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The Poetics, Philosophy, and Psychology of Love in Algernon Charles Swinburne’S Poems and Ballads [1866]
“SEE LOVE, AND SO REFUSE HIM”: THE POETICS, PHILOSOPHY, AND PSYCHOLOGY OF LOVE IN ALGERNON CHARLES SWINBURNE’S POEMS AND BALLADS [1866] by Jason Wilfred Jacques Boulet A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (April, 2014) Copyright © Jason Wilfred Jacques Boulet, 2014 Abstract This dissertation studies the concept of “love” in Algernon Charles Swinburne’s Poems and Ballads [1866]. As I argue in Chapter One, there has been surprisingly little critical discussion of the concept of love in Poems and Ballads, and what there has been is flawed in that it inadvertently reinforces the longstanding charge of Swinburne’s “meaninglessness,” obscures the ways in which the love of Poems and Ballads is an informed critical response to the culture of the time, and tends to render the poems and their dramatic speakers interchangeable. In Chapter Two, I attempt to redress the ahistoricism that has dominated these discussions by explaining how the love of Poems and Ballads arose in response to the “cult of love” of Swinburne’s contemporaries, which he, informed by ideas that he inherited from his Romantic forbearers, viewed as an impoverishment of sensual experience, and consequently of humankind’s creative capacities—as dramatized through his speakers’ “refusals” of love and its imaginative possibilities. In Chapter Three, I explore two such “refusals,” expressed through the voices of the very different speakers of the “Hymn to Proserpine” and “The Triumph of Time.” After clarifying some sources of confusion, I trace how both of these characters, by means of different philosophical and psychological pathways, come to turn away from love and (in doing so) their own poetic potential. -
Persephone: Her Mythical Return to Sicily Di Federica Mazzara
Persephone: her mythical return to Sicily di Federica Mazzara Afar the flowers of Enna from this drear Dire fruit, which, tasted once, must thrall me here. Dante Gabriel Rossetti The focus of this study is the myth of Demeter and Persephone, and, in particular, lesser-known aspects of this mythological tale related to its setting in Sicily. Persephone was the daughter of Demeter, the goddess of fertility. The myth tells about her rape by Hades, Lord of the Dead, who took her with him to the Underworld, where she was to be his wife. The rape takes place while Persephone is gathering flowers with her playmates. The rest of the myth tells about the desperate search of Demeter for her daughter and the agreement, in the end, with Hades to have Persephone live half of each year aboveground (Spring) and the other half (Winter) in the underworld. The first chapter of this work, that as a whole I will define as a “mythological journey”, deals generally with mythology. I refer to some authoritative scholars of mythology, such as Kerényi, Jung and Vernant, in order to underline its elusive nature and especially what, in my opinion, is its most important value, in other words, its continuing relevance in a modern context. As Kerényi affirms, the act of telling is what assures the survival of mythology, and I hope that this study too can help to maintain this tradition. The second chapter addresses the classical sources that have preserved the myth of Persephone and Demeter over time. These are the Homeric Hymn to Demeter, which is considered to be the first written record of this myth, Ovid’s Metamorphoses and Fasti, and Claudian’s The 1 Rape of Proserpine. -
A Myth of Initiation in Modern English Poetry
A Myth of Initiation in Modern English Poetry June Hyatt INTRODUCTION This unit combines poetry and mythology for high-school classes from the 10th to the 12th grade. It focuses on one myth only, the myth of Ceres and Proserpine, mother and daughter, which inspired an array of poems that will engage the students because they relate in one way or another to their own experiences. Exposure to the ancient myths will enhance the students’ understanding and appreciation of literature. Hopefully they will be motivated to read more poetry as well as to express their own experiences and concerns creatively. In a time when our society is plagued with inner city problems, nationwide shootings in schools, and youngsters’ low expectations concerning what the future holds for them, many will identify with the resolution of the drama of loss and separation that the ancient myths and the modern poetic adaptations represent. Because the story of the abduction of Proserpine symbolizes her initiation, and even though both protagonists are female, adolescents of both genders will identify with the problems of the passage into adulthood and will sense the possibilities of their resolution. CONTENT AND OBJECTIVES OF THE UNIT This unit has five objectives: a) To expose the students to poems by modern English poets, so they will appreciate their quality and relate to their subject matter; b) To make them aware that the Anglo-Saxon culture as well as other cultures has not emerged from a vacuum but has ancient roots; c) To prompt them to understand that different authors may have different perspectives on one theme, and to help them interpret their points of view; d) To enrich their English vocabulary; e) To stimulate the students’ creativity, be it verbal, pictorial, or performative. -
Flowers and Femininity: Cultivating Gender in the Victorian English Novel
