Music & Sound Studies New Books Catalogue

January-June 2020 Contents EBooks 331/3 ����������������������������������������������������������������������������� 1 Ebook availability is indicated under each book entry:

Music and Sound Studies ����������������������������������������������� 3 Individual eBook: available for your e-reader Representatives, Agents & Distributors ������������������������� 7 Library eBook: available for institution-wide access and also for pdf sale to individuals See the website for details of vendors, or to purchase individual eBooks direct. Library eBook prices are available from your supplier.

Review Copies Email [email protected] (Americas) / [email protected] (UK / Rest of World).

Standing Orders Many of our series are available on a standing order basis. For further information contact our trade ordering departments listed on pages 7 and 8.

Translation Rights Available unless otherwise indicated.

Key to Symbols

Available on inspection / as exam copies: order online at www.bloomsbury.com. To request any other PB or eBook, email [email protected] (Americas) / [email protected] (UK / Rest of World).

Companion website or online resources available.

Available for institutions to purchase on www.bloomsburycollections.com.

Bloomsbury Open Access

Selected research publications are available on open access. For our policy or to publish OA, see www.bloomsbury.com/openaccess.

Proposals See www.bloomsbury.com/academic/forauthors

Pricing and Availability Whilst we try to ensure that prices, publication dates and other details are correct on going to press, they are subject to change without further notice.

Your data For information on how we process your personal data please read our Privacy Policy located at www.bloomsbury.com/privacy-policy. You can unsubscribe or manage your preference at any time via www.bloomsbury.com/newsletter or by emailing us at [email protected]

Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336. 33 1/3 MUSIC AND SOUND STUDIES - 33 1/3

David Bowie's Diamond Dogs Goldie’s Timeless Glenn Hendler, Fordham University, USA Martyn Deykers, DJ, Promoter and Music After his breakthrough with Ziggy Stardust and Producer, The Netherlands before his U.S. pop hits “Fame” and “Golden Timeless describes how the album came to be: Years” David Bowie produced a dark and difficult A short description of the sparkling drum ‘n bass concept album set in a post-apocalytic “Hunger scene of the time, and Goldie’s unlikely personal City” populated by post-human “mutants.” In journey as a graffiti writer turned music wunderkind. this book, Glenn Hendler reveals Diamond Dogs’s It digs deeper into the music itself, analyzing several connections to the larger world of 1973-4, including the neoliberal of the key tracks, uncovering highly autobiographical lyrical content vision of urban decline registered in the album’s setting and the shifts but also looking at plenty of interesting sonic ideas that reference in the meanings of gender, sexuality, and race that David Bowie both Goldie’s previous music and that of his peers, hip hop, graffiti culture reflected and contributed to through his writing, his music, and his and movies. From the beautifully epic radio hit “Innercity Life” to the persona. These are just some of the reasons many Bowie fans rate darker, grimier textures of “Jah the Seventh Seal”, the album covers a Diamond Dogs his richest and most important album of the 1970s. wide array of emotions and musical ideas.

UK March 2020 • US March 2020 • 152 pages UK May 2020 • US May 2020 • 160 pages PB 9781501336584 • £9.99 / $14.95 PB 9781501339776 • £9.99 / $14.95 Individual eBook 9781501336591 Individual eBook 9781501339783 Library eBook 9781501336607 Library eBook 9781501339790 Series: 33 1/3 • Bloomsbury Academic Series: 33 1/3 • Bloomsbury Academic

Judy Garland's Judy at Carnegie Elton John's Blue Moves Hall Matthew Restall, Penn State University, USA Manuel Betancourt, Independent Scholar, USA By 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in On the night of Sunday April 23, 1961 Judy Garland the world. With seven #1 albums in a row and a made history. That’s no hyperbole. Surrounded reputation as a riveting piano-pounding performer, by a throng of ecstatic fans (3,165 to be exact), the former Reggie Dwight had gone with dazzling the legendary performer delivered a concert in speed to the pinnacles of rock stardom. Then he Carnegie Hall whose live recording became, upon released Blue Moves, and it all came crashing down. release, an unlikely pop cultural phenomenon. What the recording highlights, and what’s made it an enduring classic on a class of its Was the commercially disappointing and poorly reviewed double own, is the palpable connection between the songstress and her fans. album to blame? No, argues Matthew Restall; Blue Moves is a four- By looking at her song choices, her stage banter, the album’s cultural sided masterpiece, as fantastic as Captain Fantastic, as colorful as impact, and her place in the gay pantheon, this book argues that Goodbye Yellow Brick Road, a showcase for the three elements— Judy’s palpable connection with her fans is precisely what her Capitol piano-playing troubadour, full orchestra, rock band—with which Elton Records’ 2-disc album captured. John and his collaborators redirected the evolution of popular music. Instead, both album and career were derailed by a perfect storm of UK May 2020 • US May 2020 • 152 pages circumstances: Elton’s decisions to stop touring and start his own PB 9781501355103 • £9.99 / $14.95 label; the turbulent shiftings of popular culture in the punk era and Individual eBook 9781501355110 Library eBook 9781501355127 the minefield of attitudes towards celebrity and sexuality. The closer Series: 33 1/3 • Bloomsbury Academic we get to Blue Moves, the better we understand the world into which it was born—and vice versa.

