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12. Shades of Bruce: Independence and Union in First-World War Scottish Literature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Strathclyde Institutional Repository 1 12. Shades of Bruce: Independence and Union in First-World War Scottish Literature David Goldie Less than two weeks into the First World War, the weekly newspaper with the widest circulation and readership in Scotland, the People’s Journal, published a stirring, if paradoxical, hand-drawn illustration plainly designed to stir up the martial spirit of patriotic Scots. Incorporating at its bottom corner a pamphlet in which Lord Kitchener called on “The Men of Scotland” to join his drive for 100,000 New Army recruits, the illustration featured Robert the Bruce, hero of Bannockburn, with behind him a crowd of eager young men mobbing the figure of Britannia who stands aloft with union flag in one hand and raised sword in the other. Above Bruce’s head and just below Britannia’s sword are the dates 1314-1914 and, just in case this implicit connection between Bannockburn and the present war is not emphatic enough, the caption at the bottom of the illustration reads “Shades of Bruce – the Same Spirit still Lives!”1 The placing of Bruce in the foreground, the bold appeal to “the Men of Scotland,” and the reminders of the sexcentenary of the Battle of Bannockburn, suggest a confident and aggressive sense of Scottish pride. But this superficial gesture of national assertiveness is qualified by the piece’s visual rhetoric. The Bruce may be the dominant physical presence occupying the foreground, but he is, in theatrical terms, upstaged by Britannia. -
Unveiling Memorials to the Fallen of World War One in Scotland. James
Music, emotion and remembrance: unveiling memorials to the fallen of World War One in Scotland. James J Smyth University of Stirling History & Politics Faculty of Arts & Humanities Pathfoot Building Stirling FK9 4LA Tel: 01786 467961 [email protected] ORCID No. 0000-001-6161-4936 Acknowledgements: I would like to acknowledge the help of Michael Penman, Alix Wilkinson and my late sister Rosemary Smyth, to whom this article is dedicated. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Social History on 22 Oct 2018, available online: http://www.tandfonline.com/10.1080/03071022.2018.1520432. 1 Abstract The unveiling of memorials to those who fell in World War One were highly solemn, dramatic and emotional events. Yet while much attention has been given by historians to memorials and the purposes behind memorialisation, there has been less discussion of just how the feelings of the public were stimulated and provoked. Most accounts concentrate on the aesthetics and symbolism of the monuments themselves, and the speeches given by the officiating parties and individuals at unveilings. In doing so, however, they miss what was perhaps the most important emotional aspect of these ceremonies; music. This article seeks to go beyond the words spoken at unveilings and examines the role of music in establishing both the mood of the moment and the public’s attachment to the memorials. The focus is on the major city memorials of Scotland plus the National Memorial at Edinburgh Castle and particular significance is given to the bagpipes and Scotland’s most famous lament, ‘The Flowers of the Forest’. -
The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2015 The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity Erin F. Walker University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Walker, Erin F., "The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity" (2015). Theses and Dissertations--Music. 45. https://uknowledge.uky.edu/music_etds/45 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
The Story of the Bagpipe
Mil 31 HiBnOSOffilj 1 ; J m I i\ wt +lm\ ...-•.... The Music Story Series Edited by FREDERICK J. CROWEST. The . Story of the Bagpipe Zhe /flbueic Stoifi Series. A/6 net per Volume. Already published in this Series. THE STORY OF ORATORIO. By Annie Patterson, B.A., Mus. Doc. With Illustrations. THE STORY OF NOTATION. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF THE ORGAN. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF CHAMBER MUSIC. By N. Kilburn, Mus. Bac. With Illustrations. THE STORY OF THE VIOLIN. By Paul Stoeving. With Illustrations. THE STORY OF THE HARP. By W. H. Grattan Flood, Mus. Doc. With Illustrations. THE STORY OF ORGAN MUSIC. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF ENGLISH MUSIC (1604-1904)- MUSICIANS' COMPANY LECTURES. THE STORY OF MINSTRELSY. By Edmondstoune Duncan. With Illustrations. THE STORY OF MUSICAL FORM. By Clarence Lucas. With Illustrations. THE STORY OF OPERA. By E. Mark-ham Lee, M.A., Mus. Doc. With Illustrations. THE STORY OF THE CAROL. By Edmondstoune Duncan. With Illustrations. This Series, in superior leather bindings, may be had on application to the Publishers. [all rights reserved.] ' firm a htn'jitliit/ l-i/ t A"<i<ltr '/trul The Story of the Bagpipe BY Wm, H. Grattan Flood Mus. Doc, National University of Ireland; Author ok " History op Irish Music," " Story of the Harp," etc. London The Walter Scott Publishing Co.. Ltd. New York: Charles Scribner's Sons £14 LORD CASTLETOWN OF UPPER OSSORY, K.P., (THE MACGILLA I'ADKAIG), THE DESCENDANT OK THE KINGS OK OSSORY, A VOTARY AND I'ATRON OF IRISH PIPE MUSIC, AS A SMALL TRIBUTE OK ESTEEM. -
