Supply List Information for Beginning/Intermediate Painting Students

Total Page:16

File Type:pdf, Size:1020Kb

Supply List Information for Beginning/Intermediate Painting Students Supply List Information for Beginning/Intermediate Painting Students For painting you will need to purchase paints, brushes, and a canvas pad or watercolor sketchpad and block. Your personal budget, your skill level, and your interest should dictate how much you choose to spend on these supplies. It can be done very economically or expensively. Paints, brushes, canvas board/pads and watercolor paper can be purchased at United Art and Education (online or at the store on route 42), Michaels, and Hobby Lobby. Online painting supply purchases can be made at Utrecht, Dick Blick, Sax Arts and Crafts, Cheap Joe’s, etc. Paints: Acrylic tube paints, 2 ½ oz. or 4 oz., in red, yellow, blue, white, and black. (For the cheapest version, use student grade tubes in 2-4 ozs.) Watercolor tube paints in red, yellow, blue, white, and black. Some artists will purchase the secondary colors, orange, green, and violet, as well. Some names you will see are Thalo red, alizarin crimson, red madder alizarin, Naples yellow, cadmium yellow, cerulean blue, cobalt blue, hooker’s green dark/light, sap green, etc. You will notice that some colors are bright and some are dull. Try to stick with bright colors for your initial purchases. In acrylic paint, it is nice to also buy orange, green, and violet but only necessary if your primary colors are too warm to mix (a red or yellow that is too “orangey”). Red oxide and yellow oxide are nice to have but not a must. Red oxide and black mix to make a nice brown but brown can be mixed from your primaries as well. The brands of acrylic and watercolor paint range from Liquitex, Crayola, Basics, Cromacryl, Sax, Cotman, Van Gogh, and Prang. For beginners, student-grade paint works fine. It is thinner than a high-quality tube paint which can be listed as “professional, heavy body” acrylic paint. If you have been painting for a while, Liquitex and Utrecht are good brands to use. Winsor & Newton is the high end for both watercolor and acrylic paint and not necessary, unless you are going to make a living at painting. If you want to purchase these paints, there is a WinsorNewton.com site. Watercolor paints are a bit more tricky. While you look for a thicker viscosity with acrylic paint, you will want to have a more transparent quality to your watercolor paint. Synthetic pigments in watercolor can be more apt to stain and often include more “chalk” as a filler which results in more opacity. Paint surfaces: Projects will be done on student-purchased canvas/watercolor paper pads like Frederix or Canson, 10 pages, 9 x 12. (Usually costs around $7.00). OR--canvas boards/panels which costs $1-$2.00 each depending on size. (No smaller than 9 x 12 and no bigger than 10 x 14). Do not purchase these initially as I have some things that will work for our first paintings. Watercolor paper can be cold press which is smoother and hot press which has more texture. I suggest having a watercolor sketch pad that includes somewhat cheap paper and a watercolor block on which to create your final paintings. Do not purchase anything bigger than 12 x 16 or smaller than 9 x 12. Arches is a high end watercolor paper block while Strathmore and Canson are cheaper. The better paper is a bit thicker and absorbs water faster. Thinner paper will create pools of water that dry in globs—not ideal for final paintings but works for watercolor exercises. Brushes: Acrylic and Oil painting require a stiff bristle brush. A natural, china bristle brush is best. It is made out of hog’s hair because the hair is porous on the ends and holds the paint nicely. However, there are nice quality synthetic brushes that work for acrylic paint too. Watercolor brushes are “sable” brushes made out of soft, horse hair. Again, there are synthetic versions that are very nice to use. I suggest three sizes: #2, #7, and #12. The quality of your brush (watercolor or acrylic) will differ by the amount of bristles in the brush and the quality of the Ferrell, the metal piece holding the bristles to the brush. Again, there are economy brushes or student-grade brushes that you can buy. Richeson, Utrecht, Winsor & Newton, Sax, United, etcetera are brands you will see. Long handled brushes are nicest to use when painting with acrylic or oils. For acrylics or oils, I would purchase a minimum of two flat and two round brushes: flats in #10 and #6 and rounds in #4 and #1. You can change these sizes depending on your interests but these are good basics with which to begin. Thinner and Mediums: We will use water to thin our paint so a good, recycled yogurt or gelato container works great! Liquitex carries some different thickening mediums and varnishes that you do no need to worry about for this class. You will see them at the store, though. Palette: I like to use a plastic, disposable plate for my acrylic palette. It usually has sections to it so I can mix warm colors in one section and cool colors in another. I can cover my palette with saran wrap and foil when I am done and usually the colors stay wet until I can work again. If I fill up a palette, I like to throw it in the recycling bin and start again. Very economical! However, some people might like to use a piece of acrylic plexiglass instead. You can have an associate cut a 10 x 14 or 12 x 18 piece for you at the hardware store. I suggest taping the sides so they are smooth. Watercolor palettes are a bit different. I like to use a large, plastic palette that has a place in the middle to mix, compartments around the edge to squeeze watercolor paint into, and a lid to cover when you are done. Again, I do not was off my palette so that I can always use the paint that I squirted into the palette. Glass palettes are most often used for oil painting and not necessary for our class. Apron: I am a messy painter so I always wear an apron or old paint clothes when painting. For this class, an apron would be the easiest to cart back and forth between classes. If it is plain on the front, we can paint a design on it to best represent you! See you in class! Katherine Smith .
