A Planar and Integrated Rectenna for Wireless Power Reception

Total Page:16

File Type:pdf, Size:1020Kb

A Planar and Integrated Rectenna for Wireless Power Reception A PLANAR AND INTEGRATED RECTENNA FOR WIRELESS POWER RECEPTION by VINAY RAMACHANDRA GOWDA Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ELECTRICAL ENGINEERING THE UNIVERSITY OF TEXAS AT ARLINGTON May 2011 Copyright © by VINAY RAMACHANDRA GOWDA 2011 All Rights Reserved ACKNOWLEDGEMENTS I would like to offer special thanks to my advisor Dr. Mingyu Lu for his continuous help, guidance and support throughout my thesis. His patience, experience, and knowledge have been invaluable throughout my research and I am truly grateful for this. I would like to thank him for giving me a opportunity to work in the Wave Scattering Research Centre which I truly loved working in. I would like to express my gratitude to Dr. Jonathan Bredow and Dr. Saibun Tjuatja for their encouragement and for reading the thesis. I would also like to thank Dr. W. Alan Davis and Dr. William E. Dillon, my graduate advisors for their advice and guidance throughout my Master of Science (M.S) degree. Also, I received academic guidance from Shaoshu Sha, Suman Kumar Gunnala and Vinay Vikram Magadi for which I will be truly obliged. I would also like to thank Dr. Huiqing Zhai for his help in HFSS simulaitions. I am indebted to my family, my Mother Radha C, my Father Ramachandra Gowda and my adorable sister Bindu Ramachandra for their unwavering love and support throughout my entire life. April 15, 2011 iii ABSTRACT A PLANAR AND INTEGRATED RECTENNA FOR WIRELESS POWER RECEPTION Vinay Ramachandra Gowda (M.S) The University of Texas at Arlington, 2011 Supervising Professor: Mingyu Lu In this thesis, a rectenna ("rectifier + antenna") for wireless power reception is designed and experimentally verified. The rectenna consists of two major components: one is a microstrip patch antenna and the other is a half-wave rectifier circuit. The microstrip antenna collects wireless power, and then, the received radio-frequency power is rectified to DC by the rectifier. The microstrip antenna and the rectifier circuit are simulated, fabricated, and tested separately. Before they are integrated, matching network is designed in between them to match the first harmonic. A few integrated rectenna’s are built around 2.4 GHz ISM band. The rectenna’s are entirely built over printed circuit boards, hence are planar and compact. Measurement results demonstrate 65% of power efficiency for the rectenna’s. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................................iii ABSTRACT ..................................................................................................................................... iv LIST OF ILLUSTRATIONS............................................................................................................. viii LIST OF TABLES ............................................................................................................................ xi Chapter Page 1. INTRODUCTION……………………………………..………..….. ..................................... 1 1.1 History of Wireless Power ................................................................................ 1 1.2 Application of Wireless Power .......................................................................... 2 1.3 Overview of Thesis ........................................................................................... 4 2. FUNDAMENTALS OF ANTENNNA ............................................................................... 6 2.1 Definition of an Antenna ................................................................................... 6 2.2 Antenna Parameters ........................................................................................ 6 2.2.1 Directivity .......................................................................................... 6 2.2.2 Gain .................................................................................................. 7 2.2.3 Input Impedance .............................................................................. 8 2.2.4 Antenna Efficiency ........................................................................... 8 2.2.5 Beamwidth ..................................................................................... 10 2.3 Frii’s Transmission Equation .......................................................................... 10 2.4 Microstrip ........................................................................................................ 11 2.4.1 Introduction ................................................................................... 11 v 2.4.2 Microstrip Patch Antenna ............................................................... 12 2.5 Feeding Methods ........................................................................................... 14 2.5.1 Microstrip Line Feed ....................................................................... 14 2.5.2 Coaxial Feed .................................................................................. 15 2.5.3 Aperture-Coupled Feed ................................................................. 16 2.5.4 Proximity-Coupled Feed ................................................................ 17 2.6 Rectangular Patch .......................................................................................... 18 2.6.1 Transmission Line Model ............................................................... 19 2.6.2 Cavity Model .................................................................................. 20 2.7 Design Procedure .......................................................................................... 