UK May 2020 • US May 2020 • 152 pages PB 9781501355424 • £9.99 / $14.95 Individual eBook 9781501355431 Library eBook 9781501355448 Series: 33 1/3 • Bloomsbury Academic

Japan's Tin Drum D’Angelo’s Voodoo Agata Pyzik, Independent Scholar, UK Faith A. Pennick, Independent Scholar, USA Tin Drum seeks to provide an outsider look at one Voodoo, D’Angelo’s much-anticipated 2000 of the most mysterious post-punk albums, the 1981 release set the standard for the musical cycle Orientalist and escapist manifesto by the English anointed the “neo-soul” movement. The album is synth-pop/new wave English band Japan. As an act a product of heightened and fused sensibilities; an of cultural appropriation and a meditation on the amalgamation of soul and rock, jazz and gospel, perils of Western civilisation, seeking solace in a hip-hop, Afrobeats and literal vodou chants. Despite virtual trip to the “Orient of the self” and Maoist ideology, Tin Drum nearly universal acclaim for the album, its sonic expansiveness invites external analysis to be culturally appropriated itself. Agata proved too nebulous for airplay on many R&B and pop radio Pyzik tells how the fruitful encounter between the neurotic Western stations. Voodoo was Black, it was definitely magic, and it was nearly youngsters and dream of the radically other East produced one of the overshadowed by a four-minute music video featuring D’Angelo’s most dissonant and compelling records of the era, too strange to be sweat-glistened six-pack abs. The album created an accentuated appreciated at the time, a big hit at the time but too peculiar to be moment when the shaman lost control of the spell he cast. fully understood. UK March 2020 • US March 2020 • 152 pages • UK March 2021 • US March 2021 • 144 pages PB 9781501336508 £9.99 / $14.95 PB 9781501322228 • £9.99 / $14.95 Individual eBook 9781501336515 Individual eBook 9781501322242 Library eBook 9781501336522 Library eBook 9781501322235 Series: 33 1/3 • Bloomsbury Academic Series: 33 1/3 • Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 1 33 1/3

Gilberto Gil's Refazenda Modeselektor’s Happy Birthday Marc A. Hertzman, University of Illinois, Urbana- Sean Nye, University of Southern California, USA Champaign, USA Modeselektor, the notorious Berlin duo consisting Refazenda connects a remarkable album by one of Gernot Bronsert and Sebastian Szary, released of the twentieth (and twenty-first) century’s great Happy Birthday! in 2007. Engaging this album, musicians to a dazzling, often unexpected array of this book provides a unique lens through which people, places, and things spread across the globe to examine current trends in European pop from Brazil to England to Chile to Japan. Critics and and electronic music history beyond standard fans often project (impose) desires and interpretations onto Gil that examples of German pop and electronic music, such as Kraftwerk don’t always seem to fit. This book explores why familiar political and and Rammstein. Employing theories of popular culture and electronic musical categories so often fall flat and explains why serendipity may music in the 2000s, especially Simon Reynolds’s books Retromania instead be the best way to approach this mercurial album and the and Energy Flash, Happy Birthday! argues for an updated study of unrepeatable artist who created it. electronic music and rave culture in twentieth-first century Europe, with specific focus on German studies. UK February 2020 • US February 2020 • 176 pages • • • PB 9781501330407 £14.00 / $22.95 HB 9781501330414 £64.00 / $80.00 UK May 2020 • US May 2020 • 128 pages Individual eBook 9781501330438 PB 9781501346255 • £18.00 / $22.95 • HB 9781501346248 • £64.00 / $80.00 Library eBook 9781501330421 Individual eBook 9781501346262 Series: 33 1/3 Brazil • Bloomsbury Academic Library eBook 9781501346279 Series: 33 1/3 Europe • Bloomsbury Academic

Ivo Papasov’s Balkanology Joe Hisaishi's Soundtrack for My Carol Silverman, University of Oregon, USA Neighbor Totoro From countercultural resistance to world music Kunio Hara, University of South Carolina, USA

MUSIC AND SOUND STUDIES - 33 1/3 craze, Balkan music captured the attention of global My Neighbor Totoro is a long-standing international audiences. Balkanology, the 1991 quintessential icon of Japanese pop-culture that grew out of album of Bulgarian music, highlights this moment the partnership between the legendary animator of unbridled creativity. Seasoned musicians all over Miyazaki Hayao and the world-renowned composer the world are still in awe of the technical abilities Joe Hisaishi. A crucial step in the two artists’ of the musicians in Ansambl Trakia—their complex additive rhythms, collaboration was the creation of the album, My Neighbor Totoro: breakneck speeds, stunning improvisations, dense ornamentation, Image Song Collection, with lyrics penned by Miyazaki and Nakagawa chromatic passages, and innovative modulations. Bridging folk, jazz, Rieko, a famed children’s book author, and music composed by and rock sensibilities, Trakia’s music has set the standard for Bulgarian Hisaishi. This book investigates the extent to which Hisaishi’s music music until today, and its members, especially Ivo Papazov, are shaped Miyazaki’s vision by examining the relationship between the revered stars at home and abroad. images created by Miyazaki and the music composed by Hisaishi.

