DOCSLIB.ORG

Daido Moriyama – Curriculum Vitae

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Daido Moriyama – Curriculum Vitae Daido Moriyama – Curriculum Vitae Timeline 1938 Born in Ikeda City, Osaka, Japan 1959 Took an apprenticeship under photographer Takeji Iwamiya 1961 Moved to Tokyo, became assistant to photographer Eikoh Hosoe 1968 Joined “Provoke”, an experimental photography magazine Awards & Honours 2012 Lifetime Achievement Infinity Award from The International Center for Photography, NY 2004 Lifetime Achievement Award from The Photographic Society of Japan the Cultural Award from the German Photographic Association 1983 Photographer of the Year Award from The Photographic Society of Japan 1967 New Artist Award from the Japan Photo-Critics Association Solo Exhibitions 2016 Daido Tokyo, Fondation Cartier, Paris, France 2015 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong 2014 Searching Journeys, Simon Lee Gallery, Hong Kong 2013 Daido Moriyama: Silkscreens, Hamiltons Gallery, London UK 2012 Fracture: Daido Moriyama, Los Angeles County Museum of Art, CA Daido Moriyama: Candid, Stephen Cohen Gallery, Los Angeles, CA Color, Taka Ishii Gallery, Tokyo, Japan Tights and Lips, Michael Hoppen Gallery, London, UK William Klein + Daido Moriyama, Tate Modern, London UK (Joint Retrospective) The Daido Moriyama Cycle: Hokkaido-Northern, Paris, and Serigraphies, Polka Galerie, Paris, France 2011 Daido Moriyama: On the Road, The National Museum of Art, Osaka, Japan Daido Moriyama: „Tokyo Meshed World‟, Taka Ishii Gallery, Tokyo, Japan Daido Moriyama: Photobook Accident installation, Taka Ishii Gallery, Tokyo, Japan 2010 Hawaii, Luring Augustine, New York, NY Daido Moriyama Visioni del Mondo, Fondazione Cassa di Risparmio di Modena, Modena, Italy Memory of My Eyes, Galleri Riis, Oslo, Norway Tsugaru, Taka Ishii Gallery, Tokyo, Japan 2008 The 80's Vintage Prints, Steven Kasher Gallery, New York, NY bye-bye polaroid, Taka Ishii Gallery, Tokyo, Japan DAIDO RETROSPECTIVE 1965-2005, DAIDO HAWAII, Tokyo Metropolitan Museum of Photography, Tokyo, Japan Hokkaido, Rathole Gallery, Tokyo, Japan Shinjuku, Tokyo, Studio Guenzani, Milano, Italy 2007 Vintage prints from the 1960s and 70s, Galleri Riis, Oslo, Norway Hawaii, Taka Ishii Gallery, Tokyo, Japan Daido Moriyama Retrospectiva desde 1965, Centro Andaluz de Arte Contemporaneo, Sevilla, Spain, and Die Photographische Sammlung/SK Stiftung Kultur, Cologne, Germany 2006 it, RAT HOLE GALLERY, Tokyo, Japan shinjuku 1973, 25pm, Taka Ishii Gallery, Tokyo, Japan Daido Moriyama, Foam, Fotografiemuseum Amsterdam, The Netherlands 2005 Wilderness!, LOGOS gallery, Tokyo, Japan Tokyo, Reflex New Art Gallery, Amsterdam, The Netherlands Buenos Aires, Taka Ishii Gallery, Tokyo, Japan Buenos Aires, Gallery D‟s (Kyoto University of Art and Design), Kyoto, Japan Daido Moriyama, Gallery RAKU (Kyoto University of Art and Design), Kyoto, Japan vintage and modern prints daido moriyama, Galerie Bob van Oursow, Zurich, Switzerland 2004 Remix, Galerie Kamel Mennour, Paris, France DAIDO MORIYAMA Colour prints and vintages, Galerie Priska Pasquer, Cologne, Germany Daido Moriyama, MARUZEN Marunouchi Gallery, Tokyo, Japan Daido Moriyama, Shine Gallery, London, United Kingdom 2003 Fondation Cartier pour l'art Contemporain, Paris, France Moriyama Daido 1965-2003, Shimane Art