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2001 North Carolina Women's Soccer • Page 78
History tistry, medicine, pharmacy and law. Five health schools -- Students Carolina was the nation’s first state university to open its which, with UNC Hospitals, comprise one of the nation’s Recent freshman classes at Carolina have set new standards doors and the only public university to award degrees in the most complete academic medical centers -- are integrated of excellence as measured by the rigorous coursework stu- 18th century. with liberal arts, basic sciences and high-tech academic dents have taken, as well as their grades and SAT scores. Authorized by the N.C. Constitution in 1776, the universi- programs. The incoming freshmen of 2001 are continuing that trend. ty was chartered by the N.C. General Assembly Dec. 11, In fall 2000, Carolina enrolled 24,872 students from all 100 Besides setting a new record for high school preparation, 1789, the same year George Washington first was inaugu- North Carolina counties, the other 49 states and nearly 100 the newest class will become the very best group of first- rated as president. other countries. Eighty-two percent of Carolina’s 15,608 year students Carolina has ever admitted. The cornerstone was laid for Old East, the nation’s first undergraduates were from North Carolina. Sixty-three per- state university building, Oct. 12, 1793. Hinton James, the cent of Carolina’s students were undergraduates, 28 percent UNC students have a long tradition of outstanding achieve- first student, arrived from Wilmington, N.C., Feb. 12, 1795. ment. Thirty-five have been awarded the Rhodes Location Scholarship since it was created in 1902, including the first The 729-acre central campus includes the two oldest state U.S. -
2018 MOREHEAD-CAIN ALUMNI FORUM Schedule of Events
2018 MOREHEAD-CAIN ALUMNI FORUM Schedule of Events FRIDAY, OCTOBER 19 12:00–5:00 p.m. | Forum Registration | Morehead-Cain Offices Check in, pick up your registration packet, and enjoy some refreshments while you catch up with current scholars and fellow alumni. Visit the Morehead-Cain Gallery in the hallway off the main lobby to take in an exhibition of Morehead-Cain Scholar photography specially curated for Forum visitors. 2:00–2:45 p.m. | Lecture by a Favorite Professor | Hanes Art Center Auditorium Enjoy the opportunity to return to college (but without the papers and exams)! This lively lecture and discussion with a wildly popular Carolina professor is sure to stimulate the brain cells and bring us all back to our Carolina days. Zeynep Tufekci is an associate professor in the School of Information and Library Science and an adjunct professor in the School of Sociology at UNC-Chapel Hill. She is also a faculty associate with Harvard’s Berkman Klein Center for Internet and Society. Professor Tufekci is a Turkish writer, academic, and techno-sociologist known primarily for her research on the social implications of emerging technologies in the context of politics and corporate responsibility. 2:45–3:15 p.m. | Panelist and Speaker Organizational Meeting | Hanes Art Center Auditorium All Forum speakers and panelists are invited to a brief organizational meeting immediately following the lecture. Meet your fellow speakers and panelists and receive logistical and other instructions for a successful weekend! 3:00–6:30 p.m. | Free Time Free-time suggestions: • 3:00 p.m. -
E. Heritage Health Index Participants
The Heritage Health Index Report E1 Appendix E—Heritage Health Index Participants* Alabama Morgan County Alabama Archives Air University Library National Voting Rights Museum Alabama Department of Archives and History Natural History Collections, University of South Alabama Supreme Court and State Law Library Alabama Alabama’s Constitution Village North Alabama Railroad Museum Aliceville Museum Inc. Palisades Park American Truck Historical Society Pelham Public Library Archaeological Resource Laboratory, Jacksonville Pond Spring–General Joseph Wheeler House State University Ruffner Mountain Nature Center Archaeology Laboratory, Auburn University Mont- South University Library gomery State Black Archives Research Center and Athens State University Library Museum Autauga-Prattville Public Library Troy State University Library Bay Minette Public Library Birmingham Botanical Society, Inc. Alaska Birmingham Public Library