21 2.7.1 Specification of the Design ............................................................ 21 2.7.2 Parameters of the Patch Antenna .................................................. 22 2.8 Fabrication Procedure for the Antenna .......................................................... 23 2.9 Results .......................................................................................................... 25 2.9.1 Verification of the Frii’s Transmission Equation ............................. 29 3. INTEGRATED RECTENNA ......................................................................................... 30 3.1 Rectifier .......................................................................................................... 30 3.1.1 Simulation ...................................................................................... 30 3.1.2 Input Impedance ............................................................................ 33 3.2 Integrated Rectenna ....................................................................................... 37 3.2.1 Impedance Matching ...................................................................... 38 3.2.2 Calculations for the Integrated Antenna......................................... 42 3.2.3 Efficiency of the Rectenna ............................................................. 45 4. CONCLUSION AND FUTURE WORK .......................................................................... 46 vi REFERENCES ............................................................................................................................... 47 BIOGRAPHICAL INFORMATION .................................................................................................. 51 vii LIST OF ILLUSTRATIONS Figure Page 1.1 Wireless Toothbrush .................................................................................................................. 3 1.2 Splashpower mat ........................................................................................................................ 3 1.3 Christmas tree lit without wires .................................................................................................. 4 1.4 Block Diagram of Wireless Power Transmission System ......................................................... 5 2.1 Thevenin Equivalent of an Antenna .......................................................................................... 8 2.2 Antenna reference terminals ..................................................................................................... 9 2.3 Reflection, conduction and dielectric losses ............................................................................. 9 2.4 Two dimensional representation of Beamwidth ...................................................................... 10 2.5 Microstrip Layer Structure ....................................................................................................... 12 2.6 Representative shapes of Microstrip patch elements ............................................................. 13 2.7 Microstrip Feed for Patch Antenna .......................................................................................... 15 2.8 Coaxial Feed ........................................................................................................................... 16 2.9 Aperture-Couple Feed ............................................................................................................. 17 2.10 Proximity-Coupled Feed ........................................................................................................ 18 2.11 Top View of Patch Antenna ................................................................................................... 19 2.12 Side/Horizontal view of Patch Antenna ................................................................................
Recommended publications
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Mingus, Nietzschean Aesthetics, and Mental Theater
    Liminalities: A Journal of Performance Studies Vol. 16, No. 3 (2020) Music Performativity in the Album: Charles Mingus, Nietzschean Aesthetics, and Mental Theater David Landes This article analyzes a canonical jazz album through Nietzschean and perfor- mance studies concepts, illuminating the album as a case study of multiple per- formativities. I analyze Charles Mingus’ The Black Saint and the Sinner Lady as performing classical theater across the album’s images, texts, and music, and as a performance to be constructed in audiences’ minds as the sounds, texts, and visuals never simultaneously meet in the same space. Drawing upon Nie- tzschean aesthetics, I suggest how this performative space operates as “mental the- ater,” hybridizing diverse traditions and configuring distinct dynamics of aesthetic possibility. In this crossroads of jazz traditions, theater traditions, and the album format, Mingus exhibits an artistry between performing the album itself as im- agined drama stage and between crafting this space’s Apollonian/Dionysian in- terplay in a performative understanding of aesthetics, sound, and embodiment. This case study progresses several agendas in performance studies involving music performativity, the concept of performance complex, the Dionysian, and the album as a site of performative space. When Charlie Parker said “If you don't live it, it won't come out of your horn” (Reisner 27), he captured a performativity inherent to jazz music: one is lim- ited to what one has lived. To perform jazz is to make yourself per (through) form (semblance, image, likeness). Improvising jazz means more than choos- ing which notes to play. It means steering through an infinity of choices to craft a self made out of sound.
