Criminal Law Practitioner Volume 2 Issue 1 Article 3 2014 On Demonstrative Evidence and Trial Graphics: What Works and What Doesn't Ryan Flax A2L Consulting Follow this and additional works at: https://digitalcommons.wcl.american.edu/clp Part of the Criminal Law Commons, Evidence Commons, and the Litigation Commons Recommended Citation Flax, Ryan (2014) "On Demonstrative Evidence and Trial Graphics: What Works and What Doesn't," Criminal Law Practitioner: Vol. 2 : Iss. 1 , Article 3. Available at: https://digitalcommons.wcl.american.edu/clp/vol2/iss1/3 This Article is brought to you for free and open access by Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Criminal Law Practitioner by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact
[email protected]. Criminal Law Practitioner Flax: On Demonstrative Evidence and Trial Graphics: What Works and What ON DEMONSTRATIVE EVIDENCE AND TRIAL GRAPHICS: WHAT WORKS AND WHAT DOESN'T' manipulation of evidence. Did you know that color plays a major role? 1. Litigation Graphics, Psychology and Color Litigation graphics are almost never Meaning' black and white - they almost always involve As a litigation consultant, one of my the use of color. Most colors carry psychologi- primary responsibilities is to help litigation cal (and even physiological), cultural, personal, teams develop and effectively use demonstra- emotional, and expressive implications that tive evidence' to support their trial presenta- can impact how persuasive you are when us- tion. The primary means of doing this is to ing them.