Alaska Division of Archives Bridgeport Public Library Alaska Historical Society Carrollton Public Library Alaska Native Language Center Center for Archaeological Studies, University of Alaska State Council on the Arts South Alabama Alaska State Museums Dauphin Island Sea Lab Estuarium Alutiiq Museum and Archaeological Repository Depot Museum, Inc. Anchorage Museum of History and Art Dismals Canyon Bethel Broadcasting, Inc. Earle A. Rainwater Memorial Library Copper Valley Historical Society Elton B. Stephens Library Elmendorf Air Force Base Museum Fendall Hall Herbarium, U.S. Department of Agriculture For- Freeman Cabin/Blountsville Historical Society est Service, Alaska Region Gaineswood Mansion Herbarium, University of Alaska Fairbanks Hale County Public Library Herbarium, University of Alaska Juneau Herbarium, Troy State University Historical Collections, Alaska State Library Herbarium, University of Alabama, Tuscaloosa Hoonah Cultural Center Historical Collections, Lister Hill Library of Katmai National Park and Preserve Health Sciences Kenai Peninsula College Library Huntington Botanical Garden Klondike Gold Rush National Historical Park J. -
Strategic Plan, 2004-2007
North Carolina Botanical Garden – Strategic Plan – 2010-2012 1 North Carolina Botanical Garden Strategic Plan 2010-2012 University of North Carolina at Chapel Hill I. Introduction The North Carolina Botanical Garden’s first strategic plan (2005-2007) was the result of a series of planning sessions, focus groups, and discussions facilitated by Richard Daley of EMD Consulting Group, LLC. Much has changed since that planning period: a new 31,000 sq ft building, the Education Center, which began construction in November 2007, opened in the fall of 2009. This project also reconfigured circulation, parking, and outdoor garden spaces and closed the segment of Laurel Hill Road that long separated our display collections from visitor parking. The roadbed has been replaced with parking, paths, and beds for new gardens. The 2010-2012 Strategic Plan will guide the first years of operation of the new facilities and gardens. The next projects in our long-term development plan include the planting of new garden collections around the Education Center, a facility to house the UNC Herbarium, the renovation of the Totten Center as a base for our horticultural department, the upgrading of the Forest Theatre to facilitate its use in performing arts, continued work to assure the conservation of the lands we manage, and continued work to secure the conservation of lands adjacent to our natural areas. As in 2005-2007, the 2010-2012 strategic plan includes statements of: Mission and Vision Core Values Sustainable Competitive Advantage Institution-wide Goals Objectives The Mission, Vision, Core Values, Sustainable Competitive Advantage, and Institution-wide Goals are the foundations of the institution. -
Ten Thousand Roses
Dori Freeman’s inimitable signature sound is in peak form on her fourth studio album, Ten Thou- sand Roses. Raised among a family of musicians in the Blue Ridge Mountains and hailed by Rolling Stone as “one of the most authentic vocalists to emerge from the hills of southwestern Virginia in recent years,” she’s a bonafide Appalachian artist, while simultaneously shattering the archetype by empowering the characters in her songs with personal strength and homegrown wisdom. Through this process, she both defies and expands notions of what it means to be from the region. Ten Thousand Roses follows three widely acclaimed records produced by Teddy Thompson, one of which produced “You Say,” which continues to find fans, steadily climbing toward six million streams on Spotify, largely by word of mouth. Freeman has been praised by outlets such as NPR, Rolling Stone and The New York Times, but has chosen to remain outside of Nashville literally and figuratively. She lives in Galax, Virginia, where she says she’s been better able to develop her music in a truer way to her personally. “I’ve never been drawn to living in the city as much as I love visiting them. I prefer a rural, small town life,” says Freeman. She also believes that liv- ing apart from the industry frees her from the pressure to fit current ideas of what a genre should sound like. “I just make music I like and hope other people will like it, too.” Dori Freeman has always been an artist who’s had an eclectic range of influences and the ability to deliver deeply moving vocals in a variety of styles that comprise the Americana genre. -