    [Show full text]
  • Chapter 5 the Microstrip Antenna
    CHAPTER 5 THE MICROSTRIP ANTENNA 5.1 Introduction Applications that require low-profile, light weight, easily manufactured, inexpensive, conformable antennas often use some form of a microstrip radiator. The microstrip antenna (MSA) is a resonant structure that consists of a dielectric substrate sandwiched between a metallic conducting patch and a ground plane. The MSA is commonly excited using a microstrip edge feed or a coaxial probe. The canonical forms of the MSA are the rectangular and circular patch MSAs. The rectangular patch antenna in Figure 5.1 is fed using a microstrip edge feed and the circular patch antenna is fed using a coaxial probe. (a) (b) Coaxial Feed Microstrip Feed Figure 5.1. (a) A rectangular patch microstrip antenna fed with a microstrip edge feed. (b) A circular patch microstrip antenna fed with a coaxial probe feed. The patch shapes in Figure 5.1 are symmetric and their radiation is easy to model. However, application specific patch shapes are often used to optimize certain aspects of MSA performance. 154 The earliest work on the MSA was performed in the 1950s by Gutton and Baissinot in France and Deschamps in the United States. [1] Demand for low-profile antennas increased in the 1970s, and interest in the MSA was renewed. Notably, Munson obtained the original patent on the MSA, and Howell published the first experimental data involving circular and rectangular patch MSA characteristics. [1] Today the MSA is widely used in practice due to its low profile, light weight, cheap manufacturing costs, and potential conformability. [2] A number of methods are used to model the performance of the MSA.
    [Show full text]
  • Printcatalog Realdeal 3 DO
    DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
    [Show full text]
  • Nested Loop Antennas This Low-Cost Five Band Loop Array Blends Into the Background
    Nested Loop Antennas This low-cost five band loop array blends into the background. G. Scott Davis, N3FJP This multi-band nested loop antenna array replaces my tribander Yagi, which is only up 20 feet. Inspired by suggestions from Bill Wisel, K3KEI, I first tried a full wave 20 meter band square loop antenna. On the air comparisons with my low Yagi confirmed instantly that this design was a hands-down winner for working both local and distant stations. I replaced that mono-band loop with a nested loop array for the 20, 17, 15, 12, and 10 meter bands. The antenna blends into the surroundings, so I needed the morning sun shining directly on it to snap the lead photo. This became a nice father-son project with my son Brad, KB3MNE. Here’s how we built the antenna. Construction We constructed the square loops shown in Figure 1 according to the dimensions in Table 1. The loops hang from a tree limb in the vertical plane. Because I feed them This stealthy nested loop is almost invisible among the trees. from the bottom corners, the loops radiate horizontal polarization. Calculate the perimeter size, P, of each holes through the pipe for the loop wire. screws into the PVC to hang the dipole loop by dividing the frequency in MHz After you run the wire through the holes, connectors seen in Figure 2. wrap a bit of electrical tape on each side of into 1005 feet. Table 1 shows the loop Matching and Feeding dimensions. Start with the 20 meter loop, the wire next to the pipe to keep the wire from sliding and to give the pipe additional Each loop antenna feed point impedance is the largest loop.
    [Show full text]
  • Class C Pool of Questions
    Class C Pool of Questions T2 1. What is the most common repeater frequency offset in the 2 meter band? T2 2. What is the national calling frequency for FM simplex operations in the 70 cm band? T2 3. What is a common repeater frequency offset in the 70 cm band? T2 4. What is an appropriate way to call another station on a repeater if you know the other station's call sign? T2 5. How should you respond to a station calling CQ? T2 6. What must an amateur operator do when making on-air transmissions to test equipment or antennas? T2 7. Which of the following is true when making a test transmission? T2 8. What is the meaning of the procedural signal “CQ”? T2 9. What brief statement is often transmitted in place of “CQ” to indicate that you are listening on a repeater? T2 10. What is a band plan, beyond the privileges established by the SMA? T2 11. Which of the following is an SMA rule regarding power levels used in the amateur bands, under normal, non-distress circumstances? T2 12. Which of the following is a guideline to use when choosing an operating frequency for calling CQ? T2B – VHF/UHF operating practices: SSB phone; FM repeater; simplex; splits and shifts; CTCSS; DTMF; tone squelch; carrier squelch; phonetics; operational problem resolution; Q signals T2 1. What is the term used to describe an amateur station that is transmitting and receiving on the same frequency? T2 2. What is the term used to describe the use of a sub-audible tone transmitted with normal voice audio to open the squelch of a receiver? T2 3.
