Birmingham Museum Trust Ten Year Strategy

Total Page:16

File Type:pdf, Size:1020Kb

Birmingham Museum Trust Ten Year Strategy Birmingham Museums Trust Ten-Year Strategy To reflect Birmingham to the world and the world to Birmingham 2018 – 2027 Ten-Year Strategy / CONTENTS 02/03 Contents 04 Where we are 06 The next ten years 08 Our vision 10 Core purpose 12 Guiding principles 14 Strategic partnerships 16 Strategic aims 22 Signature projects 28 Heritage Sites 34 Exhibitions and tours Ten-Year Strategy / WHERE WE ARE 04/05 Where Where Birmingham Museums Trust was the Faith in Birmingham gallery weset up in 2012 as anare independent and other co-curated displays are charity to manage the city’s museum and exhibitions have expanded collection and venues on behalf of the reach of our engagement to many more of the communities we Birmingham City Council. We earn over 60% of our turnover from a of this super-diverse city. The range of sources: admission fees, Arts Council Collection National membership subscriptions, trading Partners Programme, New Art West and fundraising income. Our two Midlands and other exhibitions main sources of public funding are have strengthened Birmingham Birmingham City Council and Arts Museums Trust’s profile as a venue Council England. for contemporary art. We have delivered the first year of a joint MA Birmingham Museums Trust has in Museum Leadership in partnership achieved its original aims over the with Birmingham City University, first five years. Our visitor numbers and from 2018 onwards we will be are growing – up by over 10% to touring a major exhibition to eight 1.1m. Our audiences are becoming venues in North America, raising more diverse. Our trading company’s the profile of Birmingham and its performance has improved. It now museums. Fundraising for the new yields a return of 25% on turnover MiniBrum gallery for under-eights at of over £2m, making a substantial Thinktank is near completion. Across contribution to the Trust and all our venues, our dedicated teams reducing its dependence on are delivering more vibrant public public funding. programming and improving levels Beyond this, Birmingham Museums of customer service, as our Visit Trust has delivered and continues England scores show. Above all, to deliver a range of notably we have forged lasting partnerships successful projects and activities. that we can build on for the future. The Collecting Birmingham project, All this has been achieved in the Changemakers programme, interesting times. Ten-Year Strategy / THE NEXT TEN YEARS 06/07 Birmingham Museums Trust has ambitious plans for the next ten years. In order to achieve them, we will need The next to find new sources of ten yea rs funding, growing our existing Our plans include three major As investment becomes available capital projects – the creation of a we will upgrade the buildings new store and headquarters that is and grounds. trading activities, looking also a cultural and community hub, Our aspiration is that our audiences the reimagination of Birmingham and our workforce should reflect for new areas of business, Museum & Art Gallery for the super- the city we serve. Birmingham diverse city of the 21st century, and Museums Trust’s commitment to the creation of a new Birmingham diversity, co-curation and community implementing our fundraising Museum of Science & Industry that engagement is supported by showcases the city’s great industrial partnerships with other cultural history and its place at the cutting organisations locally, nationally and strategy and seeking new edge of innovation. These projects internationally. We will develop the will be transformational, not only collection to make it more accessible forms of investment. in terms of buildings and displays physically, digitally and intellectually, but as catalysts for organisational and explore dynamic ways of using and change, providing the chance to managing it for public programming, introduce radically new ways of academic research and income generation. Our temporary exhibition working with audiences, using the programme will give our audiences collection and doing business. the chance to see the best of other Few major industrial cities have collections. Our international touring a portfolio of important historic exhibitions will provide a platform buildings that can compare with for raising the profile of the city and Birmingham’s Heritage