Copyright Inringement

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Peer-to-peer Pandora Bad! Good! PAying for music and movies ensures Consequences for getting caught on the artists get compensation for campus are immediate termination of their work. How would you like to internet connection, a $50 fine per work for free? This way, they can song (up to $250!) or $100 per movie keep making more of the stuff you or software, and the student is love! required to pass an assessment before the internet connection is There are dozens of non-intrusive, reactivated. ad-supported services to get your favorite tunes and flicks for free! The RIAA can legally sue someone for Copyright Infringement. The penalties iTunes has high quality movie rentals are fines up to $250,000 and up to 5 for as little as $2, and you can put years in prison! That's just for one it on your iPod or Apple TV! song! Peer to Peer networks such as With lala.com, you can purchase Limewire, Bearshare, Bittorrent, songs for your web locker for 10¢ Frostwire, and Kazaa are great a piece, 80¢ per album. Store your music in the online locker and ways for viruses and spyware to download them DRM free for 79¢-99¢ infect your computer and for hackers to steal your Pandora.com is a identity! free online music service that lets you Even if you purchase customize your own a peer-to-peer client radio station based (such as Limewire Pro), on artists that are the content is still similar to the ones illegal! you say you like. It's a great way to find new music! huLU.com has hundreds of movies and TV episodes all viewable in high quality for free! Check out: www.riaa.com www.mpaa.com Digital Millennium Look at the bottom of this page: Copyright Act Higher Education Act http://www.riaa.com/physicalpiracy.php? content_selector=piracy_online_the_law Check out the Student Computing Podcast at http://itunes.wcu.edu, and the blog at http://wiki2.wcu.edu/groups/sc.

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What Is Peer-To-Peer File Transfer? Bandwidth It Can Use
sharing, with no cap on the amount of commonly used to trade copyrighted music What is Peer-to-Peer file transfer? bandwidth it can use. Thus, a single NSF PC and software. connected to NSF’s LAN with a standard The Recording Industry Association of A peer-to-peer, or “P2P,” file transfer 100Mbps network card could, with KaZaA’s America tracks users of this software and has service allows the user to share computer files default settings, conceivably saturate NSF’s begun initiating lawsuits against individuals through the Internet. Examples of P2P T3 (45Mbps) internet connection. who use P2P systems to steal copyrighted services include KaZaA, Grokster, Gnutella, The KaZaA software assesses the quality of material or to provide copyrighted software to Morpheus, and BearShare. the PC’s internet connection and designates others to download freely. These services are set up to allow users to computers with high-speed connections as search for and download files to their “Supernodes,” meaning that they provide a How does use of these services computers, and to enable users to make files hub between various users, a source of available for others to download from their information about files available on other create security issues at NSF? computers. users’ PCs. This uses much more of the When configuring these services, it is computer’s resources, including bandwidth possible to designate as “shared” not only the and processing capability. How do these services function? one folder KaZaA sets up by default, but also The free version of KaZaA is supported by the entire contents of the user’s computer as Peer to peer file transfer services are highly advertising, which appears on the user well as any NSF network drives to which the decentralized, creating a network of linked interface of the program and also causes pop- user has access, to be searchable and users.
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The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
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Piratez Are Just Disgruntled Consumers Reach Global Theaters That They Overlap the Domestic USA Blu-Ray Release
Moviegoers - or perhaps more accurately, lovers of cinema - are frustrated. Their frustrations begin with the discrepancies in film release strategies and timing. For example, audiences that saw Quentin Tarantino’s1 2 Django Unchained in the United States enjoyed its opening on Christmas day 2012; however, in Europe and other markets, viewers could not pay to see the movie until after the 17th of January 2013. Three weeks may not seem like a lot, but some movies can take months to reach an international audience. Some take so long to Piratez Are Just Disgruntled Consumers reach global theaters that they overlap the domestic USA Blu-Ray release. This delay can seem like an eternity for ultiscreen is at the top of the entertainment a desperate fan. This frustrated enthusiasm, combined industry’s agenda for delivering digital video. This with a lack of timely availability, leads to the feeling of M is discussed in the context of four main screens: being treated as a second class citizen - and may lead TVs, PCs, tablets and mobile phones. The premise being the over-anxious fan to engage in piracy. that multiscreen enables portability, usability and flexibility for consumers. But, there is a fifth screen which There has been some evolution in this practice, with is often overlooked – the cornerstone of the certain films being released simultaneously to a domestic and global audience. For example, Avatar3 was released entertainment industry - cinema. This digital video th th ecosystem is not complete without including cinema, and in theaters on the 10 and 17 of December in most it certainly should be part of the multiscreen discussion.
