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>> FRANK SAXE [email protected] >> PAUL HEINE [email protected] (800) 275-2840 Friday, March 29, 2013 THE MOST TRUSTED NEWS IN RADIO

Tech developer says new chips will power-up HD reception. One of the biggest beefs with HD Radio has been limited signal ranges. New technology that’s said to improve the chips used inside receivers could change that. By focusing on a fix at the receiver level, Digital PowerRadio (DPR) says broadcasters won’t foot the bill for improvements that could come more quickly as Americans buy new phones, cars and other electronic devices. DPR has spent the past 18 months developing the tweaks that would be made to the baseband receiver chip inside radio receivers. The tech company says it would significantly improve the performance and coverage of the digital signals radio stations already have on the air. “We don’t make any changes on the transmission side, which means broadcasters don’t have to spend any money — this is all on the receiver side,” says Mark Fowler, managing member of DPR, and former chairman of the FCC from 1981 to 1987. Using computer simulation modeling, DPR says its new chips will provide coverage gains of approximately 5 dB for FM signals in mobile phones and tabletop radios, and approximately 7 dB for auto receivers. Similar improvements are possible for AM stations. “The new chips would be much more sensitive than what is being used now, therefore we can take a weaker signal, receive it, and the effect is to increase the signal going into various radios,” Fowler says. “The simulations prove Mark Fowler out our claims.” Dr. Brana Vojcic, the main inventor, is one of the early developers of digital radio. He compares what radio is using currently as something akin to 2G technology in a 4G world. Vojcic’s 500-page patent for the system is currently pending. Fowler says the DPR technology dovetails with the work that Emmis CEO Jeff Smulyan is doing to get FM into mobile phones. “Inevitably, they’ll switch out to the digital chip because it does more,” Fowler predicts. He points out it also gives radio an advantage over Sirius XM Radio. “We get into handhelds with this technology and the satellite broadcasters can’t do that,” he says. “There’s no reason over time radio can’t have the most dominant medium for mobile.” DPR puts focus on receiver makers, not radio stations. By focusing on a choke point like the chip makers, Digital PowerRadio (DPR) managing member Mark Fowler says their effort will simultaneously get digital radio into a variety of devices as the manufacturers market their latest chips to companies like Samsung or Panasonic for their latest cell phones, table top radios and in-dashboard devices. That accelerates the timeline, but Fowler says there is “no question” that it will take several years before the new technology makes a sizable difference. “There’s a feeling on the part of the very enlightened broadcasters looking down the road that this is their last best chance to get into the digital platforms,” he says. “If they don’t, radio’s ultimately going to be left in the dustbin of technology.” DPR has already been in discussions with one of the largest manufacturers of chips, and expects licensing discussions to begin this summer. “They are moving forward with us,” says Fowler, who notes there’s not a significant cost difference. “This can be a game changer for radio broadcasters and we’re very excited about this new technology,” says Beasley Broadcast Group CEO George Beasley, who is a lead investor in DPR. The National Association of Broadcasters hasn’t endorsed the technology, but it has slotted two separate sessions at the NAB Show in Las Vegas next month to give broadcasters an opportunity to hear more about it. Fowler met with the NAB’s National Radio Systems Committee during the Consumer Electronics Show in January in Las Vegas. After the 90-minute presentation, the reaction was the group wanted to go forward to the next step and test the technology through computer simulations to verify the claims made by DPR. “We’re getting very good reception, including from areas outside of broadcasting where we improve the systems,” Fowler says. news INSIDE >>

HD Radio developer iBiquity skeptical of DPR claims. Ibiquity CEO Bob Struble says the >>Rush speaks out on technology provider is always looking for ways to improve HD Radio and has added many keeping AM alive upgrades through the years, including some developed by outside engineers. The digital radio