Sites. Their Birmingham Museums overseas. survival is something to be celebrated. By the end of ten years Birmingham The closure of the Museum & Art Museums Trust will be financially Gallery for redevelopment offers an sustainable, with an international opportunity to focus on innovative reputation for excellence in audience programming at the heritage engagement and visitor experience, properties, raising their profile, a researched, accessible collection rewarding the loyalty of regular and a well-maintained and visitors and attracting new ones. presented estate. Ten-Year Strategy / OUR VISION 08/09 Birmingham Museums Trust and Birmingham City To reflect Birmingham Council have a shared understanding of the vision to the world and the and future strategy of Birmingham Museums for world to Birmingham the next hundred years that will include: • Reflecting Birmingham to • Playing a leadership role among the world, and the world to the city’s and region’s cultural Birmingham, contributing to organisations, maximising place-making and local identity the potential of a great • Caring for and developing the multidisciplinary collection collection, balancing the demands • Working with international of public access in the present with partners to position the city’s the need to preserve the collection cultural profile on a global scale for future generations • Maintaining and presenting • Documenting and researching the buildings to provide first-class collection to support the creation of visitor experiences engaging and stimulating content • Fostering a culture of innovation • Embedding community engagement and entrepreneurship, creating and participatory practice a more varied income base • Delivering learning, inspiration and through fundraising and enjoyment through varied public commercial development programming, including displays, • Developing a diverse and Our exhibitions, workshops, courses, highly trained workforce publications and digital media • Attracting growing and increasingly diverse audiences of residents and visitors to the city, enhancing its vision reputation as a cultural destination Ten-Year Strategy / CORE PURPOSE OF BIRMINGHAM MUSEUMS TRUST 10/11 Core of Birmingham purposeMuseums Trust To showcase our outstanding collection and venues to inspire learning, creativity and enjoyment for the people of Birmingham and visitors to the region. Education is part of our charitable Birmingham City Council has object and lies at the heart of our entrusted Birmingham Museums activity. Birmingham Museum & Trust with the responsibility of Art Gallery was set up in 1885 with caring for its collection and the the explicit aim of teaching the buildings in which it is stored and artisans of Birmingham to improve displayed. The City of Birmingham’s its manufactures by showing them museum holdings represent one the best in art and design. The focus of the three great historic regional may have changed, but making real collections of the United Kingdom. objects accessible to the widest The collection consists of around possible range of audiences for 1 million objects, covering almost learning, inspiration and enjoyment every subject across the four main remains our core business. Museums disciplines of fine and decorative enable people to learn from the art, human history, natural science, past to understand the present and and science and industry. Most of foresee the future. They provide the collection is Designated as being spaces where people can explain of national significance. Six of our their differences to each other. We nine venues are Listed Buildings use the city’s collection to reflect and one is a Scheduled Ancient what is unique about the culture Monument. We are the stewards and heritage of Birmingham within of this extraordinary range of public a global context. We promote assets. We will use them to realise Birmingham to local, national and our vision, and manage them international audiences, and we use dynamically so that we can hand our venues to showcase new ideas them on to the next generation. from the rest of the world. We make the collection physically, digitally, intellectually and emotionally accessible to all our audiences, pushing the boundaries of traditional museum practice. Ten-Year Strategy / GUIDING PRINCIPLES 12/13 Inclusivity Our work Birmingham Museums Trust is for everyone is guided Excellence We strive to be leaders and