Recommended publications
  • Basic Art Supplies for Abstract Painting (#1450)
    Basic Art Supplies for Abstract Painting (#1450) Here is a list of all the essentials materials you need to start creating fabulous abstract paintings! I have added links so you can see the supplies. If you’re on a budget (like me:), I recommend looking for supplies at your local Michaels, Hobby Lobby or Joanne’s. I also love the art store Guiry's at 2121 S Colorado Blvd, Denver, CO 80222. Local Favorites Art Stores Guiry's: 2121 S Colorado Blvd, Denver 80222 Recreative: 765 Santa Fe Dr. Denver, CO 80204 (720) 638-3128 Affordable Scrapbooking: 17200 E Iliff, Aurora 80013 Tuesday Morning: 2890 S Colorado Blvd, Denver 80222 1. Gesso I use black gesso as my base layer to add depth to my paintings. • Liquitex BASICS Gesso Surface Prep; http://amzn.to/2htfSMI • DecoArt Deco Art White Gesso Americana Premium Acrylic Medium Paint Tube 2.5oz: https://amzn.to/2KtnRoh Black Gesso • DecoArt Deco Art Black Gesso Americana Premium Acrylic Medium Paint Tube 2.5oz • Deco Art Media Gesso, 4-Ounce, Black: https://amzn.to/2JKnBQJ • Art Alternatives Black Acrylic Gesso - 16oz Jar: https://amzn.to/2HIyRQQ Gesso is used to prep all surfaces. Used Gesso as a base layer for canvas. 2. Acrylic Paints Use student or artist grade paints. Make they’re Archival and Lightfast. • I love and use DecoArt® Americana® Premium™ Acrylic Paint: http://www.michaels.com/decoart-americana-premium-acrylic- paint/10515239.html?cm_mmc=PLASearch-_-google-_- MICH_National_PLA_Shopping_Null_Null_Crafts+and+Hobbies_RLSA-_-crafts- and-hobbies-craft-paint-RLSA&gclid=CjwKCAjwoKDXBRAAEiwA4xnqv4hFQY- TRVUnOBB2bV0ebUKlvvoEsVi8r0NgNq9HGnCBzghLZIZRZBoCiHEQAvD_BwE • I also use Master Touch Paints from Hobby Lobby Craft store.
    [Show full text]
  • Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
    # Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co.
    [Show full text]
  • Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
    # Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co.
    [Show full text]
  • Download Supply List
    Awaken your senses to the beautiful symphony that arrives with each Spring. The wonder and awe of nature is the inspiration for this course. We will explore the colours and themes of the season through beautiful florals and sweet garden visitors. Special attention will be given to colour techniques while refining offhand flourishing skills. This course assumes that the student knows the basic pressure and release strokes of the pointed pen. Bring a sense of play with you as we welcome the Spring with these bright and beautiful designs. Supply List: Instructor’s Note: Use what you have on hand. It is not necessary to use the same papers and supplies that I use. Experiment with what you have as you explore these techniques. The only absolute on this list is waterproof ink if you are going to combine your flourishes with watercolour. If you cannot find the suggested waterproof inks, try an acrylic brown ink such as FW or Liquitex. The lines will not be as fine, but the ink will not run when water is added. Practice Paper ( Maruman Imagination suggested), Pencil, Eraser, ruler Practice ink such as Walnut will work for introductory exercises A few coloured pencils in floral colours Note taking supplies Straight pen holder with your favourite nib ( Hunt 22, Hunt 101, Gillott 404 or Zebra G suggested) Waterproof Ink: McCaffery Brown, McCaffery Black or Ziller Buffalo Brown are suggested for the Line and Wash technique Any brand of watercolour that you have for florals. John Neal carries a dot card of my favourite Daniel Smith watercolours.