UK June 2020 • US June 2020 • 128 pages UK February 2020 • US February 2020 • 128 pages PB 9781501346293 • £18.00 / $22.95 • HB 9781501346309 • £64.00 / $80.00 PB 9781501345128 • £19.99 / $22.95 • HB 9781501345111 • £64.00 / $80.00 Individual eBook 9781501346316 Individual eBook 9781501345135 Library eBook 9781501346323 Library eBook 9781501345142 Series: 33 1/3 Europe • Bloomsbury Academic Series: 33 1/3 Japan • Bloomsbury Academic

Nenes' Koza Dabasa Henry Johnson, University of Otago, New Zealand This book explores Okinawa's island culture and its ghosts of war through the lens of Nenes, a four- woman pop group that draws on the distinctiveness and exoticism of Okinawan musical tradition. Both a tropical island paradise and the site of some of the bloodiest battles of World War II, Okinawa has a unique culture and a contentious history. Its musical traditions are distinct from other parts of Japan, varying in instrumentation, poetic forms, and musical scales. Nenes marks its cultural difference as Okinawan by emphasizing its own exoticism, expressed through its music, fashion, imagery, and performance style.

UK June 2020 • US June 2020 • 128 pages PB 9781501351235 • £19.99 / $22.95 • HB 9781501351242 • £64.00 / $80.00 Individual eBook 9781501351259 Library eBook 9781501351266 Series: 33 1/3 Japan • Bloomsbury Academic

2 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] MUSIC AND SOUND STUDIES

This Thing Called Life Kerouac on Record Prince, Race, Sex, Religion, and Music A Literary Soundtrack Joseph Vogel, Merrimack College, USA Edited by Simon Warner, University of Leeds, UK An intelligent, timely, and illuminating biography, & Jim Sampas, Independent Scholar, USA This Thing Called Life sheds new light on one of "Fresh approach to understanding the output of the late 20th century’s most unique and gifted the On the Road novelist, which uses music to artists. The book highlights the artist’s proclivity illuminate his written work." The Bookseller for challenging, blurring, and stretching traditional He was the king of the Beat Generation and the most dynamic categories such as race, gender, sex, religion, and death. And novelist of his time, but Jack Kerouac had a lifelong passion for music. with a reputation for being apolitical and reclusive, Prince had a The novelist, most famous for his 1957 book On the Road, admired surprising amount to say about these issues through his music. This the sounds of bebop and attempted to bring something of their Thing Called Life offers a vivid, multi-faceted look at the artist, and original energy to his own writing. In Kerouac on Record, contributors demonstrates how profound his influence was and still is on American consider the writer's own recorded output, those rock tributes that and global culture. have kept his memory alive, and the scores that have featured in a string of Hollywood adaptations of his fictional adventures. UK November 2019 • US November 2019 • 240 pages PB 9781501333989 • £14.99 / $19.95 Previously published in HB 9781501333972 UK November 2019 • US November 2019 • 480 pages Individual eBook 9781501333996 PB 9781501360787 • £17.99 / $24.95 Library eBook 9781501334009 Previously published in HB 9781501323348 Bloomsbury Academic Individual eBook 9781501323379 Library eBook 9781501323362 Bloomsbury Academic

Prince and Popular Music Popular Music and Automobiles Critical Perspectives on an Edited by Mark Duffett, University of Chester, Interdisciplinary Life UK & Beate Peter, Manchester Metropolitan University, UK Edited by Mike Alleyne, Middle Tennessee State University, USA & Kirsty Fairclough, University of This book explores the ways in which cars and car Salford, UK journeys have shaped us as well as the way we have shaped them. It suggests that automobiles Prince’s position in popular culture has undergone have not only provided a literal space for the only limited academic scrutiny. This book provides experience of music. Including both broad synergies and specific case an academic examination of Prince, encompassing the many layers studies, Popular Music and Automobiles explores how attention to of his cultural and creative impact. It assesses Prince’s life and legacy an ongoing relationship can reveal insights about the assertion and holistically, exploring his multiple identities and the ways in which negotiation of identity. Using methods of enquiry that are as diverse they were manifested through his recorded catalogue and audiovisual as the topics they tackle, its contributors closely consider specific personae. In 15 essays organized thematically, the anthology includes genders, genres, places and texts. Readers will emerge with a better a diverse range of contributions - taking ethnographic, musicological, understanding of the meaningful ways in which ordinary people have sociological, gender studies and cultural studies approaches to brought automobiles and music together. analysing Prince’s career.

UK January 2020 • US January 2020 • 224 pages • 14 photos UK April 2020 • US April 2020 • 256 pages HB 9781501352300 • £90.00 / $120.00 HB 9781501354656 • £90.00 / $120.00 Individual eBook 9781501352317 Individual eBook 9781501354663 Library eBook 9781501352324 Library eBook 9781501354687 Bloomsbury Academic Bloomsbury Academic

Read Music

9781501333446 9781501320286 9781501331701 9781501321313 9781501336584 9781501339691 9781501355103 Visit our 33 1/3 blog, at 333sound.com, to discover more about the series. There you'll find author interviews, unpublished content, music videos, and so much more! www.bloomsbury.com • 33 1/3 • @333books • 333sound.com

