EXPERIENCES of ENGAGING in ARCHETYPAL DREAMWORK by Birgit Laskowski B.A., University of Alberta, 1991 R.Dh., University of Alber
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"A Mini Dreamwork Primer" by Rick Belden
A mini dreamwork primer by Rick Belden my dreams float just below the surface of consciousness like ice floes drifting out to sea. asleep on an airplane they are the clouds beneath me always there and out of reach real surreal and everywhere half-seen in drowsy glimpses. invisible as gravity insatiable as imagination they are the wings that hold me to this earth they can take me anywhere but they always bring me home. Introduction Dreams are an incredibly rich source of information that lies largely untapped in most of us. Unbound by the stifling mundanities of daily waking life, they present us with a seemingly infinite stream of fantastic scenarios, mysterious characters, mythic themes, and transcendent possibilities, often functioning as precursors and companions to major awakenings in our lives. Dreams and dreamwork played an essential part in the genesis and development of my first book, Iron Man Family Outing, and have continued to remain significant for me ever since. In this post, I’d like to share some of the basic ideas and strategies I’ve learned in working with my dreams over the last 25 years, in the hope that readers might feel inspired to spend a little time with those mysterious and often forgotten friends that visit us every night, our dreams. Recall and Record The first step in working with any dream is to remember it. One of the best ways to encourage and improve your dream recall is to make a habit of recording whatever you remember from your dreams in whatever way is best for you, whether it’s writing, making a voice recording, or doing some artwork. -
Introduction to the Psychotherapy Module
Introduction to the Psychotherapy Module Dr Lucy Buckley Aims • Know what to expect from the psychotherapy module • Know about the beginnings of psychotherapy • Have an understanding of some of Freud’s key theories • Know about Klein’s theories of the paranoid- schizoid and depressive positions • Be aware of Winnicott’s theories of early development Content • Introduction to the module • Freud and his theories ⚫ Topographical model ⚫ Structural model ⚫ Dreams and neurotic symptoms ⚫ Sexual development ⚫ Klein’s theory of the paranoid-schizoid and depressive positions ⚫ Winnicott’s concepts of primary maternal preoccupation and the ‘good enough’ mother Overview of module • Outline of different therapeutic models • Assessment • Psychotherapy evidence base • Formulation – applying psychodynamic principles in psychiatric practice Sigmund Freud, 1856-1939 ⚫ Born in Freiberg, Moravia ⚫ Moved to Vienna, studied Medicine ⚫ Studied under Charcot in Paris – use of hypnosis, interest in hysteria ⚫ Worked as neurologist, then saw more cases of psychiatric illness ⚫ Development of psychoanalysis ⚫ 1939, fled Nazi occupation of Austria, settling in London ⚫ Died soon after outbreak of Second World War Freudian theory is based on several assumptions 1) Mental life can be explained 2) The mind has a specific structure and follows intrinsic laws 3) Mental life is evolutionary and developmental 4) The mind holds unconscious forces of tremendous intensity, which, though they might not be experienced directly, hold great influence over us 5) The mind is an -
Social Dreaming Applications in Academic and Community Settings
Dreaming Psychoanalysis Forward: Social Dreaming Applications in Academic and Community Settings George Bermudez, Ph.D. Matt Silverstein, Ph.D. ―Thirdness is that quality of human existence that transcends individuality, permits and constricts that which can be known, and wraps all our sensibilities in ways that we experience as simultaneously alien as well as part of ourselves. Thirdness is the medium in which we live and that changes history, moments into time, and fragments into a whole.‖ Samuel Gerson (2009) When the third is dead: Memory, mourning, and witnessing in the aftermath of the holocaust. The International Journal of Psychoanalysis, 90, 1341-1357. ―And I hold that it is true that dreams are faithful interpreters of our inclinations; but there is an art required to sorting and understanding them.‖ Montaigne, ―Of Experience‖ Introduction: Psychoanalysis and Dreams: Is there a Role for “Social Dreaming?” Emphasizing what he perceives as the one hundred plus year ―love/hate‖ relationship between dreams and psychoanalysis, Lippmann (2000) decries the devalued status of dreams (theoretically and clinically) in contemporary psychoanalysis, generated by a fickle relationship that reflects the nearly universal ambivalence towards the unconscious, that unruly dimension of human experience that will not submit to our Western desires for mastery and domination. While we agree with Lippmann‘s overall assessment of our ambivalent attitudes toward dreams and the unconscious, we do not share his pessimism concerning the potential for re-integration with psychoanalysis. In contrast, it is our contention that contemporary psychoanalysis (a pluralistic conceptual landscape that parallels the complexity and ambiguity of the unconscious) offers renewed possibilities for the re-integration of dreams: for us, dreams remain the quintessential representation of the unconscious, the unformulated, the dissociated, and the repressed. -