    [Show full text]
  • Modeling Musical Influence Through Data
    Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences.
    [Show full text]
  • Design and Analysis of Microstrip Patch Antenna Arrays
    Design and Analysis of Microstrip Patch Antenna Arrays Ahmed Fatthi Alsager This thesis comprises 30 ECTS credits and is a compulsory part in the Master of Science with a Major in Electrical Engineering– Communication and Signal processing. Thesis No. 1/2011 Design and Analysis of Microstrip Patch Antenna Arrays Ahmed Fatthi Alsager, [email protected] Master thesis Subject Category: Electrical Engineering– Communication and Signal processing University College of Borås School of Engineering SE‐501 90 BORÅS Telephone +46 033 435 4640 Examiner: Samir Al‐mulla, Samir.al‐[email protected] Supervisor: Samir Al‐mulla Supervisor, address: University College of Borås SE‐501 90 BORÅS Date: 2011 January Keywords: Antenna, Microstrip Antenna, Array 2 To My Parents 3 ACKNOWLEGEMENTS I would like to express my sincere gratitude to the School of Engineering in the University of Borås for the effective contribution in carrying out this thesis. My deepest appreciation is due to my teacher and supervisor Dr. Samir Al-Mulla. I would like also to thank Mr. Tomas Södergren for the assistance and support he offered to me. I would like to mention the significant help I have got from: Holders Technology Cogra Pro AB Technical Research Institute of Sweden SP I am very grateful to them for supplying the materials, manufacturing the antennas, and testing them. My heartiest thanks and deepest appreciation is due to my parents, my wife, and my brothers and sisters for standing beside me, encouraging and supporting me all the time I have been working on this thesis. Thanks to all those who assisted me in all terms and helped me to bring out this work.
    [Show full text]
  • Broadband Antenna 1
    Broadband Antenna Broadband Antenna Chapter 4 1 Broadband Antenna Learning Outcome • At the end of this chapter student should able to: – To design and evaluate various antenna to meet application requirements for • Loops antenna • Helix antenna • Yagi Uda antenna 2 Broadband Antenna What is broadband antenna? • The advent of broadband system in wireless communication area has demanded the design of antennas that must operate effectively over a wide range of frequencies. • An antenna with wide bandwidth is referred to as a broadband antenna. • But the question is, wide bandwidth mean how much bandwidth? The term "broadband" is a relative measure of bandwidth and varies with the circumstances. 3 Broadband Antenna Bandwidth Bandwidth is computed in two ways: • (1) (4.1) where fu and fl are the upper and lower frequencies of operation for which satisfactory performance is obtained. fc is the center frequency. • (2) (4.2) Note: The bandwidth of narrow band antenna is usually expressed as a percentage using equation (4.1), whereas wideband antenna are quoted as a ratio using equation (4.2). 4 Broadband Antenna Broadband Antenna • The definition of a broadband antenna is somewhat arbitrary and depends on the particular antenna. • If the impendence and pattern of an antenna do not change significantly over about an octave ( fu / fl =2) or more, it will classified as a broadband antenna". • In this chapter we will focus on – Loops antenna – Helix antenna – Yagi uda antenna – Log periodic antenna* 5 Broadband Antenna LOOP ANTENNA 6 Broadband Antenna Loops Antenna • Another simple, inexpensive, and very versatile antenna type is the loop antenna.