    [Show full text]
  • Serendipity 1 – Develop Your Style SUPPLY LIST
    Serendipity 1 – Develop Your Style SUPPLY LIST Below is a list of art supplies that we’ll be using throughout class. Please don’t feel like you need to purchase everything. All you really need to get started are some basic drawing and painting supplies in your favorite colors like acrylic paints, a cheap set of Crayola watercolors, a pencil, brushes, something to paint on, scissors… et cetera Each month, I will add a few new supplies and colors to the class posts, but generally these supplies are not essential to the project. If you’re in Canada, a good online site with free shipping is: https://www.currys.com/ Serendipity 1 – Develop Your Style | By Juliette Crane | Juliettecrane.com BASIC SUPPLIES Set of watercolors (a cheap set of Crayola watercolors will work or I love the Sketcher's Pocket Box Set by Winsor & Newton: http://www.dickblick.com/items/00325-1029/ Watersoluble Pencil (black): I like to use a Stabillo Colored Marking Pencil, but you can also use a watercolor pencil or any other watersoluble pencil. If you prefer something that will make nice dark lines, but stay in pace, you can use india ink and a thin brush too. I find the stabillos at Dick Blick here: http://www.dickblick.com/products/stabilo- colored-marking-pencils/ 2-3 water-based paint markers: (these are not essential. I use these mostly for faces, so if you don’t want to purchase paint markers, you can also use white and a red or pink acrylic paint) – I’ll be using white, florescent pink, and florescent blue.
    [Show full text]
  • Markers, Mops, Daubers and GOLDEN High Flow
    Published by Golden Artist Colors, Inc. / Issue 30 From Mark Golden Dear Just Paint readers, We’ve just reached our 30th edition of Just Paint and with it, just a moment of reflection on what we have tried to create with our newsletter. First, a huge thank you to our Editor for the last 20 issues of Just Paint, Jodi O’Dell. Without her dedication to this process, I’d still be on issue #11. The focus of Just Paint has always been to provide artists, material specialists, colleagues and friends with the most updated research, information and GOLDEN High Flow Acrylic navigates easily from brush to refillable marker or from pen to airbrush. happenings here at GOLDEN. Many of our articles have become significant additions for the advancement of research Markers, Mops, Daubers in modern materials. Some are just to inform you of the exciting things and GOLDEN High Flow happening at the facility and with the Golden Foundation. We’ve done our best By Scott Bennett consistency to work with all these new to keep the promotional content at bay, Drawing with pens and ink in tools and more. GOLDEN High Flow but sometimes we just need to shout with artwork is not new. Artists have always Acrylic navigates easily from brush to excitement as we bring on-board new combined drawing with painting, refillable marker or from fountain pen products to share with you. Such is the to airbrush and more. case in this issue as Sarah Sands shares the and the very act of painting itself introduction of the New Williamsburg incorporates drawing as line whenever The unique feature of High Flow Safflower Oil colors as well as Scott one color or value is placed beside Acrylics is that artists can mix and Bennett’s article on using refillable markers another, a thicker passage shows its blend them to make an infinite range with our GOLDEN High Flow Acrylics.
    [Show full text]
  • Art Hazards List
    ART AND CRAFT MATERIALS THAT CANNOT BE PURCHASED FOR USE IN KINDERGARTEN THROUGH 6TH GRADE Office of Environmental Health Hazard Assessment – California Environmental Protection Agency September 2016 California Education Code Section 32064 prohibits schools from purchasing art or craft materials containing a toxic substance for use by students in kindergarten and grades 1-6 (K- 6). The law also requires the Office of Environmental Health Hazard Assessment (OEHHA) to develop a list of products that schools cannot purchase for use by students in K-6. This list (attached) is intended to assist schools, school districts, and governing authorities of private schools in complying with the purchasing requirements. Purchasers must ensure that all art and craft materials to be used by students bear a statement of conformity to ASTM D-4236 (Standard Practice for Labeling Art Materials for Chronic Health Hazards), as required by federal law. Items to be used by students in K-6 must not bear acute or chronic health hazard labels. Although not required by law, avoiding art materials that bear acute or chronic health hazard labels when purchasing for grades 7-12 is a good precautionary measure. Schools are encouraged to inventory existing art and craft supplies and remove materials bearing health hazard labels from K-6th grade classrooms. For further information, please see Art and Craft Materials in Schools: Guidelines for Purchasing and Safe Use, accompanying this list or available online (see below). OEHHA compiled the attached list based on product evaluations conducted by other entities1 according to federal requirements. Other art and craft materials that can be listed are products recalled in the past five years2 (no such products are listed at this time), as well as those brought to OEHHA’s attention as bearing health hazard labels.