Tips for New Faculty
Tips for New Faculty Charles Kuralt provided a sense of the Carolina aura when he said: What is it that binds us to this place as to no other? It is not the well or the bell or the stone walls. Or the crisp October nights or the memory of dogwoods blooming. Our loyalty is not only to William Richardson Davie, though we are proud of what he did 200 years ago today. Nor even to Dean Smith, though we are proud of what he did last March. No, our love for this place is based on the fact that it is, as it was meant to be, the University of the people. UNC Bicentennial, 1993 While Kuralt was speaking about UNC’s relationship to the people of North Carolina, his words also hold true for the people who make up the campus community in relation to one another. People on this campus care about one another, their departments and schools, the campus as a whole. Students matter. Colleagues matter. As a faculty member new to Carolina, you matter. When current faculty members were asked what advice they would give faculty new to Carolina, they were quick to respond and eloquent in their responses. This essay brings together their ideas, addressing key areas of faculty life. As the tips were received, they were categorized into the following areas, teaching, research, mentoring/ relationships/connections, becoming part of the community, and balancing competing demands. Teaching A significant part of most new faculty members’ time will be spent in the classroom. Teaching is an important part of the mission of UNC and provides students the opportunity to interact with and learn from some of the top scholars in the world. -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
Art History Graduate Degree Programs At
Schedule 1:30-2:00 Welcome and Program Overview (Carol Magee and Daniel Sherman) 2:00-2:30 Faculty/Student Introductions (short break at Welcome to end) 2:30-2:45 Tour of the Visual Resources Library (JJ UNC Art Bauer) 2:45-3:15 Tour of Sloane Art Library (Josh History! Hockensmith) 3:15-3:45 Tour of Ackland Art Museum (Carolyn Allmendinger) 3:45-4:00 Break 4-5:00 ASGO Happy Hour • Art and Art History Department Web Site: https://art.unc.edu/courses- Art History and-degrees/ at UNC • Graduate School Web Site: • https://gradschool.unc.edu/ac ademics/degreeprograms/ UNC COVID Information • Carolina Together Dashboard: https://carolinatogether.unc.edu/dashboard/ • Keep Teaching UNC: https://keepteaching.unc.edu/ • M.A.: 2 years, 36 credits, culminates in a thesis • M.A./ MLS or MIS: 3 years, 54 credits, joint Art History program with School of Graduate Library and Information Degree Science, two theses Programs at • Ph.D.: 3 to 5 semesters UNC (30-48 credits) of course work, typically 5 years overall, culminates in a dissertation African, African-American, and Diaspora • John Bowles, Carol Magee, Victoria Rovine, Lyneise Williams Medieval and Early Modern • Christoph Brachmann, Kathryn Desplanque, Tatiana String, Dorothy Art History Verkerk Modern and Contemporary Core Faculty • J.J. Bauer, Cary Levine, Carol Magee, Daniel Sherman Art of the Americas • John Bowles, Maggie Cao, Eduardo Douglas, Lyneise Williams Adjunct Faculty • Ackland Art Museum: Carolyn Allmendinger, Peter Nisbet, Elizabeth Manekin • American Studies: Bernard Herman • -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Reciprocal Membership Program
4525 Oak Street, Kansas City, Missouri 64111 nelson -atkins.org 816.751.1ART Reciprocal Membership Program Society of Fellows members get the experience of sharing in privileges at institutions participating in any of our reciprocal programs by presenting your specially-marked membership card. Please note some participating institutions have restrictions specific to their organization. We recommend contacting the institution you plan to visit in advance to confirm details of their participation. If you need assistance, call 816.751.1ART (1278), option 3. RECIPROCAL NETWORKS Art Museum Reciprocal Network Reciprocal Organization of Associated Museums (ROAM) North American Reciprocal Network Western Reciprocal Network RECIPROCAL PRIVILEGES ALABAMA ARKANSAS Craft and Folk Art Museum, Los Birmingham Museum of Art The Arkansas Arts Center, Little Angeles Carnegie Rock Crocker