innovators, offering great Inclusivity by five experiences to our customers principles Working Together We work in partnership and support each other to achieve more for our audiences Excellence Sustainable We are entrepreneurial and put sustainability at the core of our practices Trust Principles Birmingham Museums Trust can be trusted to deliver on Working Together our promises and plans Sustainable Trust Ten-Year Strategy / STRATEGIC PARTNERSHIPS 14/15 Collaborating with others is fundamental to the sustainability Strategic of Birmingham Museums Trust. partnerships We work with many organisations across all areas of the business, including arts and culture, over 200 community groups and individuals, higher education, funding and media, commercial and trading, international sector and collection partners, and our Friends, Patrons and
Recommended publications
  • Birmingham Museums Supplement
    BIRMINGHAM: ITS PEOPLE, ITS HISTORY Birmingham MUSEUMS Published by History West Midlands www.historywm.com fter six years of REVEALING BIRMINGHAM’S HIDDEN HERITAGE development and a total investment of BIRMINGHAM: ITS PEOPLE, ITS HISTORY A £8.9 million, The new ‘Birmingham: its people, its history’ galleries at Birmingham Museum & Art ‘Birmingham: its people, its Gallery, officially opened in October 2012 by the Birmingham poet Benjamin history’ is Birmingham Museum Zephaniah, are a fascinating destination for anyone interested in history. They offer an & Art Gallery’s biggest and most insight into the development of Birmingham from its origin as a medieval market town ambitious development project in through to its establishment as the workshop of the world. But the personal stories, recent decades. It has seen the development of industry and campaigns for human rights represented in the displays restoration of large parts of the have a significance and resonance far beyond the local; they highlight the pivotal role Museum’s Grade II* listed the city played in shaping our modern world. From medieval metalwork to parts for building, and the creation of a the Hadron Collider, these galleries provide access to hundreds of artefacts, many of major permanent exhibition which have never been on public display before. They are well worth a visit whether about the history of Birmingham from its origins to the present day. you are from Birmingham or not. ‘Birmingham: its people, its The permanent exhibition in the galleries contains five distinct display areas: history’ draws upon the city’s rich l ‘Origins’ (up to 1700) – see page 1 and nationally important l ‘A Stranger’s Guide’ (1700 to 1830) – see page 2 collections to bring Birmingham’s l ‘Forward’ (1830 to 1909) – see page 3 history to life.
    [Show full text]
  • DCDC19 Conference at a Glance
    #DCDC19 DCDC19 Conference at a glance Tuesday 12 November (Day 1) Thursday 14 November (Day 3) Pre-conference workshops The National 08:30 - Registration Archives’ breakfast Speaking of Shakespeare – and the 09:15 briefng modern city 14:00 - Welcome to new and returning DCDC19 Removing the barriers: open access at 16:00 delegates by David Prosser, Executive Birmingham Museums Trust Director, RLUK 09:15 - Museum of the Jewellery Quarter tour 10:15 Keynote 18:00 - DCDC19 welcome social - Lae’l Hughes-Watkins, University of 20:00 Ikon Gallery Maryland 10:15 - Wednesday 13 November (Day 2) Morning break 10:45 08:30 - Registration P7. Digital engagement 09:15 P8. Digital transformation: Introduction to DCDC19 by Jef James, 10:45 - organisations and practices Chief Executive & Keeper, The National 12:15 09:15 - Archives W3. Transcription in the age of 10:15 machines: a workshop Opening keynote 12:15 - Lunch // Professional Fellows // Manage Tonya Nelson, Arts Council England 13:15 Your Collections drop-in clinic 10:15 - Morning break 13:15 - Closing keynote 10:45 14:00 David De Roure, University of Oxford 14:00 - P1. Developing digital platforms Room changeover 10:45 - 14:15 12:15 P2. Digital inclusion P9. A sustainable future: is digital the Funders Marketplace solution? 14:15 - 12:15 - P10. Changing formats, evolving Lunch // Funders 1:1 sessions 15:45 13:15 practice 13:15 - Keynote P11. Enabling digital scholarship 14:00 Liz Jolly, The British Library 15:45 - Afternoon break 16:15 14:00 - Room changeover 14:15 P12. Digital collections: measuring impact P3. The digital workforce: navigating the 16:15 - skills shift 17:45 P13.
