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Licht Ins Dunkel“
O R F – J a h r e s b e r i c h t 2 0 1 3 Gemäß § 7 ORF-Gesetz März 2014 Inhalt INHALT 1. Einleitung ....................................................................................................................................... 7 1.1 Grundlagen........................................................................................................................... 7 1.2 Das Berichtsjahr 2013 ......................................................................................................... 8 2. Erfüllung des öffentlich-rechtlichen Kernauftrags.................................................................. 15 2.1 Radio ................................................................................................................................... 15 2.1.1 Österreich 1 ............................................................................................................................ 16 2.1.2 Hitradio Ö3 ............................................................................................................................. 21 2.1.3 FM4 ........................................................................................................................................ 24 2.1.4 ORF-Regionalradios allgemein ............................................................................................... 26 2.1.5 Radio Burgenland ................................................................................................................... 27 2.1.6 Radio Kärnten ........................................................................................................................ -
ORF Multimediales Archiv
ORF Multimediales Archiv BENUTZUNGSHINWEISE Externe Recherche-Station Universitäts- und Landesbibliothek Tirol A-6020 Innsbruck, Innrain 50 Tel.: +43 (0) 512-5072401 Home: https://www.uibk.ac.at/ulb/ [email protected] Stand: August 2021 Inhalt Inhalt ............................................................................................................................................................. 2 Einleitung ..................................................................................................................................................... 3 Informationen zur mARCo Suche ............................................................................................................ 4 Video-Bestand ......................................................................................................................................... 4 Suche in allen Textfeldern ..................................................................................................................... 5 Sendedatum ............................................................................................................................................ 5 Nur mit Preview ....................................................................................................................................... 6 Titel ........................................................................................................................................................... 6 Inhalt ........................................................................................................................................................ -
Beyond Green: the Arts As a Catalyst for Sustainability
Beyond Green: The Arts as a Catalyst SESSION REPORT for Sustainability 561 Salzburg Global Seminar is grateful to the Edward T. Cone Foundation for its generous support of Session 561. We are also grateful for the additional support from the Robert Rauschenberg Foundation, the Bush Foundation, the David Rockefeller Fund and Red Bull Amaphiko. Salzburg Global Seminar would like to thank all participants for donating their time and expertise to this Session. Session 561 February 19 to 24, 2016, Salzburg, Austria Beyond Green: The Arts as a Catalyst for Sustainability Report Authors: Holly Sidford and Alexis Frasz Photos: Herman Seidl Cover Image: Mundano 03 Session 561 | Beyond Green: The Arts as a Catalyst for Sustainability Table of Contents 05 Summary 09 Introductory Session 11 Plenary Sessions 11 Opening Conversation: Artists Inspiring Change 13 Raising Awareness and Catalyzing Public Engagement 15 Learning from ArtCOP21 17 Changing Mindsets and Shifting Behaviors 19 The City as Driver of Change 22 Designs on the Future 24 Enablers of Change 26 Encouraging Bolder Policymaking 29 Fireside Chat: We Are What We Eat 31 Small Group Summaries and Recommendations 31 Regional Groups 32 Discussion Groups 32 Group 1 – Artists Catalyzing Change 33 Group 2 – Raising Awareness, Engaging the Public, and Changing Behavior 34 Group 3 – People and Planet: Connecting Stewardship, Justice and Prosperity 35 Group 4 – Sustainability and the City 36 Group 5 – Forging New Alliances and Partnerships for Exponential Change 38 Conclusion APPENDIX 40 List of Session Particitpants, Observers and Staff 04 Summary The creative sector is playing an increasingly significant role in raising awareness of climate change and encouraging sustainable social, economic, and environmental practices worldwide. -