MORE NEWS >> INSIDERADIO.COM PAGE 1 NEWS Friday, March 29, 2013 developer says it has “closely studied” the proposals made by Digital PowerRadio (DPR) engineer Dr. Brana Vojcic, and is skeptical they would bring the changes promised. “After close examination, we have concluded that the DPR enhancements will most likely not produce any improvement to HD Radio performance,” Struble says. “Over the years, we had already incorporated several of the techniques they have proposed and dismissed others as incompatible or unhelpful.” Ibiquity doesn’t currently plan to share the source code needed to aid DPR in its testing, but Struble says they’re open to working with DRP on any new enhancements they come up with. Vojcic is well-known inside iBiquity, having worked at its predecessor company in the early 1990s. Struble says DPR simulations and models “significantly underestimated” the performance of the current HD Radio system, and thinks some of the proposed changes wouldn’t provide any improvements — and in some cases would actually give stations a smaller coverage area than they currently have with receivers using iBiquity-developed chips. But broadcast engineers are having a hard time swallowing that, saying digital signals are still coming up short compared to analog. King of AM — Rush Limbaugh — says content will keep listeners from flipping to FM. To many broadcasters Rush Limbaugh is the man who saved AM radio from extinction. At the very least, his program spawned a conservative revolution over the past 25 years that has bought AM some time. But as more operators are wondering about the future of AM and potential technological fixes, Limbaugh believes the answer lies in content. “People go to AM because there’s something on it that people want to listen to, pure and simple, that’s why it’s relevant,” he says. “AM radio has something there that people want so they’ll go there to listen to it.” When Limbaugh’s nationally-syndicated program launched in 1988, the shift of music formats to FM a decade earlier had created great uncertainty about the viability of AM radio. But when his show attracted a large and loyal following and the talk format blossomed, it put much of that debate to rest. With 85.4% of listening now going to FM according to Arbitron, the question of AM’s future is back. Limbaugh told listeners on his show yesterday that many of AM’s weaknesses are the same. “If it were simply about modernity, AM would not exist because it’s not modern — there’s nothing Rush Limbaugh hip about AM,” he said, noting that in terms of reception and audio quality there are better options. The solution, according to Limbaugh, is great programming. “It boils down to content,” he said. “If people really like this show, the fact that it’s on AM radio doesn’t matter — they’ll go wherever it is if they want to listen to it.”

Rush: radio’s meant to be heard, not seen. Like many radio personalities, Rush Limbaugh’s daily three-hour show is video- streamed live online. But unlike some high-profile radio shows, he’s not simulcast on television. “I’ve got a specific answer to that,” he said. “I do believe radio is to be listened to, not seen.” During some impromptu shop talk on his show yesterday, Limbaugh shot back at questions as to why he no longer does station appearances, writes books or appears on cable news channels. “Been there, done that,” he explained, saying he doesn’t feel it’s something he still needs to do in order to connect with audiences. When a caller brought up Air America, Limbaugh said the short-lived liberal-leaning network was doomed to fail. “It wasn’t any good — people didn’t want to listen to it,” he said, adding, “The Air America people totally misunderstood why this program and many others like it are successful.”

Reminder from a broadcast attorney: Don’t be radio’s April Fool. For many years April Fool’s Day was a day that had radio managers holding their breath, as stunts and pranks led to bad press — or even lawsuits. But over the past several years the pseudo-holiday has been a lot tamer than in the past. The recent controversy surrounding the Australian morning team whose call to the nurse for the Duchess of Cambridge ended in her suicide is a good reminder of what can happened when an on-air prank goes wrong, says Washington attorney David Oxenford. He has some guidance for stations planning a bit of “Fool-ish” fun on Monday. Under FCC rules governing broadcast hoaxes, stations are barred from airing any reports of a “crime or catastrophe” to listeners if they know the information is false or will cause substantial public harm. That’s defined as any damage to physical property, health or safety of the public, or pulling law enforcement or safety officials away

MORE NEWS >> INSIDERADIO.COM PAGE 2 NEWS Friday, March 29, 2013 from their jobs. “So even if the prank does not cause any injuries, the mere fact that an on-air report was false and it ties up first-responders, is enough to lead to FCC liability,” Oxenford warns. He points out the rules were adopted two decades ago after several high-profile pranks. One involved an on-air team who said they were being held hostage. In another, the station told listeners the local trash dump had exploded and trash was sent hurling into a neighborhood. “While the rule has been rarely enforced since, it is on the books and ready for use against any station that ties up police and fire companies when there is no emergency,” Oxenford says.