Museum, Shimane, Japan travelling to Kushiro Art Museum, Hokkaido, Japan, Kawasaki City Museum, Kawasaki, Japan 2002 Inside the white cube: Antipodes, White Cube, London, United Kingdom Daido Moriyama: Shinjuku - Platform - Light & Shadow, The Museum of Contemporary Art, Nagoya, Japan 71 – NY, Roth Horowitz, New York, NY Platform, Light and Shadow, Daiwa Radiator Factory, Hiroshima, Japan Shinjuku, Taka Ishii Gallery, Tokyo, Japan 2001 Daido Moriyama: Stray Dog, Harvard University Art Museums, Cambridge, MA, traveling to Museum of Photographic Arts, San Diego, CA 2000 Passage, Taka Ishii Gallery, Tokyo, Japan Daido Moriyama: Stray Dog, Fotomuseum Winterthur, Switzerland, travelling to Museum Folkwang, Essen, Germany 1999 Daido Moriyama: Hunter, The Metropolitan Museum of Art, New York, NY Rafflesia, Taka Ishii Gallery, Tokyo, Japan Tono Story, Taka Ishii Gallery, Los Angeles, CA Daido Moriyama: Stray Dog, San Francisco MOMA, San Francisco, CA; traveled to The Metropolitan Museum, Japan Society, New York, NY Tokyo Colors, The Deep Gallery, Paris, France 1998 Fragments, Parco Gallery, Tokyo, Japan Osaka, Taka Ishii Gallery, Los Angeles, CA 1997 Osaka, Taka Ishii Gallery, Tokyo, Japan 1996 Color, Taka Ishii Gallery, Tokyo, Japan 1995 Imitation, Taka Ishii Gallery, Tokyo, Japan Peeping Out, Place M, Tokyo, Japan 1994 Moriyama Daido Photo Exhibition, On Sunday's, Tokyo, Japan 1993 Moriyama Daido Photo Exhibition, Laurence Miller Gallery, New York, NY 1992 Moriyama Daido: Works of 1970's, Il Tempo, Tokyo, Japan 1990 Moriyama Daido Photo Exhibition, Zeit Photo Salon, Tokyo, Japan 1982 Light and Shadow, The Last Part, Konishiroku Photo Gallery, Tokyo, Japan 1981 Light and Shadow, Nagase Photo Salon, Tokyo, Japan Moriyama Daido Photo Exhibition, Zeit Photo Salon, Tokyo, Japan 1980 Japan, Fotogalerie in FORUM STADTPARK, Graz, Austria 1978 Tsugaru Straits, CAMP, Tokyo, Japan Niigata City, CAMP, Tokyo, Japan 1977 Tokyo, Ginza Nikon Salon, Tokyo, Japan 1976 Goshogawara, Ginza Nikon Salon, Tokyo, Japan Moriyama Daido Photo Exhibition Shadai Gallery, Tokyo, Japan Whistle if You Need Me, CAMP, Tokyo, Japan 1974 Tales of Tono, Ginza Nikon Salon, Tokyo, Japan Selected Group Exhibitions 2015 For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979, Museum of Fine Art, Houston, TX; Grey Art Gallery, New York University, New York, NY; Japan Society Gallery, New York, NY Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles, CA The Provoke Era: Japanese Photography from the Collection of SFMOMA, Crocker Art Museum, Sacramento, CA Sinnliche Ungewissheit: Eine private Sammlung, Kunsthaus Zurich, Zurich, Switzerland Up Close: Erotic Japanese Photography, Hong Kong Contemporary Art Foundation, Hong Kong 2014 de Marseillaise: vijftien jaar verzamelen / Fifteen Years of Collecting, Huis Marseille, Museum of Photography, Amsterdam, the Netherlands Only The Good Ones: The Snapshot Aesthetic Revisited, Galerie Rudolfinum, Prague, Czech Republic Public Eye: 175 Years of Sharing Photography, Stephen A. Schwarzman Building, New York Public Library, New York, NY 2013 With a Trace: Photographs of Absence, Akron Art Museum, Akron, OH Xerography, Firstsite, Colchester, Essex, UK 2012 Junge Menschen (Young People), Fotomuseum Winterthur, Zürich, Switzerland Tokyo 1955-1970: A New Avant-Garde, Museum of Modern Art, New York, NY 2011 