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Emerson, Lake & Palmer Can Still Turn Us on with These Top 5 Song Lyrics
Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics Sign in Akro… Welc… TRENDING TOPICS: metal | Concerts | Celine Dion | Music | festivals | Sports | Comedy | AXS Buzz | rock | pop | Los Angeles | Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics windhoek35 YouTube merson, Lake & Palmer no longer tour as a trio, but Keith Emerson and Greg Lake have recorded and toured together as a duo. In 2010 Keith and Greg released an album titled Live E from Manticore Hall. Performing a two man version of the iconic Emerson, Lake & Palmer songs, the album was recorded during their American tour. The power trio was one of the most commercially successful and popular progressive rock bands of their era. Their music relied heavily on the use of the Moog synthesizer, Hammond organ and Keith Emerson’s http://www.axs.com/emerson-lake-palmer-can-still-turn-us-on-with-these-top-5-song-lyrics-60805[7/13/2015 9:31:39 PM] Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics use of what has been described as the “flamboyant virtuoso” use of the piano. Classical music, hard rock and jazz were the dominating influences in the music created by ELP. Keith Emerson, Greg Lake and Carl Palmer made up the British trio, but it found its origins at the Fillmore West in San Francisco. Emerson and Lake, who were looking for projects outside their current bands, worked together and found their styles were “compatible and complementary.” Music impresario Robert Stigwood suggested that they add Carl Palmer as their drummer. -
Oldiemarkt Oktober 2005
2 S c h a l l p l a t t e n b Ö r s e n O l d i e M a r k t 1 0 / 0 5 SchallplattenbÖrsen sind seit einigen Jahren fester Bestandteil ZubehÖr an. Rund 250 BÖrsen finden pro Jahr allein in der der europÄischen Musikszene. Steigende Besucherzahlen zei- Bundesrepublik statt. Oldie-Markt verÖffentlicht als einzige gen, da¿ sie lÄngst nicht mehr nur Tummelplatz fÜr Insider sind. deutsche Zeit-schrift monatlich den aktuellen BÖrsen-kalender. Neben teuren RaritÄten bieten die HÄndler gÜnstige Second- Folgende Termine wurden von den Veranstaltern bekannt- Hand-Platten, Fachzeitschriften, BÜcher Lexika, Poster und gegeben: D a t u m S t a d t / L a n d V e r a n s t a l t u n g s - O r t V e r a n s t a l t e r / T e l e f o n 1. Oktober Ludwigsburg Forum am Schlosspark GÜnther Zingerle ¤ (091 31) 30 34 77 2. Oktober Dortmund Goldsaal Westfalenhalle Manfred Peters ¤ (02 31) 48 19 39 2. Oktober Koblenz Rhein-Mosel-Halle Wolfgang W. Korte ¤ (061 01) 12 86 62 2. Oktober Solingen Theater Agentur Lauber ¤ (02 11) 955 92 50 2. Oktober Schwerin Sport- und Kongresshalle WIR ¤ (051 75) 93 23 59 2. Oktober ZÜrich/Schweiz X-TRA Hanspeter Zeller ¤ (00 41) 14 48 15 00 3. Oktober Aschaffenburg Unterfrankenhalle Wolfgang W. Korte ¤ (061 01) 12 86 62 3. Oktober Dortmund Westfalenhalle Agentur Lauber ¤ (02 11) 955 92 50 3. Oktober Ingolstadt Theater GÜnther Zingerle ¤ (091 31) 30 34 77 8. -
Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" - Music News - ABC News Radio
Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" - Music News - ABC News Radio HOME NEWS LISTEN FA « Giant John Lennon Painting to Be Erected in NYC's Central Park Today | Main | John Legend, Chloe x Halle, Shirley Caesar and More to Added ABC's "Taking the Stage -- Changing America" Lineup » Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" Tweet 0 Recommend 1 Share Comments Off Share Article Emerson, Lake & Palmer has launched a reissue campaign that eventually will see the release of remastered versions of all of the influential prog-rock band's albums. The initiative's first installment, which arrived in late July, includes two-CD editions of the group's first three albums -- its 1970 self-titled debut and 1971's Tarkus and Pictures at an Exhibition -- as well as a career-spanning, three-disc compilation titled BMG Emerson, Lake & Palmer: The Anthology. ELP frontman Greg Lake tells ABC Radio that he's very pleased with the reissues. "They've remixed them. They've used the finest quality processing. They've gone into the vaults [and] dug up things that haven't been released before," he notes. "You know, just a general effort to represent the band's history in the best possible way." The Emerson, Lake & Palmer and Tarkus reissues include alternate mixes of the albums by award-winning prog-rock producer Steven Wilson, plus several previously unreleased bonus tracks. Pictures at an Exhibition, features ELP's original March 1971 concert performance of Russian composer Modest Mussorgsky's famous classical piece, along with an unreleased bonus performance of the piece recorded in December 1970. -
Artista / Projetto Cliente Produttore Musicale / Tecnico Del Suono
Artista / projetto cliente produttore musicale / tecnico del suono Alabama 3 - Live recording (Parts later used on the 'Outlaw' album) Southside Management Aphletik - tracks Spiracle Management A.R.M.O.U.R. - tracks Spiracle Management Blast - ‘All Right’ Single Ghost Records Blast - ‘Fuck the industry’ album Ghost Records Chris Barry - ‘Unrequited’ album Artist Concrete Johnson - Various tracks Artist E.L.P - Re-Works “Fanfare for the Common Man’ remixes Pilot/Xert Earl ‘Spoonface’ Powell (Black Legend) - ‘Sacred Sunshine’ single Artist Keith Emerson & The Nice - ‘Vivacitas’ Live Album mix Sanctuary L.I.P. - tracks Full On Helen Leaf - single Purple Records Ocasan - Live recording & mix Artist On the Sofa - Tracks Artist Ragno 89 - ‘L’avvelenato’ live mini album GrammoFonico Roddy Frame (ex Aztec Camera) – ‘Live at Ronnie Scott’s’ album Dartmill Sarah-Jane Taylor - “Comfortable Strangers” ep Mirth Management Superstudio - ‘Secret stalkers’ – single Spiracle Management The Fall – Mix, Roskilder Festival live album KikBak / Universal The Falls - ‘Mind the Gap’ album overdubs & mix, additional production Agoge Records The Go-betweens - ‘Live in London’ live recording & mix Southside Management The Stranglers - ‘Golden Brown’ remix Rebel Records Various radio ads KTK Enterprises Various radio ads Sportscheck Various location sound & audio post production Reeltime Pictures Wickeda - live recording & live webcast mix Artist tecnico del suono Ballykissangel - soundtrack orchestral sessions BBC Blu – additional recording, mixing & protools editing -
Elp -Discography
ELP Discography ELP -DISCOGRAPHY- (1970 - 2002) NOTE: THIS DISCOGRAPHY and SONG LIST is BASED ON MY OWN COLLECTION, plus LATEST INFO FROM WEBSITES (inc. DISCOGRAPHY ORIGINALLY PUBLISHED by ELP DIGEST) and “THE SHOW THAT NEVER ENDS…” A MUSICAL BIOGRAPHY (by FORRESTER, HANSON & ASKEW) DICOGRAPHY covers ALL KNOWN ALBUMS, SINGLES and VIDEOS by EMERSON, LAKE and PALMER (either TOGETHER or INDIVIDUALLY), ordered CHRONOLOGICALLY between the Years 1970 to 2002 Clive ffitch (a fan!) Logo/Link to Official ELP Global Web Site SUMMARY: ALL ALBUMS / CDs (inc. ELPowell and Three) ALL SINGLES + ALBUMS - KEITH EMERSON + ALBUMS - GREG LAKE + ALBUMS - CARL PALMER + ALL ELP VIDEOS + THE BOOK! Page 1 ELP Discography ELP - THE COLLECTION TITLES: ELP ALBUMS / CDs (inc. ELPowell and Three): ELP SINGLES (inc. Individuals): Vinyl CD Vinyl CD (excluding other Promo’s) [ ] [ ] 1. Emerson Lake and Palmer [ ] 1. Lucky Man / Knife Edge [ ] [ ] 2. Tarkus [ ] 2. Take a Pebble / Lucky Man [ ] [ ] 3. Pictures at an Exhibition [ ] 3. Stones of Years / A Time... [ ] [ ] 4. Trilogy [ ] 4. Nutrocker / Great Gates... [ ] [ ] 5. Brain Salad Surgery [ ] 5. From the Beginning / Living... [ ] [ ] 6. Welcome Back My Friends [ ] 6. Brain Salad (NME Floppie) [ ] [ ] 7. Works Vol.I [ ] 7. Jerusalem / Apple Blossom... [ ] [ ] 8. Works Vol.II [ ] 8. Still... You Turn Me On / Brain [ ] [ ] 9. Love Beach [ ] [ ] 9. I Believe in Father Xmas (L) [ ]. 10. In Concert (re-issued as Works Live) [ ] 10. Honky Tonk Train Blues (E) [ ] [ ] 11. The Best of ELP (1980) [ ] [ ] 11. Fanfare for Common Man [ ] [ ] 12. Emerson Lake and Powell (ELPo) [ ] 12. C’est La Vie (L) [ ] [ ] 13. To the Power of Three (Three) [ ] 13. All I Want is You / Tiger.. -
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind. -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
Keith Noel Emerson, 1944-2016
Keith Noel Emerson, 1944-2016 BY JERRY KOVARSKY May 19, 2016 DAVE KILMINSTER (GUITARIST: KEITH EMERSON BAND, ROGER WATERS) “My times playing with The Keith Emerson Band are undoubtedly some of my favorite moments, musical or otherwise. Sometimes during a gig (for example, after singing the ‘Stones of Years’ part of ‘Tarkus’) I would just lay out and listen to the incredible interplay going on. Keith was totally fearless on stage, never afraid to take chances, and his improvisational skills were second to none. Sometimes he’d just stretch out and take a piece of music in a totally different direction, or start re-harmonizing the chord progression: He was always creating and constantly trying new ideas. I think he knew that wherever he took the music, we’d be right there with him, and that confidence freed him up to be as crazy as he wanted to be. “He also loved our little musical “battles”; those Jeff Beck/Jan Hammer- type exchanges we had were some of my highlights of the live shows. Occasionally we’d just abandon musical phrases and have silly conversations by trying to sound like the The Clangers (a British children’s TV series in the ‘70s) or just resort to making stupid noises at each other. He had such a wonderful sense of humor. “The last time Keith and I played together was in 2009. Keith called me up out of the blue and told me that his mother had just passed away. He asked me to play with him at her funeral, so the two of us (along with a string quartet) played a new piece that Keith had written. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Transcript of a Video Oral History Interview with Herbert Deutsch, July 25, 2014
TRANSCRIPT OF A VIDEO ORAL HISTORY INTERVIEW WITH HERBERT DEUTSCH Accession 2015.34 Interview conducted July 25, 2014 At The Henry Ford Dearborn, Michigan, USA Interviewer: Barry Hurd The Henry Ford 20900 Oakwood Boulevard ∙ Dearborn, MI 48124-5029 USA [email protected] ∙ www.thehenryford.org MEDIA ID: DEUTSCH INTERVIEW.MP3 PG. 2 OF 56 THE HENRY FORD STORY: ON INNOVATION INTERVIEW WITH HERBERT DEUTSCH MEDIA ID: DEUTSCH INTERVIEW.MP3 (OFF-MIC CONVERSATION) QUESTION: So-- so if you could just state your name for the record and-- who you are (INAUDIBLE)? HERBERT DEUTSCH: Hi, I'm Herbert Deutsch. QUESTION: And so-- how did your life in music begin if you could tell us that? HERBERT DEUTSCH: Well, yeah. I've had an interesting life as a musician. And I had-- it-- a beginning of a life in music, some of which I can actually remember quite well. And the-- the first thing that I remember that I've told people many times is we had a piano in the house. And I came from a very poor family. They ran a chicken farm-- on Long Island in-- where chicken farms and things were 2015-34-2_HerbDeutschInterviewTranscript.docx MEDIA ID: DEUTSCH INTERVIEW.MP3 PG. 3 OF 56 only if you didn't have any money, you tried to sell (LAUGH) chickens and eggs. I h-- there was a piano in the house. It was a wreck. I can remember that. But I liked the just touch and play on it. I was three years old. I was out in the garage of the house. -