To ramp up North American ad sales, Spotify recruits former Katz360 president. Spotify’s new VP of North American advertising is no stranger to streaming audio buyers. Under former Katz360 president Brian Benedik, the fast-growing digital music service plans to grow its U.S. ad sales force beyond the 20 or so sellers it currently employs in New York, and to a larger staff spread across more major markets. The expansion coincides with a $10 million U.S. marketing campaign that launched this week. Moving beyond its current focus on digital ad buyers, Spotify aims to tap radio, video and mobile ad budgets. “There are 4 or 5 different marketplaces that Spotify can serve,” Benedik says. “There is a large appetite among marketers to align themselves with Spotify.” The Swedish company is also evaluating and adjusting its ad products so they better line up with marketplace expectations. A majority of its ad revenue comes from non-audio units, like display and video, and it caps audio ads at two minutes an hour. But audio is becoming more attractive to the digital community, especially with 3 in 10 display ads never actually seen by their target audiences, Brian Benedik according to comScore. “The digital ad marketplace is waking up and starting to recognize the online audio channel as attractive,” Benedik says. Unlike Pandora, which took an adversarial stance against radio, Benedik says Spotify wants to “be a friend to the radio community.” It offers a premium, subscription-based on-demand service and a free ad-supported product. Spotify claims 24 million active users worldwide, including 6 million paid subscribers, of which one million are in the U.S. The company says its free-to-paid conversion ratio is 25%, which would place its total U.S. audience at about 4 million. An encore performance for Macy’s iHeartRadio Rising Star contest. One of the nation’s biggest retailers apparently liked the bang it got from its integrated marketing buck at last year’s iHeartRadio Music Festival. Looking to attract young female shoppers and strengthen its perception as an entertainment brand, the company is again partnering with Clear Channel for Macy’s iHeartRadio Rising Star. The six-month campaign involves listeners voting on 25 acts, with the winner performing alongside marquee names at the festival, set for September 20-21 at MGM Grand in Las Vegas. “They were trying to drive a connection between Macy’s being an entertainment brand and connecting with millennials and discovering new artists,” Clear Channel president of national ad platforms Tim Castelli says of last year’s campaign. Online voting begins Monday on 25 acts pre-selected by Clear Channel and music industry allies. Like the retailer’s annual Thanksgiving Day Parade, Rising Star is an example of what Macy’s group VP of digital media & multi-cultural marketing Jennifer Kasper earlier this month called “exclusive authentic content” that can be integrated into Macy’s marketing and then amplified across multiple channels. Consistent with that strategy, the winner will also play at Macy’s Glamorama events this summer. Chief marketing officer Martine Reardon says the campaign is “a fantastic way to engage our fans in the star-making process, adding an exciting layer of entertainment for customers to enjoy.” Last year’s winners generated more than 2.5 million votes — and not just from Clear Channel listeners and Macy’s shoppers. Acts like Will.i.am, Pitbull, David Guetta and Enrique Iglesias picked their favorites and used social media to rally their fans and followers behind them. After losing three rock stations, Atlanta adds a new alternative outlet. has returned to Atlanta just as the format is enjoying a resurgence in some markets. Clear Channel converted under-performing rhythmic CHR “Wild 105.7/96.7” WWVA to “Radio 105.7” at noon yesterday, filling a void created by the disappearance of alternative “99X” and