Longing for Identity: Post war Japanese Photographers, Yoshii Gallery, New York, NY Daido Moriyama x Mika Ninagawa, Taka Ishii Gallery, Kyoto and Tomio Koyama Gallery, Kyoto Daido Moriyama: Printing Show – TKY, Performa at Aperture Gallery, New York, NY 2010 Twenty Five, Luhring Augustine, New York, NY 2008 Asian Dub Photography, Fondazione Cassa di Risparmio di Moderna, Italy A Quiet Gaze, Echoing Worlds, Museum of Contemporary Art, Tokyo, Japan Diana und Actaeon – Der Verbotene Blick Auf Die Nacktheit, Museum Kunst Palast, Düsseldorf, Germany You Have Seen Their Faces, Gallery Luisotti, Santa Monica, CA Darkside – Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Zurich, Switzerland 2007 Portraits, Luhring Augustine, New York, NY EYES OF AN ISLAND, A survey of Japanese photography, 1945-2007, Michael Hoppen Gallery, London, United Kingdom 2006 Biennale of Sydney, Zones of Contact, Sydney, Australia Collection of the Fondation Cartier pour l'art contemporain, Museum of Contemporary Art, Tokyo, Japan 2005 RISING SUN, MELTING MOON, Contemporary Art in Japan, The Israel Museum, Jerusalem, Israel CHIKAKU: Time and Memory in Japan, Kunsthaus Graz & Camera Austria travelling to Museum of Contemporary Art Vigo, Taro Okamoto Museum of Art, Kawasaki, Japan Beyond Light and Shadow The Collection of Kushiro Art Museum: Photographs, Kushiro Art Museum, Hokkaido, Japan Children of the World: Witness for Tomorrow, The Bunkamura Museum of Art, Tokyo, Japan MORIYAMA SHINJUKU ARAKI, Tokyo Opera City Art Gallery, Tokyo, Japan 2004 Rencontres d'Arles Photo Festival 2004 2002 Photonesia, Naha City Public Gallery, Okinawa, Japan 2001 Open City: Street photographs since 1950, Museum of Modern Art Oxford, United Kingdom, traveling to The Lowry, Salford Quays, United Kingdom, Hirshhorn Museum and Sculpture Garden, Washington, D.C., Museo de Bellas Artes, Bilbao, Spain 1996 Figure, Taka Ishii Gallery, Tokyo, Japan 1995 Photo City Tokyo, Tokyo Metropolitan Museum of Photography, Tokyo, Japan Museum of Modern Art Tokyo and Photography 1953-1995, Museum of Modern Art Tokyo Film Center, Tokyo, Japan 1994 Place M Opening Exhibition, Place M, Tokyo, Japan 1992 Japanese Pop Art 1969's, Fukui Art Museum, Fukui, Japan 1991 Beyond Japan, Barbican Art Gallery, London, United Kingdom Japanese Photography in Memories Frozen in Time 1970's, Tokyo Metropolitan Museum of Photography, Tokyo, Japan 1990 Fotofest '90, Houston, TX Foto Biennale Rotterdam '90, Rotterdam, The Netherlands Tokyo, A City Perspective, Tokyo Metropolitan Museum of Photography, Tokyo, Japan The Past and the Present of Photography, Museum of Modern Art, Tokyo, Japan Photography and Climatology, Miyagi Museum of Art, Miyagi, Japan 1989 Internationale Foto-Triennale, Esslingen, Germany Eleven Photographers 1965-1975, Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan Orientalism, White Museum, World Design
Load more

Recommended publications
  • DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and Works in Tokyo, Japan
    DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and works in Tokyo, Japan AWARDS 2012, Lifetime Achievement Infinity Award, International Center for Photography, New York, NY 2004, Culture Award, Deutsche Gesellschaft für Photographie, Cologne, Germany 2004, Lifetime Achievement Award, Photographic Society of Japan 2003, 44th Mainichi Art Award, Japan 1983, Photographer of the Year Award, Photographic Society of Japan 1967, New Artist Award, Japan Photo Critics Association SOLO EXHIBITIONS 2017 Artist Rooms: Daido Moriyama, Tate Modern, London, England Daido Moriyama, Miyanomori International Museum of Art, Sapporo, Japan Daido Moriyama: Tokyo Color, Luhring Augustine Bushwick, Brooklyn, NY Daido Moriyama: Pretty Woman, Akio Nagasawa, Tokyo, Japan* 2016 Color + tights, Taka Ishii Gallery Kitsando, Tokyo, Japan Color 1970-1990, Taka Ishii Gallery Paris, Paris, France Daido Moriyama: Marrakech 2015 (Record no. 30), Galerie Folia, Paris, France Daido Moriyama: Prints and Books from 1960s–1980s, Singapore International Photography Festival, DECK, Singapore Daido Moriyama: Terayama, Shuji Terayama Museum, Aomori, Japan Daido Moriyama: Tokyo Meshed World, Yoshii Gallery, New York, NY Daido Tokyo, Fondation Cartier pour l’Art Contemporain, Paris, France* Scandalous, Akio Nagasawa Gallery, Tokyo, Japan 2015–2016 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy 2015 Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong, China Fragments: Silkscreens of Daido Moriyama, Three Shadows Photography Art Centre, Xiamen, China Kiss, Taka Ishii Gallery Paris, Paris, France A Room, Aura Gallery, Taipei, Taiwan 2014 Accident, Shadai Gallery, Tokyo, Japan Daido Moriyama: Dazai, Art Space AM, Tokyo, Japan Daido Moriyama Endless Works N/S, Okinawa Prefectural Museum and Art Museum, Naha, Japan* Hokkaido, Miyanomori International Museum of Art, Sapporo, Japan Searching Journeys, Simon Lee Gallery, Hong Kong, China Tono 2014, Canon Gallery S, Tokyo, Japan * A catalogue was published with this exhibition.
    [Show full text]
  • Daido Moriyama
    !1 of !8 Daido Moriyama Born in Osaka in 1938. Lives and works in Tokyo. Education 1960’s Assistant at Takeji Iwamiya’s studio in Osaka. Settles in Tokyo in 1961, first meeting with Eikoh Hosoe and Shomei Tomatsu. Becomes assistant to Eikoh Hosoe on the series ‘Ordeal by Roses’ with writer Yukio Mishima. First personal works in 1964. 1968-1972 Collaborates with Provoke group (starting with Provoke #2) Publishes 3 seminal books: Japan: A Photo Theater, Farewell Photography and A Hunter. 1971 First travel abroad: to New York with friend and designer Yokoo Tadanori. Another Country in New York is self-published during a ‘printing show’ performance in Tokyo in 1974. 1972-1973 Publishes issues #1 to #5 of Record, his personal photography magazine. Awards 1967 Award for New Artist, Japan Photo-Critics Association 1983 Photographer of the Year, Japan Photographic Society 2003 The 44th Mainichi Art Award 2004 Deutsche Gesellschaft für Photographie (DGPh) 2012 International Center of Photography Infinity Award, USA Exhibitions 2015 ‘Actor: Shimizu Isamu’, Akio Nagasawa Gallery, Tokyo, Japan 2014 ‘Daido Moriyama endless works N/S’, Okinawa Prefectural Museum & Art Museum, Okinawa, Japan ‘Daido Moriyama: Searching Journeys’, Simon Lee Gallery, Hong Kong, China Jean-Kenta Gauthier | office: 47 rue Blanche F-75009 Paris | [email protected] !2 of !8 2013 ‘Labyrinth + Monochrome’, Rencontres d’Arles, France ‘The Daido Moriyama cycle, Part III: Silkscreens’, Polka Galerie, Paris, France ‘Daido Moriyama: Monochrome’, Kichijoji Art Museum, Tokyo,
    [Show full text]
  • Daido MORIYAMA
