Yamaha Clarinets

Total Page:16

File Type:pdf, Size:1020Kb

Yamaha Clarinets Specifications B /A Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap YCL-CSG Silver-plated 56.5mm Tapered tone holes with Yamaha 5CM YCL-CSG-H Hamilton-plated hand-sculpted undercut YCL-SEV B 65mm YCL-CSV Tapered tone holes with Silver-plated Yamaha 4CM YCL-AE 66mm hand-tapered undercut nickel silver Fixed YCL-CX 17 keys 65mm (Adjustable Boehm Grenadilla optionally Silver-plated YCL-CSG-A 6 rings 56.5mm Tapered tone holes with available) Yamaha 5CM YCL-CSG-AH Hamilton-plated hand-sculpted undercut YCL-SEV-A 64mm A YCL-CSV-A 65mm Clarinets Silver-plated Tapered tone holes with Yamaha 4CM YCL-AE-A nickel silver hand-tapered undercut Models / Professional Models / Intermediate Models / Standard Models 66mm YCL-CX-A Professional B Clarinet Bass Clarinets / Alto Clarinets / E Clarinets / German Style Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap YCL-650 B Boehm 17 keys 65mm Grenadilla Silver-plated Tapered tone holes with Adjustable Yamaha 4C Silver-plated 6 rings nickel silver tapered undercut Intermediate B Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap YCL-450 Silver-plated nickel silver Silver-plated B Boehm 17 keys 65mm Grenadilla Straight tone holes with Fixed Yamaha 4C YCL-450N 6 rings Nickel-plated nickel silver tapered undercut Plastic Standard B Clarinet Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap YCL-250 B Boehm 17 keys 65mm Matte ABS resin Nickel-plated Straight tone holes with Fixed Yamaha 4C Plastic 6 rings nickel silver tapered undercut B Bass Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap 24 keys YCL-622II 7 covered finger holes Silver-plated Straight tone holes with Grenadilla Fixed Silver-plated nickel silver tapered undercut YCL-621II B Boehm — Yamaha 4C 20 keys 7 covered finger holes Nickel-plated YCL-221II Matte ABS resin nickel silver Straight tone holes Adjustable Plastic E Alto Clarinet Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap 19 keys YCL-631II E Boehm 7 covered — Grenadilla Silver-plated Straight tone holes with Fixed Yamaha 4C Silver-plated finger holes nickel silver tapered undercut E Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Mouthpiece Cap YCL-881 E Boehm 17 keys 42mm Grenadilla Silver-plated Tapered tone holes with Fixed Yamaha 4C Silver-plated YCL-681II 6 rings nickel silver hand-tapered undercut German-style Oehler System Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Ligature YCL-857II 27 keys Hand-tapered undercut YCL-657 5 rings 54mm, 56mm Fixed YCL-657-24 24 keys, 5 rings B Straight tone holes with YCL-457-22 22 keys, 6 rings Oehler 56mm Grenadilla Silver-plated tapered undercut Yamaha M3D BG Soft ligature nickel silver Adjustable YCL-457-20 20 keys, 6 rings with strap ring YCL-457-18 18 keys, 4 rings 54mm YCL-847II Hand-tapered undercut A 27 keys 54mm, 56mm Fixed YCL-647 5 rings Straight tone holes German-style Boehm System Clarinets Model Key Fingering System Barrel Length Body Material Key Material Tone Holes Thumb-rest Mouthpiece Ligature YCL-856 B Boehm 17 keys 55mm, 57mm Grenadilla Silver-plated Tapered tone holes with Fixed Zinner M3R String YCL-846 A 6 rings nickel silver hand-tapered undercut All specifications are subject to change without notice. For details please contact: W-220R3 http://www.yamaha.co.jp/english/product/winds/ Head Office: EC00J0249 ISO 9001 Certified Toyooka Plant: EC00J0045 JQA-QM6245 024202B http://www.yamaha.co.jp/english/product/band/ Printed in Japan CSG Series ■ The Upper Joint Reinventing The barrel is shorter than on conventional clarinets allowing a longer upper joint (approximately 10 mm longer). This gives a the Clarinet more balanced, natural feeling response, and helps add focus to its colorful tone. The CSG is an entirely new kind of ■ The Body clarinet. Yamaha reanalyzed and The CSG features a body of the highest grade reevaluated literally every single design Each piece of African grenadilla is specification until they had created an individually test selected and carefully instrument that harks back to the tonal seasoned using Yamaha’s vast experience purity and natural resonance of aged with fine woods. The natural finish is grenadilla wood. There’s less metal used attractive and actually contributes to the tonal on the CSG, so the whole body richness. reverberates with sound, while the new ■ The Bell bore, barrel, and bell shapes offer a The solid Grenadilla bell has no metal ring on the rim to enhance the natural warmth and tone of breathtaking richness and depth. resonance of the sound, and improve the The sound is warm yet has a clear playing flexibility. focused center surrounded by a wealth ■ Special Pads of overtones, resulting in