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Copyright and the Internet: Getting the Balance Right Alden F SPECIAL REPORT | NO. 168 JUNE 03, 2015 Copyright and the Internet: Getting the Balance Right Alden F. Abbott he ability to create without undue fear that one’s Copyright infringement “has resulted in billions Tcreation will be appropriated by others without of dollars in losses to the U.S. economy—including consent is a fundamental freedom, whether that reduced income for creators and other participants creation is tangible or intellectual in nature. Overly in copyright-intensive industries.”87 Those losses burdensome rules limiting legitimate rights to use are felt by the full spectrum of content industries, and transmit ideas limit freedom. Balancing these including music, motion pictures, television, visual two freedoms has long been a challenge in the law, arts, and software.88 and the explosive growth of the Internet has made Current federal law provides a variety of tools to that job much harder. The sale of counterfeit goods, combat such infringement. Both the Department of including tangible items, such as branded clothing Justice (DOJ) and Department of Homeland Secu- and pharmaceuticals—as well as the illegal sale of rity (DHS) are authorized to take civil and criminal digital goods, such as music and Hollywood mov- enforcement actions against infringers, including ies—has proliferated on the Internet. Such activity seizing property used in connection with infringe- is a form of theft, and the federal government has a ment. However, jurisdictional limitations that legitimate role in preventing it. restrict seizures to Internet domain names regis- The unauthorized downloading of copyrighted tered with a U.S. registry limit the effectiveness of writings, designs, artwork, music, and films lowers these efforts. Criminal enforcement may also have revenue streams for artists and reduces their incen- an international dimension, with DOJ investiga- tives to create new works, and limits their ability to tions assisted by foreign law enforcers.89 enjoy the fruits of their labors. A key question for Copyright holders have a number of litigation policymakers is how to best protect the creators of tools to defend their interests. The first tool involves intellectual property without harming growth and lawsuits against “primary infringers”—parties who innovation in Internet services or vital protections directly violate others’ copyrights. Suits against for free speech. individual file sharers have proven rather ineffec- tive, however, given the large number of such direct Copyright Issues infringers and the difficulty in identifying them Federal copyright-law protection extends to liter- and bringing them to court. Direct infringement ary, musical, and artistic “original works of author- suits against ISPs are difficult, since infringement ship.”84 U.S. law gives the copyright owner the exclu- requires “some element of volition or causation,” sive rights to reproduce, sell, rent, lease, distribute, and ISPs typically are not directly complicit in copy- display, and publicly perform the copyrighted work, right pirates’ decisions to place materials online. and to prepare derivative works based upon the The second tool involves lawsuits against “sec- work.85 ondary infringers”—parties who facilitate direct Thanks to the Internet, both the legitimate and infringers’ violations of copyrights. In recent years, illegitimate distribution of such works has become claims of secondary liability against online interme- far easier. A 2013 U.S. Department of Commerce diaries have become increasingly important. Such task force report on copyright in the digital econo- claims have been brought successfully against P2P my noted that the Internet “has given consumers file-sharing services, such as Napster and Grokster, unprecedented tools to reproduce, alter and imme- and against other types of online services, includ- diately transmit perfect digital copies of copyrighted ing video-hosting sites, BitTorrent sites, Usenet.com works around the world, and has led to the rise of ser- (a worldwide discussion board), and “cyberlockers” vices designed to provide these tools.”86 Those tools (which allow users to store and share large files).90 include, for example, peer-to-peer (P2P) file-sharing In addition, the Digital Millennium Copyright services and mobile apps designed to foster infringe- Act (DMCA)91 establishes various extrajudicial ment. Many websites that provide pirated content— tools to combat infringement.92 Although it creates including, for example, online video-streaming liability-free “safe harbors” for ISPs when engaged sites—are located outside the United States. in specified activities (serving as a mere conduit to 27 SAVING INTERNET FREEDOM transmit content, or providing caching, hosting, or