    Daido MORIYAMA 1938 Born in Ikeda City, Osaka SOLO EXHIBITIONS 2020 BOKU, Akio Nagasawa Gallery GINZA, Tokyo, Japan A Diary, Foto Colectania, Barcelona, Spain Silkscreen, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2019 Simon Lee Gallery, Hong Kong A Diary, Hasselblad Center, Göteborg, Sweden [Cat.] RECORD No.42, Akio Nagasawa Gallery AOYAMA, Tokyo, Japan WITHIN THE SHADOWS, Bruce Silverstein Gallery, New York, NY, USA LABYRINTH (Remix), Akio Nagasawa Gallery GINZA, Tokyo, Japan Ango Daido, Mizuma, Kips & Wada Art, New York, NY, USA Kudan House, Tokyo, Japan 2018 RADIATION (color), Akio Nagasawa Gallery GINZA, Tokyo, Japan Un jour d'été, Musée Nicéphore Niépce, Chalon-sur-Saône, France Daido Tokyo Color, MATE Mario Testino Museum, Lima, Peru [Cat.] SHASHIN: ARE-BURE-BOKE, Michel Hoppen Gallery, London, UK Uwajima, Akio Nagasawa Gallery Aoyama, Tokyo, Japan SCENE, Hamiltons Gallery, London, UK Ango, Poetic Scape, Gallery 176, Tokyo, Japan [Cat.] Radiation, Each Modern, Taipei Kei, NaDiff, Tokyo, Japan Record no. 35 + 36, Akio Nagasawa Gallery AOYAMA, Tokyo, Japan [Cat.] 2017 Artist Rooms: Daido Moriyama, Tate Modern, London, UK Daido Moriyama: Tokyo Color, Luhring Augustine Bushwick, Brooklyn, NY, USA Daido Moriyama: Pretty Woman, Akio Nagasawa Gallery, Tokyo, Japan Daido Moriyama, Miyanomori International Museum of Art, Hokkaido, Japan Odasaku, Poetic Scape, Gallery 176, Tokyo, Japan 2016 color + tights, Taka Ishii Gallery Kitasando, Tokyo, Japan Daido Moriyama: Prints and Books from 1960s–1980s, Singapore International Photography
    [Show full text]
  • Daido Moriyama
    Daido Moriyama Born in Osaka in 1938, Daido Moriyama first trained in graphic design before taking up photography under Takeji Iwamiya and later working as Eikoh Hosoe’s assistant for three years. He began his career as an independent photographer in 1964, gaining instant recognition with his first publication, Japan: A Photo Theater, and for his association with Provoke magazine for its second issue in 1968. Since then, Moriyama’s artistic output has shown no signs of slowing, with more than 150 publications and 100 solo exhibitions to his name to date. Renowned for capturing the social unrest of post-war Japan, a rapidly changing country caught between traditional values and nascent subcultures, Moriyama’s brutal approach to photography perfectly echoed his subject matter, tearing apart the slickness of urban Tokyo and unearthing its darker, hidden aspects. In search of a more subjective voice, Moriyama rejected the dominant photojournalistic style and glossy commercial imagery of the times, developing his distinctive form of expression known as “are-bure- boke” (“rough-blurry-out of focus”) in the late 1960s. His radical cropping, intense exposure, grainy and disorderly images liberated photography from tradition, capturing both the outside world and his inner state. Moriyama also looked to Western artists for inspiration, particularly Andy Warhol and William Klein. He absorbed a sense of the materiality of modern manufacturing from Warhol, and through Klein’s works, came to realize the degree of freedom offered by the medium of photography. While Moriyama is best known for his high-contrast, black-and-white images, his work also includes color photographs and Polaroids hallmarked by his snapshot aesthetic and the idea of subversive narration.