    [Show full text]
  • Crayola Colorful STEAM Activities / Rebecca Felix
    Crayola® Colorful STEAM Activities THIS PAGE INTENTIONALLY LEFT BLANK REBECCA FELIX Lerner Publications Minneapolis Copyright © 2022 by Lerner Publishing Group All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. © 2022 Crayola, Easton, PA 18044-0431. Crayola Oval Logo, Crayola, Serpentine Design, Chevron Design and Model Magic are registered trademarks of Crayola used under license. Official Licensed Product Lerner Publications Company An imprint of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 USA For reading levels and more information, look up this title at www.lernerbooks.com. Main body text set in Syntax LT Std Typeface provided by Adobe Library of Congress Cataloging-in-Publication Data Names: Felix, Rebecca, 1984– author. Title: Crayola colorful STEAM activities / Rebecca Felix. Description: Minneapolis : Lerner Publications , 2022. | Series: Crayola makers | Includes bibliographical references and index. | Audience: Ages 8–11 | Audience: Grades 2–3 | Summary: “Explore STEAM with hands-on activities! Experiment with color to grow crystals with paint and salt, use kitchen ingredients to create works of art, and more! Each activity created in partnership with Crayola”— Provided by publisher. Identifiers: LCCN 2020032846 (print) | LCCN 2020032847 (ebook) | ISBN 9781728403182 (library binding) | ISBN 9781728417844 (ebook) Subjects: LCSH: Colors—Experiments—Juvenile literature. | Science—Experiments—Juvenile literature. Classification: LCC QC495.5 .F54 2022 (print) | LCC QC495.5 (ebook) | DDC 507.8—dc23 LC record available at https://lccn.loc.gov/2020032846 LC ebook record available at https://lccn.loc.gov/2020032847 Manufactured in the United States of America 1-48289-48833-12/1/2020 TABLE OF CONTENTS STEAM Means .
    [Show full text]
  • Course Syllabus Page 1
    Fall 2016 UT Dallas Course Information Arts 3369 Intermediate Painting/ Painting 2 - Tady Wed 4 - 6:45 pm Room ATC 4.910 PLEASE NOTE THIS DOCUMENT IS SUBJECT TO CHANGES AND UPDATES AT THE DISCRETION OF THE PROFESSOR, THEREFORE ATTENDANCE IS EXTREMELY IMPORTANT. THANK YOU. Professor Contact Information Lorraine Tady Office: ATC 4.903 Phone: 972-883-6753 Office Hours: Monday 12:15 pm – 12:45 pm; Tuesday 3 pm – 3:45 pm; Wednesday 3 pm – 3:45 pm; AND by appointment. Email: [email protected] Please specify in the subject header of your UTD email “Painting Class” In general, let’s talk about issues before they become problems. Face-to-face/ in-person discussions (before or after class or by appt.) are preferred over lengthy phone or email correspondence. Course Pre-requisites, Co-requisites, and/or Other Restrictions Arts 2316 Foundation Painting or equivalent experience and permission of instructor. Students should not be concurrently enrolled in ARTS 4368 Advanced Visual Art. Course Description ARTS 3369 Painting 2 (3 semester hours) Explores traditional and nontraditional concepts and techniques of painting and the development of style. Topics may include color theory, two-dimensional design, and the nature of representation. May be repeated for credit (6 hours maximum). The course encourages each artist to find their strengths and explore them. This investigation is encouraged through five painting strategies or catalysts and an Image Book created by the student. Traditional materials and technology tools aid the course experience. Approximately 3-4 major paintings are expected along with Image Book and studies. Each major project can be viewed as your painting proposal.