Body Dreamwork Using Focusing to Find the Life Force Inherent in Dreams Leslie A
Body Dreamwork Using Focusing to Find the Life Force Inherent in Dreams Leslie A. Ellis Received: 16.11.2018; Revised: 17.09.2019; Accepted: 23.09.2019 ABSTRACT Finding and embodying the life force or “help” in a dream is the central practice of focusing-oriented dreamwork. This article briefly introducesfocusing (Gendlin, 1978/1981) and its application to dreamwork, and provides a case example with a transcript of how to guide a dreamer to find the life force in a distressing dream. The practice of embodying the dream’s life force provides the dreamer with an embodied resource that can be an end in itself, and can also facilitate working with the more challenging aspects of dreams and nightmares. Research and clinical examples support the use of this technique in clinical practice, and demonstrate how it can provide clinically significant relief from nightmare distress and other symptoms of PTSD. Keywords: dreamwork, focusing, nightmares, embodiment, psychotherapy International Body Psychotherapy Journal The Art and Science of Somatic Praxis Volume 18, Number 2, Fall/Winter 2019/20 pp. 75-85 ISSN 2169-4745 Printing, ISSN 2168-1279 Online © Author and USABP/EABP. Reprints and permissions [email protected] “A dream is alive,” according to Gendlin (2012), a philosopher and psychologist who developed the gentle somatic inquiry practice called focusing (1978/1981). He said that every dream contains life force—sometimes obvious and sometimes hidden— and that the main objective of working with dreams is to locate and embody this life force. This article describes how to do so, first by providing a brief introduction to focusing theory and practice and how it applies to dreamwork, then by grounding the theory through a clinical example of a dream that came to life. -
Dream-Based Interventions and Post-Traumatic Stress Disorder
Running head: DREAM-BASED INTERVENTIONS 1 Dream-Based Interventions and Post-Traumatic Stress Disorder A Literature Review Presented to The Faculty of the Adler Graduate School ____________________ In Partial Fulfillment of the Requirement for The Degree of Master of Arts in Adlerian Counseling and Psychotherapy ____________________ By Kurt Pope ____________________ Chair: Rachelle J. Reinisch, DMFT Reader: Meghan Williams, MA ____________________ July, 2017 DREAM-BASED INTERVENTIONS 2 Abstract With the vast amount of conceptual frameworks and research on dreams, datum suggests that dream-based interventions can be effectively utilized in clinical mental health settings. Additionally, a paradoxical relationship exists between dreams and trauma, so dream-based interventions could be of value when implemented in post-traumatic stress disorder (PTSD) treatment protocol. Integration of current dream-based interventions in conjunction with Individual Psychology could produce a protocol to target re-experienced PTSD trauma-related dreams. Attending to trauma-related dreams from a cognitive, emotional, and social perspective could have an impact on the treatment of concurrent waking-life symptoms of PTSD. Keywords: dreams, PTSD, Individual Psychology DREAM-BASED INTERVENTIONS 3 Acknowledgements Genuine thanks to my family, friends, David Thompson, John Reardon, Erin Rafferty- Bugher, Dr. Rachelle Reinisch, and Nikhil Kaistha for knowledge, guidance, and patience. DREAM-BASED INTERVENTIONS 4 Dream-Based Interventions and Post-Traumatic Stress -
Exploring a Jungian-Oriented Approach to the Dream in Psychotherapy
