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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
Ing the I Needs of the Music & Record 1111 Ilindustry
record Dedicated To Serving The I Needs Of The Music & Record 1111 IlIndustry Vol. 21, No. 1017 December 3, 1966 in the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO TELL IT TO THE RAIN IN THE ,THE 4 SEASONS The sensational 'Last Train to Always hardy perennials, the 4 Here's a pretty song Herman Clarksville" is followed by what Seasons have a new song, "Tell and the Hermits sing with a sounds like an even more sen- It to the Rain," that sounds strong tinge of melodic feeling. sational one-"I'm a Believer" very contemporary, very Bob "East West" should be a power- WORLD -penned by Neil Diamond (Col - Crewe. Never rains but it pours ful contender east to west gems 1002). (Philips 40412). (MGM 13639). SLEEPERS OF THE WEEK % LUCKY L1Nor WHAT IS SOUL? BEN E. KING ,4,44444......44444444444, One of the soul kings, Ben E. Keith Relf of the Yardbirds How '20s can you get? Here's a King, sets out to define an steps into the solo spotlight guy dubbed Stutz Bearcat (Mur- elusive term on "What is Soul." with this wildly -arranged side ray Roman) singing the Charles Will spur many a soul sell at- that has to be heard to be Lindbergh song, "Lucky Lindy." tack (Atco 6454). believed (Epic 5-10110). Should skidoo up the charts (Warner Bros. 5817). 1 LBI ".JIS OF THE WEEK Epic's Dave Clark 5 1AytAmcIRiCAfvs GREA-rIS1 Vl)i.klME 2 GcyiNç MaRia Slop The Clock & Their 14 Gold Disks MavdayMlondAy SundayAwl ME f.iviaí At>ovclfou* HeAd - Dave's Extraordinary TwEKry Fou« Hou«s F«oaºTidsa CRawada 'lit NArect Asour4d Silly Boy, Gist Business Achievements Why CANY'You &dog Me Home are "Crying," Discussed This Issue. -
The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues. -
Sweet Soul Music 1961-1965
SWEET SOUL MUSIC 1961-1965 • A sequel to Bear Family's highly acclaimed, award-winning R&B series 'Blowin' The Fuse.' • All the greatest and most influential hits as R&B became Soul in the 1960s! • All original versions! The ultimate soul collection on ten individual CDs… the first five are ready now! • The soundtrack to the 1960s! • Massive booklets with detailed notes, incredible photos, and ephemera. It was a turbulent era. Over the course of ten years, R&B became soul music, and soul music became the soundtrack to a social revolution known throughout the world as Civil Rights. The story of those ten incredible years is told in full for the first time on Bear Family's 'Sweet Soul Music' series. Some record companies have compiled anthologies from their own vaults but Bear Family has gone to every record company… great and small… in search of the greatest music and the finest sound quality. The first five volumes cover the years 1961-1965. The first rumblings of civil rights and soul music were being heard. Black music was rediscovering its gospel roots and inalienable soul. It's an incredible story that plays out before your eyes and ears as you listen to the music and read the in-depth commentary by Colin Escott and Bill Dahl. The prelude to this series, 'Blowin' The Fuse,' covered R&B from 1945-1960. It garnered awards and general acclaim. It was hailed as definitive. Now here comes the sequel. Compiled with love by Dave 'Daddy Cool' Booth. Hits? Too many to mention. -
Predecessors of the Soul Explosion in the 1960S
Predecessors of the Soul Explosion in the 1960s The Great R&B Files (# 10 of 12) Updated December 27, 2018 Predecessors of the Soul Explosion in the 1960s Twelve Famous Favorites Presented by Claus Röhnisch The R&B Pioneers Series - Volume Ten of twelve page 1 (62) The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s 2 The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info The R&B Pioneers Seriesxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxl Top Rhythm & Blues Records - The Top R&B Hits of of 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s - Twelve Great Legends THE Top Ten Vocal Groups of the Golden 50s – Rhythm & Blues Harmony Ten Sepia Super Stars of Rock ‘n’ Roll - Idols Making Music History Transition from Rhythm to Soul: Twelve Original Soul Icons The True R&B Pioneers - Twelve Hit-Makers from the Early Years Predecessors of the Soul Explosion in the 1960s - Twelve Famous Favorites The R&B Pioneers Series: The Top 30 Favorites Clyde McPhatter – the Original Soul Star The John Lee Hooker Session Discography with Year By Year-Recap Those Hoodlum Friends – THE COASTERS The Clown Princes of Rock and Roll: The Coasters Introduction In the R&B Pioneera series a total of 68 great Sepia artists from the early years of Rhythm and Blues are presented (well, actually a 100plus individuals or groups are presented in one form or another). -
Oliver Sain - Papa Ray’S Top Ten Picks - Blues to Dos - IBC Report - Mat Wilson the St
THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY March/April 2014 Number 67 Plus: Oliver Sain - Papa Ray’s Top Ten Picks - Blues to Dos - IBC Report - Mat Wilson The St. Louis Blues Society Officers Chairperson BluesLetter John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Treasurer Society provides blues artists the opportunity for public performance and individual Jerry Minchey improvement in their field, all for the educational and artistic benefit of the general public. Legal Counsel Charley Taylor March/April 2014 Number 67 Secretary Lynn Barlar Communications Contents Mary Kaye Tönnies Letter to Membership 3 Board of Directors Ridgley "Hound Dog" Brown Discounted Events for Members 3 Bernie Hayes Glenn Howard Marsha Evans 4 Rich Hughes Greg Hunt Eric McSpadden Papa Ray’s Picks 7 Paul Niehaus IV Marty D. Spikener From Pages Past: Oliver Sain 8 Johnny Willis Blues to Dos 10 BluesLetter Editor Dispatches from Memphis: IBC 13 Mary Kaye Tönnies Creative Direction Mat Wilson 14 Jeremy Segel-Moss Staff Writer Musician Directory 15 Bruce Olson Contributing Photographers Renew Your Membership Today 16 Mark Gilliland Peter Newcomb Richard A. Nichols On the Cover.. Contributing Writers Michael Kuelker Marsha Evans, singing a lifetime of St. Louis music, Nick Pence Tom Ray performs for the camera at BB’s Jazz Blues and Soups. Johnny Willis photo by Peter Newcomb The St. -
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions. -
THE BI-MONTHLY MAGAZINE of the SAINT LOUIS BLUES SOCIETY Nov/Dec 2018 Number 93
THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY Nov/Dec 2018 Number 93 3 St. Louis Blues Society General Membership Meeting and Board Election Information by Kelly Wells 4-6 St. Louis Soul Revival story and photos by Bob Baugh 7 The 17th Annual Baby Blues Showcase Lineup 8-11 Here is the Man: The Story of Gabriel by Robert Delaney, courtesy of St. Louis Media History Foundation artwork by Kevin Belford, courtesy of St. Louis Blues Society 15 St. Louis Musicians Listing back Road to Memphis/International Blues Challenge Benefit cover poster by Sandy DeMunbrun Congratulations to the winning 2018 Road to Memphis groups: Hy-C & The Fresh Start Show Band and the Bottlesnakes. The Road to Memphis event was hugely successful this year and we have all of you to thank! The participating bands, judges, volunteers and attendees made for a tremendous afternoon of music and community. Please join us on December 9th at BB’s Jazz, Blues & Soups to raise some extra dollars for the groups headed to Memphis next year to represent St. Louis at the International Blues Challenge. The big topic for the next few months will be the STLBS Elections coming up in January. Each STLBS Member will receive a ballot in late December which will offer the opportunity to vote for the eight board positions. Elections are very important to a transparent and evolving organization. The ballot will include board members looking to be re-elected as well as a handful of new people interested in serving on the board. PLEASE make sure your membership is up-to-date, so you have the ability to vote for the leaders of the St. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
56 RHYTHM & BLUES RHYTHM & BLUES BROOK BENTON & Incredibly, this is the very first album (CD or LP) THE COLLECTION - FOR MY by Eugene Church, the BABY CD 982 647 € 10.90 epitome of cool West A Rockin’ Good Way (To Mess Around And...)- Revenge- The Same Coast R&B. We feature his One- For My Baby- My True Confession- Shadrack- I Got What I four singles for the great Wanted- So Close- Two Tick ets To Paradise - The Ties That Bind- Class label including the Hurtin’ Inside- Hither And Thither And Yon- It’s Just A House With out Hot 100 hits: ‘Pretty Girls You- Hit Record- Still Waters Run Deep- Walk On The Wild Side- Everywhere’ (‘36 in 1958) Going Going Gone- Baby (You’ve Got What It Takes) and ‘Miami’ (#67 in & (2005/SPECTRUM) 18 tracks, 2 tracks with Dinah 1959). Also the one single Washington. for Rendezvous and an BLOODSTONE unissued take of’ ‘Miami’, all produced by Leon Rene. Included are Church’s five King TRAIN RIDE TO HOLLYWOOD CD COL 5872 € 19.50 singles, which are almost unknown even though produced by ROY BROWN Johnny Otis. There was one R&B hit for King, ‘Mind Your Own Business’ (#19 in 1961). The compilation is rounded off by GOOD ROCKIN’ BROWN - Church’s earlier recordings for Specialty and Modern (as the KING & DELUXE ACETATE SE CD CHD 1072 € 17.75 & Cliques duo with Jess Belvin, including the #45 pop hit ‘Girl In (2005/ACE) 24 tracks My Dreams’ from 1956). Will appeal to the many fans of classic RAY CHARLES R&B, rock ‘n’ roll and wop. -
The Oliver Sain Revue
The Oliver Sain Revue Tribute to a Legend The Oliver Sain Revue continues the musical legacy of Oliver Sain, saxophonist, composer, arranger, talent scout, record producer and bandleader. Born in 1932 in Dundee, Mississippi, Oliver grew up immersed in music. In 1949, he moved to Greenville, Mississippi to join his stepfather, pianist Willie Love, in a band fronted by Sonny Boy Williamson. In the mid-1950’s, Oliver moved to Chicago, where he made a name for himself playing self-proclaimed “honky tonk” saxophone with Howlin’ Wolf and Elmore James. But it was Oliver who wrote the chapter on R&B music in St. Louis after moving here, from 1959 until his passing in 2003. Mr. Sain is credited with launching the careers of Little Milton, Bobby McClure and Fontella Bass and many others. Sain wrote "Don't Mess up a Good Thing" which was a number one hit in the US for Bobby McClure in 1965. In the mid-1970s, he recorded his own danceable Jazz records such as "Bus Stop", "Booty Bumpin' (The Double Bump)" (1975), "Party Hearty" (1976) and "Feel Like Dancing" (1977) to prototype a new style of funk jazz fusion made even more popular by St. Louisan David Sanborn and others including prominent rappers such as Jay Z and P. Diddy Combs who have sampled Oliver’s recordings. But the most comprehensive tribute to Oliver Sain is today’s Oliver Sain Revue. Oliver Sain having provided the fertile ground to nurture music in St. Louis created a cohesive family of musicians that still exists today.