O R F – J a H R E S B E R I C H T 2 0
III-384 der Beilagen XXV. GP - Bericht - Hauptdokument gesamt (elektr. übermittelte Version) 1 von 193 O R F – J a h r e s b e r i c h t 2 0 1 6 Gemäß § 7 ORF-Gesetz März 2017 Dieser Text wurde elektronisch übermittelt. Abweichungen vom Original sind möglich. www.parlament.gv.at 2 von 193 III-384 der Beilagen XXV. GP - Bericht - Hauptdokument gesamt (elektr. übermittelte Version) Inhalt INHALT 1. Einleitung ....................................................................................................................................... 7 2. Erfüllung des öffentlich-rechtlichen Kernauftrags.................................................................. 11 2.1 Radio ................................................................................................................................... 11 2.1.1 Österreich 1 ............................................................................................................................ 12 2.1.2 Hitradio Ö3 ............................................................................................................................. 17 2.1.3 FM4 ........................................................................................................................................ 21 2.1.4 ORF-Regionalradios allgemein ............................................................................................... 24 2.1.5 Radio Burgenland ................................................................................................................... 24 2.1.6 Radio Kärnten ........................................................................................................................ -
Spring 04 2-16B.Idd
CENTER FOR AUSTRIAN STUDIES AUSTRIAN STUDIES NEWSLETTER Vol. 16, No. 1 Spring 2004 Barbara Krauss-Christensen retires by Daniel Pinkerton For 26 years—through changes of directors, location, financing, and scholarly mission—the one constant at the Center for Austrian Stud- ies has been Barbara Krauss-Christensen, our executive secretary. On July 1, 2004, she will retire, marking the end of an era, and changing CAS forever. Krauss-Christensen arrived at the Center in the fall of 1978, one year after its founding, an M.A. in German in hand. “Barbara was the rock upon which the Center was founded,” William Wright, the Cen- ter’s founding director, asserted. “She had little to work with in those lean, early days, but she never faltered or fretted. She was always there, ready to see to the welfare and mission of the Center. In later years, after prosperity brought many more people into the office, it would be easy to forget how Barbara had carried the load quite alone for many years.” Over the years, Krauss-Christensen learned more than any direc- tor or visitor possibly could about the ins and outs of university and government paperwork—visas, reimbursement forms, budgeting, and the like. “While directors have come and gone, it has been Barbara who has held the Center together and has maintained an institutional memory better and more reliably than any computer,” according to former CAS interim director Gerhard Weiss. “If it had not been for the reassurance of Barbara’s presence, I never would have accepted the Center’s interim directorship.” “Her fierce loyalty to the Center and its mission, and her willingness to put in long hours were major factors in the Center’s success,” for- mer director David Good maintains. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Senderliste Radiosenderliste
Senderliste Radiosenderliste Österreich ORF Radiosender Ö3 Freies Radio Salzkammergut MusicaInfo.net - Populäre Blasmusik FM4 Freirad 105.9 MusicaInfo.net - Solistische Musik Ö1 HEROLD relax radio MusicaInfo.net - Spiel in kleinen Gruppen Radio Wien JOYradio MusicaInfo.net - Streich- und Symphonieorchester Radio OÖ KärntenLive 106.6 MusicaInfo.net - Symphonische und zeitgenössische Radio Tirol KärntenLive 106.6 - Studio2 Blasmusik Radio Kärnten KRONEHIT MusicaInfo.net - Traditionelle Blasmusik Radio Vorarlberg KRONEHIT - 90s Dance MusicaInfo.net - Wunschkonzert Radio Salzburg KRONEHIT - Absolut Anita NJOY Radio Radio Steiermark KRONEHIT - Balkan-Beats NJOY Radio - Wien Radio NÖ KRONEHIT - Best of 2016 NOW Radio Radio Burgenland KRONEHIT - Black Oldie Party Austria KRONEHIT - Boygroups orange 94.0 A1 TV Plus Webradio KRONEHIT - Charts ORF Radio Wien 80s-Radio KRONEHIT - Clubland XXL ORF Slovenski Radijski Spored 98.3 Superfly KRONEHIT - Dance Peters Plattenthek Antenne Kärnten KRONEHIT - Digital Planet Lounge Radio Antenne Salzburg KRONEHIT - Electric Pur-Radio - Oberkrainerpur Antenne Steiermark KRONEHIT - Electric Love Pur-Radio - Schlagerpur Antenne Tirol KRONEHIT - Fresh Pur-Radio - Volksmusikpur Antenne Vorarlberg KRONEHIT - German Hip Hop Q Radio Antenne Vorarlberg - 00er Hits KRONEHIT - Girlpower Radio 88.6 Antenne Vorarlberg - 80er KRONEHIT - Greatest Hits Radio 88.6 - Regional Antenne Vorarlberg - 90er KRONEHIT - Interactive Radio 88.6 - Rock Antenne Vorarlberg - Christkindleradio KRONEHIT - Latino Radio Agora Antenne Vorarlberg -
