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Music & Sound Studies New Books Catalogue January-June 2020 Contents EBooks 331/3 . 1 Ebook availability is indicated under each book entry: Music and Sound Studies ����������������������������������������������� 3 Individual eBook: available for your e-reader Representatives, Agents & Distributors . 7 Library eBook: available for institution-wide access and also for pdf sale to individuals See the website for details of vendors, or to purchase individual eBooks direct. Library eBook prices are available from your supplier. Review Copies Email [email protected] (Americas) / [email protected] (UK / Rest of World). Standing Orders Many of our series are available on a standing order basis. For further information contact our trade ordering departments listed on pages 7 and 8. Translation Rights Available unless otherwise indicated. Key to Symbols Available on inspection / as exam copies: order online at www.bloomsbury.com. To request any other PB or eBook, email [email protected] (Americas) / [email protected] (UK / Rest of World). Companion website or online resources available. Available for institutions to purchase on www.bloomsburycollections.com. Bloomsbury Open Access Selected research publications are available on open access. For our policy or to publish OA, see www.bloomsbury.com/openaccess. Proposals See www.bloomsbury.com/academic/forauthors Pricing and Availability Whilst we try to ensure that prices, publication dates and other details are correct on going to press, they are subject to change without further notice. Your data For information on how we process your personal data please read our Privacy Policy located at www.bloomsbury.com/privacy-policy. You can unsubscribe or manage your preference at any time via www.bloomsbury.com/newsletter or by emailing us at [email protected] Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336. 33 1/3 MUSIC AND SOUND STUDIES - 33 1/3 David Bowie's Diamond Dogs Goldie’s Timeless Glenn Hendler, Fordham University, USA Martyn Deykers, DJ, Promoter and Music After his breakthrough with Ziggy Stardust and Producer, The Netherlands before his U.S. pop hits “Fame” and “Golden Timeless describes how the album came to be: Years” David Bowie produced a dark and difficult A short description of the sparkling drum ‘n bass concept album set in a post-apocalytic “Hunger scene of the time, and Goldie’s unlikely personal City” populated by post-human “mutants.” In journey as a graffiti writer turned music wunderkind. this book, Glenn Hendler reveals Diamond Dogs’s It digs deeper into the music itself, analyzing several connections to the larger world of 1973-4, including the neoliberal of the key tracks, uncovering highly autobiographical lyrical content vision of urban decline registered in the album’s setting and the shifts but also looking at plenty of interesting sonic ideas that reference in the meanings of gender, sexuality, and race that David Bowie both Goldie’s previous music and that of his peers, hip hop, graffiti culture reflected and contributed to through his writing, his music, and his and movies. From the beautifully epic radio hit “Innercity Life” to the persona. These are just some of the reasons many Bowie fans rate darker, grimier textures of “Jah the Seventh Seal”, the album covers a Diamond Dogs his richest and most important album of the 1970s. wide array of emotions and musical ideas. UK March 2020 • US March 2020 • 152 pages UK May 2020 • US May 2020 • 160 pages PB 9781501336584 • £9.99 / $14.95 PB 9781501339776 • £9.99 / $14.95 Individual eBook 9781501336591 Individual eBook 9781501339783 Library eBook 9781501336607 Library eBook 9781501339790 Series: 33 1/3 • Bloomsbury Academic Series: 33 1/3 • Bloomsbury Academic Judy Garland's Judy at Carnegie Elton John's Blue Moves Hall Matthew Restall, Penn State University, USA Manuel Betancourt, Independent Scholar, USA By 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in On the night of Sunday April 23, 1961 Judy Garland the world. With seven #1 albums in a row and a made history. That’s no hyperbole. Surrounded reputation as a riveting piano-pounding performer, by a throng of ecstatic fans (3,165 to be exact), the former Reggie Dwight had gone with dazzling the legendary performer delivered a concert in speed to the pinnacles of rock stardom. Then he Carnegie Hall whose live recording became, upon released Blue Moves, and it all came crashing down. release, an unlikely pop cultural phenomenon. What the recording highlights, and what’s made it an enduring classic on a class of its Was the commercially disappointing and poorly reviewed double own, is the palpable connection between the songstress and her fans. album to blame? No, argues Matthew Restall; Blue Moves is a four- By looking at her song choices, her stage banter, the album’s cultural sided masterpiece, as fantastic as Captain Fantastic, as colorful as impact, and her place in the gay pantheon, this book argues that Goodbye Yellow Brick Road, a showcase for