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 3 Bloomsbury Handbooks

The Bloomsbury Handbook of The Bloomsbury Handbook of Music Production the Anthropology of Sound Edited by Simon Zagorski-Thomas, University Edited by Holger Schulze, University of of West London, UK & Andrew Bourbon, Copenhagen, Denmark Huddersfield University, UK The Bloomsbury Handbook of the Anthropology The Bloomsbury Handbook of Music Production of Sound provides a comprehensive and fully up- provides a detailed overview of current research to-date overview of the key themes and debates on the production of mono and stereo recorded relating to the academic study of sound within an music. The handbook consists of 33 chapters, each written by leaders anthropological context. What are the common characteristics as well in the field of music production. Examining the technologies and as the inconsistencies of living with and around sound in our everyday places of music production as well as the broad range of practices lives? This fundamental question drives research in this broad and – organization, recording, desktop production, post-production and interdisciplinary area of sound studies. The handbook is structured distribution – this edited collection looks at production as it has into six sections: sonic artifacts; sounds and the body; habitat and developed around the world. In addition, rather than isolating issues sound; sonic desires; sounds and machines; and sensologies. Every such as gender, race and sexuality in separate chapters, these points section contains chapters that explore exemplary research objects are threaded throughout the entire text. and puts them in the context of methodological approach and research practice. UK February 2020 • US February 2020 • 576 pages • HB 9781501334023 £134.00 / $170.00 UK June 2020 • US June 2020 • 576 pages Individual eBook 9781501334030 HB 9781501335396 • £134.00 / $170.00 Library eBook 9781501334047 MUSIC AND SOUND STUDIES MUSIC AND SOUND STUDIES Individual eBook 9781501335426 Series: Bloomsbury Handbooks • Bloomsbury Academic Library eBook 9781501335419 Series: Bloomsbury Handbooks • Bloomsbury Academic

The Bloomsbury Handbook of The Bloomsbury Handbook of Popular Music and Place Popular Music and Social Class Edited by Geoff Stahl, Victoria University of Edited by Ian Peddie, Sul Ross State University, Wellington, New Zealand & J Mark Percival, USA Queen Margaret University, Scotland, UK This is the first extensive analysis of the most An interdisciplinary volume, drawing from sociology, important themes and concepts in this field. geography, ethnomusicology, media, cultural, and Encompassing contemporary research in communication studies, this book covers a wide- ethnomusicology, sociology, cultural studies, history, range of topics germane to the production and consumption of place and race studies, the volume explores the intersections between in popular music. Through considerations of changes in technology music and class, and how the meanings of class are asserted and and the mediascape that have shaped the experience of popular denied, confused and clarified, through music. With chapters on key music (vinyl, iPods, social media), the role of social difference and genres, traditions, and subcultures, as well as fresh and engaging how it shapes sociomusical encounters (queer spaces, gendered and directions for future scholarship, the volume considers how music racialised spaces), as well as the construction and representations of has thought about and articulated social class. It consists entirely of place (musical tourism, city branding, urban mythologies), this is an original contributions written by internationally renowned scholars, up-to-the-moment overview of central discussions about place and and provides an essential reference point for scholars interested in music. the relationship between popular music and social class.

UK June 2020 • US June 2020 • 608 pages UK February 2020 • US February 2020 • 608 pages HB 9781501336287 • £134.00 / $170.00 HB 9781501345364 • £130.00 / $175.00 Individual eBook 9781501336294 Individual eBook 9781501345371 Library eBook 9781501336300 Library eBook 9781501345388 Series: Bloomsbury Handbooks • Bloomsbury Academic Series: Bloomsbury Handbooks • Bloomsbury Academic

Pop Music and Hip Ennui Live from the Other Side of Nowhere A Sonic Fiction of Capitalist Realism Contemplating Musical Performance in an Age of Macon Holt, Goldsmiths, University of London, Virtual Reality UK Sam Cleeve, Birmingham City University, UK This book provides the imaginative and analytical In recent years VR has become an increasingly prevalent platform for resources to think with contemporary pop music musical performance—Björk, U2, Gorillaz, and even the LA Philharmonic to investigate the ambivalences of contemporary all having taken to the virtual stage. These virtual encounters profoundly culture and the potentials in it for change. disrupt assumptions long held to be true of live music, undermining Drawing on Kodwo Eshun’s practice of Sonic Fiction and Mark the necessity of physical and temporal co-presence, exploding our Fisher’s analytical framework of capitalist realism, Holt explores the expectations of performance spaces, opening up new possibilities multiplicities contained in contemporary pop from sensation to for performance involving avatars, and affording intimate encounters abstraction and from the personal to the political. Pop Music and otherwise impossible in the physical world. Live from the Other Side Hip Ennui unravels the assumptions embedded in the cultural and of Nowhere begins to pry apart the conceptual challenges that this critical analysis of popular music. In doing so, it provides new ways disruptive technology poses to our understanding of the ‘live’ as an to understand the experience of listening to pop music and living in autonomous category of musical activity. the sonic atmosphere it produces. This book neither excuses pop’s oppressive tendencies nor dismisses the pleasures of its sensations. UK June 2020 • US June 2020 • 208 pages PB 9781501346361 • £22.99 / $27.95 • HB 9781501346354 • £72.00 / $90.00 Individual eBook 9781501346378 UK December 2019 • US December 2019 • 208 pages Library eBook 9781501346385 HB 9781501346668 • £96.00 / $120.00 Series: Alternate Takes: Critical Responses to Popular Music • Bloomsbury Academic Individual eBook 9781501346675 Library eBook 9781501346682 Bloomsbury Academic