extraordinary Pad resonators add clarity to the tone when beauty and expressivity. And the tone the key is closed. projects with remarkable ease in even the largest concert halls. There’s never been a clarinet like this before. Yamaha Clarinets B CLARINET B CLARINET Always Evolving YCL-CSG YCL-CSG-H 56.5 mm barrel 56.5 mm barrel Yamaha has unique resources which just aren’t available Grenadilla body Grenadilla body Silver-plated keys Hamilton-plated keys to any other instrument makers. One of these is an R&D Silver-plated ligature Silver-plated ligature and mouthpiece cap and mouthpiece cap network with full-time staff stationed around the world. Custom ebonite 5CM mouthpiece Custom ebonite 5CM mouthpiece Single case with cover Single case with cover These designers are in constant contact with many of the world’s greatest musicians, who share their talent, A CLARINET A CLARINET experience and dreams with us. It is those artists who YCL-CSG-A YCL-CSG-AH 56.5 mm barrel 56.5 mm barrel inspire Yamaha designers and craftspeople to keep Grenadilla body Grenadilla body Silver-plated keys Hamilton-plated keys reaching higher and higher. Together they have formed a Silver-plated ligature Silver-plated ligature and mouthpiece cap and mouthpiece cap team which continually challenges the traditional limits in Custom ebonite 5CM mouthpiece Custom ebonite 5CM mouthpiece Double case Double case clarinet design. Working together they have succeeded in YCL-CSG YCL-CSG-H creating a completely new standard of clarinet excellence. 3 The V Series Our Finest Clarinets Yamaha’s V Series Custom clarinets represent The SEV features wider The CSV has slightly smaller The AE is ideal for players The CX has a full round a pinnacle in the art of clarinet making. Some of tonehole width, tapers and tonehole sizes, tapers and who like a powerful, deep, sound with an immediate the finest instruments ever produced, they are undercuts for a warm, undercuts than the SEV, thick sound—dark and clarity to the tone. It has round tone with an resulting in a clearer, more mellow. It features inset toneholes and a silver- made with a perfect blend of timeless, traditional abundance of rich overtones. focused sound with integral toneholes and a plated bell ring, which craftsmanship and cutting edge technology. It blends easily with other excellent projection. pressure -fitted solid nickel contribute to the presence Precisely balanced and light to the touch, they instruments, yet is equally The sound is well-centered silver bell ring. and openness of its tone. permit you to effortlessly create the tonal colors suitable for solos, with a and extremely flexible, you desire—to forget about the technical aspects remarkably resonant tone providing a wide pallet of of your performance and concentrate on pure that’s full of life. tonal colors. musicality. And their highly expressive, resonant tone will make you sound good in any concert hall. They are available in two styles, offering finely calibrated differences (bore size, undercuts, etc.) to meet your individual needs. B CLARINET B CLARINET B CLARINET B CLARINET YCL-SEV YCL-CSV YCL-AE YCL-CX 65 mm barrel 65 mm barrel 66 mm barrel 65 mm barrel Grenadilla body Grenadilla body Grenadilla body Grenadilla body Craftsman makes final inspection of a Yamaha Silver-plated keys Silver-plated keys Silver-plated keys Silver-plated keys clarinet. All Yamaha clarinets are made by gifted Silver-plated ligature Silver-plated ligature Silver-plated ligature Silver-plated ligature artisans whose fine touch has been developed over and mouthpiece cap and mouthpiece cap and mouthpiece cap and mouthpiece cap long years of apprenticeship to a master. Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Single case with cover Single case with cover Single case with cover Single case with cover A CLARINET A CLARINET A CLARINET A CLARINET YCL-SEV-A YCL-CSV-A YCL-AE-A YCL-CX-A A unique scalloped 64 mm barrel 65 mm barrel 66 mm barrel 66 mm barrel resonance chamber Grenadilla body Grenadilla body Grenadilla body Grenadilla body inside the bell improves Silver-plated keys Silver-plated keys Silver-plated keys Silver-plated keys projection and intonation Silver-plated ligature Silver-plated ligature Silver-plated ligature Silver-plated ligature in the lower register. and mouthpiece cap and mouthpiece cap and mouthpiece cap and mouthpiece cap Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Custom ebonite 4CM mouthpiece Double case Double case Double case Double case 4 5 Professional Intermediate and Model 650 Standard Models The 650 is an excellent alternative for YCL-450/250 those who are serious about their clarinet performance but need to watch their Featuring a bell shape and barrel budget.