    [Show full text]
  • Birminghammuseums.Org.Uk Public Task Statement
    Public Task Statement - Birmingham Museums Trust This statement sets out the functions carried out by Birmingham Museums Trust (‘BMT’) that are within BMT’s public task under the Re-use of Public Sector Information Regulations 2015 (the ‘2015 Regulations’). Public sector information (PSI) is information produced by central and local government or any other public body. Birmingham Museums Trust is a registered charity (charity number 1147014) incorporated under the Companies Acts with registered number 7737797 and having its registered office at Birmingham Museum & Art Gallery, Chamberlain Square, Birmingham B3 3DH (“BMT”). BMT is responsible for governing and managing the museum sites and collections owned by Birmingham City Council, including Birmingham Museum and Art Gallery, Thinktank (Birmingham's Science Museum), Aston Hall, Blakesley Hall, Museum of the Jewellery Quarter, Sarehole Mill, Soho House, Weoley Castle and the Museum Collection Centre. BMT is subject to the requirements laid down in the Companies Act 2006, the Charity Commission, the Accreditation Standard set out by Arts Council England, the funding agreements with Arts Council England and Birmingham City Council (BCC), collections and services agreements with BCC, and relevant legislation regarding museums in the UK. See the ‘Our Organisation’ section on BMT’s website for further information on our trustees, directors, our business plan, annual reports and policies. Birmingham Museums Trust’s public task is: To advance education by the operation, maintenance, development and promotion of museums, galleries and libraries in Birmingham, together with associated facilities and related programmes of outreach and research, fostering knowledge, understanding, appreciation and enjoyment of the arts, history, science and technology by residents and visitors to the city of Birmingham, and to: ● Showcase our outstanding collection and venues and to inspire learning, creativity and enjoyment for citizens of Birmingham and visitors to the region.
    [Show full text]
  • Islamic Metalwork from the Courtauld September 2019 to January 2021
    Press Release for Immediate Release Precious and Rare: Islamic Metalwork from The Courtauld September 2019 to January 2021 Bag, Mosul, Northern Iraq, 1300-1330, Brass, inlaid with gold and silver, 15.2 x 22 x 13.5 cm • The Courtauld Gallery to embark on a tour of its exceptional Islamic metalwork around four UK museums and galleries • The ten highlights from The Courtauld Gallery’s collection, ranging in date from the 13th to the 16th centuries, will offer museums around the country the opportunity to study and share these beautiful examples of this intricate craft with local audiences • Museums and galleries selected by panel of experts are the Royal Cornwall Museum, Truro; Cartwright Hall Art Gallery, Bradford; the Holburne Museum, Bath and the History of Science Museum, Oxford • This tour is supported by Art Fund and in partnership with the Specialist Subject Network for Islamic Art and Material Culture • The collection will tour while The Courtauld Gallery is temporarily closed during a major transformational project known as Courtauld Connects, which will improve accessibility to the gallery and its collection in the future The Courtauld Gallery is pleased to announce a touring exhibition of ten remarkable pieces of Islamic metalwork dating from the 13th to the 16th centuries. The objects include some of the finest examples of this intricate craft from modern-day Iraq, Iran, Syria, Egypt and Turkey, and will travel to four venues in the UK from September 2019 to January 2021. The Courtauld Gallery’s temporary closure during a major restoration project known as Courtauld Connects has created the opportunity for the gallery to share these stunning and precious pieces from its collection with museums around the country.