4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] The Study of Sound MUSIC AND SOUND STUDIES Series Editor: Michael Bull, University of Sussex, UK

Sirens Sonic Intimacy Michael Bull, University of Sussex, UK Malcolm James, University of Sussex, UK This book argues that we should understand ‘siren Sonic Intimacy addresses and establishes the sounds’ both as myth and as materiality embodying new concept of “sonic intimacy” as a key term both danger and protectiveness. Sirens then poses through which sound, human, and technological the question as to whether we can rely on the sirens relations can be assessed and understood in of contemporary culture. Ideologies of the sirens relation to capitalism. Analyzing “sonic intimacy” embody both the protective and the dangerous through key case studies of three alternative music elements of siren sounds—from the Cold War public training technologies of the black Atlantic (sound systems, pirate radio, and exercises in the US to the seductive power of the sirens entrenched in YouTube), James addresses in particular the aural transmission of popular culture, from the music of Roxy Music to Tom O’Dell and in care (intimacies), the internal (intimate) affects of sound and the filmic representations of the ‘femme fatale’ in film noir and beyond. collective affect of sound (intimacy) and its relation to (intimate) times and spaces. Sonic Intimacy thus explores what is at stake in the UK February 2020 • US February 2020 • 176 pages development of sonic intimacy for human relations and alternative PB 9781501304996 • £19.99 / $24.95 • HB 9781501305009 • £60.00 / $75.00 black and anti-capitalist public politics. Individual eBook 9781501305023 Library eBook 9781501305016 Series: The Study of Sound • Bloomsbury Academic UK October 2020 • US October 2020 • 176 pages PB 9781501320729 • £19.99 / $24.95 • HB 9781501320712 • £50.00 / $75.00 Individual eBook 9781501320743 Library eBook 9781501320736 Series: The Study of Sound • Bloomsbury Academic

Sonic Fiction Lipsynching Holger Schulze, University of Copenhagen, Merrie Snell, Independent scholar Denmark This book examines the practice of lipsynching Sonic fiction is everywhere: in conversations about to pre-recorded song in both professional and vernacular culture, in music videos, sound art vernacular contexts. Covering over a century of compositions and on record sleeves, in everyday diverse artistic practices from early cinema and drag encounters with sonic experiences and in every performance, through to the current popularity single piece of writing about sound. Where one of self-produced internet lipsynching videos, can find sounds one will also detect bits of fiction.This book provides it examines the ways in which we listen to, respond to, and use a basic introduction to sonic fiction. In six chapters it explicates the recorded music, not only as a commodity to be consumed but as a inspirations for and the transformations of this concept; it explores culturally-sophisticated and complex means of identification, a site of applications and extrapolations in sound art and sonic theory, in projection, introjection, and habitation, and, through this, a means of musicology, epistemology, in critical and political theory. personal and collective creativity.

UK January 2020 • US January 2020 • 176 pages UK January 2020 • US January 2020 • 224 pages PB 9781501334795 • £19.99 / $24.95 • HB 9781501334788 • £64.00 / $80.00 PB 9781501352348 • £21.99 / $29.95 • HB 9781501352355 • £90.00 / $120.00 Individual eBook 9781501334801 Individual eBook 9781501352362 Library eBook 9781501334818 Library eBook 9781501352379 Series: The Study of Sound • Bloomsbury Academic Series: The Study of Sound • Bloomsbury Academic

Future Sounds Dark Sound The Temporality of Noise Feminine Voices in Sonic Shadow Stephen Kennedy, University of Greenwich, UK D Ferrett, Falmouth University, UK "Kennedy has brilliantly shown how the non- Dark Sound is a concept bound to music that linearity and multi-temporality of noise has embodies ‘dark’ themes such as melancholy, been productive of so-called digital culture. death, desire, violence, loss and longing. This text Key reading for anyone interested in the interrogates the attraction to dark sound and its realities of the digital age and the most relevant historical association with femininity through case philosophies of time and technology." Timothy Barker, University of studies of artists such as Moor Mother, Anna Calvi, Chelsea Wolfe, Glasgow, UK and concludes with the intensely political repertoire of Greek- American composer and singer Diamanda Galás. What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable UK May 2020 • US May 2020 • 240 pages predictions in relation to wider social phenomena? And what might PB 9781501325793 • £24.99 / $39.95 • HB 9781501325809 • £96.00 / $120.00 they tell us about technology in a world where futurology is a frenzied Individual eBook 9781501325830 and busy field? Future Sounds examines historical trajectories and Library eBook 9781501325816 Series: EX:CENTRICS • Bloomsbury Academic conflicting ideas about time and the necessity to recontextualize and interpret them in the digital age.

