Source-LTC 1.0 User Guide
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Mixmagazinereview
iZ RADAR 24 http://web.archive.org/liveweb/http://www.printthis.clickability.com/... your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to [email protected]. Like it or not, we are fast approaching the time when linear tape-based machines will be a thing of the past. In 1992, RADAR (distributed by Otari) was the first stand-alone system to offer disk-based, 24-track recording. Now distributed by iZ Technology Corporation — the original creators of the RADAR system — RADAR 24 bridges the gap between the traditional linear tape decks and the more elaborate DSP-based editing systems. Offering a simple, stable and solid product is the philosophy that has always reigned at iZ, and RADAR 24 continues that approach, while offering new systems at a fraction of the cost of its predecessors. THE BASICS The unit I tested consisted of the RADAR 24 (a four-rackspace unit), the optional Session Controller, a 48-channel meter bridge and the Nyquist 24/96 I/O board set. All the units are attractive and well-made, and convey a feeling of quality. The front panel has an On/Off switch, floppy drive, 18-gigabyte SCSI drive in a removable Kingston Fast-Wide Ultra SCSI hard disk carrier, and a 9.2-gig 2x DVD-RAM drive for backing up the system and archiving projects. Operating system chores are handled via an internal IDE drive, while digital audio is written to the removable high-speed SCSI drive. -
Machinecontrol Guide Chapter 1: Introduction
MachineControl™ Guide Version 10.1 Legal Notices This guide is copyrighted ©2011 by Avid Technology, Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid. 003, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Xpress, AVoption, Axiom, Beat Detective, Bomb Factory, Bruno, C|24, Command|8, Control|24, D-Command, D-Control, D-Fi, D-fx, D-Show, D-Verb, DAE, Digi 002, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, DV Toolkit, EditPack, Eleven, EUCON, HD Core, HD Process, HDX, Hybrid, Impact, Interplay, LoFi, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, Nitris, OMF, OMF Interchange, PRE, ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE, QuickPunch, Recti-Fi, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Sibelius, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, Transfuser, Trillium Lane Labs, Vari-Fi, Velvet, X-Form, and XMON are trademarks or registered trademarks of Avid Technology, Inc. Xpand! is Registered in the U.S. Patent and Trademark Office. All other trademarks are the property of their respective owners. -
Streaming and Podcasts Luke Lasater – Integrated Systems Designer
REACHING OUTWARD – STREAMING AND PODCASTS LUKE LASATER – INTEGRATED SYSTEMS DESIGNER AES Worship Sound Academy, Spring 2020 March 10th, 2020 OVERVIEW • Why Broadcast • Capturing Audio and Video • Syncing It All Up • Transmitting To The World • Copyright Issues • Review Highlights • Q&A AES WORSHIP SOUND ACADEMY WHY BROADCAST The internet allows us the to connect across the street and across the globe • Allows people to stay connected to the congregation when they are out of town or homebound • It can be a tool for encouragement and training throughout the week • Gives visitors a chance to “check you out” before they attend • Allows churches with original content to share it with the congregation and other believers around the world (music, videos, sermons, studies, etc.) 3 CAPTURING AUDIO AES WORSHIP SOUND ACADEMY SIGNAL FLOW FOH LOUDSPEAKERS BROADCAST STREAM / RECORDS MICROPHONE MIC PREAMP MULTITRACK Traditionally, there would be a microphone “splitter” on stage that would split the mic signals to a mic preamp at each destination. With the advent of digital systems in live sound, most events and installs will “share” the mic pres, allowing for higher quality sound distribution to each destination. 5 Tom Davis mixing Broadcast in a temporary space for a TV show taping BROADCAST MIXER A dedicated position for mixing live inputs for a remote audience. In smaller productions, this position often monitors the multitrack audio as well. 6 AES WORSHIP SOUND ACADEMY BROADCAST MIX TIPS Great broadcast mixes are made in pre-production and rehearsals • Setup a separate, isolated space for the broadcast mixer • Mind the room! • Spend time pre-dialing your mixes with multitracked audio files of previous services • Transitions suffer the most when the engineer is removed from the live room. -
Avid PT Menus Guide
Pro Tools® Menus Guide Version 10.0 Legal Notices This guide is copyrighted ©2011 by Avid Technology, Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid. 003, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Xpress, AVoption, Axiom, Beat Detective, Bomb Factory, Bruno, C|24, Command|8, Control|24, D- Command, D-Control, D-Fi, D-fx, D-Show, D-Verb, DAE, Digi 002, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, DV Toolkit, EditPack, Eleven, EUCON, HD Core, HD I/O, HD MADI, HD OMNI, HD Process, Hybrid, Impact, Interplay, LoFi, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, Nitris, OMF, OMF Interchange, PRE, ProControl, Pro Tools, Pro Tools|HD, Pro Tools LE, Pro Tools M-Powered, Pro Tools MP, QuickPunch, Recti-Fi, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Sibelius, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, Transfuser, Trillium Lane Labs, Vari-Fi, Velvet, X-Form, and XMON are trademarks or registered trademarks of Avid Technology, Inc. Xpand! is Registered in the U.S. Patent and Trademark Office.