Machine, PULSE Art Fair, New York 2008 Drunken Walk in New York, MoMA PS1, New York Yo Mo Modernism, CCNOA, Brussels Non-Objective Art and Concrete- Constructive Works, Gesellschaft für Kunst und Gestaltung e.V. (GKG), Bonn My Eyes Keep Me in Trouble, The Physics Room, Christchurch Cutler, 2011 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY Julian Dashper — 1994, 2001, 2008; Simon Ingram — 1996, 2002, 2008; Salvatore Panatteri — 1998, 2003, 2008, Newcall Gallery, Auckland 2007 A Purposeless Production/A Necessary Praxis, ST PAUL St Gallery, Auckland Four Times Painting, Adam Art Gallery, Wellington The Secret Life of Painting, Dunedin Public Art Gallery, Dunedin SNO31, Sydney Non-Objective, Sydney A Greater Purpose, Gow Langsford Gallery, Auckland 2006 Just Painting, Auckland Art Gallery, Auckland Satellite, Shanghai Four Nails, ST PAUL St Gallery, Auckland The Future of Painting, Canary Gallery, Auckland SNO14, Sydney Non-Objective, Sydney 2005 The Chartwell Collection: Snake Oil, Auckland Art Gallery, Auckland 2004 Seeds of Order—Chaos of Rhythms, Anna Bibby Gallery, Auckland New New Zealand Art, MOP Projects, Sydney Duets, RAMP Gallery, Hamilton 2003 From the Shadows to the Sun, rm103, Auckland Yellow Pages, Artwalk Staatsliedenbuurt district, Amsterdam Netherlands Portraiture—The Art of Social Commentary, Te Tuhi Centre for the Arts, Auckland Group Show, MOP Projects, Sydney 2002 Group Show, Vavasour Godkin Gallery, Auckland 2001 False Narratives, Experimental Art Foundation, Adelaide, City Art Gallery, Wollongong, RMIT Gallery, Melbourne Saturated Skins, Vavasour Godkin Gallery, Auckland Actually, Rubyayre Gallery, Sydney 1998 Screen Show, Vavasour Godkin Gallery, Auckland Jim Speers & Simon Ingram, CBD Gallery, Sydney 1997 Toby Curnow & Simon Ingram, Pendulum Gallery, Sydney 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY 1996 CBD Benefit Show, CBD Gallery, Sydney 1995 Debut Exhibition, Inhouse Gallery, Auckland A Very Peculiar Practice, Aspects of Recent New Zealand Painting, City Gallery Wellington, Wellington SELECTED BIBLIOGRAPHY Conland, N. (2007) Four Times Painting, Edited by Christina Barton. Published by The Adam Art Gallery, Victoria University of Wellington. Wellington, New Zealand Moderne Jardin, 2009, oil on linen, 700 x 700 mm Di Stephano. J and the Satellite curatorial board, (2006). Shanghai, China Laird, T. (2005) New Zealand Listener, April 14 - 28. Auckland, New Zealand Gifford, A. (2005) Magic of the Machinesm The New Zealand Herald, Weds March 30. Auckland, New Zealand Smith, A. and S. Ingram. (2004), Towards a Painting That Thinks, Manukau City, ArtSchool Press, Manukau Insitute of Technology. ISBN 0-476-00671-6. Auckland, New Zealand Fowler, R. (2003) Portraiture, The Art Of Social Commentary, Te Tui-the Mark. Manukau City, New Zealand McNamara, T.J. (2003) Dynamic variations of simple patterns, NZ Herald, Auckland, New Zealand Green, T. (2001) Lines, PostWest Magazine. University of Western Sydney. Edited by Ben Genocchio. Sydney, Australia. Smith, A. (2000) Informational Space. Like Art Magazine, RMIT, Edited by Robin McKenzie, Melbourne, Australia Green, T. (1998) Industrial Watercolours, The Physics Room website (http://www. physicsroom.org.nz/) Edited by Tessa Laird, Christchurch, New Zealand Smith, A. (1997) New Zealand Modernism, The Content of Form - Paintings From the Gibbs Collection, Edited by James Ross, Auckland, New Zealand Smith, A and Davis, L. (1995) A Very Peculiar Practice, Aspects of Recent New Zealand Painting, Wellington, City Gallery, ISBN 0-908818-31-9 Ingram. S. (2008) Conference presentation and contribution to proceedings. Tipping paintings verticality on its side, In the The International Association for Philosophy and Literature, Melbourne Ingram. S. (2006) Short monograph. The Value of Andy Barbers No Collar Abstraction, New Artist Show, Artspace, Auckland. Ingram, S. (2006) Short monograph. Milan Habers Deep Drawing, SnowWhite Gallery, Unitec, Auckland. Ingram, S. (2006) Conference presentation and contribution to proceedings, Painting as a Thinking Machine. In the conference workshop Computational Aesthetics: Artificial 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY Intelligence for Beauty and Happiness, The Twenty-First National Conference on Artificial Intelligence, Boston Ingram, S. (2006) Short monograph. Simon Dennys Bright Lumpen Object Sentences. Catalogue essay for forthcoming publication at Michael Lett Gallery, Auckland, New Zealand Ingram, S. (2005) Essay/interview, Ingram Interviews Armanious: The Potting Shed Cosmologist. Natural Selection, Edited by Gwynneth Porter and Dan Arps, Auckland, New Zealand Ingram, S. (2005) Conference presentation and contribution to proceedings, Painting Life: Automata in Painting and A-life, International Conference on Technology, Knowledge and Society, University of California, Berkeley, USA Ingram, S. (2004) Artist portfolio, “Dialogical Paintings.” Landfall (207): 128-137. ISSN 00- 23-7930. University of Otago, Dunedin, New Zealand Ingram, S. (2004) Journal article, “Machinic Practice in Painting.” Junctures - The Journal for Thematic Dialogue 2(2): 33-44. ISSN 1-877139-65-3. Otago Polytech,
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