    [Show full text]
  • Daido Moriyama (B 1938, Ikeda City, Osaka, Japan) Studied Photography Under Takeji Iwamiya Before Moving to Tokyo in 1961 to Work As an Assistant to Eikoh Hosoe
    Daido Moriyama (b 1938, Ikeda City, Osaka, Japan) studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe. He produced a collection of photographs, Nippon gekijō shashinchō, which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialised parts. Moriyama’s style is synonymous with that of Provoke magazine, which he was involved with in 1969, namely ‘are, bure, bokeh’, translated as ‘grainy / rough, blurry, and out-of-focus’. Moriyama’s photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol, Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama and Jack Kerouac‘s On the Road. Selected Solo Exhibitions Daido Tokyo, Fondation Cartier, Paris, France— 2016 Daido Moriyama: Photobook Accident installation, Taka Ishii Gallery, Tokyo, 2015 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy— 2015 Japan— 2012 Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong— 2015 Hawaii, Luring Augustine, New York, NY — 2010 2014 Searching Journeys, Simon Lee Gallery, Hong Kong—2014 Daido Moriyama Visioni del Mondo, Fondazione Cassa di Risparmio di 2013 Daido Moriyama: Silkscreens, Hamiltons Gallery, London UK— 2013 Modena, Modena, Italy — 2010 2012 Fracture: Daido Moriyama, Los Angeles County Museum of Art, CA— 2012 Memory of My Eyes, Galleri Riis, Oslo, Norway— 2010 Daido Moriyama: Candid, Stephen Cohen Gallery,
    [Show full text]
  • Important Collection of Japanese Photobooks
    日本の写真集 An Important Collection of Japanese Photobooks 365 Titles & 145 Reference Books Maggs Bros Ltd Table of Content (Section 1 PDF): 1. The Origins of post-War Realism (Books and Images before 1945). Nos. 1-32 2. Documentary Photography. Nos. 33-92 INTRODUCTION There is no such thing as a totally objective reality. of cameras worldwide and has one of the longest belt in traditional Japanese clothing, both male Within certain parameters everybody has the power to printing histories of any country in the world. There had and female - but in book terminology meaning the create his or her own reality, although surprisingly few to be outstanding photographic publications. And yet band of paper wrapped around the lower part of people consciously avail themselves of this opportunity it is only in the last ten years or so that the West has the outer layer of the book, advertising the content – most seem to be satisfied having their reality created started to pay attention to this rich tradition. In Japan, - is the ultimate in completeness. It is the first part of by others. Curiously the proof lies in the medium of books are the main medium of communication the book to get damaged because once opened it photography: While regarded by many as the most between the photographer and the public. They actually inhibits the comfortable handling of the book objective of arts the opposite is in fact the truth: It is were the transmitter of his message and style, and – similar to the dust-wrapper. Yet, characteristically, virtually always deceptive, and can never represent he would devote much time, energy, and money in it survives in Japan in more cases than one might the totality of reality.
    [Show full text]
  • Emi Anrakuji Nobuyoshi Araki 荒木經惟 Noritoshi Hirakawa 平川典俊 Mayumi Hosokura 細倉真弓 Eiki Mori 森榮喜 Daido
    Curators 策展人: Mimi Chun 秦美娜, Mark Pearson Emi Anrakuji Tokyo Rumando Nobuyoshi Araki 荒木經惟 Masato Seto 瀬戶正人 Noritoshi Hirakawa 平川典俊 Issei Suda 須田一政 Mayumi Hosokura 細倉真弓 Hideka Tonomura 殿村任香 Eiki Mori 森榮喜 Daisuke Yokota 横田大輔 Daido Moriyama 森山大道 Kohei Yoshiyuki 吉行耕平 Sakiko Nomura 野村佐紀子 FOR IMMEDIATE RELEASE “Shikijo: eroticism in Japanese photography” Featured artists: Emi Anrakuji, Nobuyoshi Araki, Noritoshi Hirakawa, Mayumi Hosokura, Eiki Mori, Daido Moriyama, Sakiko Nomura, Tokyo Rumando, Masato Seto, Issei Suda, Hideka Tonomura, Daisuke Yokota, Kohei Yoshiyuki Curators: Mimi Chun, Mark Pearson 7 May – 25 June 2016 Opening Reception: Saturday, 7 May 2016, 4-6:30pm Venue: Blindspot Gallery (15/F, Po Chai Industrial Building, 28 Wong Chuk Hang Road, Wong Chuk Hang, Hong Kong) Opening hours: Tuesday to Saturday, 10am to 6pm (Sunday and Monday by appointment only); closed on public holidays Blindspot Gallery is delighted to present “Shikijo: eroticism in Japanese photography”, an exhibition featuring the photography works by 13 Japanese artists, exploring the concept of eroticism and its prevalent presence in contemporary Japanese photography. In illuminating eroticism as a fluid and multi-faceted concept, the exhibition is divided into four thematic categories: “Staged” that features staged photography that straddles the line between real life and fiction; “Private Diary” that presents snapshot and documentary captures of private lives; “Performance for the Camera” that showcases the artist’s self-revelation with performance elements; and “New Expressions” that features portraiture and still life where sexuality and the body take on surprising representations. “Staged” The male gaze and social connotations of eroticism are encapsulated in the works of staged photography on display.