Tyler Coburn Born 1983, New York Lives and Works in New York
Tyler Coburn Born 1983, New York Lives and works in New York EDUCATION Whitney Independent Study Program, Studio Concentration, New York, 2013 – 14 University of Southern California, Roski School of Fine Arts, Los Angeles CA M.F.A. Studio Art, 2012 Yale University, New Haven CT B.A. Literature with an Interdisciplinary Concentration in Visual Culture, 2006 SELECTED EXHIBITIONS AND PROJECTS 2021 vogliamo tutto, OGR, Turin Time Capsule 2045, an Art by Translation project at Palais des Beaux-arts, Paris Tribunalism, an exhibition and conference at Leuphana University Lüneburg 52 Proposals for the 20s, invited by Maria Lind Pizza Piennale, co-organized with Volk Lika, Always Fresh, New York 2020 Counterfactuals, a workshop and project for Wendy’s Subway, New York Counterfactuals, Cultural Capital Introspection (CCI), Ukraine Selfing, two talks and a collective animation project for Home Cooking Archimime, a video collaboration with Aura Rosenberg c/o Meliksetian | Briggs and galleryplatform.la Resonator, an audio work for Infrasonica’s Sonic Realism / Wave #2 Excerpt from Body Work in Sibling Gardens 2, curated by Viktor Timofeev, Montez Press Radio 2019 What We Mean By Freedom, Kunstverein Bielefeld Re-Imagining Futures, curated by Henk Slager, On Curating Project Space, Zurich Report, MMCA Changdong, Seoul 24/7, curated by Sarah Cook, Somerset House, London Self as Actor, NeMe, Cyprus OPEN SCORES. How to program the Commons, panke.gallery, Berlin 2018 Ergonomic Futures, with furniture permanently installed in Centre Pompidou and Museum of Man, Paris Remote Viewer, Koenig & Clinton, New York (solo) Remote Viewer, an animated essay for Tensta Konsthall’s SPACE platform Remote Viewer, a workshop at Triangle Arts Association, New York (in collaboration with Ian Hatcher) On Circulation, Bergen Konsthall Stagings. -
Dank an - Thanks to Andrea, Liesbeth Waechter-Böhm, Marta Rotter, Bernadette Harrant, Jonny Foot, Sowie an Alle Gastautoren, Mitarbeiter, Fotografen Und Bauherren
APOP ® Dank an - Thanks to Andrea, Liesbeth Waechter-Böhm, Marta Rotter, Bernadette Harrant, Jonny Foot, sowie an alle Gastautoren, Mitarbeiter, Fotografen und Bauherren ... Autoren Georg Driendl 1956 in Innsbruck geboren, 1983 Diplom an der Akademie der Bildenden Künste in Wien bei Roland Rainer und Timo Pentillä, 1983-1985 konzeptionelle Studien, städtebauliche Analysen und Arbeiten im Experimentalfilmbereich, 1985-1995 Bürogemeinschaft driendl*steixner, seit 1996 driendl*architects: wir entwickeln und erarbeiten prototypische Lösungen für Möbel, Gebäude, Infrastruktur, künstliche Umwelt, Stadt und setzen uns mit Geschichte sowie Theorie von Baukultur auseinander. Lehrtätigkeit: 2004 Gastprofessur an der Chiba University Tokyo, 2003-2004; Gastprofessur an der Universität Innsbruck; 2000, 2001 Gastprofessur an der TU Graz; 1997 Gastprofessur an der TU Cottbus; seit 1997 Kooperation mit – und mehrere Gastprofessuren an der TU Wien Auszeichnungen, Auswahl: 2009 Great Leaf Award Nominierung (GB); 2009 IOC/ IAKS International Architecture Award, Silber; 2009 ISR Architektur Award, Preis für herausragende Architektur am Berg 1. Preis (A); 2009 Green Good Design Award (USA); 2008 Staatspreis für Architektur, Zweifachnominierung (A); 2008 Chicago Athenaeum International Architecture Award (USA); ; 2008 1. Innovationspreis / Solidbau (A); 2008 1. Österreichischer Stahlbaupreis (A); 2007 Europa Nostra Prize (Diploma) for Cultural Heritage (EU) ; 2007 Chicago Athenaeum International Architecture Award (USA); ; 2007 Otto Wagner Städtebaupreis, Würdigung -
Roland Rainer. (Un)Disputed a New Look at the Work (1936–1963) Sammlungslab #3