Recommended publications
  • The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument
    Columbus State University CSU ePress Theses and Dissertations Student Publications 5-2016 The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument Victoria A. Hargrove Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Hargrove, Victoria A., "The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument" (2016). Theses and Dissertations. 236. https://csuepress.columbusstate.edu/theses_dissertations/236 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT Victoria A. Hargrove COLUMBUS STATE UNIVERSITY THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT A THESIS SUBMITTED TO HONORS COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE HONORS IN THE DEGREE OF BACHELOR OF MUSIC SCHWOB SCHOOL OF MUSIC COLLEGE OF THE ARTS BY VICTORIA A. HARGROVE THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT By Victoria A. Hargrove A Thesis Submitted to the HONORS COLLEGE In Partial Fulfillment of the Requirements for Honors in the Degree of BACHELOR OF MUSIC PERFORMANCE COLLEGE OF THE ARTS Thesis Advisor Date ^ It, Committee Member U/oCWV arcJc\jL uu? t Date Dr. Susan Tomkiewicz A Honors College Dean ABSTRACT The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument.
    [Show full text]
  • Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986
    From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986 Jennifer May Brand Thesis submitted in partial fulfilment of the requirements of Goldsmiths, University of London for the degree of Doctor of Philosophy November 2012 Volume 1 of 2 1 Declaration I declare that the work presented here is my own. Jennifer May Brand November 2012 2 Acknowledgements My thanks are extended to the following people and organisations, who have made the creation of this thesis possible: • The AHRC, for funding the initial period of research. • My supervisors, Professor Stephen Cottrell and Doctor Bradley Strauchen- Scherer, for their wisdom and guidance throughout the process. • All the staff at the Horniman Museum, especially those in the Library, Archives and Study Collection Centre. • Staff and students at Goldsmiths University, who have been a source of support in various ways over the last few years. • All the organologists and clarinettists who have permitted me to examine their instruments, use their equipment, and listen to their stories. • My friends and family, who now all know far more about Boosey & Hawkes’ clarinets than they ever wanted to. 3 Abstract Current literature agrees that British clarinet playing between c. 1930 and c. 1980 was linked to a particular clarinet manufacturer: Boosey & Hawkes. The unusually wide-bored 1010 clarinet is represented as particularly iconic of this period but scholars have not provided details of why this is so nor explored the impact of other B&H clarinets. This thesis presents an empirical overview of all clarinet manufacturing which took place at B&H (and Boosey & Co).
    [Show full text]
  • Ricardo Morales in This Issue Interview with Ricardo Morales and Genesio Riboldi “Queen Clarinet”: Doreen Ketchens a New Look at Lefèvre’S Third Concerto
    Vol. 48 • No. 2 March 2021 RicaRdo MoRales IN THIS ISSUE Interview with Ricardo Morales and Genesio Riboldi “Queen Clarinet”: Doreen Ketchens A new Look at Lefèvre’s Third Concerto ClarinetFest® 2021 GOES VIRTUAL TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Emily Kerski [email protected] hope that 2021 will be a year filled with joy, hope and EDITORIAL BOARD good health for everyone in the worldwide clarinet Diane Barger, Heike Fricke, Denise Gainey, community! The ICA is starting off the year with so Jessica Harrie, Rachel Yoder many things to celebrate, including a new website MUSIC REVIEWS EDITOR with enhanced abilities to serve our membership through Gregory Barrett I [email protected] online events and facilitate our outreach to clarinetists across the globe.