MORE NEWS >> INSIDERADIO.COM PAGE 3 NEWS Friday, March 29, 2013 adult alternative “Dave FM” last fall. The new station is simulcast on 96.7. The flip follows February PPM results showing alt stations in Denver and Portland, OR reaching all-time PPM 6+ highs, thanks to a crop of new and recent acts that have brought a wider variety of sounds, styles and textures to alt playlists. Atlanta has a long history with the format: 99X was once considered an alternative bellwether. “Radio 105.7” appears to be modeled after sister station “Radio 104.5” WRFF, which typically ranks 1st, 2nd or 3rd in Philadelphia among 18-34 year-olds. The stations share similar imaging, playlists and an uncluttered “all about the music” sound. By positioning themselves as “radio” rather than “alternative,” they allow listeners to define them. “Wild” has been ripe for a new format since last August, when Clear Channel launched “Power 96.1” WWPW and moved Elvis Duran from “Wild” to the new CHR. That displaced rock “Project 96.1” WKLS. Now Project’s long- time midday jock Aly Young is anchoring mornings on “Radio 105.7,” part of a five-member airstaff covering 5am-1am. The station is playing about four current songs an hour, with about two-thirds of its music released post-2000. Inside Radio Readers’ Survey: Two-thirds more concerned about threat of a performance royalty. The fight by the music industry to win a performance royalty from radio has gone on for decades, and despite a quiet period over the past year or so, the issue has begun to heat up. That’s likely why two-thirds (65%) of Inside Radio readers say they’re more concerned about the possibility of paying a fee than they’ve been in the past. One reader says, “The NAB’s squishy stance on this issue, along with the big groups cutting their own deals, has put the entire industry on a slippery slope.” Another writes, “I am more worried than ever that a deal forcing a performance royalty will be struck one way or another. That will be a hardship for our small station, one that is still live and local 24/7.” Another 16% of readers responding to the unscientific online survey say they’re level of worry is about the same as it’s been in the past. Many say members of Congress don’t appear to fully understand or appreciate the decades-old symbiotic relationship between radio and music sales. “Despite the music industry’s amnesia, they have been publicly persuasive lately,” one reader adds. Even though a majority thinks radio’s fight is likely to continue, one-in-five (19%) say they’re less concerned about royalties than in the past.

Inside Radio News Ticker...The 2014 political ads begin…Kentucky’s U.S. Senate election won’t be held until next year but it’s already shaping up to be a hot contest that’s flowing ad dollars to radio. Incumbent Republican Mitch McConnell has been on the air with a one-minute radio spot urging conservatives to stand together. Now the Democrats are coming after him with their own :60-second ad. The Democratic Senatorial Campaign Committee has placed a radio spot with creative that mimics sports play-by-play. The budget hasn’t been disclosed but Roll Call says it’s a five-figure ad buy…Radio outpaced economy in Q4…Radio’s typically an early-warning system for how the economy is doing. But that wasn’t the case in the fourth quarter with a positive footnote to the industry’s better-than-expected fourth quarter. The RAB says revenue grew 4% during the quarter. That compares to the overall economy, which the U.S. Commerce Department reported today grew at a rate of just 0.4%. Whether that trend continues remains to be seen. Economists estimate the first quarter is growing at a rate of 2.5%, although some radio managers have spoken of a soft start to 2013....Read People Moves HERE. Inside Radio Deal Digest — Morgantown-Clarksburg-Fairmont, WV — Alan Michaels and Robert Woodward’s Spectrum Radio Fairmont files to buy hot AC “Variety 101” WZST, classic rock “94 Rock” WRLF, “News Talk 1490” WTCS, and sports WMMN (920) from Fantasia Broadcasting for $1,250,000. A sizable minority owner with a 19% stake in Spectrum Radio Fairmont is the West Virginia Jobs Investment Trust, a public venture capital fund created to develop and expand West Virginia’s economy by providing investment funds to businesses. Texarkana — Richard Burn’s Alaska Broadcast Communications fills out its Texarkana cluster as it closes on a deal to buy KTTY, New , TX (105.1) from Bill Brothers’ Towers Investment Trust for $150,000. Before going silent in June, KTTY was known as “Cat Country.” Earlier this month Alaska Broadcast Communications closed on a separate $2.75 million deal to buy five other stations in the market from Ark-La-Tex. Brokers: Bill Whitley, Media Services Group (for seller) and Clifton Gardiner (for buyer)