Art Museum, Sacramento Gadsden Museum of Art Crystal Bridges Museum of Fine Arts Museums of San Jule Collins Smith Museum at American Art, Bentonville Francisco Auburn University Fort Smith Regional Art Museum Fullerton Museum Center Kentuck Museum, Northport South Arkansas Arts Center, El Hammer Museum UCLA Mobile Museum of Art Dorado Japanese American National Montgomery Museum of Fine Arts CALIFORNIA Museum, Los Angeles ALASKA Asian Art Museum of San Laguna Art Museum Anchorage Museum at Francisco Long Beach Museum of Art Rasmuson Center Bowers Museum, Santa Ana Mingei International Museum, Valdez Museum & Historical California Historical Society Escondido and San Diego Archive Museum, San Francisco Monterey Museum of Art and ARIZONA Cantor Art Center at Stanford Monterey Museum of Art at La Heard Museum North, North University Mirada Scottsdale Center for Contemporary Art, Museum of Contemporary Art Heard Museum, Phoenix Sacramento (MOCA), Los Angeles Museum of Northern Arizona Charles F. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 126 January Oxford’s Music Magazine 2006 Harry Angel The Devil’s in the Music Interview inside Photo by Miles Walkden Photo by Miles Plus The new bands to watch in 2006 NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 Evenings and Boywithatoy are among the local NEWNEWSS artists remixing the band. PINDROP PERFORMANCES is a new Nightshift: PO Box 312, Kidlington, OX5 1ZU monthly live music club night launched this Phone: 01865 372255 email: [email protected] month at The Port Mahon in St Clement’s. Pindrop aims to showcase the best up and coming alternative folk and electronic acts THIS YEAR’S OXFORD PUNT will take while the ground floor venue frontage will around. The first night takes place on Sunday place on Wednesday 10th May. Arrangements include a new bar area. A timetable for the 29th January and features Brickwork Lizards, for the annual showcase of the best unsigned refurbishment is yet to be finalised; in the The Thumb Quintet and Dan Glazebrook and music in Oxfordshire, organised by Nightshift, meantime the Zodiac is booking its spring Josie Webber. Each event starts at 5pm and are almost complete, with five venues already programme. Notable gigs already confirmed finishes at 8pm and tickets are limited to 35. confirmed and two more to be confirmed. As include: The Kooks (10th February), Julian Get them from Polar Bear on Cowley Road. ever, the Punt will kick off at Borders in Cope (14th Feb), The Paddingtons (16th Feb), Magdalen Street before moving on to Jongleurs, Regina Spektor (16th Feb), Battle (4th March), OXFORDBANDS.COM has launched an The Wheatsheaf, The City Tavern and finishing The Buzzcocks (5th Mar), Cave In (6th Mar), 65 updated version of its interactive venue guide. -
Booty & Cheeba
BOOTY & CHEEBA by Ryan Gaio B.A. (Honours Specialization), English Language and Literature, University of Western Ontario, 2014 A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Graduate Academic Unit of English Supervisor: Mark Anthony Jarman, MFA, English Examining board: Stephen Schryer, PhD, English Christine Horne, PhD, French This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK May, 2017 © Ryan Gaio, 2017 ii ABSTRACT Booty & Cheeba is a creative writing thesis consisting of six interconnected chapters focused on a small-town high school. The set is framed by an adult narrator reflecting on his teenaged past and his relationship to the school in discussion. These reflections on the past are used to emphasize the importance of embracing the present. Through its exploration of high school years, the text investigates the “naïve ambition of youth;” this attitude, characteristic of this stage of adolescence, is one that the thesis ultimately defends and even praises. iii DEDICATION This thesis could not have been written without the assistance of many, and to them, I wish to express my deepest thanks. To all my writing mentors, particularly Mark, but also Robin, Larry, David, and each of the fellow students who sat with me at a long green table: thank you for teaching me how to tell stories. To all my professors: thank you for teaching me what good stories are. To the many alumni of NDSS, especially Cheryl, Tina, Marty, Odarka, and the McCarthys, who kindly gave me their time and memories: thank you for helping me find my way around a school that I did not go to.