    [Show full text]
  • Musical Acoustics Research Library (MARL) M1711
    http://oac.cdlib.org/findaid/ark:/13030/kt6h4nf6qc Online items available Guide to the records of the Musical Acoustics Research Library (MARL) M1711 Musical Acoustics Research Library (MARL) Finding aid prepared by Processed by Andrea Castillo Dept. of Special Collections & University Archives Stanford University Libraries. 557 Escondido Mall Stanford, California, 94305 Email: [email protected] August 2011 Guide to the records of the M1711 1 Musical Acoustics Research Library (MARL) M1711 Title: Musical Acoustics Research Library (MARL) Identifier/Call Number: M1711 Contributing Institution: Dept. of Special Collections & University Archives Language of Material: Multiple languages Physical Description: 59.39 Linear feet(138 manuscript boxes, 3 card boxes) Date (inclusive): 1956-2007 Abstract: The MARL collection is dedicated to the study of all aspects of musical acoustics. The collection, established in 1996, came about through the joint effort of the representatives of the Catgut Acoustical Society (CAS), founded by Carleen M. Hutchins and devoted to the study of violin making; Stanford’s Center for Computer Research in Music Acoustics (CCRMA), and Virginia Benade, the widow of the wind instrument acoustician Arthur Benade. MARL consists of the research materials from acousticians around the world who were dedicated to studying different aspects of violin making, which make up the Catgut Acoustical Society papers, and the archives of three prominent wind instrument acousticians of our time, John Backus, John W. Coltman, and especially Arthur H. Benade, which deal not only wiht wind instruments, but also room acoustics, and the interplay between acoustical physics and the mechanisms of auditory processing. The collection consists of papers, photographs, media, digital materials, wood samples, clarinet mouth pieces, and lab equipment Physical Location: Special Collections materials are stored offsite and must be paged 36 hours in advance.
    [Show full text]
  • 1 Turkish Classical Clarinet Repertoire
    Turkish Classical Clarinet Repertoire: Performance, Accessibility, and Integration into the Canon, with a Performance Guide to Works by Edward J. Hines and Ahmet Adnan Saygun D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Sarah Elizabeth Korneisel Jaegers Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. David Clampitt Professor Katherine Borst Jones Dr. Russel C. Mikkelson 1 Copyrighted by Sarah Elizabeth Korneisel Jaegers 2019 2 Abstract While American and western European works make up the majority of the classical clarinet repertoire known and studied in the West, works of Turkish origin are the focus of this document. Though over 100 pieces of Turkish classical clarinet repertoire exist, they are widely unknown to Western musicians, uncatalogued, and seldom performed. Consequently, although the clarinet is a staple of Turkish music and is extremely popular in the country’s folk tradition, classical clarinet music by Turkish composers remains difficult for Western musicians to find and acquire. The history of Anatolia as a cultural melting pot resulted in diverse and unique classical and folk musical traditions, both based on the makam modal system. Unlike the Western tradition, which developed twelve-tone equal temperament, the octave in the Turkish modal system comprises twenty-four unequally-spaced tones. The clarinet was introduced to Turkey by Giuseppe Donizetti (1788–1856), who traveled to Turkey at the behest of the sultanate to found European-style bands. Particularly appreciated was the clarinette d’amour, pitched in G.
    [Show full text]
  • The Search for a Microtonal Flute
    Durham E-Theses The search for a microtonal Flute Grain, Rachel Victoria How to cite: Grain, Rachel Victoria (2006) The search for a microtonal Flute, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2937/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The Search For A Microtonal Flute Rachel Victoria Grain Thesis for qualification for degree of Master of Science University of Durham School of Engineering Volume 1 of 1 A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. January 2006 15 MAR 2006 Declaration I declare that this work is completely my own, that it comes from no other outside source and that no portion of this work has been previously submitted for a degree in this or any other university Statement of Copyright The copyright of this thesis rests with the author.