    [Show full text]
  • New Expressions Document
    UNLOCKING THE CREATIVE POTENTIAL OF COLLECTIONS 2008-2016 www.newexpressions.org BUILDING A CULTURE OF COLLABORATION BETWEEN MUSEUMS AND CONTEMPORARY ARTISTS CONTENTS PART 1 What is New Expressions? 3 Achievements in numbers 4 8 years of practice-based learning 5 PART 2 New Expressions 3: Our broadest 11 and most diverse programme to date Museums Artists Audiences 12 Selected projects from New Expressions 3 Sean Griffiths and Lyme Park (National Trust), Cheshire 12 Emma Smith and Tyntesfield 12 (National Trust), Avon Philip Eglin and York Art Gallery 13 Poolman & Rowe and Soho House, Birmingham 13 Hannah Leighton-Boyce and Touchstones 14 Rochdale David Bridges and Leeds Industrial Museum 14 at Armley Mills PART 3 Case Study: building Plymouth’s capacity 15 Dail Behennah 15 Clare Twomey 16 Keith Harrison 17 New Expressions impact: a cultural shift 19 New Expressions: central team 20 Artist Clare Twomey working with a Plymouth resident on the development of ‘Plymouth Porcelain: A New Collection for Plymouth’ (2012). Commissioned by Plymouth City Museum and Art Gallery as part of New Expressions 2. Cover: ‘Ghostwriter’ (2010) Blast Theory. Commissioned by RAMM, Exeter, as part of New Expressions 2. PART 1 WHAT IS NEW EXPRESSIONS? ENABLING ARTISTS AND MUSEUMS TO MAKE CREATIVELY CHALLENGING, CRITICALLY AWARE ART WORK IN A WELL-MANAGED PROJECT ENVIRONMENT At the heart of New Expressions is a series of contemporary artist commissions inspired by museums’ collections and historic sites, with embedded audience development projects. New Expressions sets out to break down boundaries between artists Sharing learning through doing is our philosophy. Knowledge and museums, to provide fresh perspectives on collections and exchange and network building with a wide professional community spaces, powerful experiences for visitors, staff and volunteers and to lie at the centre of our work.
    [Show full text]
  • Birmingham Museums Trust Annual Report 2019-20
    ANNUAL REPORT 2019 / 20 REFLECTING BIRMINGHAM TO THE WORLD, AND THE WORLD TO BIRMINGHAM Birmingham Museums Trust is an independent educational charity formed in 2012. It cares for Birmingham’s internationally important collection of one million objects which are stored and displayed in nine unique venues including six listed buildings and one scheduled monument. Birmingham Museums Trust is a company limited by guarantee. Registered charity number: 1147014 CONTENTS AUDIENCES COLLECTIONS 9 Children and young people 26 Acquisitions Case study MiniBrum co-production with Case study Waistcoat worn by Gillian Smith Henley Montessori School 27 Loans 10 Community engagement Case study Victorian radicals Case studies CreateSpace, Charity Awards 28 Collections Care 2019 – Overall Award for Excellence Case study Staffordshire Hoard monograph 11 Volunteers 29 Curatorial Case study Works on paper: digitisation Case studies Birmingham revolutions – power volunteers to the people and Dressed to the nines 12 Marketing and audience development Case study Royal Foundation visit to MAKING IT HAPPEN MiniBrum 13 Digital audiences 30 Workforce development Case study Planetarium upgrade 31 Development 15 Supporters Case study Corporate membership scheme VENUES TRADING 17 Aston Hall 32 Retail Case study The haunted house Case study All about Brum 18 Blakesley Hall 33 Food and beverage Case study Herb Garden Café Case study Signal Box refurbishment 19 Birmingham Museum & Art Gallery 33 Conference and banqueting Case study Home of Metal presents Black Case study
    [Show full text]
  • Press Release
    PRESS Press Contact Rachel Eggers Manager of Public Relations [email protected] RELEASE 206.654.3151 APRIL 16, 2019 VICTORIAN RADICALS: FROM THE PRE-RAPHAELITES TO THE ARTS & CRAFTS MOVEMENT OPENS AT SEATTLE ART MUSEUM JUNE 13, 2019 Wide-ranging exhibition reveals how three generations of artists revolutionized the visual and decorative arts in Britain SEATTLE, WA – The Seattle Art Museum presents Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement (June 13–September 8, 2019), exploring how three generations of rebellious British artists, designers, and makers responded to a time of great social upheaval and an increasingly industrial world. Organized by the American Federation of Arts and the Birmingham Museums Trust, the exhibition features 150 works from the collection of the city of Birmingham—many of which have never been shown outside of the United Kingdom—including paintings, drawings, books, sculptures, textiles, stained glass, and other decorative arts. They reveal a passionate artistic and social vision that revolutionized the visual arts in Britain. Victorian Radicals features work by notable Pre-Raphaelite and Arts & Crafts artists including Ford Madox Brown, Edward Burne-Jones, William Holman Hunt, John Everett Millais, William Morris, and Dante Gabriel Rossetti. Playing out against the backdrop of late 19th-century England, these influential movements were concerned with the relationship between art and nature, questions of class and gender, the value of the handmade versus machine production, and the search for beauty in an age of industry—all relevant issues in our current era of anxiety amid rapidly evolving technologies. “This exhibition is perfect for Seattle right now,” says Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture.