    [Show full text]
  • PRODUCT INFORMATION: Soflat MATTE ACRYLIC COLORS
    PRODUCT INFORMATION: SoFlat MATTE ACRYLIC COLORS SoFlat Matte Acrylics are made with 100% acrylic polymers, using the finest pigments. The unique combination of low viscosity, Golden Artist Colors, Inc. flowing consistency, great leveling and increased opacity results in a silky-smooth paint that dries to a uniform, matte surface. 188 Bell Road The flat matte surface is ideal when minimal reflectance is required, such as graphic design work, photography, and large color New Berlin, NY 13411-9527 USA (US) 800-959-6543 field painting. SoFlat may be used similarly to traditional gouache and acrylic gouache. 604-847-6154 SoFlat PRODUCT DESCRIPTION [email protected] goldenpaints.com ■ Liquid paints formulated to dry uniformly matte. ■ Provide excellent coverage for large areas, while remaining suitable for detail painting. ■ Pigment load comparable to other GOLDEN Acrylic paints. ■ Uniform matte sheen across the product line, with gloss readings (Glossometer GU rating) between 0.4 and 2.8 – compared to a range of 13-100 for our Fluid Acrylics and 8-99 for our Heavy Body Acrylics. ■ Water resistant when dry with excellent adhesion to a variety of surfaces. ■ Most colors are rated opaque or semi-opaque, with the exception of Fluorescent Colors. NOTE: SoFlat Fluorescent Colors are more opaque than their counterparts in other GOLDEN Acrylic paint lines. SUBSTRATE AND SURFACE PREPARATION SoFlat Matte Acrylics may be applied to any surface typically able to accept acrylic paints. Smooth substrates improve the uni- formity. Non-porous painting supports such as glass and metal may require additional preparation to improve overall adhesion. Refer to “Preparing Painting Supports” for more information.
    [Show full text]
  • Caring for Acrylics: Modern and Contemporary Paintings M C ARING ODERN for and ACRY CON LICS: TEMPORARY PAI NT INGS
    71003438 AXA Art and the Tate Gallery Caring for Acrylics: Modern and Contemporary Paintings M C A O R D I N E R G N F A O N R D A C C R O Y N L T I C E S M : P O R A R Y P A I N T I N G S CONTENTS 4 Introduction by Ulrich Guntram, Chairman of the Management Board of AXA Art Insurance 6 Foreword by Nicholas Serota, Director, Tate 9 What are Acrylic Paints? 11 Problems with Acrylic Paintings 14 Display 16 Moving Acrylic Paintings 24 Storage and Access 25 Summary of Environmental Considerations for Acrylics 26 Dusting Acrylic Paintings 29 What if I have a Damaged Acrylic Painting? 30 Important Do’s and Don’ts Caring for Acrylics 3 INTRODUCTION Through the TAAMPP, we are facilitating ground-breaking research into acrylic paints by looking into their fundamental properties, their long-term behaviour and the effects of conservation This is the second AXA Art publication dealing with the conservation of modern materials, treatments such as surface cleaning. The results also indicate how these paints are affected by the first being Plastic Art – A Precarious Success Story . Caring For Acrylics is a manual for collectors incorrect storage; packing; transit and display conditions. Both Tate and AXA Art are aware that, of modern and contemporary works of art written by specialist conservators and conservation although many well cared-for acrylic paintings still look ‘new’, they are, like all works of art, scientists, and reflects their knowledge and experience gained from working on a daily basis with vulnerable to deterioration, whether the causes are man-made, inherent or environmental.
    [Show full text]
  • HOME CRAFTING GUIDE at Home All Day? We’Re Here for You
    WEEK 7 HOME CRAFTING GUIDE At home all day? We’re here for you. We know this is a tough time for many of us around the world and it’s hard not to feel anxious and overwhelmed. To help you get through the long days, we invite you (and your loved ones) to craft with us! We’ve curated our favorite classes to help you center your mind, start a new hobby, keep your hands busy, and get lost in your own creative headspace – even for just a few minutes. And for those who are home with young ones, we guarantee this is screen time you can feel good about. Remember... You're more creative than you think! HOME CRAFTING GUIDE 2 WEEK 7 Dear Diary Daily Quilting Challenge with Anna Maria Horner https://www.creativebug.com/classseries/ single/dear-diary-daily-quilting-challenge Skill level: Intermediate Video duration: 2 hours Materials: - Straight pins - About 10 yards of quilting weight cotton - Sewing machine fabric (Anna Maria uses the following - Hand-sewing needles colors: rust, black printed, solid black, - Scissors leopard, maroon, lime green, blue and - Rotary cutter and mat yellow plaid, medium blue, pink plaid, - Ruler and templates purple, red, coral/green floral, stripe fabric, - Marking tool light blue, cream, pale pink and yellow, - Fabric glue stick dark grey, yellow, pink, rust, coral, pink and - Aurifil 50 weight thread in a dark and light white pattern, light grey, solid blue, blue - Iron and ironing surface and aqua pattern, and green) - Fusible web for machine appliqué (Anna * Includes pattern PDF Maria uses Steam-a-Seam) Paper templates are included in the PDF but you can find acrylic templates for the appliqué at https://www.annamariahorner.com/quilt-patterns-templates/in-bloom-acrylic- templates, and mylar templates at https://www.annamariahorner.com/quilt-patterns- templates/in-bloom-myylar-templates.
    [Show full text]