    [Show full text]
  • SE ARTIST MODEL a Noble Instrument for the Discerning Player
    Clarinets SE ARTIST MODEL A Noble Instrument for the Discerning Player The first woodwind instrument to bear the “Artist Model” name, a status reserved for only the finest custom models, now features even further refined body and tone hole designs that achieve B CLARINET improved pitch as well as consistent resistance and playability from the lowest to highest notes YCL-SE with lush, deep tone throughout. A flawless ARTIST mechanism allows the player to concentrate fully on the performance. MODEL 65 mm & 66 mm barrels Grenadilla body ■ Low E/F correction key Original badge Silver-plated keys An original pink gold plated badge is Silver-plated ligature and mouthpiece cap instantly recognizable and exudes an aura of Custom ebonite 4CM mouthpiece sophistication. Single case with cover A CLARINET YCL-SE ■ Bell, Barrel The bell has been redesigned for a larger, ARTIST fuller sound. The barrel is 10 mm longer than the CSGIII type, offering an ideal balance of MODEL-A resistance and playing feel and delivering 65 mm & 66 mm barrels more solid tone. Grenadilla body Low E/F correction key ■ Pinkgold-plated Silver-plated keys The key posts, joint hoops, and thumb tube Silver-plated ligature and mouthpiece cap feature elegant pink gold plating that Custom ebonite 4CM mouthpiece contributes to distinguished appearance as Double case with cover well as detailed tone. ■ Low E/F correction key Yamaha original intonation correction mechanism inspired by the Oehler system (German style) clarinet is available to control low E and F note. This system assures natural finger control, excellent feel and Case and Case cover for playability.
    [Show full text]
  • Full Details
    Autumn 2013 Volume 38, No 3 2013 Single Reed Royal Albert Hall Day, Liverpool to the Falkland 24th November Islands - full details AAllssoo:: WWhhaatt’’ss oonn && wwhheerree ttoo ggoo,, nneewwss,, rreevviieewwss aanndd mmuucchh mmoorree 1 JOIN TODAY the benefits of membership include: • 56 page quarterly magazine Clarinet and Saxophone which is mailed to your door • access to library • access to members’ area on website • reduced entry fee to clarinet & Saxophone Society events • reduced entry fee to clarinet & Saxophone Society sponsored events • free classified ad service Student Membership JUST £10 Join online at www.cassgb.org Society of Great Britain 2 Clarinet & Saxophone Autumn 2013 JOIN TODAY 12 21 26 30 IN THIS ISSUE Join the clarinet Regulars 36 Reviews & Saxophone 36 Book Society at 38 cD www.cassgb.org 42 Music 44 Diary Details of concerts, courses and playdays 51 Library Form Make good use of our ever growing library! 52 Readers’ Letters 52 Classifieds 54 The Editor’s Notes richard edwards 54 Guidelines for Contributors 55 New Members 55 Clarinet & Saxophone Society Details 55 Index of Advertisers Features 4 Clarinet & Saxophone Society Single Reed Day 2013 Liverpool Hope University, Sunday 24th november 6 Clarinet & Saxophone Society Single Reed Day 2013 Who’s Who & Sponsors 8 Clarinet & Saxophone Society Single Reed Day 2013 a stunning trade exhibition 10 ICA ClarinetFest, Assisi reflections on this major event by nicholas cox, Susan Moss, ian cover image: ica clarinetfest, assisi Mitchell, Sarah Watts Photo: Andrew Taylor
    [Show full text]
  • Downloads/Newsletters/July August 2004.Pdf#Search= 'William%20Gasbarro%20Clarinet (Accessed February 25, 2011)
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Biographical Dictionary of Twentieth- Century American Clarinetists Tracey Lynn Paddock Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A BIOGRAPHICAL DICTIONARY OF TWENTIETH-CENTURY AMERICAN CLARINETISTS By TRACEY LYNN PADDOCK A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2011 The members of the committee approve the Treatise of Tracey L. Paddock defended on March 28, 2011. _________________________________ Frank Kowalsky Professor Directing Treatise _________________________________ Richard Clary University Representative _________________________________ Deborah Bish Committee Member _________________________________ Jeff Keesecker Committee Member The Graduate School has verified and approved the above-named committee members. ii To my husband Grant, who has stood by my side in the face of this and many other challenges, and to my parents, teachers, and friends, who have supported me generously and tirelessly. iii ACKNOWLEDGEMENTS I would like to acknowledge all of the teachers and mentors who have helped me on my musical, educational, and life path. To James Campbell, thank you for providing me with a strong musical foundation, and musical and philosophical inspiration which will last a lifetime, and which I try to pass on to my own students. To former committee member Eric Ohlsson, thank you for setting the comprehensive exam question that led me to this treatise. To former committee member John Deal, thank you for urging me to make the treatise “comprehensive.” To Howard Klug, thank you for your invaluable guidance at the onset of this journey.
