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The Dramatic Works of Robert Greene: Alphonsus, King of Arragon. James

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The Dramatic Works of Robert Greene: Alphonsus, King of Arragon. James Informazioni su questo libro Si tratta della copia digitale di un libro che per generazioni è stato conservata negli scaffali di una biblioteca prima di essere digitalizzato da Google nell’ambito del progetto volto a rendere disponibili online i libri di tutto il mondo. Ha sopravvissuto abbastanza per non essere più protetto dai diritti di copyright e diventare di pubblico dominio. Un libro di pubblico dominio è un libro che non è mai stato protetto dal copyright o i cui termini legali di copyright sono scaduti. La classificazione di un libro come di pubblico dominio può variare da paese a paese. I libri di pubblico dominio sono l’anello di congiunzione con il passato, rappresentano un patrimonio storico, culturale e di conoscenza spesso difficile da scoprire. 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Google Ricerca Libri aiuta i lettori a scoprire i libri di tutto il mondo e consente ad autori ed editori di raggiungere un pubblico più ampio. Puoi effettuare una ricerca sul Web nell’intero testo di questo libro da http://books.google.com 1 This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com Ż Che (Iniversity of Chicago Tibraries WILLIAM STANTON MON ROE AND LUCY MON ROE CALHOUN → → → *** THE DRAMATIC WORKS OF ROBERT GREENE, TO WHICH ARE ADDED HIS POEMS. WITH SOME ACCOUNT OF THE AUTHOR, AND NOTES BY THE REV. ALEXANDER DYCE, B. A. VOL. II. LONDON : WILLIAM PICKER IN G. 1831. s Hºs º ! *::: *: sº º:*** * C. w if ITTING HAM, T00KS COURT, C H A N C E R Y r x ...u...v., vv.--" " 1438G28 CONTENTS O tº T H E SEC O N D V O L U M E. Page Alphonsus, King of Arragon................................... i James the Fourth................................. ... 69 George-a-Greene, the Pinner of Wakefield ... ... 159 Specimen of the History of George-a-Greene................. 206 • Ballad of the Jolly Pinder of Wakefield, with Robin Hood, Scarlet, and John................................ - - - - - - - - - - - - - - - - 210 Poems from Morando, the Tritameron of Love............... 215 Menaphon, or Arcadia............ - - - - - - - - - - - - - - - - - 217 Perimedes, the Blacksmith ...... - - - - - - - - - - - - - - - ... 236 Pandosto, the Triumph of Time, or Dorastus and Fawnia ....................... ............... 242 Never Too Late................................... ... 243 Mourning Garment... ... 274 Farewell to Folly... ............................... 287 Groatsworth of Wit....... ........ ..... 290 Ciceronis Amor, Tully's Love.. ..... 294 Philomela, the Lady Fitzwater's Nightingale. 301 The Second Part of Mamillia ................... 306 The Orpharion ...................................... 308 Penelope's Web............................ - - - - - - - - - 3.11 Arbasto........ - - - - - - - - - - - - - - - - - - - - - .................. 313 Alcida ................................................ 315 England's Parnassus............................... 319 Addenda to the Notes........... - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 321 Index ................................ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 323 7, 2, 2 e o N ALPHONSUS, KING OF ARRAGON. WOL. I. I. B THE COMICAL HISTORY OF ALPHONSUS, KING OF ARRAGON. ACT I. After you have sounded thrice, let VENUs be let down from the top of the stage, and when she is down, say : VENUs. Poets are scarce, when goddesses them selves Are forc'd to leave their high and stately seats, Plac'd on the top of high Olympus' mount, To seek them out, to pen their champions' praise. The time hath been when Homer's sugar'd muse Did make each echo to repeat his verse, That every coward that durst crack a spear, And tilt and tournay for his lady's sake, Was painted out in colours of such price As might become the proudest potentate. But now a days so irksome idless” slights, And cursed charms have witch'd each student's mind, That death it is to any of them all, If that their hands to penning you do call. O Virgil, Virgill wert thou now alive, Whose painful pen in stout Augustus' days, Did 'daint to let the base and silly flyt * idless'] The 4tos. “idels.” # 'dain] i. e. disdain. f fly] The 4to. “flea.” The Culex is the poem alluded to. 6 A LPHON SUs, To 'scape away without thy praise of her, I do not doubt but long or ere this time, Alphonsus’ fame unto the heavens should climb; Alphonsus’ fame, that man of Jove his seed, Sprung from the loins of the immortal gods, Whose sire, although he habit on the earth, May claim a portion in the fiery pole, As well as any one whate'er he be. But setting by Alphonsus’ power divine, What man alive, or now amongst the ghosts, Could countervail his courage and his strength 2 But thou art dead, yea, Virgil, thou art gone, And all his acts drown'd in oblivion.* No, Venus, no, though poets prove unkind, And loth to stand in penning of his deeds, Yet rather than they shall be clean forgot, I, which was wont to follow Cupid's games, Will put in uret Minerva's sacred art; And this my hand which used for to pen The praise of love, and Cupid's peerless power, Will now begin to treat of bloody Mars, Of doughty deeds and valiant victories. Enter MELPoMENE, CLIo, ERA To, with their sisters, playing all upon sundry instruments, CALLIoPE only excepted, who coming last, hangeth down the head, and plays not of her instrument. But see whereas the stately Muses come, Whose harmony doth very far surpass The heavenly music of Apollo's pipe. But what means this? Melpomene herself With all her sisters sound their instruments, Only excepted fair Calliope, *And all his acts, &c.] This line is printed twice over in the 4to. f ure] i.e. use. KING OF A R R A G O N. 7 Who coming last and hanging down her head, Doth plainly show by outward actions What secret sorrow doth torment her heart. [Stands aside. MEL. Calliope, thou which so oft didst crake" How that such clients cluster'd to thy court By thick and threefold, as not any one Of all thy sisters might compare with thee, Where be thy scholars now become, I trow 2 Where are they vanish'd in such sudden sort, That while as we do play upon our strings, You stand still lazing, and have nought to do? CLIo. Melpomene, make you a why of that? I know full oft you have [in] authors read, The higher tree, the sooner is his fall, And they which first do flourish and bear sway, Upon the sudden vanish clean away. CAL. Mock on apace; my back is broad enough To bear your flouts as many as they be. That year is rare that ne'er feels winter's storms; That tree is fertile which ne'er wanteth fruit; And that same Muse hath heaped well in store, Which never wanteth clients at her door. But yet, my sisters, when the surgent seas Have ebb'd their fill, their waves do rise again, And fill their banks up to the very brims; And when my pipe hath eas'd herself a while, Such store of suitors shall my seat frequent, That you shall see my scholars be not spent. ERAto. Spent, quoth you, sister ? then we were to blame, If we should say your scholars all were spent. But pray now tell me when your painful pen Will rest enough 2 * crake] An old form of crack,-i.e. boast. “Children, and fooles vse to crake.” G. Harvey's Pierce's Supererogation, 1593, p. 104. 8 ALPHON SUS, MEL. When husbandmen shear hogs. VEN. Melpomene, Erato, and the rest, From thickest shrubs dame Venus did espy The mortal hatred which you jointly bear Unto your sister high Calliope.
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