MORE NEWS >> INSIDERADIO.COM PAGE 4 RESEARCH Friday, March 29, 2013

Data provided by The Media Audit  ST. LOUIS, MO November, 2012 - January, 2013 Copyright 2013 The Media Audit Annual Household Income—$75,000 Plus 31.5% of adults in St. Louis have Annual Household Incomes of $75,000+. Note that The Media Audit includes non-coms in its rankings. Conversion Ratio is the final column at right. Conversion Ratio = “Most Often” Rating Divided By Cume Rating -- CUME -- -- MOST OFTEN -- Rank Cluster or Station Persons Rating Comp. Index Persons Rating Comp. Index Conv. Ratio 1 KSD-FM (Clear Channel) 130,121 19.8 52.7 167 24,833 3.8 55.7 176 19.1 2 KEZK-FM (CBS Radio) 117,289 17.9 41.1 130 49,831 7.6 47.7 151 42.5 3 WIL-FM (Hubbard Bcstg.) 116,719 17.8 37.2 117 31,356 4.8 31.7 100 26.9 4 KLOU-FM (Clear Channel) 115,231 17.5 44.6 141 47,856 7.3 46.3 147 41.5 5 KYKY-FM (CBS Radio) 112,842 17.2 35.9 113 37,239 5.7 31.7 100 33.0 6 KSLZ-FM (Clear Channel) 98,637 15.0 28.5 90 32,228 4.9 28.5 90 32.7 7 WARH-FM (Hubbard Bcstg.) 91,635 13.9 50.0 158 3,577 0.5 22.3 70 3.9 8 KMOX-AM (CBS Radio) 91,048 13.9 29.6 93 29,197 4.4 24.6 78 32.1 9 KSHE-FM (Emmis) 85,091 13.0 41.1 130 13,117 2.0 16.3 51 15.4 10 KFTK-FM (Emmis) 84,990 12.9 58.4 185 37,132 5.7 61.4 194 43.7 11 KLJY/KHZR/ 80,764 12.3 50.0 158 36,862 5.6 52.9 167 45.6 KPVR (Gateway) 12 KIHT-FM (Emmis) 80,573 12.3 51.0 161 12,926 2.0 39.2 124 16.0 13 KWMU-FM (Univ/) 76,541 11.6 37.3 118 39,127 6.0 30.9 97 51.1 14 WXOS-FM (Hubbard Bcstg) 64,838 9.9 58.4 185 30,765 4.7 59.2 187 47.4 15 KPNT-FM (Emmis) 56,821 8.6 32.2 102 32,418 4.9 39.9 126 57.1 16 KDHX-FM (Double Helix) 48,834 7.4 44.4 140 15,493 2.4 35.0 111 31.7 17 KTRS-AM (St. Louis Sports) 38,673 5.9 32.7 103 10,409 1.6 23.8 75 26.9 18 KBWX-FM (Clear Channel) 38,532 5.9 30.9 98 10,802 1.6 54.0 171 28.0 19 KFNS-AM (Grand Slam) 27,610 4.2 92.5 293 2,777 0.4 55.2 175 10.1 20 KMJM-FM (Clear Channel) 15,443 2.4 11.6 36 1,925 0.3 5.8 18 12.5 21 WSIE-FM (Southern IL Univ) 15,400 2.3 43.3 137 642 0.1 5.0 15 4.2 Top 5 Clusters — 1 CLEAR CHANNEL 294,848 44.9 36.6 116 119,771 18.2 37.0 117 40.6 2 HUBBARD BRCSTG. 243,815 37.1 45.5 144 65,698 10.0 39.4 124 26.9 3 CBS RADIO 242,059 36.8 31.7 100 116,268 17.7 34.2 108 48.0 4 EMMIS COMM. 241,891 36.8 44.9 142 95,594 14.5 37.5 119 39.5 5 GATEWAY CREATIVE 80,764 12.3 50.0 158 36,862 5.6 52.9 167 45.6