UK January 2020 • US January 2020 • 176 pages PB 9781501361715 • £28.99 / $39.95 Previously published in HB 9781501321054 Individual eBook 9781501321078 Library eBook 9781501321061 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 5

An Anthology of Australian Making It Heard Albums A History of Brazilian Sound Art Critical Engagements Edited by Rui Chaves & Fernando Iazzetta, Edited by Jon Stratton, University of South Universidade de São Paulo, Brazil Australia, Jon Dale, Independent Scholar, From the mid-twentieth century to present, the Australia & Tony Mitchell, University of Brazilian cultural scene and its art, literature, and Technology Sydney, Australia music has been witness to a wealth of creative approaches involving sound. This is the backdrop This book offers an overview of Australian popular music through for Making it Heard: A History of Brazilian Sound Art, a volume the lens of significant, yet sometimes overlooked, Australian albums. that offers an overview of local artists working with performance, Artists covered range from those who have achieved very recent experimental vinyl production, sound installation, sculpture, success (Courtney Barnett, Dami Im and Flume) and whose work radio, field recording, and sound mapping. It criticizes universal contributes to international pop music (Sia), to the more exploratory approaches to art and music hyetography that fail to recognize local or experimental (Curse of Dialect and A.B. Original). Collectively the idiosyncrasies, and creates a local rationale and discourse. Through albums and artists covered contribute to a view of Australian popular this approach, Chavez and Iazetta enable students, researchers, and music through the non-canonical, emphasizing albums by women, artists to discover and acknowledge work produced outside of a non-white artists and Indigenous artists, and expanding the focus to standard Anglo-European framework. include genres outside of rock including hip hop, black metal and country. UK December 2019 • US December 2019 • 288 pages HB 9781501344435 • £102.00 / $130.00 UK January 2020 • US January 2020 • 240 pages Individual eBook 9781501344442 HB 9781501339851 • £96.00 / $120.00 Library eBook 9781501344459 MUSIC AND SOUND STUDIES MUSIC AND SOUND STUDIES Individual eBook 9781501339875 Bloomsbury Academic Library eBook 9781501339882 Bloomsbury Academic

Towards Gender Equality in the Transcultural Sound Practices Music Industry South Asian Dance Music as Cultural Transformation Education, Practice and Strategies for Carla J. Maier, University of Copenhagen, Denmark Change Listening into the sound practices of South Asian musicians in the UK Edited by Catherine Strong, RMIT University, – such as the Asian Dub Foundation or M.I.A. – and spanning three Australia & Sarah Raine, Birmingham City decades of urban dance music production, this book investigates University, UK how South Asian sounds are sampled, cut, layered, looped and manipulated, and how this deconstructs and demystifies these Gender inequality is universally understood to be a continued sounds as markers of orientalised 'world' music cultures. Rather than problem in the music industry. This volume presents research that conceiving of music as a representation of fixed cultures, it claims uses an industry-based approach to examine why this gender that music is as porous, dynamic and conflicting as ‘culture’ itself. imbalance has proven so hard to shift, and explores strategies that Transcultural Sound Practices disrupts the ways in which ethnicity are being adopted to try and bring about meaningful change in terms has been written into music and investigates how sound practices of women and gender diverse people establishing ongoing careers generate new ways of thinking about culture. in music. It focuses on three key areas: music education; case studies

that explore practices in the music industry; and activist spaces. UK February 2020 • US February 2020 • 240 pages HB 9781501349560 • £90.00 / $120.00 UK December 2019 • US December 2019 • 224 pages Individual eBook 9781501349577 HB 9781501345500 • £96.00 / $120.00 Library eBook 9781501349584 Individual eBook 9781501345517 Bloomsbury Academic Library eBook 9781501345524 Bloomsbury Academic

The Practice of Musical Improvisation Dialogues with Contemporary Musical Improvisers Edited by Bertrand Denzler & Jean-Luc Guionnet Over several years, Bertrand Denzler and Jean-Luc Guionnet have interviewed a variety of approximately 50 musicians about their practice of musical improvisation. All interviews were recorded, transcribed and carefully edited. Musicians include both the very experienced such as Phil Durrant, Rhodri Davies, Eddie Prévost, John Butcher, Evan Parker, Axel Dörner, Phil Minton, Radu Malfatti, Otomo Yoshihide, Bill Dixon and Annette Krebs, as well as those newer to the field. Asked questions on topics such as the thought process behind a collective improvisation, the importance of the human factor in improvisation, and the technical strategies used, the interviewees highlight the habits and customs of a practice, as experienced by those who invent it on a daily basis.

UK January 2020 • US January 2020 • 256 pages HB 9781501349768 • £96.00 / $120.00 Individual eBook 9781501349775 Library eBook 9781501349782 Bloomsbury Academic