Exploring a Jungian-oriented Approach to the Dream in Psychotherapy By Darina Shouldice Submitted to the Quality and Qualifications Ireland (QQI) for the degree MA in Psychotherapy from Dublin Business School, School of Arts Supervisor: Stephen McCoy June 2019 Department of Psychotherapy Dublin Business School Table of Contents Chapter 1 Introduction……………………………………………………………………. 1 1.1 Background and Rationale………………………………………………………………. 1 1.2 Aims and Objectives ……………………………………………………………………. 3 Chapter 2 Literature Review 2.1 Introduction……………………………………………………………………………... 4 2.2 Jung and the Dream……………………………………………………………….…….. 4 2.3 Resistance to Jung….…………………………………………………………………… 6 2.4 The Analytic Process..………………………………………………………………….. 8 2.5 The Matter of Interpretation……...……………………………………………………..10 2.6 Individuation………………………………………………………………………….. 12 2.7 Freud and Jung…………………………………….…………………………………... 13 2.8 Decline of the Dream………………………………………………………..………… 15 2.9 Changing Paradigms……………………………………………………………....….. 17 2.10 Science, Spirituality, and the Dream………………………………………….………. 19 Chapter 3 Methodology…….……………………………………...…………………….. 23 3.1 Introduction to Approach…..………………………………………………………..... 23 3.2 Rationale for a Qualitative Approach..…………………………………………..……..23 3.3 Thematic Analysis..………………………………………………………………..….. 24 3.4 Sample and Recruitment...…………………………………………………………….. 24 3.5 Data Collection..………………………………………………………………………. 25 3.6 Data Analysis..………………………………………………………………………... 26 3.7 Ethical Issues……..……………………………………………………………….…... 27 Chapter 4 Research Findings…………………………………………………………… -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
PLAYLIST 900 Songs, 2.3 Days, 7.90 GB
Page 1 of 17 MAIN PLAYLIST 900 songs, 2.3 days, 7.90 GB Name Time Album Artist 1 Waterloo 2:43 101 Hits - Are We There Yet?! - CD4 Abba 2 Hello 3:57 ADELE 3 They Should Be Ringing (Single Edit) 3:28 Adore 4 The Memory Reel 3:24 LEAVES Advrb 5 You Look Good In Blue 2:18 triple j Unearthed Al Parkinson 6 Closer 3:55 Alana Wilkinson Alana Wilkinson 7 Good For You 3:37 Good For You Alana Wilkinson 8 fixture picture 4:07 Designer Aldous Harding 9 Good Conversation 3:16 The Turning Wheel Alex Hallahan 10 Don't Be So Hard On Yourself 4:18 Alex Lahey 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 Easy Exit Station 3:01 Watching Angels Mend Alex Lloyd 13 January 3:03 Ali Barter 14 I Feel Better But I Don't Feel Good 3:32 Alice Skye 15 Push 3:14 Alta 16 Remember That Sunday 2:37 Alton Ellis 17 Keep My Cool (with intro) 3:01 Aluka 18 Moana Lisa 3:44 I Woke Up This Morning After a Dream Amaringo 19 Sacred 4:44 Amaringo 20 I Got You 2:58 Love Monster Amy Shark 21 All Loved Up 3:30 Love Monster Amy Shark 22 Sisyphus 4:07 Andrew Bird 23 The Beloved - with intro 5:57 Carved Upon the Air Anecdote 24 The Sea - with intro 4:25 Carved Upon the Air Anecdote 25 No Secrets 4:18 101 Aussie Hits [CD2] The Angels 26 Pasta 4:38 Salt Angie McMahon 27 Missing Me 3:17 Salt Angie McMahon 28 Ring My Bell 3:17 Gold_Sensational 70's_ [Disc 1] Anita Ward 29 Nobody Knows Us - with intro 4:44 Nobody Knows Us Anna Cordell 30 You - with intro 5:41 Nobody Knows Us Anna Cordell 31 Train In Vain 4:44 Medusa Annie Lennox 32 Pale Bue Dot 3:04 Stay Fresh Annual -
Reconsidering Freud's Dream Theory
Reconsidering Freud’s dream theory I J o D R Reconsidering Freud’s dream theory Ralf Binswanger1 and Lutz Wittmann2 1Psychoanalytisches Seminar Zürich, Zurich, Switzerland 2International Psychoanalytic University, Berlin, Germany Summary. This article aims at facilitating the understanding of Freud´s dream theory for psychoanalytic as well as non- psychoanalytic clinicians and scientists. The new perspective is based on a section of An Outline of Psychoanalysis (Freud, 1938) which, to date, does not appear to have been considered adequately. This section comprises a dense summary of Freud´s dream theory applying the structural viewpoint (ego, id and super-ego). It is suggested that this sec- tion be considered as akin to a set of explanatory notes for the reading of The Interpretation of Dreams (Freud, 1900), which is illustrated herein by applying it to several paragraphs of this work. In doing so, it becomes apparent that The Interpretation of Dreams does not need to be re-written in order to integrate the structural viewpoint. Rather, both the topographical (conscious, preconscious and unconscious) and the structural viewpoint can be elegantly merged. Finally, the introduced perspective is compared to previous psychoanalytic contributions, implications for clinical application are discussed, and relevant empirical research findings are summarized. Keywords: Dream, psychoanalytic dream theory, Freud, sleep protection function 1. Introduction mind”. But the dreamer has to help him by producing free associations to each element of the manifest dream. This paper aims at facilitating the understanding and han- Such a hypothetical summary may reflect Freud´s strug- dling of Freud’s dream theory and can thus be classified gling with the challenges of his new approach. -
1 the Interpretation of Dreams Part 2: Autodidasker As Recognition And