    [Show full text]
  • OFFICIAL GAZETTE Nvti.Nnr3i.Nlcm/Ronurirr Rddttinufininurai Nubiwacpmfiv 1 B,I\UL,L&Tl Huil 'ILJN 1 I-Hf+-Fl=4 B =*
    - A OFFICIAL GAZETTE nvti.nnr3i.nlcm/ronurirr rDDttinufininurai nubiwACPMfiV 1 b,I\UL,l&tl hUil 'ILJN 1 i-Hf+-fl=4 B =* EXTRA No. 66 SATURDAY, JULY 7, 1951 PUBLIC NOTICES PRIME MINISTER'S OFFICE Public Notice of Screening Result No. 46 (June 1-June 30, 1951) July7,1951 Director of Cabinet Secretariat OKAZAKI Katsuo 1. This table shows the screening result made by the Prime Minister in accordance with the Imperial Ordinance concerning the Exclusion, Retirement, Etc. from Public Offices (Imperial Ordinance No. 1 of 1947), Ordinance concerning the Enforcement of Imperial Ordinance No. 1 of 1947 (Cabinet and Ministry of Home Affairs Ordinance No. 1 of 1947) and provisions of Cabinet Order No. 62 of 1948. 2. This table is to be most widely made public. The office of a city, ward, town or village shall, when receiving this official reports, placard the very table. This table shall, at least, be placarded for month, and it shall, upon the next official reportbeing received,be replaced by a new one. The old report replaced, shall not be destroyed, and be preserved after binding at the office of the city, ward, town or village, to make it possible for public perusal. 3. The Questionnaires of the persons who were published on this table and of whom the screening has been completed may be offered for public perusal at the Supervision Section of the Cabinet Secretariat or of the Offices of the prefecture's concerned. Any one may, freely peruse Questionnaires of the preceding paragraph by his request. 4. Result (1) Number of persons subjected to screening:
    [Show full text]
  • Daido Moriyama (B 1938, Ikeda City, Osaka, Japan) Studied Photography Under Takeji Iwamiya Before Moving to Tokyo in 1961 to Work As an Assistant to Eikoh Hosoe
    Daido Moriyama (b 1938, Ikeda City, Osaka, Japan) studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe. He produced a collection of photographs, Nippon gekijō shashinchō, which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialised parts. Moriyama’s style is synonymous with that of Provoke magazine, which he was involved with in 1969, namely ‘are, bure, bokeh’, translated as ‘grainy / rough, blurry, and out-of-focus’. Moriyama’s photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol, Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama and Jack Kerouac‘s On the Road. Daido Moriyama: Photobook Accident installation, Taka Ishii Gallery, Tokyo, Japan— 2012 Hawaii, Luring Augustine, New York, NY — 2010 Daido Moriyama Visioni del Mondo, Fondazione Cassa di Risparmio di Modena, Modena, Italy — 2010 Memory of My Eyes, Galleri Riis, Oslo, Norway— 2010 Selected Solo Exhibitions Tsugaru, Taka Ishii Gallery, Tokyo, Japan— 2010 Daido Tokyo, Fondation Cartier, Paris, France— 2016 2008 The 80's Vintage Prints, Steven Kasher Gallery, New York, NY— 2008 2015 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy— 2015 bye-bye polaroid, Taka Ishii Gallery, Tokyo, Japan— 2008 Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong— 2015 DAIDO RETROSPECTIVE 1965-2005, DAIDO HAWAII, Tokyo Metropolitan
    [Show full text]
  • Katsura Imperial Villa: a Brief Descriptive Bibliography, with Illustrations
    Katsura Imperial Villa: A Brief Descriptive Bibliography, with Illustrations Dana Buntrock, University of California, Berkeley There are three imperial residences in Kyoto: Gosho (京都御所), rebuilt in 1855 and used for for- mal affairs even today; Shūgakuin1 (修学院離宮), a summer retreat on mountain slopes built in the mid-seventeenth century; and Katsura Imperial Retreat (桂離宮), slightly older than Shūgakuin. Upon the death of the Hachijō imperial line in 1881, Katsura came into the hands of the reigning household; shortly afterward, the Imperial Household Ministry was formed and took responsibility for the care of such sites. Sometimes grouped with the other residences, Nijō Palace was origi- nally built