6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] REPRESENTATIVES, AGENTS & DISTRIBUTORS − UK, EUROPE, REST OF WORLD Bloomsbury Publishing Plc AFRICA Mongolia BLOOMSBURY OFFICES 50 Bedford Square Internom LLC WORLDWIDE London Southern Africa (Lesotho, Botswana, Inter Office, Amar's street-4 WC1B 3DP Namibia, Republic of South Africa, Sukhbaatar district, 14200 Ulaanbaatar, India, Bangladesh, Nepal and Sri T +44 (0)20 7631 5600 Swaziland) Mongolia Lanka Jonathan Ball Publishers F +44 (0)20 7631 5800 T +976 7577 7700 Bloomsbury Publishing India Pvt. Ltd. P O Box 33977 E [email protected] E [email protected] DDA Complex, LSC, Building No.4, Johannesburg 2043 Second Floor, Pocket C-6&7, Vasant Kunj South Africa Dan Jones New Delhi 110070 Orders & Customer Services T +27 21 469 8900 T +91 11 40574957, +91 11 40574954 Macmillan Distribution Ltd (MDL) Sales Assistant F +27 21 469 8901 E [email protected] Cromwell Place 50 Bedford Square, London, WC1B E [email protected] Hampshire International Business Park 3DP, UK Lime Tree Way Tel: +44 (0) 20 7631 5559 Australia and New Zealand Basingstoke Hampshire Rest of Africa Email: [email protected] Bloomsbury Publishing Pty Ltd Tula Publishing Ltd RG24 8YJ, United Kingdom Level 6 387 George St Wychwood House, 14 T +44 (0)1256 302692 Sydney 2000 NSW Hanborough Business Park DIGITAL PLATFORMS – UK AND F +44 (0)1256 812521 / 812558 Australia Witney OX29 8LH, U.K. ROW E [email protected] (trade) T +61 2 8820 4900 T +44 (0)1993 886719 Lenny Allen E [email protected] E [email protected] Global Sales & Marketing Director Matthew Emery www.bloomsbury.com/au Digital Resources Division Head of Academic Sales, UK & Export Dan Jones E: [email protected] Bloomsbury Publishing PLC Canada Sales Assistant M +44 0797 9524704 Pearson Education Canada 50 Bedford Square, London, WC1B E [email protected] Jo Deakin Attn: Order Services 3DP, UK Australia, Cambodia, Fiji, Indonesia, 26 Prince Andrew Place Tel: +44 (0) 20 7631 5559 Japan, Malaysia, Myanmar, New Don Mills, Ontario UK Email: [email protected] Zealand, Papua New Guinea, Philippines, Canada M3C 2T8 Sarah Ailsby Singapore, Thailand, Vietnam T 1-800-567-3800 (toll free) Academic Sales Manager MIDDLE EAST AND NORTH Head of Digital Sales, Asia Pacific & India F 1-800-263-7733 (toll free) Bloomsbury Publishing Plc AFRICA T +65 9131 1810 E [email protected] E [email protected] E [email protected] Adam Wills International Sales Manager BLOOMSBURY USA Dan Jones Bloomsbury Publishing Bloomsbury Publishing Plc Leo Luo Sales Assistant Greater China, Korea, Mongolia 1385 Broadway, 5th floor, M +44 (0) 7710 307 264 50 Bedford Square, London, WC1B Sales Manager, Greater China, Korea, New York, NY, 10018 USA E [email protected] 3DP, UK Mongolia T +1 212 419 5407 Tel: +44 (0) 20 7631 5559 E [email protected] E [email protected] Dan Jones Email: [email protected] T +86 13501963732 Sales Assistant Mexico, Central and South America, Matthew Emery 50 Bedford Square, London, WC1B 3DP, UK Vinod Shihani and the Caribbean Head of Academic Sales, UK & Export India, Sri Lanka, Nepal, Bhutan, Kirby Pendergast Bloomsbury Publishing PLC Tel: +44 (0) 20 7631 5559 Email: [email protected] Bangladesh Higher Education Sales Representative M +44 0797 9524704 Sales Manager T + 1 212 419 5354 E [email protected] T (+91) 011 40574954/57 ext. 21 E [email protected] ASIA M: +91 9953412465 EUROPE Hong Kong, Taiwan, Vietnam, E [email protected] For all other international queries please Bianca Belcher Philippines, South Korea contact [email protected] Academic Sales Manager Chris Cheung Lewis Conlin Bloomsbury Publishing Plc International Sales Manager England RIGHTS T +44 (0)20 7462 9204 Bloomsbury Publishing Plc Institutional Sales Manager E [email protected] T +44 (0) 7725 218 266 Jenny Redhead E [email protected] Senior Rights Manager E [email protected] Asia, Spain, Spanish Latin America Central and Eastern Europe China April Zheng T +44 (0)1865 727022 Jacek Lewinson Katie Thomas E [email protected] International Sales Representative Ireland, Northern Ireland, Wales, F.E Nowogrodzka 18m.20 PL-00-511 Warszawa Bloomsbury Publishing Plc colleges England, H.E JISC bans 8-10 T +86 135 2056 3987 Sales Representative Alison Faulkner Poland Rights Manager E [email protected] T +44 (0)1865 587508 T +48 226 283 956 Germany, Greece, Holland, Italy, E [email protected] E [email protected] Portugal, Brazil, Czech Republic, Croatia, South East Asia Inez Maria Serbia, Slovakia, Slovenia, Bulgaria, Denmark, Finland, Iceland, Norway Imogen Poole Albania, Estonia, Latvia, Lithuania International Sales Representative Scandinavia, Rest of Europe, Russia & and Sweden T +44 (0)1865 727022 Bloomsbury Publishing Plc Former CIS States, Middle East, Africa, Colin Flint Ltd E [email protected] E [email protected] Spain 26 Harvey Goodwin Avenue Cambridge Institutional Sales Manager Pakistan T +44 (0) 207 631 5829 Sinead Tully CB4 3EU, UK Rights Manager M. Anwer Iqbal E [email protected] T +44 (0)1223 565 052 France, Finland, Denmark, Norway, E [email protected] Book Bird Lower Ground 36B Abdalians Society, Sweden, Iceland, Hungary, Romania, Emily Higgins Poland, Russia, Ukraine, Turkey, Middle Nazaria - e - Pakistan Avenue, Corporate and Special Sales; Fashion Austria, Cyprus, Greece and Israel East Lahore 54770, Pakistan Snoops Philip Tyers [email protected] Tyers Book Sales Ltd T +92 42 3595 6161 Senior Institutional Sales Manager M +92 313 846 4747 Email: [email protected] Menemenis 1-3A For visual arts only: 14231 Nea Ionia E [email protected] Tel: +447715 851876 Athens, Greece Joanna Sharland T +30 210 300 6384 South Korea Isabel Rollings Head of Rights Mobile: +30 697 755 8872 Information and Culture Korea Germany, Austria & Switzerland Bloomsbury Visual Arts E [email protected] 473-19 Seokyo-dong Mapo-ku Institutional Sales Manager T +44 (0)1865 727022 Seoul 121-842 E [email protected] E [email protected] South Korea Spain, Portugal and Gibraltar Iberian Book Services T +822 3141 4791 Sector Islas, 12, 1B F +822 3141 7733 28760 Tres Cantos E [email protected] Madrid, Spain T +34 91 8034918 Philippines F +34 91 8035936 CRW Marketing Services for Publishers, E [email protected] Inc 4 Topaz Road, Ortigas Greenheights, Taytay, Rizal, Philippines 1920 T +632 584 8448 E [email protected]