the three elements— Judy’s palpable connection with her fans is precisely what her Capitol piano-playing troubadour, full orchestra, rock band—with which Elton Records’ 2-disc album captured. John and his collaborators redirected the evolution of popular music. Instead, both album and career were derailed by a perfect storm of UK May 2020 • US May 2020 • 152 pages circumstances: Elton’s decisions to stop touring and start his own PB 9781501355103 • £9.99 / $14.95 label; the turbulent shiftings of popular culture in the punk era and Individual eBook 9781501355110 Library eBook 9781501355127 the minefield of attitudes towards celebrity and sexuality. The closer Series: 33 1/3 • Bloomsbury Academic we get to Blue Moves, the better we understand the world into which it was born—and vice versa. UK May 2020 • US May 2020 • 152 pages PB 9781501355424 • £9.99 / $14.95 Individual eBook 9781501355431 Library eBook 9781501355448 Series: 33 1/3 • Bloomsbury Academic Japan's Tin Drum D’Angelo’s Voodoo Agata Pyzik, Independent Scholar, UK Faith A. Pennick, Independent Scholar, USA Tin Drum seeks to provide an outsider look at one Voodoo, D’Angelo’s much-anticipated 2000 of the most mysterious post-punk albums, the 1981 release set the standard for the musical cycle Orientalist and escapist manifesto by the English anointed the “neo-soul” movement. The album is synth-pop/new wave English band Japan. As an act a product of heightened and fused sensibilities; an of cultural appropriation and a meditation on the amalgamation of soul and rock, jazz and gospel, perils of Western civilisation, seeking solace in a hip-hop, Afrobeats and literal vodou chants. Despite virtual trip to the “Orient of the self” and Maoist ideology, Tin Drum nearly universal acclaim for the album, its sonic expansiveness invites external analysis to be culturally appropriated itself. Agata proved too nebulous for airplay on many R&B and pop radio Pyzik tells how the fruitful encounter between the neurotic Western stations. Voodoo was Black, it was definitely magic, and it was nearly youngsters and dream of the radically other East produced one of the overshadowed by a four-minute music video featuring D’Angelo’s most dissonant and compelling records of the era, too strange to be sweat-glistened six-pack abs. The album created an accentuated appreciated at the time, a big hit at the time but too peculiar to be moment when the shaman lost control of the spell he cast. fully understood. UK March 2020 • US March 2020 • 152 pages • UK March 2021 • US March 2021 • 144 pages PB 9781501336508 £9.99 / $14.95 PB 9781501322228 • £9.99 / $14.95 Individual eBook 9781501336515 Individual eBook 9781501322242 Library eBook 9781501336522 Library eBook 9781501322235 Series: 33 1/3 • Bloomsbury Academic Series: 33 1/3 • Bloomsbury Academic www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 1 33 1/3 Gilberto Gil's Refazenda Modeselektor’s Happy Birthday Marc A. Hertzman, University of Illinois, Urbana- Sean Nye, University of Southern California, USA Champaign, USA Modeselektor, the notorious Berlin duo consisting Refazenda connects a remarkable album by one of Gernot Bronsert and Sebastian Szary, released of the twentieth (and twenty-first) century’s great Happy Birthday! in 2007. Engaging this album, musicians to a dazzling, often unexpected array of this book provides a unique lens through which people, places, and things spread across the globe to examine current trends in European pop from Brazil to England to Chile to Japan. Critics and and electronic music history beyond standard fans often project (impose) desires and interpretations onto Gil that examples of German pop and electronic music, such as Kraftwerk don’t always seem to fit. This book explores why familiar political and and Rammstein. Employing theories of popular culture and electronic musical categories so often fall flat and explains why serendipity may music in the 2000s, especially Simon Reynolds’s books Retromania instead be the best way to approach this mercurial album and the and Energy Flash, Happy Birthday! argues for an updated study of unrepeatable artist who created it. electronic music and rave culture in twentieth-first century Europe, with specific focus on German studies. UK February 2020 • US February 2020 • 176 pages • • • PB 9781501330407 £14.00 / $22.95 HB 9781501330414 £64.00 / $80.00 UK May 2020 • US May 2020 • 128 pages Individual eBook 9781501330438 PB 9781501346255 • £18.00 / $22.95 • HB 9781501346248 • £64.00 / $80.00 Library eBook 9781501330421 Individual eBook 9781501346262 Series: 33 1/3 Brazil • Bloomsbury Academic Library eBook 9781501346279 Series: 33 1/3 Europe • Bloomsbury Academic Ivo Papasov’s Balkanology Joe Hisaishi's Soundtrack for My Carol Silverman, University of Oregon, USA Neighbor Totoro From countercultural resistance to world music Kunio Hara, University of South Carolina, USA MUSIC AND SOUND STUDIES - 33 1/3 craze, Balkan music captured the attention of global My Neighbor Totoro is a long-standing international audiences.