    [Show full text]
  • Appendix 1 Memorandum of Understanding Between
    Appendix 1 Memorandum of Understanding between Birmingham City Council (BCC) and Birmingham Museums Trust Ltd (BMT) Intention 1. This Memorandum of Understanding (MoU) articulates the shared understanding between BCC and BMT of the vision and future strategy for Birmingham museums and museum collections (“the Scheme”). 2. The MoU forms part of a suite of documents, and should be read in conjunction with the BMT articles, the contract for services and leases & collection agreement between the two parties relating to the nine sites of Aston Hall, Birmingham Museum & Art Gallery, Blakesley Hall, Museum of the Jewellery Quarter, Museums Collection Centre, Sarehole Mill, Soho House, Thinktank and Weoley Castle. 3. The MoU sets the foundations of the agreements between BCC and BMT, provides a framework for long-term ambitions, articulates the principles of the relationship and the intended outcomes of the activity. 4. The MoU is not intended to compromise the independence of either party or to create obligations of itself. Obligations between the parties are articulated in the contract collection agreement and leases. Joint Purpose 5. The purpose of the relationship between BCC and BMT is to deliver outstanding cultural and educational engagement and enjoyment for Birmingham residents and visitors through museum and heritage services utilising the city’s heritage sites and accessioned collection. 6. The long term strategic planning of museum and heritage services will be undertaken jointly and with a view to appropriate planning horizons reflecting the intention of both that the relationship will continue for the foreseeable future. 7. The arrangements between the parties will be reviewed on the basis of an initial five year business planning and contract cycle, a five year programming cycle and a twenty five year year asset and property cycle expressed in the contract, lease and collection agreements.
    [Show full text]
  • Revised Protocol & Review of Cabinet Reports Process
    BIRMINGHAM CITY COUNCIL PUBLIC REPORT Report to: CABINET Report of: Strategic Director for Major Projects Date of Decision: 22 March 2016 SUBJECT: BIRMINGHAM MUSEUMS TRUST CONTRACT 2016-21 AND LEASE AGREEMENTS Key Decision: Yes Relevant Forward Plan Ref: 001224/2016 If not in the Forward Plan: Chief Executive approved (please "X" box) O&S Chairman approved Relevant Cabinet Members Cllr Penny Holbrook – Skills, Learning & Culture Cllr Stewart Stacey – Commissioning, Contracting & Improvement Relevant O&S Chairman: Cllr Victoria Quinn – Economy, Skills & Sustainability Wards affected: All 1. Purpose of report: 1.1 To seek approval for new contractual and lease agreements with Birmingham Museums Trust (BMT) for museums and heritage services in the period 2016-21. 1.2 To establish a basis for long term planning in relation to the management of the city’s museum collection and the programme of activities in city museums through a Memorandum of Understanding between Birmingham City Council and Birmingham Museums Trust. 2. Decision(s) recommended: That the Cabinet:- 2.1 Agrees the Memorandum of Understanding attached at Appendix One, setting out the principles of joint working with Birmingham Museums Trust (BMT). 2.2 Delegates to the Cabinet Member for Commissioning, Contracting and Improvement jointly with the Strategic Director of Major Projects, authority to agree the terms of a five year contract for Museums & Heritage Services in accordance with section 4.2.2 below at a cost of £3.183m in 2016-17, at a cost of up to £ 2.933m in 2017-18 and at a cost of up to £2.683m in each of the three years from 2018-19 to 2020-21.