1 The Interpretation of Dreams Part 2: Autodidasker as Recognition and Microcosm “In psycho-analysis there is no choice for us but to declare mental processes to be in themselves unconscious, and to compare of them by consciousness with the perception of the outside world through the sense-organs; we even hope to extract fresh knowledge from the comparison. The psycho-analytic assumption of unconscious mental activity appears to us, on one hand, a further development over that of primitive animism which caused our own consciousness to be reflected all around us, and, on the other hand, it seems to be an extension of the corrections begun by Kant of our view in regard to external perception. Just as Kant warned us not to overlook that fact that our perception is subjectively conditioned and must not be regarded as identical with the phenomena perceived but never really discerned, so psycho-analysis bids us not to set the conscious perception in the place of the unconscious mental process which is its object. The mental, like the physical, is not necessarily in reality just what it appears to us to be.”—“The Unconscious” (1915) Freud’s dream with the word coinage “Autodidasker” (meaning “author,” “self-taught,” “Lasker,” and “Lasalle”) [cf. 301ff.] is a good example within Freud’s dream-evidence of a bridge between the dream material and his own conscious proclivities for word play, puzzle-solving, and self-narratival meaning, as well as his claims to have located the realms of the unconscious and the preconscious. Indeed, the bridge of word play calls into question what Freud actually discovered and accomplished by his methods. -
The Inner World of Dreams
THE INNER WORLD OF DREAMS by Phyllis L. Pipitone © 1996 and 2015 Supreme Grand Lodge Of The Ancient and Mystical Order Rosae Crucis. All Rights Reserved. This publication is for your personal, private use only, and may not be used for any commercial purpose. No part of this publication may be reproduced, distributed, displayed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical means, including information storage and retrieval systems, without the express and prior written permission of Supreme Grand Lodge Of The Ancient and Mystical Order Rosae Crucis, except in the case of brief quotations embodied in reviews. For permission requests, please contact: Supreme Grand Lodge Of The Ancient And Mystical Order Rosae Crucis, Inc., Rosicrucian Park, 1342 Naglee Ave, San Jose, California 95191. The information in this book is distributed on an “as is” basis, without warranty. Although every precaution has been taken in the preparation of this work, neither the author nor the publisher shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the information contained in this book. DEDICATED to Florence, my best friend, and the most prolific and joyful dreamer I ever knew. CONTENTS Introduction 1. Awake and Asleep 2. What is a Dream? 3. Where do Dreams Come From? 4. Pursuing Your Dreams 5. Catching Your Dreams 6. Interpreting Your Dreams 7. Dream Symbols 8. The Dream Setting 9. You In Your Dreams 10. People In Your Dreams 11. -
A Dream Play Background Pack
Education A Dream Play Background Pack Contents A Dream Play 2 Introduction 3 The Original Play 4 The Director: Interview with Katie Mitchell 5 The Actor: Interview with Angus Wright 9 The Designer: Interview with Vicki Mortimer 12 Activities and Discussion 15 Related Materials 16 ADreamPlay By August Strindberg in a new version by Caryl Churchill with additional material by Katie Mitchell and the Company Angus Wright Photo: Stephen Cummiskey A Dream Play Background pack written by NT Education Background pack By August Strindberg, in a Jonathan Croall, journalist National Theatre © Jonathan Croall new version by Caryl Churchill and theatrical biographer, and South Bank The views expressed in this With additional material by author of three books in the London SE1 9PX background pack are not Katie Mitchell and the series ‘The National Theatre T 020 7452 3388 necessarily those of the Company. at Work’. F 020 7452 3380 National Theatre Director Editor E educationenquiries@ Katie Mitchell Emma Thirlwell nationaltheatre.org.uk Further production details Design www.nationaltheatre.org.uk Patrick Eley, Lisa Johnson A Dream Play CAST (IN ALPHABETICAL ORDER) KATIE MITCHELL Director VICKI MORTIMER Designer MARK ARENDS CHRIS DAVEY Lighting Designer Young George, the broker’s brother KATE FLATT Choreographer Geoffrey, Victoria’s lover SIMON ALLEN Music Director and Arranger ANASTASIA HILLE CHRISTOPHER SHUTT Sound Designer Christine, the broker’s mother KATE GODFREY Company Voice Work KRISTIN HUTCHINSON Rachel, the broker’s first wife Music played live by: Paul Higgs Associate MD/piano/keyboard SEAN JACKSON Joe Townsend violin Security Supervisor Katja Mervola viola Port Health Officer Penny Bradshaw cello CHARLOTTE ROACH Schubert’s ‘Nacht und Träume’ specially Lina the maid recorded by: Ugly Edith, the broker’s co-respondent Mark Padmore tenor DOMINIC ROWAN Andrew West piano Herbert, the broker’s father Adult George, the broker’s brother This production opened at the National’s JUSTIN SALINGER Cottesloe Theatre on 15 February 2005.