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The Robustness of Content-Based Search in Hierarchical Peer to Peer Networks
The Robustness of Content-Based Search in Hierarchical Peer to Peer Networks ∗ M. Elena Renda Jamie Callan I.S.T.I. – C.N.R. Language Technologies Institute and School of Computer Science Scuola Superiore Sant’Anna Carnegie Mellon University I-56100 Pisa, Italy Pittsburgh, PA 15213, US [email protected] [email protected] ABSTRACT Keywords Hierarchical peer to peer networks with multiple directory services Peer to Peer, Hierarchical, Search, Retrieval, Content-based, Ro- are an important architecture for large-scale file sharing due to their bustness effectiveness and efficiency. Recent research argues that they are also an effective method of providing large-scale content-based federated search of text-based digital libraries. In both cases the 1. INTRODUCTION directory services are critical resources that are subject to attack Peer to peer (P2P) networks have emerged in recent years as a or failure, but the latter architecture may be particularly vulnera- popular method of sharing information, primarily popular music, ble because content is less likely to be replicated throughout the movies, and software, among large numbers of networked com- network. puters. Computers (‘nodes’) in P2P networks can be information This paper studies the robustness, effectiveness and efficiency providers and information consumers, and may provide network of content-based federated search in hierarchical peer to peer net- services such as message routing and regional directory services. works when directory services fail unexpectedly. Several recovery A single node may play several roles at once, for example, posting methods are studied using simulations with varying failure rates. queries, sharing files, and relaying messages.
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Online Piracy
Online Piracy Christian Helmers 16 April 2015 1 / 31 Online piracy • Digital technologies: • Create, transform, copy data • Digital technologies: transmission, display and analysis of data through copying • Enabled large-scale online piracy • Piracy: illegal copying of copyrighted material online • Music • Movies • Ebooks/audiobooks • Software • Note: [Piracy] is not an offense of timeless character, universally definable by a priori criteria. It is far richer and trickier than that. (Johns, 2009:4) • Beware: often very ideological debate 2 / 31 P2P: Napster 3 / 31 P2P: The Pirate Bay 4 / 31 P2P: LimeWire Pirate Edition (\Not an equivalent, not a replacement, but the exact same thing") 5 / 31 P2P: More BitTorrent sites 6 / 31 Direct downloads: Megaupload 7 / 31 Direct downloads: many anonymous options 8 / 31 Cracking devices: Amazon's MOBI 9 / 31 Online piracy • Digital technologies: • P2P music sharing software: Napster, KaZaa, Morpheus, Grokster, BitTorrent sites, etc. • Direct downloads, file repositories • Cracking software • Enabled large-scale online piracy • Importance of digital platforms for sharing • File sharing market organized in private groups with tightly controlled access (non-profit) • Filehosters often for-profit 10 / 31 The economics of piracy (Klein et al., 2002) • Negative effect on copyright owner: • Pirated copies substitutes for legal downloads (but lower quality files may limit substitution) • Inability to price-discriminate • Inability to control prices • Positive effect on copyright owner: • Sampling (learning) • Space
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Title: P2P Networks for Content Sharing
Title: P2P Networks for Content Sharing Authors: Choon Hoong Ding, Sarana Nutanong, and Rajkumar Buyya Grid Computing and Distributed Systems Laboratory, Department of Computer Science and Software Engineering, The University of Melbourne, Australia (chd, sarana, raj)@cs.mu.oz.au ABSTRACT Peer-to-peer (P2P) technologies have been widely used for content sharing, popularly called “file-swapping” networks. This chapter gives a broad overview of content sharing P2P technologies. It starts with the fundamental concept of P2P computing followed by the analysis of network topologies used in peer-to-peer systems. Next, three milestone peer-to-peer technologies: Napster, Gnutella, and Fasttrack are explored in details, and they are finally concluded with the comparison table in the last section. 1. INTRODUCTION Peer-to-peer (P2P) content sharing has been an astonishingly successful P2P application on the Internet. P2P has gained tremendous public attention from Napster, the system supporting music sharing on the Web. It is a new emerging, interesting research technology and a promising product base. Intel P2P working group gave the definition of P2P as "The sharing of computer resources and services by direct exchange between systems". This thus gives P2P systems two main key characteristics: • Scalability: there is no algorithmic, or technical limitation of the size of the system, e.g. the complexity of the system should be somewhat constant regardless of number of nodes in the system. • Reliability: The malfunction on any given node will not effect the whole system (or maybe even any other nodes). File sharing network like Gnutella is a good example of scalability and reliability.
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Scaling Content Delivery Outline P2P System
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Three Case Studies on Mp3.Com, Napster and Kazaa
University of Wollongong Research Online Faculty of Engineering & Information Sciences - Honours Theses University of Wollongong Thesis Collections 25-10-2004 Digital distribution music services and the demise of the traditional music industry: three case studies on mp3.com, Napster and Kazaa K. Alves University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/thesesinfo University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Alves, K., "Digital distribution music services and the demise of the traditional music industry: three case studies on mp3.com, Napster and Kazaa" (2004).
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Printmgr File
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