    [Show full text]
  • CHAMBER MUSIC for the E-FLAT CLARINET by Jacqueline Gail Eastwood Redshaw ---A Document Submitted to the Facult
    Chamber Music for the E-Flat Clarinet Item Type text; Electronic Dissertation Authors Redshaw, Jacqueline Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 01:51:40 Link to Item http://hdl.handle.net/10150/194436 CHAMBER MUSIC FOR THE E-FLAT CLARINET by Jacqueline Gail Eastwood Redshaw ------------------- A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 7 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Jacqueline Gail Eastwood Redshaw entitled Chamber Music for the E-Flat Clarinet and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _______________________________________________________________________ Date: October 16, 2007 Jerry Kirkbride _______________________________________________________________________ Date: October 16, 2007 William Dietz _______________________________________________________________________ Date: October 16, 2007 Gregg I. Hanson Final approval and acceptance of this document is contingent upon the candidate’s
    [Show full text]
  • W251R7 Clarinets Eu.Pdf
    Clarinets SE ARTIST MODEL A Noble Instrument for the Discerning Player The first woodwind instrument to bear the “Artist Model” name, a status reserved for only the finest custom models, now features even further refined body and tone hole designs that achieve B CLARINET improved pitch as well as consistent resistance and playability from the lowest to highest notes YCL-SE with lush, deep tone throughout. A flawless ARTIST mechanism allows the player to concentrate fully on the performance. MODEL 65 mm & 66 mm barrels Grenadilla body ■ Low E/F correction key Original badge Silver-plated keys An original pink gold plated badge is Silver-plated ligature and mouthpiece cap instantly recognizable and exudes an aura of Custom ebonite 4CM mouthpiece sophistication. Single case with cover A CLARINET YCL-SE ■ Bell, Barrel The bell has been redesigned for a larger, ARTIST fuller sound. The barrel is 10 mm longer than the CSGIII type, offering an ideal balance of MODEL-A resistance and playing feel and delivering 65 mm & 66 mm barrels more solid tone. Grenadilla body Low E/F correction key ■ Pinkgold-plated Silver-plated keys The key posts, joint hoops, and thumb tube Silver-plated ligature and mouthpiece cap feature elegant pink gold plating that Custom ebonite 4CM mouthpiece contributes to distinguished appearance as Double case with cover well as detailed tone. ■ Low E/F correction key An original Yamaha low register compensation system effectively solves the problem of low F and E pitch in the low register. Furthermore, no keys extend below the lower joint leaving the Case and Case cover for bell clean and streamlined.
    [Show full text]
  • A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister
    University of South Carolina Scholar Commons Theses and Dissertations Summer 2020 A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister Peter M. Geldrich Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Geldrich, P. M.(2020). A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 5990 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A LEGACY PRESERVED: A COMPARISON OF THE CAREERS AND RECORDINGS OF STANLEY DRUCKER AND KARL LEISTER by PETER M GELDRICH Bachelor of Music University of Maryland, 2003 Master of Music University of Florida, 2006 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2020 Accepted by: Joseph Eller, Major Professor Rebecca Nagel, Committee Member Clifford Leaman, Committee Member Sarah Williams, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Peter M Geldrich, 2020 All Rights Reserved. ii Dedication To my father, Peter James Geldrich, who placed me on my musical path…and to my wife, Shannon Lowe, who has held my hand on the journey. iii Acknowledgements This document is a result of the inspiration and guidance that many people have provided me, and to whom I owe an enormous debt of gratitude.
    [Show full text]