of account termination. This agreement, which is information tools), the DMCA requires ISPs, in turn, being implemented by the Center for Copyright to block or remove infringing content for which they Information (CCI), began operating in 2013.96 Spe- have received a valid notice or are otherwise aware. cifically, the CCI administers an alert system under A “put-back” mechanism empowers ISPs to restore which ISP subscribers are notified when they initial- content that was removed by mistake or due to mis- ly access infringing materials, and are subjected to a identification. This structure has generated a widely series of graduated sanctions from warnings to ISP used extrajudicial tool—“notice and takedown”—for service downgrades of varying severity if they per- curbing infringement. sist in their behavior (disputes under this system are subject to independent review and arbitration).97 Potential New Tools There are other ways in which private, voluntary A variety of new potential tools have been pro- efforts can alleviate infringement problems. For posed to augment these existing copyright enforce- instance, new technologies allow websites that con- ment mechanisms.93 These include website blocking tain licensed content to be marked and highlighted (directing ISPs to block access to websites dedicat- for consumers, enabling them to better identify legal ed to piracy), content filtering (screening incoming services that are available online, and diminishing network traffic for signs of infringement), “follow- incentives to access infringing materials.98 In addi- ing the money” (requiring payment processors and tion, services that make online content more eas- online advertisers to cut off funding of infringers), ily available to consumers can significantly reduce and restrictions on the types of links that search demand for pirated materials. These services, the engines are allowed to display. biggest of which is iTunes, are quite successful in Many of these approaches were proposed in 2011 the music world, and video-download services, such in the Stop Online Piracy Now (SOPA) and Protect as Apple TV and Amazon Video, are growing rapidly Intellectual Piracy Act (PIPA) bills. But the pro- among movie watchers. posed legislations raised a number of concerns. For instance, requiring search engines to omit links Conclusion to rogue sites undercuts the role of search firms as A variety of approaches—many of which are pri- trusted intermediaries in conveying information vate, voluntary initiatives requiring no new laws or to users. Arguably, such limits would violate consti- regulations—have been deployed to combat online tutional protections of freedom of speech. Even if copyright infringement, and new ones are being constitutionally permissible, such a mandate would developed. While these efforts have not eliminated represent a step on a classic slippery slope of govern- infringement, which remains a substantial prob- ment interference that has no clear stopping point.94 lem,99 they are having some success. Ill-considered mandates could also compromise There is no “silver bullet.” Curtailing online security by blocking “resolution” of IP addresses by infringement will require a combination of litigation servers in the U.S., causing users (and their brows- tools, technology, enhanced private-sector initia- ers) to rely instead on less secure servers elsewhere tives, public education, and continuing development to access blocked sites.95 of readily accessible and legally available content Some approaches do not require state action for offerings.100 As the Internet continues to develop, implementation. For example, in 2011 a coalition of the best approach to protecting copyright in the major ISPs and industry associations agreed to a vol- online environment is to rely on existing legal tools, untary “Copyright Alert System,” which establishes enhanced cooperation among Internet stakehold- a process for handling repeat infringing activity ers, and business innovations that lessen incentives by online users of P2P file-sharing networks, short to infringe. 28 SPECIAL REPORT | NO. 168 JUNE 03, 2015 Endnotes 84. U.S. Copyright Office, “Copyright Basics,” Circular 1 (May 2012), http://www.copyright.gov/circs/circ01.pdf (accessed May 4, 2015). 85. Ibid. 86. U.S. Department of Commerce Internet Policy Task Force, “Copyright Policy, Creativity, and Innovation in the Digital Economy,” July 2013. 87. Ibid., p. 39. 88. Ibid., p. 40. 89. For example, in January 2012, the DOJ indicted two corporations and seven individuals for running an organized criminal enterprise responsible for worldwide online piracy (causing over half a billion dollars in potential damages), through the cyberlocker service Megaupload and other related sites. 90. U.S. Department of
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