    [Show full text]
  • KRAKAUER-DISSERTATION-2014.Pdf (10.23Mb)
    Copyright by Benjamin Samuel Krakauer 2014 The Dissertation Committee for Benjamin Samuel Krakauer Certifies that this is the approved version of the following dissertation: Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music Committee: Stephen Slawek, Supervisor Charles Capwell Kaushik Ghosh Kathryn Hansen Robin Moore Sonia Seeman Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music by Benjamin Samuel Krakauer, B.A.Music; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Dedication This work is dedicated to all of the Bāul-Fakir musicians who were so kind, hospitable, and encouraging to me during my time in West Bengal. Without their friendship and generosity this work would not have been possible. জয় 巁쇁! Acknowledgements I am grateful to many friends, family members, and colleagues for their support, encouragement, and valuable input. Thanks to my parents, Henry and Sarah Krakauer for proofreading my chapter drafts, and for encouraging me to pursue my academic and artistic interests; to Laura Ogburn for her help and suggestions on innumerable proposals, abstracts, and drafts, and for cheering me up during difficult times; to Mark and Ilana Krakauer for being such supportive siblings; to Stephen Slawek for his valuable input and advice throughout my time at UT; to Kathryn Hansen
    [Show full text]
  • Evaluation of an Electronically Switched Directional Antenna for Real-World Low-Power Wireless Networks
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Swedish Institute of Computer Science Publications Database Evaluation of an Electronically Switched Directional Antenna for Real-world Low-power Wireless Networks Erik Ostr¨ om,¨ Luca Mottola, Thiemo Voigt Swedish Institute of Computer Science (SICS), Kista, Sweden Abstract. We present the real-world evaluation of SPIDA, an electronically swit- ched directional antenna. Compared to most existing work in the field, SPIDA is practical as well as inexpensive. We interface SPIDA with an off-the-shelf sensor node which provides us with a fully working real-world prototype. We assess the performance of our prototype by comparing the behavior of SPIDA against tradi- tional omni-directional antennas. Our results demonstrate that the SPIDA proto- type concentrates the radiated power only in given directions, thus enabling in- creased communication range at no additional energy cost. In addition, compared to the other antennas we consider, we observe more stable link performance and better correspondence between the link performance and common link quality estimators. 1 Introduction The use of external antennas is a common design choice in many deployments of low- power wireless networks [13]. Indeed, an external antenna often features higher gains compared to the antennas found aboard mainstream devices, enabling increased relia- bility in communication at no additional energy cost. To implement such design, re- searchers and domain-experts have hitherto borrowed the required technology from WiFi networks [10, 22]. This holds both w.r.t. scenarios requiring omni-directional communication [22], and where the application at hand allows directional communica- tion [10].
    [Show full text]
  • Exploring a New Model for Emerging Musical Artists by Jay Cohen
    Losing the Label: Exploring A New Model for Emerging Musical Artists by Jay Cohen An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2010 Professor Marti G. Subrahmanyam Professor Yannis Bakos Faculty Adviser Thesis Advisor Abstract After an examination of a traditional recording contract model, an updated framework is developed such that the recording artist may take advantage of current technology enabling them to perform certain actions formerly reserved to the label. The updated framework provides that emerging technology will create the ability for some new musical groups to become popular and create equal levels of revenue without a recording label. A formula to weigh the decision whether or not to use a label is developed. Introduction The economic frameworks used to analyze the music industry have become more complicated as the industry has changed; due to technological changes, the scope of today‟s market is in drastic need of an update. Because of huge shifts in technology and capacity, the model must be re-analyzed in order to best understand the optimal decisions for bands. The general market structure is five major labels and a large number of independent, or „indie‟, labels; these form two interdependent markets that interact with one another. The business venture of the label is to take on levels of risk that results in an optimal reward if the band is successful. The number of risks taken is a product of the compensation packages offered to the artists, as well as the percentage of profit gathered for each artist‟s contract.
    [Show full text]