 ST. LOUIS, MO November, 2012 - January, 2013 Annual Household Income—$50,000 Plus 51.7% of Adults in St. Louis have Annual Household Incomes of $50,000+. Note that The Media Audit includes non-coms in its rankings. -- CUME -- -- MOST OFTEN -- Rank Cluster or Station Persons Rating Comp. Index Persons Rating Comp. Index Conv. Ratio

1 KSLZ-FM (Clear Channel) 199,478 18.5 57.7 111 63,176 5.9 55.8 107 31.7 2 KEZK-FM (CBS Radio) 192,158 17.8 67.4 130 70,121 6.5 67.1 129 36.5 3 KLOU-FM (Clear Channel) 189,956 17.6 73.5 142 78,191 7.3 75.7 146 41.2 4 KYKY-FM (CBS Radio) 176,063 16.3 56.0 108 64,668 6.0 55.1 106 36.7 5 WIL-FM (Hubbard Bcstg.) 164,293 15.2 52.3 101 45,715 4.2 46.2 89 27.8 6 KMOX-AM (CBS Radio) 160,948 14.9 52.3 101 50,672 4.7 42.7 82 31.5 7 KSD-FM (Clear Channel) 152,426 14.1 61.7 119 29,268 2.7 65.6 126 19.2 8 KSHE-FM (Emmis) 131,353 12.2 63.4 122 38,200 3.5 47.6 92 29.1 9 KPNT-FM (Emmis) 122,209 11.3 69.2 133 64,440 6.0 79.4 153 52.7 10 WARH-FM (Hubbard Bcstg) 121,817 11.3 66.4 128 3,577 0.3 22.3 43 2.9 11 KWMU-FM (Univ/Missouri) 112,191 10.4 54.6 105 62,086 5.8 49.0 94 55.3 12 KIHT-FM (Emmis) 104,220 9.7 65.9 127 18,069 1.7 54.8 106 17.3 13 KLJY/KHZR/ 102,975 9.6 63.8 123 51,283 4.8 73.6 142 49.8 KPVR (Gateway) 14 KFTK-FM (Emmis) 95,801 8.9 65.8 127 39,632 3.7 65.6 126 41.4 15 KMJM-FM (Clear Channel) 80,412 7.5 60.6 117 22,846 2.1 68.5 132 28.4 16 WXOS-FM (Hubbard Bcstg.) 76,059 7.1 68.5 132 39,672 3.7 76.4 147 52.2 17 KDHX-FM (Double Helix) 75,652 7.0 68.8 133 25,251 2.3 57.0 110 33.4 18 KTRS-AM (St. Louis Sports) 67,465 6.3 57.1 110 23,519 2.2 53.8 104 34.9 19 KBWX-FM (Clear Channel) 63,851 5.9 51.2 98 19,987 1.9 100.0 193 31.3 20 WHHL-FM (Radio One) 60,031 5.6 43.3 83 28,918 2.7 45.2 87 48.2 21 WFUN-FM (Radio One) 34,326 3.2 25.3 48 9,085 0.8 11.5 22 26.5 Top 5 Clusters — 1 CLEAR CHANNEL 511,805 47.5 63.5 122 218,587 20.3 67.5 130 42.7 2 CBS RADIO 414,345 38.4 54.2 104 185,461 17.2 54.5 105 44.8 3 EMMIS COMM. 358,070 33.2 66.4 128 160,342 14.9 62.9 121 44.8 4 HUBBARD BRCSTG. 328,966 30.5 61.4 118 88,964 8.3 53.3 103 27.0 5 GATEWAY CREATIVE 102,975 9.6 63.8 123 51,283 4.8 73.6 142 49.8