Catsikis, Phyllis Joyce (2009) "A brilliant burst of botanical imagination": Proserpina and the nineteenth-century evolution of myth. PhD thesis. http://theses.gla.ac.uk/774/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] “A brilliant burst of botanical imagination”: Proserpina and the Nineteenth-Century Evolution of Myth Phyllis Joyce Catsikis Ph.D. University of Glasgow Faculty of Arts Department of English Literature April 2009 ©Phyllis Joyce Catsikis 2009 With popular interest in Linnaean botany thriving at the turn of the century, the Proserpina myth and its central focus on flowers and the feminine support nineteenth-century approaches to nature as an object of both scientific study and a source of spiritual or moral contemplation and guidance. The mythological figure of Proserpina with her dual nature of innocence and sexuality, is easily transposed into or appropriated as a flower- woman who can be identified with the moral typology or teaching of a mother‟s botany—whether it be the maternal ideology of the “Linnaean years” or the Wordsworthian nature philosophy of Victorian Romantics—or the scientific knowledge of the “sexual system” and its link to industrial, technological science. -
Algernon Charles Swinburne: No Other God— I a Vision Op Life
This dissertation has been i microfilmed exactly as receivod . 68-17 603 THOMPSON, Tftelma Rae Payne, 1922- i ALGERNON CHARLES SWINBURNE: NO OTHER GOD— I A VISION OP LIFE. 'I The University of Oklahoma, Ph.D., 1968 | Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan ©Copyright by THELMA RAE PAINE THOMPSON i ' 1969 1 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ALGERNON CHARLES SWINBURNE: NO OTHER GOD A VISION OF LIFE A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfilImant of the requirements for the degree of DOCTOR OF PHILOSOPHY BY THELMA RAE PAYNE THOMPSON Norman, Oklahoma 1968 ALGERNON CHARLES SWINBURNE; NO OTHER GOD A VISION OF LIFE APPROVED BY DISSERTATION COMMITTEE ACKNOWLEDGMENTS To the two principal administrators of Bishop College, Dallas, Texas, I express immeasurable gratitude for their spiritual and financial magnanimity in providing the opportunity which made possible this study at the University of Oklahoma. In his heroic capacity to feel the future stirring. Dr. Milton King Curry, Jr., President, actively set a precedent for the faith and perseverance to prosecute an ideal to its fullest fruition. Dr. Charles L. Knight, Academic Dean, provided a dynamic symbol of striving for academic excellence. In the preliminary stages of this study, my gratitude to the following persons is inestimable : Mrs. Rebecca A. Hudson, Reference Librarian, Bishop College, for the magnitude of her assistance in helping to find a working text of the poetry involved and for securing numerous materials from the Dallas libraries ; Mrs. Gail Buckley for cooperative efforts in child-care and typing ; and Mrs. Kay Barrick, in a special way, for strenuous typing to prepare reading copies. -
Poems and Ballads & Atalanta in Calydon Free
FREE POEMS AND BALLADS & ATALANTA IN CALYDON PDF Algernon Charles Swinburne,Kenneth Haynes | 464 pages | 01 Apr 2001 | Penguin Books Ltd | 9780140422504 | English | London, United Kingdom The Project Gutenberg eBook of Poems And Ballads, by Algernon Charles Swinburne. Algernon Swinburne Author Algernon Charles Poems and Ballads & Atalanta in Calydon was born in of an aristocratic family connected to Northumberland. He was educated for a time at Eton where he may have developed his fascination with flagellation and later matriculated at Balliol College, Oxford. Over the next few years, he travelled in France and Italy, wrote many poems, and led a Bohemian life Poems and Ballads & Atalanta in Calydon London. He lived for a time Poems and Ballads & Atalanta in Calydon Tudor House, with Rossetti. Under the influence of the death of his sister, the end of his romantic attachment to his cousin Mary Gordon, and the collapse of the Tudor House household and his strained friendship with Rossetti, Swinburne wrote Atalanta in Calydon, published inthe work that first brought him critical notice; Tennyson praised it highly. Poems and Ballads appeared in the next year and brought sensational success and the angry attention of critics who were outraged by its choice of topics sadomasochism, lesbianism, necrophilia, and the rejection of Christianity. His behaviour and bouts of drinking became worse, and he was often rescued by his family. Eventually, inhe was taken to live with his friend Theodore Watts later Watts-Dunton in Putney, under whose watchful eye Swinburne's health improved and drinking ceased. Many more volumes of poetry followed, including the second and third series' of Poems and Ballads and and Tristram of Lyonesse In addition, he published many dramas and works of literary criticism. -
DISCOURSES of SEXUALITY in DANTE GABRIEL ROSSETTI, CHRISTINA ROSSETTI and ALGERNON CHARLES SWINBURNE Revista Káñina, Vol
Revista Káñina ISSN: 0378-0473 [email protected] Universidad de Costa Rica Costa Rica Acón Chan, Lai Sai NORMING THE FEMALE BODY: DISCOURSES OF SEXUALITY IN DANTE GABRIEL ROSSETTI, CHRISTINA ROSSETTI AND ALGERNON CHARLES SWINBURNE Revista Káñina, vol. XXXVIII, núm. 2, junio-diciembre, 2014, pp. 77-90 Universidad de Costa Rica San José, Costa Rica Available in: http://www.redalyc.org/articulo.oa?id=44247250006 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Káñina, Rev. Artes y Letras, Univ. Costa Rica XXXVIII (2): 77-90, 2014 / ISSN: 2215-2636 NORMING THE FEMALE BODY: DISCOURSES OF SEXUALITY IN DANTE GABRIEL ROSSETTI, CHRISTINA ROSSETTI AND ALGERNON CHARLES SWINBURNE Normalización del cuerpo femenino: Discursos de la sexualidad en Dante Gabriel Rossetti, Christina Rossetti y Algernon Charles Swinburne Lai Sai Acón Chan* RESUMEN Este artículo explora las contradicciones resultantes de un discurso sexual construido en el siglo XIX a partir de un modelo sexual hegemónico que determina los rígidos roles sexuales de la sociedad victoriana inglesa. Se analizan algunas obras literarias de Dante Gabriel Rossetti, Christina Rossetti y Charles Swinburne a la luz de estas problemáticas. Palabras clave: Hermandad de los Pre-Rafaelitas, ideología de la creación literaria, políticas sexuales victorianas, la mujer caída, la mujer nueva. ABSTRACT This article explores the contradictions resulting from sexual discourse constructed in the nineteenth century from a hegemonic model that determines sexual rigid sex roles of Victorian English society.