Weapons of Mass Destruction, Hiroshima and Nagasaki, and the Atomic Testing Museum
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Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
Sinatra's Little Brown Book
SINATRA’S LITTLE BROWN BOOK An address book said to have been Frank Sinatra’s reveals the extent of his influence and connections—and why his first attempted retirement was so short-lived. BY WILL FRIEDWALD PHOTOGRAPHY BY HENRY LEUTWYLER HINK OF THE MOST legendary, exclusive parties of the the doldrums.” Once he started performing again, he was primarily past century: Truman Capote’s Black and White Ball or a stage artist and, following a trend started by top rock acts, played Vanity Fair’s Oscar party. Imagine the guest list. Now sports stadiums and other huge venues with a combination of classic think of the man comedian Alan King once described songs and newer material. as an event unto himself. The only thing Frank Sinatra Sinatra’s little book, dating from several years into his comeback, had to do to set a room buzzing was walk into it. What illustrates how his return seems almost inevitable in hindsight. Tdid his guest list look like? We no longer have to wonder. Photographer Midway through, four incongruous names sum up the eclectic range of Henry Leutwyler has documented a personal phone book said to be his social circle: Tony Mottola, Sinatra’s preferred guitarist for most Sinatra’s—every entry from his personal assistant to two U.S. presi- of this period; Ed McMahon, Johnny Carson’s Tonight Show sidekick; dents—in a collection of still-life images to be published as Hi There!, a Wayne Newton, a Vegas mainstay; and, notably, “Nixon, Pres.” Sinatra monograph out in June from Steidl. -
“Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
“FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours. -
The Las Vegas Strip...The Early Years
The Las Vegas Strip the early years by Pam Goertler assisted by Brian Cashman El Rancho Vegas The first hotel on the Strip In the 1930’s there was no Las Vegas “Strip”. Las Vegas was a railroad town, built to house the railroad workers and their families. The clubs, casinos, stores, schools, hotels, professional offices, and railroad station were all downtown. Highway 91 (now the Strip) went from Los Angeles to Salt Lake City, passing through Las Vegas. Scattered along the highway, leading into Las Vegas, were some small clubs, but they were few and far between. his new hotel. Mrs. Jessie Hunt owned the proper- As the legend goes…in 1938 Tommy Hull and ty, and Tommy began negotiations with her. Mrs. a friend were driving along highway 91. They were Hunt felt that the property was worthless. She offered a few miles outside of Las Vegas when to give it to Tommy, just to get rid of it! She finally they got a flat tire. Tommy waited with accepted payment of $150 per acre, for about 33 acres. the car while his friend hitchhiked into Las Vegas to get help. While waiting, After months of planning and construction, El Rancho Tommy counted the cars that passed Vegas opened on April 3, 1941. Having seen the beautiful him on the highway, and began to get resort while it was being built, Las Vegans dressed in their an idea. Highway 91 was a long stretch of finest attire to attend the gala opening. Wanting a com- road through a hot, dusty desert. -
The First 100 Was Originally Published As a Three-Part Played Significant Roles in It