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 7 USA BLOOMSBURY OFFICES WORLDWIDE Marketing, Sales, and Editorial Offices UK and Rest of World Bloomsbury USA Bloomsbury Publishing Plc 1385 Broadway, 5th Floor 50 Bedford Square New York, NY 10018 London T +1 212-419-5300 WC1B 3DP E [email protected] T +44 (0)20 7631 5600 E [email protected] Orders and Customer Service Bloomsbury USA Orders & Customer Services MPS/BUSA Orders Macmillan Distribution Ltd (MDL) 16365 James Madison Highway Cromwell Place Gordonsville, VA 22942 Hampshire International Business Park T +1 888-330-8477 Lime Tree Way F +1 800-672-2054 Basingstoke E [email protected] Hampshire E [email protected] RG24 8YJ T +44 (0)1256 302692 Wholesale & Retail Sales F +44 (0)1256 812521 / 812558 Mathew Nichols E [email protected] (trade) Sales Manager E [email protected] (direct) T +1 206-408-8418 E [email protected] India, Bangladesh, Nepal and Sri Lanka Bloomsbury Publishing India Pvt. Ltd. For bookshop sales inquiries please contact DDA Complex, LSC, Building No.4, Second Floor, [email protected] Pocket C-6&7, Vasant Kunj New Delhi 110070 CANADA T +91 11 40574957, +91 11 40574954 E [email protected] Pearson Education Canada Attn: Order Services 26 Prince Andrew Place Australia and New Zealand Bloomsbury Publishing Pty Ltd Don Mills, Ontario Level 6 Canada 387 George St M3C 2T8 Sydney 2000 NSW T 1-800-567-3800 (toll free) Australia F 1-800-263-7733 (toll free) T +61 2 8820 4900 E [email protected] E [email protected] www.bloomsbury.com/au MEXICO, CENTRAL AND SOUTH AMERICA, AND THE CARIBBEAN RIGHTS Kirby Pendergast Higher Education Sales Representative Jenny Redhead Senior Rights Manager T + 1 212 419 5354 Asia, Spain, Spanish Latin America E [email protected] T +44 (0)1865 727022 E [email protected] ADOPTION SALES AZ, DE, GA, IL, IN, MD, MO, NC, NY, OH, PA, SC, Alison Faulkner TN, VA, WI Rights Manager Karlena Haase Germany, Greece, Holland, Italy, Portugal, Brazil, Czech Account Manager Republic, Croatia, Serbia, Slovakia, Slovenia, Bulgaria, T +1 212 419 5299 Albania, Estonia, Latvia, Lithuania E [email protected] T +44 (0)1865 727022 E [email protected] CA, NJ, OR, WA, WY KJ Jarboe Sinead Tully Account Manager Rights Manager T + 1 212 419 5402 France, Finland, Denmark, Norway, Sweden, Iceland, E [email protected] Hungary, Romania, Poland, Russia, Ukraine, Turkey, Middle East AL, AR, CT, DC, FL, IA, KS, KY, LA, MI, MN, MS, [email protected] MT, ND, OK, TX Kayla Kinard For visual arts only: Account Manager Joanna Sharland T + 1 212-419-5306 Head of Rights E [email protected] Bloomsbury Visual Arts T +44 (0)1865 727022 AK, CO, HI, ID, MA, ME, NE, NV, NH, NM, RI, SD, E [email protected] UT, VT, WV Kirby Pendergast Higher Education Sales Representative T + 1 212 419 5354 E [email protected]

Director of Sales, Bloomsbury Academic & Fairchild Books Liza Murphy T + 212-419-5296 E [email protected]

For all academic publicity and marketing inquiries: [email protected]

DIGITAL PLATFORMS Lenny Allen Global Sales & Marketing Director Digital Resources Division E [email protected] Trials and enquiries: [email protected] REPRESENTATIVES, AGENTS & DISTRIBUTORS − THE AMERICAS / EDITORIAL CONTACTS AGENTS & DISTRIBUTORS − THE AMERICAS / EDITORIAL CONTACTS REPRESENTATIVES,

8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected]

@BloomsburyMus Bloomsbury Academic www.bloomsbury.com