MORE NEWS >> INSIDERADIO.COM PAGE 5 CLASSIFIEDS Friday, March 29, 2013 qual GENERAL SALES MANAGER - FLORIDA FOR SALE Davidson Media Group, one of the largest Hispanic radio groups in SOUTHWEST RADIO GROUP the country, seeks a dynamic selling General Sales Manager for our Tampa/St Pete AM/FM Hispanic combo. Tampa/ St. Pete is a top 20 Highly profitable 4-station Arbitron market and also a top 20 Hispanic market with over 500,000 cluster with strong bcf Hispanics. This is a great opportunity for an aggressive, street smart Serves a robust fast-growing individual to lead a sales staff to achieving their fair share of the rated market. Millions of Dollars spent to reach the Hispanic market in the Tampa/St Pete market. To receive details in confidence contact: Jim Hoffman If you are that person send your resume to: EXPLORER COMMUNICATIONS, INC. [email protected] [email protected]

DIRECTOR OF SALES MANAGER - WQXI, ATLANTA ENGINEERING Lincoln Financial Media Atlanta is JUNEAU, AK looking for a Sales Manager to lead and build a franchise Sales Team for WQXI, The CoastAlaska Director SportsRadio790 the Zone, home of the of Engineering is both the Atlanta Falcons and Georgia Tech Yellow engineering manager and hands Jackets. The right candidate knows how to use a variety of media on repair and problem solving tools and collaborate across departments to develop custom, results person for a 5 community, 7 focused marketing programs for customers. A track record for coaching station public media organization an all-star team to consistently achieve performance expectations is in southeast Alaska. This a must. Great people, an exciting and evolving suite of tools to sell, position is a key member of along with excellent benefits make this job the perfect opportunity for the management team. The a strategic sales leader to grow their career with a company where successful candidate would people matter. enjoy working in a supportive, community-oriented workplace; Qualified applicants should contact human resources via email: an interesting and creative [email protected]. Please reference environment. Be able to balance the job title in the subject line of your email. No phone multiple projects involving calls, please! Lincoln Financial Media is an EOE. Visit www. various people with competing lincolnfinancialmedia.com for our EEO and Affirmative Action demands. Change-oriented, Policy Statement. innovator. Must be able to travel. POWERHOUSE NEWS/TALK STATION SEEKS PD Journal Broadcast Group’s legendary WTMJ-AM/ is recruiting for a rare PD opening. We are the market leader and are looking for a PD who knows what that means and what it takes HOW TO APPLY: to keep us growing. In addition to local news and talk, we are the Livingston Associates is assisting flagship of the Brewers, Packers, Bucks and Badgers. If you are a CoastAlaska in this search. forward-thinking programmer who can appreciate both our station’s Please visit the full job posting rich history and our bright future, we’d like to hear from you. Tell and apply online at: us about your programming vision, your leadership skills and how livingstonassociates.net. you’d use interactive platforms to grow our business and serve our Deadline: 04/15/13. EOE. audience. Letters of interest and resumes to:

INSIDE RADIO, Copyright 2013. www.InsideRadio. com. All rights reserved. No part of this publication Beverlee Brannigan may be copied, reproduced, refaxed, or retransmitted in any form. Address: P.O. Box 567925, Atlanta, GA VP/Programming 31156. To advertise, call 800-640-8852. Classifieds, Journal Broadcast Group email: [email protected]. Subscribe to INSIDE RADIO monthly subscription $39.95 reocurring 720 E. Capitol Dr. payment. Call (800) 248-4242 to subscribe. Milwaukee, WI 53212 Managing Editor, Frank Saxe frank@insideradio. com 800-275-2840 x702/Senior Editor, Paul Heine Email: [email protected] [email protected], 800-275-2840 x703. General No calls, please. Equal Opportunity Employer Manager, Gene McKay 800-248-4242 x711.

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