Portraits of the Men and Women Who Shaped Las Vegas HUNTINGTON PRESS • LAS VEGAS Dedicated to the memories of K.J. Evans and W.V. Wright, kindred spirits in their love for Nevada and its history. • CONTENTS • Introduction xi Bill Tomiyasu 57 Editors & Authors xiii James Scrugham 61 John C. Fremont 1 Mark Harrington 65 William Bringhurst 5 David G. Lorenzi 69 O.D. Gass 9 Bob Hausler 72 Ute Warren Perkins 12 Robert Griffith 75 Helen J. Stewart 15 Maude Frazier 80 George F. Colton 19 Harley A. Harmon 84 William Andrews Clark 22 A.E. Cahlan 88 Walter Bracken 26 Florence Lee Jones 92 J.T. McWilliams 29 Frank Crowe 95 Sam Gay 33 Sims Ely 99 C.P. Squires 36 Mayme Stocker 103 Pete Buol 40 Tony Cornero 106 Ed Clark 43 Tom Williams 109 Queho 47 Ernie Cragin 111 Roy Martin 50 Jim Cashman 115 Ed Von Tobel 54 Thomas Hull 121 • CONTENTS • Howard Eells 125 Ernest Becker 183 “Magnesium Maggie” 129 George Albright 186 Berkeley Bunker 132 Monsignor Collins 190 Pat McCarran 135 James B. McMillan 193 Eva Adams 139 Oran K. Gragson 197 Maxwell Kelch 141 Grant Sawyer 200 Benjamin Siegel 145 Bob Bailey 204 Thomas Young 149 Charles Kellar 207 Edmund Converse 152 Ralph Denton 210 Florence Murphy 156 Parry Thomas 213 Steve Hannagan 159 Bill Miller 216 Harvey Diederich 162 Frank Sinatra 220 Morris B. Dalitz 165 Benny Binion 224 Robbins Cahill 169 Walter Baring 228 Del E. Webb 172 Howard Cannon 231 C.D. Baker 176 The Foley Family 235 Alfred O’Donnell 180 Kirk Kerkorian 241 • CONTENTS • Walter Liberace 245 Ray Chesson 303 Hank Greenspun 249 Jerry Vallen 308 John Mowbray -
Percy Dwight Bentley (1885-1968)
NATIONAL ATTENTION: LOCAL CONNECTION La Crosse’s contributions to the Arts and Entertainment in America Compiled by Richard Boudreau, Professor UW-La Crosse, La Crosse, WI 2013 Copyright applied for 2 TABLE OF CONTENTS 1, Early Poets 5 2. Brick Pomeroy/George W. Peck 9 3. Doc Powell 13 4. Egid Hackner 18 5. Sandor Landau 23 6. Sterling/Dupree 27 7. Percy Bentley 31 8. The Beaches 34 9. Howard Mumford Jones 37 10. Rudolf Kvelve 41 11. Arthur Kreutz 44 12. Walter Ristow 47 13. Joseph Losey 51 14. Alonso Hauser 57 15. Nicholas Ray 61 16. John Toland 73 17. James Cameron 80 18. Don Herbert 85 19. Robert Moevs 89 20. Elmer Petersen 92 21. Frank Italiano/Hugo Jan Huss 96 22. John Judson 100 3 23. Kati Casida 104 24. Arganbright/Weekley 107 25. Charles Dierkop 111 26. John Solie 115 27. Sr. Thea Bowman 119 28. Bill Miller 123 29. Amy Mills 126 30. Scott Thorson 129 4 Compiler’s Notes First--I owe thanks to many people from the past and in the present. All of those people of local importance who recorded their reminiscences for later generations (Egid Hackner and Howard Mumford Jones, for example) and such local historians as David O. Coate, early and long-time professor of English at UW-La Crosse, current teacher and writer, David Marcou, professor of Speech, Charles Haas, and retired librarian, Ed Hill. Most of all, I owe thanks to the great local reporters of the past and present whose original stories and columns I gleaned along the way. -
Lorenzi Park: Building Community Since 1921 Megan Weatherlys
Frederic J. DeLongchamps 77 HistoricalNevada Society Quarterly Michael Green Hillary Velázquez Juliet S. Pierson Editor-in-Chief & Frank Ozaki Manuscript Editor Production & Design Volume 53 Summer 2010 Number 2 Contents 78 Editor’s Note 80 Tumult in Playland: The Annexation-Consolidation Controversy in the Las Vegas Metropolitan Area EUGENE P. MOEHRING 108 Noel Coward Wows ’Em in Café Town” The Impact of Noel Coward’s 1955 Performance at the Desert Inn LARRY GRAGG 127 Lorenzi Park: Building Community Since 1921 MEGAN WEATHERLYS Front Cover: Noel Coward with Frank Sinatra in Las Vegas, Nevada, 1955. Photographer unknown. (Las Vegas News Bureau) 78 Editor’s Note This editor’s note is an unusual explanation of an unusual issue. If you look, you will notice that it says “Summer 2010,” and you might think to yourself, “But it’s 2012.” We know! Like you, we have felt the effects of the economy, and this led to staffing and financial issues that delayed publication of the Quarterly. But we are still here, and we plan to stay here. Whether it is 2010 or 2011, Las Vegas is a subject of great historical interest, and it is the subject of this issue. In 2005, Las Vegas celebrated its centennial, marking its development from the May 15, 1905, auction that created the town. But other centennials have happened since: in 2009, the hundredth anniver- sary of the creation of Clark County, and in 2011, the centenary of Las Vegas’s incorporation as a city. Since Las Vegas long has put a premium on celebrating just about anything, we will join in with three articles about tourism, broadly conceived. -