The Story of the Bagpipe Xlbe /Hbusic Store Series
CORNELL, ^ UNIVERSITY LIBRARY FROM The Carnegie Corporation MUSIC """"""•* ML 980.F6r" '•"'"'^ liiiMiiiiiiiMiiy °' "^^ l>a£IPipe 3 1924 022 329 977 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022329977 The Music Story Series Edited by FREDERICK J. CROWEST. The Story of the Bagpipe Xlbe /Hbusic store Series. Already published in this Series. THE STORY OF ORATORIO. By Annie Patterson, B.A., Mas. Doc. With Illustrations. THE STORY OF NOTATION. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF THE ORGAN. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF CHAMBER MUSIC. By N. KiLBURN, Mus. Bac. With Illustrations. THE STORY OF THE VIOLIN. By Paul Stoevinc. With Illustrations. THE STORY OF THE HARP. By W. H. Grattan Flood, Mus. Doc. With Illustrations. THE STORY OF ORGAN MUSIC. By C. F. Abdy Williams, M.A., Mus. Bac. With Illustrations. THE STORY OF ENGLISH MU§IC (1604-1904)— MUSICIANS' COMPANY LECTURES. THE STORY OF MINSTRELSY. By Edmondstoune Duncan. With Illustrations. THE STORY OF MUSICAL FORM. By Clarence Lucas. With Illustrations. THE STORY OF OPERA. By E. Markham Lee, M.A., Mus. Doc. With Illustrations. THE STORY OF THE CAROL. By Edmondstoune Duncan. With Illustrations. This Series, in superiot leather bindings, may be had en application to the Publishers. [all rights reserved.] < (C j.»-iU.'K' . Jliri- . ( (led The g Story of the Bagpipe BY ^^7 Wm. -
Robert Burns. the Burns Cult and Scottish Popular Culture
Author: Maria Jesus Beltran de Heredia Degree: MPhil in Scottish Literature ROBERT BURNS. THE BURNS CULT AND SCOTTISH POPULAR CULTURE University of Glasgow Faculty of Arts Dept, of Scottish Literature September 1998 ProQuest Number: 13818604 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818604 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW UNIVERSITY LIBRARY CONTENTS 1. INTRODUCTION 3 2. ROBERT BURNS AND FOLK SONG 9 2.1 EARLY CONTACTS WITH POPULAR CULTURE 11 2.2 THE SCOTS MUSICAL MUSEUM 13 2.3 TOURS OF THE BORDERS AND THE HIGHLANDS 17 2.4 A SELECT COLLECTION OF ORIGINAL SCOTTISH AIRS 21 2.5 THE MERRY MUSES OF CALEDONIA 23 2.6 BURNS AS PART OF POPULAR TRADITION 25 3. ROBERT BURNS IN THE NINETEENTH CENTURY 29 3.1 ROMANTICISM 31 3.2 THE BURNS CULT 35 3.3 OTHER PERCEPTIONS OF BURNS 44 3.4 BURNS’S SONGS IN THE NINETEENTH CENTURY 50 4. HUGH MACDIARMID AND ROBERT BURNS 55 4.1 THE SCOTTISH RENAISSANCE MOVEMENT 55 4.2 McDIARMID’S APPROACH TO BURNS 56 4.2.1 FIRST ATTACKS ON BURNS 59 4.2.2 THE BURNS CULT 63 4.2.3 BURNS TODAY AND TOMORROW 65 4.2.4 ON BURNS’S SONGS 72 4.3 MacDIARMID’S AIMS 76 4.4 OTHER PERCEPTIONS OF BURNS 79 5. -
The Flowers of the Forest
THE FLOWERS OF THE FOREST The two items shown below were found in the extensive music archive of 250 Danes Drive when the MacIver residence was being cleared in preparation for it to be sold. 250 had been the MacKeever family home for more than 80 years. For those who received it’s hospitality it remains in our memory as a part of Lewis in the West of Glasgow. Always a warm “Highland” welcome with the aroma of home baking and an open peat fuelled fire. For the fortunate visitor, there was, perchance, the opportunity of a piece of salmon (ready poached if you get my drift) courtesy of The Laxay Poacher. It seems appropriate at this time when we have passed the 100th anniversary of Passchendaele to make these scans available to all of our membership and others who may care. The first image is typical in its presentation and is in Alex’s hand. Like most it is battered and weary through time, wear and usage but all the more of interest to us, shown as scripted in 1950. Ian McLellan B.E.M. points out that Alex’s version is very much as he remembers it. However he did have to re-learn it in part when he joined the Argylls. He confirms a difference where Alex, at the end of the first bar shows, after the throw, semi quavers E to F whereas in other parts of the music it is shown as an E F G triplet. Ian also observes that the tune with three parts as Alex presents it is the usual accepted style.