Roland Rainer. (Un)Disputed A New Look at the Work (1936–1963) SammlungsLab #3 Exhibition: 20.10 – 10.12.2018, Gallery Press conference: Fri 19.10, 11:00 Opening: Fri 19.10, 19:00 At least since the study commissioned by the City of Vienna of person-related street signs, where Roland-Rainer-Platz is categorised as "a case requiring discussion", issues have arisen around the gaps the architect himself left in his biography during the Nazi period. Roland Rainer (1910–2004) numbers among the most notable Austrian architects of the 20th century. His buildings are key to the identity of modern democratic Austria. Rainer's housing estate concept for the "structured and dispersed city" is still considered the most important model of space-saving, low-level housing. During the Nazi period, Rainer acquired his knowledge of fundamental urban research at the Deutsche Akademie für Städtebau, Reichs- und Landesplanung, which served him after 1945 as the basis for a series of theoretical publications. The continuity of the concepts in Rainer's work and his professional career suggest his flexibility in adapting to different political systems. He left only a rudimentary commentary on the Nazi years in his own biographical accounts, and many questions open. The acquisition of Roland Rainer's estate by the Az W in 2015 has provided an opportunity to re-examine his oeuvre and his biography. The focus is on the period from 1936, when Rainer left for Berlin, until 1963, the year he resigned his position with the City of Vienna planning department. In the third edition of the SammlungsLab series of exhibitions, in cooperation with the Academy of Fine Arts Vienna, the first findings of extensive research in archives in Austria and abroad are presented and discussed in an accompanying international symposium. -
Tackling Eco-Urbanity: Housing and Placemaking at the Urban Edge
ITU A|Z VOL: 7 NO: 2, 163-184 2010-2 Tackling eco-urbanity: Housing and placemaking at the urban edge A.Senem DEVİREN Istanbul Technical University, Faculty of Architecture, Istanbul, TURKEY Received: September 2010 Final Acceptance: Novermber 2010 Abstract: With more than half of the world population is now living in urban settlements, urban growth is almost inevitable. But our cities are not growing in healthier and ecological ways, they are ‘sprawling’. Much of this sprawl is a result of new housing developments and constructions for their related services, occurring rapidly one after the other at urban peripheries. There are several principles and guidelines offered for ‘ecologic’ urban planning and ‘eco’ or ‘green’ building design. However, most of these guidelines are rigid, contemporary market-driven and global ‘checklists’ with no ability to inform local urban design and interdisciplinary practice and polarizing the differences in design disciplines with their incompetent content that is far from addressing the symbolically, ecologically and functionally powered interrelations between built environments and nature. This paper addresses ecological housing design and planning at urban edges by proposing an updated urban design strategy –the placemaking strategy- and testing its role in monitoring eco-urban development with actual case studies on two ecological settlements at the urban edge of Linz, Austria. The study investigates and highlights the importance of architecture and landscape combined comprehensive urban design strategy to preserve land, prevent consumption in all terms, to utilize the on-site resources, and use of renewable energy sources, to improve functional and social performance of urban contexts at urban edges and maintain healthy living conditions for the inhabitants for longer term goals of livability and sustainability. -
ORF-Jahresbericht 201 3
III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) 1 von 100 ORF-Jahresbericht 201 3 Gemäß § 7 ORF-Gesetz März 2014 www.parlament.gv.at 2 von 100 III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) www.parlament.gv.at III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) 3 von 100 Inhalt INHALT 1. Einleitung ................................................................. ...................................................................... 7 1 .1 G ru n d lagen .......... ................................................................................................................. 7 1.2 Das Beri chtsja h r 2013 ............... ........................................................................................ .. 8 2. Erfüllung des öffentlich-rechtlichen Kernauftrags ........... ....... ................................................ 15 2.1 Rad io ................................................................. .................................................................. 15 2.1.1 Österreich 1 ....... .. .............. 16 2.1.2 Hitradio Ö3 ... ............... .................. .21 2.1.3 FM4 .. .. .. ... .................. .. .. ... 24 2.1.4 ORF-Regionalradios allgemein .. ... ............. .................. 26 2.1.5 Radio Burgenland ........ 27 2.1.6 Radio Kärnten ........... .................... .. ....... 30 2.1.7 Radio Niederösterreich. ... 33 2.1.8 Radio Oberösterreich .. 35 2.1.9 Radio Salzbur9 ..............