    [Show full text]
  • Revised Protocol & Review of Cabinet Reports Process
    Birmingham City Council BIRMINGHAM CITY COUNCIL PUBLIC Report to: CABINET Report of: Corporate Director - Place Date of Decision: 31 July 2018 SUBJECT: BIRMINGHAM MUSEUM AND ART GALLERY - THE NEW MUSEUMS HQ AND COLLECTION CENTRE OPTIONS APPRAISAL Key Decision: Yes Relevant Forward Plan Ref: 005062/2018 If not in the Forward Plan: Chief Executive approved (please "X" box) O&S Chair approved Relevant Cabinet Member(s) Councillor Ian Ward, Leader Councillor Jayne Francis , Education, Skills and Culture Relevant O&S Chair: Councillor Mariam Khan, Learning, Culture and Physical Activity Wards affected: Garretts Green 1. Purpose of report: 1.1 To outline the alternative options and opportunities considered for the storage and conservation of the collection currently stored and displayed in Birmingham Museum and Art Gallery (BMAG) including public access to the collection. 1.2 To seek approval to progress to a full business case for the preferred option of a new build Collection and Cultural Centre by releasing £0.07m out of the total development fund of £0.5m allowing Birmingham Museums Trust (BMT) to develop the proposal and support the production of bid applications to contribute towards the funding package for the new Collection and Cultural Centre (CCC) proposal. 1.3 To seek approval to appropriate land from the Housing Revenue Account (HRA) at a single purchase cost of £3.08m. The cost will form part of the total amount required for capital purposes by the project. 1.4 To seek approval to allocate funding to BMT to enable them, as the Council’s nominated “experts” in this area to progress the capital raised for the preferred option of a new purpose built Collection and Cultural Centre.
    [Show full text]
  • Access Statement Sarehole Mill Museum
    Access statement for Sarehole Mill Museum This access statement does not contain personal opinions as to our suitability for those with disabilities, but aims to accurately describe the facilities and services that we offer all of our visitors. Introduction Sarehole Mill, situated in Hall Green in Birmingham, is a Grade II listed water mill, one of only two working water mills in the Birmingham area. The current buildings were built in 1768 and worked as an industrial mill and latterly as a corn mill until 1919. In 1969 the building opened as a museum run by Birmingham City Council and latterly run by Birmingham Museums Trust. The author of ‘The Lord of the Rings’ and ‘The Hobbit’, J.R.R. Tolkien, lived nearby and cited the mill and its surroundings as an influence on his work. The building allows visitors to see what a working water mill was like and we currently operate twice a week on Wednesdays and Sundays throughout our open season. Birmingham Museums Trust take their responsibilities for providing universal access very seriously and adhere to the Equality Act accordingly but in some instances, due to the historic nature of Sarehole Mill, this is not always possible i.e. we are unable to install an elevator to access the top floor of the mill. Pre-Arrival For full details and maps of how to reach us please see the directions section of our website. Alternatively you can use Google maps: simply enter your postcode and ours, which is B13 0BD, to get directions. By Road – Sarehole Mill is located 5 miles south from Birmingham City Centre.
    [Show full text]
  • Collecting Birmingham HLF Ref CC-13-20517
    Birmingham Museums Trust Evaluation of Collecting Birmingham HLF ref CC-13-20517 Report by Jenni Waugh Consulting 21 September 2018 1 Page left blank 2 Birmingham Museums Trust Evaluation of Collecting Birmingham HLF ref CC-13-20517 Executive Summary ................................................................................................ 5 1. Introduction .................................................................................................. 11 1.1. About Birmingham Museums Trust .............................................................. 11 1.2. Collecting Birmingham .................................................................................. 11 1.3. Project aims .................................................................................................. 12 1.4. The HLF approved purposes ......................................................................... 13 2. Delivery ........................................................................................................ 14 2.1. Project team .................................................................................................. 14 2.2. Project workstreams ..................................................................................... 15 2.3. Project evaluation ......................................................................................... 16 3. The communities........................................................................................... 18 3.1. The target communities ...............................................................................
    [Show full text]