Plattenbörsen 2005
2 Oldie Markt 08/05 Schallplattenbörsen Plattenbörsen 2005 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur eventuell Platz für Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Anzeige oder Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in Bild wird von geliefertem der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- Film einmontiert! schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 28. Juli Berlin Statthaus Böcklerpark Kurt Wehrs ¤ (030) 67 77 62 42 28. August Leipzig Uni Mensa First & Last ¤ (03 41) 699 56 80 29. August Berlin Velodrom First & Last ¤ (03 41) 699 56 80 3. September Hamburg Uni Mensa WIR ¤ (0 51 75) 92 23 59 4. September Bielefeld Spinnerei Ravensberg WIR ¤ (0 51 75) 92 23 59 10. September Bremen Konsul Hackfeld Haus WIR ¤ (0 51 75) 92 23 59 11. September Cottbus Stadthalle First & Last ¤ (03 41) 699 56 80 11. September Köln Tanzbrunnen Wolfgang W. Korte ¤ (061 01) 12 86 62 11. September Braunschweig Mensa 2 WIR ¤ (0 51 75) 92 23 59 12. September Plauen Festhalle First & Last ¤ (03 41) 699 56 80 17. September Erfurt Thüringerhalle Iris Lange ¤ (056 59) 73 24 18. September Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte ¤ (061 01) 12 86 62 18. September Chemnitz Stadthalle Iris Lange ¤ (056 59) 73 24 25. September Essen Grugahalle First & Last ¤ (03 41) 699 56 80 25. -
The Daily Vault Album Reviews : Moogfest 2006 Live (DVD)
The Daily Vault Album Reviews : Moogfest 2006 Live (DVD) http://www.dailyvault.com/toc.php5?review=5236 Moogfest 2006 Live (DVD) Various Artists Music Video Distributors, 2007 REVIEW BY: Vish Iyer ORIGINALLY PUBLISHED: 01/10/2008 If you are expecting an electrifying live DVD with plenty of action capturing not just the artists’ performances but also their enthusiasm in ways other than just the music playing, this is absolutely not the DVD for you. The Moogfest concert -- celebrated annually to honor the groundbreaking achievements of maverick inventor Robert Moog and his namesake synthesizer -- of 2006 involves unglamorous aging men sitting behind the keyboard playing music as if they are writing term papers. An ordinary music enthusiast will find this DVD utterly boring and, overcome by ineludible torpor, will be tempted to switch off the movie within the first half hour. No doubt this cohort of aging men in the concert include some of the greatest keyboardists alive -- Jordan Rudess (Dream Theater), Bernie Worrell (P-Funk) with DJ Logic, Roger O’Donnell (The Cure), The Mahahavishnu Project, Jan Hammer and Keith Emerson (ELP) -- but unless you are a jazz cognoscenti of a certain type and the aforementioned artists really mean something to you, this concert will mean nothing, even for someone who is into keyboard-based music but not necessarily into these specific artists. The capturing of the show is as raw as it can get. The camera angles are limited and the sound is too flat to make it an interesting live DVD. This is great for a purist, because the show is captured in its crudeness and presented without a whit of fandangle.