An Interview with Kim Krantz
An Interview with Kim Krantz An Oral History Conducted by Joyce Marshall ______________________________________________ Las Vegas Women in Gaming and Entertainment Oral History Project University of Nevada, Las Vegas 1997 Production of An Interview with Kim Krantz was made possible in part by a grant from the Nevada Humanities Committee. Joyce Marshall, 1997 Produced by: Las Vegas Women in Gaming and Entertainment Oral History Project Department of History, University of Nevada, Las Vegas 89154-5020 Director and Editor: Joanne L. Goodwin Text Processor: Joyce Marshall ii iii This interview and transcript has been made possible with the generosity of the Nevada Humanities Committee, a state program of the National Endowment for the Humanities. The History Department of the University of Nevada, Las Vegas provided a home for the project and a wide variety of in-kind services. The department, as well as the college and university administration, enabled students and faculty to work together with community members to generate this selection of first-person narratives. The participants in this project thank the NHC and UNLV for its support which gave an idea the chance to flourish. The text has received minimal editing. These measures include the elimination of fragments, false starts, and repetitions in order to enhance the reader’s understanding of the material. All measures have been taken to preserve the style and language of the narrator. In several cases, photographic sources (housed separately) accompany the collection as slides or black and white photographs. The following interview is one of nine conducted as a pilot project for the Las Vegas Women in Gaming and Entertainment Oral History Project. -
Bill Miller's Riviera: America's Showplace in Fort Lee, New Jersey (Landmarks) Online
u0fjT [Free] Bill Miller's Riviera: America's Showplace in Fort Lee, New Jersey (Landmarks) Online [u0fjT.ebook] Bill Miller's Riviera: America's Showplace in Fort Lee, New Jersey (Landmarks) Pdf Free Tom Austin, Ron Kase *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #407615 in Books 2011-10-25 2011-10-25Original language:EnglishPDF # 1 9.00 x .31 x 6.00l, .50 #File Name: 1609494563152 pages | File size: 71.Mb Tom Austin, Ron Kase : Bill Miller's Riviera: America's Showplace in Fort Lee, New Jersey (Landmarks) before purchasing it in order to gage whether or not it would be worth my time, and all praised Bill Miller's Riviera: America's Showplace in Fort Lee, New Jersey (Landmarks): 0 of 0 people found the following review helpful. Wildly fascinating A primer for anyone who loves Postwar showbiz ...By James FranzeseWildly fascinatingA primer for anyone who loves Postwar showbiz.Even the decline was interesting , I will never feel the same about those on-ramps in Jersey. ;-)0 of 0 people found the following review helpful. I worked for Bil Miller as a dance team The Szony s we opened for Sinatra Marlene D Ray Bolger Dolores GrayBy francois szonyand many more great boss RIPRiviera ft lee and Miami Beach and the Sahara Vegas the good old days0 of 0 people found the following review helpful. Childhood memoriesBy Al FioreI remember seeing the Riviera when I was a kid going over the George Washington Bridge,Afterwards checking out the grounds with My children.I was always curious about it.