not for the imperial household but for the warriors who effectively ruled Japan from the seventeenth to the middle of the nineteenth century; today, it too is managed by the Imperial Household Agency (the scope and name of the Imperial Household Ministry having changed at the end of World War II). Of these four, Katsura, with its extensive grounds and esteemed teahouses in addition to a large, shoin-style residence, is best known of all, used both at home and abroad to illustrate arguments about architecture and national tradition. Yet even so, much remains to be said about the complex, as demonstrated by this brief descriptive bibliography. Early Shōwa (1928–1945) The first extensive documentation on Katsura was a set of loose-leaf folios, published by subscrip- tion under the auspices of the Imperial Household Ministry and dedicated to Baron Hideo Higa- shikuze, who oversaw artisans in the building trades department of the ministry between 1924 and 1931.
    [Show full text]
  • Catalogue Ji
    142 1 LIST – – JAPANESE INTEREST H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com 1 Aizu Museum of Art at Waseda University ed: A COLLECTION OF MATERIAL ON HORYU-JI TEMPLE. 2006. 110 pp. A few b/w text illustrations and architectural drawings. 29x21 cm. Paper. £25.00 Divided into two parts. The first part examines the various opinions regarding the dating of the temple’s architecture. The second part is a detailed bibliography of books and articles on the temple. In Japanese. 2 Akira, Baba: A COLLECTION OF HISTORICAL PHOTOGRAPHS TAKEN BY UENO HIKOMA. Tokyo, 2006. 126 pp. B/w plates throughout. 1 foldout. 26x19 cm. Cloth. £45.00 Shows 100 fine black-and-white photographs of people and places taken by Ueno Hikoma, one of the first professional Japanese pho - tographers who worked at the beginning of the Meiji period. In Japanese. 3 Ako Municipal Museum of Art: SUZUKI HYAKUNEN AND SUZUKI SHONEN. Artists Who Journeyed to Ako. Ako, 2006. 96 pp. Numerous colour plates. 30x21 cm. Paper. £25.00 Catalogue of an exhibition of the work of the father and son painters Suzuki Hyakunen, (1828-1891), and Suzuki Shonen, (1848-1919), featuring works depicting the Ako area of Japan. The artists painted in a Nanga style but their work can be seen to adopt then-cur - rent influences. Numerous colour illustrations. In Japanese. 4 Amagasaki City Cultural Centre: GOLD IN ART.
    [Show full text]
  • Book XII Photographers
    V VV VV V VVVVon.com VVVV Basic Photography in 180 Days Book XII - Photographers Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Photographer ............................................. 1 1.1.1 Duties and functions ..................................... 1 1.1.2 Selling photographs ..................................... 3 1.1.3 Photo sharing ......................................... 5 1.1.4 References .......................................... 5 1.1.5 External links ......................................... 5 1.2 Truth claim (photography) ....................................... 5 1.2.1 Indexicality .......................................... 5 1.2.2 Visual accuracy ........................................ 5 1.2.3 Consequences of the “truth claim” .............................. 6 1.2.4 Digital photography ...................................... 6 1.2.5 Criticism of the “truth claim” ................................. 7 1.2.6 References .......................................... 7 2 Day 2 9 2.1 List of photographers ......................................... 9 2.1.1 Albania ............................................ 10 2.1.2 Argentina ........................................... 10 2.1.3 Australia ........................................... 10 2.1.4 Austria ............................................ 11 2.1.5 Azerbaijan .......................................... 11 2.1.6 Bangladesh .......................................... 12 2.1.7 Belgium ............................................ 12 2.1.8 Benin ............................................
    [Show full text]