The London Gazette, January 2, 1903
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CASTING ANNOUNCED for the GREATEST WEALTH in Celebration of the NHS
PRESS RELEASE WED 13 JUN CASTING ANNOUNCED FOR THE GREATEST WEALTH In celebration of the NHS One Voice: Monologues funded by the TS Eliot Estate Curated by Lolita Chakrabarti Directed by Adrian Lester The NHS from the 1940s-1970s: Monday 25 June, 8.30pm The NHS from the 1980s-present: Tuesday 26 June, 8.30pm The NHS from the 1940s-present (double bill): Friday 29 June, 8pm ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Old Vic is pleased to announce casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service. Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall will perform monologues written by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester, on 5 July 1948. Each evening will also include music performed by Gloria Obianyo. Lolita Chakrabarti said: ‘I am thrilled to be curating this One Voice for The Old Vic and delighted that so many talented and accomplished actors will be a part of it. To see how inventive but truthful each writer has been and then to realise their work with this calibre of actor is fantastic. This is going to be a very special event.’ The full line up is as follows: 1940s: Boo, by Jack Thorne, performed by Sophie Stone -
Autograph Auction Saturday 14 December 2013 11:00
Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece. -
Spring Commencement
University of West Florida Spring Commencement Saturday, May 8, 2021 Letter from the President Dear 2021 Graduates, Today marks the day you have long anticipated— graduation. On behalf of everyone at the University of West Florida, I want to tell you how proud we are of you. It took hard work and determination, along with countless hours of study, to get here. Your degree, whether a bachelor’s, master’s, specialist or doctorate, marks an important step toward your future successes. Some of you will be starting the career that you have dreamed of while others will begin working towards that next degree. Whichever path you have chosen, your Argo family will be cheering you on. Throughout your UWF career, you’ve had a team who encouraged you and supported your efforts. I want to thank the parents, spouses, children and friends of our graduates who helped along the way. They share a feeling of pride in your accomplishments and excitement for your journey ahead. Martha D. Saunders, Ph.D. President The word “commencement” signifies moving forward. You are starting out and blazing a new trail. Your time at UWF has given you a foundation for your journey. My wish is for you to go with a sense of optimism and confidence that you can face the challenges you encounter. You now share in the rich history of UWF. Since our first graduation in June 1968, we have conferred more than 100,000 degrees to UWF graduates like you. Congratulations on joining that elite group and thank you for being a part of the Argo story. -
Inbox Letterbox?
noda.org.uk Autumn 2013 Professional support for amateur theatre Who’s who Volunteer Conference Highlights A successful weekend of workshops and training Younger Generation named in Queen’s Honours List NODASafe NODA Summer School What could you gain? Hunstanton Festival Winners inbox or letterbox? PLUS: Over 25 pages of NODA Members’ regional news and dates for your diary… head office How to share information from NODA more easily with all members of your Society These days, it is harder than ever before to keep up with the amount of information you either need to know about - or would like to know about - that affects your hobby. The old days of passing around a dog-eared and well thumbed magazine until you find out about an event that has already taken place, or an out-of-date special offer, are long gone. Thanks to new technology, it is now easier than ever before to stay up to date and help your friends keep National Operatic and up to date with information from NODA. For example, when thinking about future NODA magazines and Dramatic Association other publications, a digital or online copy can be instantly shared free of charge with everyone in your 15 The Metro Centre Society. Peterborough PE2 7UH NODA is now embracing the new technology that will provide you with the options to receive information Tel: +44 (0) 1733 374 790 in a format of your choice. In planning ahead into 2014 and beyond, we would like to know how you would Fax: +44 (0) 1733 237 286 Email: [email protected] prefer to receive information from NODA; in other words, what is your preferred format? © 2013 National Operatic and To your inbox or through your letterbox? Dramatic Association NODA Registered Charity no: 254640. -
City Research Online
Gardiner, C.E. (1988). The West End theatre audience 1981-1986. (Unpublished Doctoral thesis, City University London) City Research Online Original citation: Gardiner, C.E. (1988). The West End theatre audience 1981-1986. (Unpublished Doctoral thesis, City University London) Permanent City Research Online URL: http://openaccess.city.ac.uk/8346/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. CHAPTER 6 BOOKING AND PAYING FOR WEST END THEATRE TICKETS (1) Booking methods The following table shows the distribution of booking methods used for the performance surveyed. The estimated number of sales (1) in each survey period that were accounted for by each of these booking methods follows in brackets. 1981/82 1985/86 Weighted base 11650 6497 % sales % sales Booking method (millions) (millions) Theatre box-office in person 34 (3.0) 41 (4.3) Theatre box-office by phone 22 (1.9) 25 (2.7) Theatre box-office by post 9 (0.8) 5 (0.5) Ticket agency (inc.