Kaboom 2021 Master Specifications
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Ts 103 190-2 V1.2.1 (2018-02)
ETSI TS 103 190-2 V1.2.1 (2018-02) TECHNICAL SPECIFICATION Digital Audio Compression (AC-4) Standard; Part 2: Immersive and personalized audio 2 ETSI TS 103 190-2 V1.2.1 (2018-02) Reference RTS/JTC-043-2 Keywords audio, broadcasting, codec, content, digital, distribution, object audio, personalization ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice The present document can be downloaded from: http://www.etsi.org/standards-search The present document may be made available in electronic versions and/or in print. The content of any electronic and/or print versions of the present document shall not be modified without the prior written authorization of ETSI. In case of any existing or perceived difference in contents between such versions and/or in print, the only prevailing document is the print of the Portable Document Format (PDF) version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at https://portal.etsi.org/TB/ETSIDeliverableStatus.aspx If you find errors in the present document, please send your comment to one of the following services: https://portal.etsi.org/People/CommiteeSupportStaff.aspx Copyright Notification No part may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and microfilm except as authorized by written permission of ETSI. -
Dolby AC-4, Please Visit Dolby.Com/AC-4
NEXT-GENERATION AUDIO Dolby ® AC-4 For more information on Dolby AC-4, please visit Dolby.com/AC-4. ® ® NEX T-GENERATION AUDIO ED2 OR Dolby AC-4 PCM & METADATA AC-3 AC-4 PCM Integrating Personalized and Immersive Programming into Broadcast Operations The diagram below outlines a representative end-to-end signal flow for live and post-produced content through the broadcast ecosystem. PRODUCTION OPEN STANDARDS OUTSIDE BROADCAST BROADCASTER PAY TV OPERATOR CONFIDENCE MONITOR OUTPUT LEGACY RENDERER/ OBJECT AUDIO PROCESSOR ENCODER CHANNEL AUDIO OBJECT METADATA AUDIO MONITORING METADATA ANALYSIS GENERATION DISTRIBUTION INTEGRATED ENCODER RECEIVER/ MASTER DECODER CONTROL CHANNEL METADATA & OBJECT CHANNEL / GROUPING EMISSION INTEGRATED EMISSION OBJECT ROUTER AND OBJECT AUDIO ENCODER RECEIVER/ ENCODER DEFINITION DECODER PASSTHROUGH ANALYSIS PCM RENDERING AND PROCESSING INGEST PLAYOUT AUDIO SERVER SERVER MONITORING METADATA PCM MEZZANINE CONTRIBUTION AD STREAMING TRANSPORT FORMAT ENCODER MODULATOR/ SERVER ENCODER ENCODING FIBER MUX MUX/ SPLICER STREAMING ENCODER POSTPRODUCTION CDN ANTENNA CDN CONFIDENCE MONITOR OUTPUT OBJECT AUDIO PROCESSOR IN THE HOME SET-TOP BOX CHANNEL METADATA OBJECT AUDIO METADATA ANALYSIS GENERATION DEMODULATOR CHANNEL METADATA & OBJECT CHANNEL / ® GROUPING OBJECT AC-4 HDMI AND OBJECT AUDIO DECODER FORMATTER DEFINITION ANALYSIS PCM RENDERING AND PROCESSING TABLET/SMARTPHONE TV TO AVR / SOUNDBAR METADATA TO HEADPHONES TO SPEAKERS PCM ITU-R BWAV ADM (MXF, IMF) PACKAGING OBJECT APP AC-4 HEADPHONE RECEIVER / AC-4 HDMI® & CHANNEL DECODER RENDERER PROCESSOR DECODER FORMATTER INTERCHANGE TO AVR / SOUND BAR METADATA ED2 ENCODER PCM AC-4 IMMERSIVENESS Dolby AC-4 natively supports immersive audio to move sound around the audience in three-dimensional space. Both channel-based and object-based immersive audio can be delivered to the home and played back on speakers or headphones. -
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
Surround Sound Processed by Opus Codec: a Perceptual Quality Assessment
28. Konferenz Elektronische Sprachsignalverarbeitung 2017, Saarbrücken SURROUND SOUND PROCESSED BY OPUS CODEC: APERCEPTUAL QUALITY ASSESSMENT Franziska Trojahn, Martin Meszaros, Michael Maruschke and Oliver Jokisch Hochschule für Telekommunikation Leipzig, Germany [email protected] Abstract: The article describes the first perceptual quality study of 5.1 surround sound that has been processed by the Opus codec standardised by the Internet Engineering Task Force (IETF). All listening sessions with up to five subjects took place in a slightly sound absorbing laboratory – simulating living room conditions. For the assessment we conducted a Degradation Category Rating (DCR) listening- opinion test according to ITU-T P.800 recommendation with stimuli for six channels at total bitrates between 96 kbit/s and 192 kbit/s as well as hidden references. A group of 27 naive listeners compared a total of 20 sound samples. The differences between uncompressed and degraded sound samples were rated on a five-point degradation category scale resulting in Degradation Mean Opinion Score (DMOS). The overall results show that the average quality correlates with the bitrates. The quality diverges for the individual test stimuli depending on the music characteristics. Under most circumstances, a bitrate of 128 kbit/s is sufficient to achieve acceptable quality. 1 Introduction Nowadays, a high number of different speech and audio codecs are implemented in several kinds of multimedia applications; including audio / video entertainment, broadcasting and gaming. In recent years the demand for low delay and high quality audio applications, such as remote real-time jamming and cloud gaming, has been increasing. Therefore, current research objectives do not only include close to natural speech or audio quality, but also the requirements of low bitrates and a minimum latency. -
Shop Fullcompass.Com Today! for Expert Advice - Call: 800-356-5844 M-F: 9:00-5:30 Central 412 VIDEO PLAYERS / RECORDERS
DVD / BLU-RAY PLAYERS AND RECORDERS DVD / BLU-RAYVIDEO PLAY PLAYERSE RASND / RECORDERS 411 NEW! ATOMOS ATOMOS NINJA STAR POCKET- SIZE APPLE PRORES RECORDER AND TASCAM DV-D01U RACKMOUNTABLE SINGLE DISC DVD PLAYER DECK Designed for action cameras, drones The DV-D01U is a rackmountable single-disc player with a powered loading tray. and mirrorless DSLR’s, this pocket-size Apple The player reads DVD video, DVD audio (2-channel only), video CD, CD-DA, MP3, ProRes recorder delivers better quality (no MPEG compression) and huge WMA, .WAV, JPEG, ASF, MPEG-2/MPEG-1, and DivX. It is capable of playing back workflow timesavings. Ultra-long battery life with tiny size and weight make this properly finalized DVD +R/+RW discs. Outputs consist of HDMI audio/video unit ideal for situations requiring portability, reliability and long power draws. out and composite, S-Video, and component video outputs. Rear panel stereo Captures video in select HD/SD recording formats via HDMI, with 2-channel audio outputs are unbalanced (RCA) and digital outputs are optical. Digital outputs can from camera and/or analog input. Edit-ready media files are recorded directly to pass Dolby Digital and DTS surround streams for later decoding. The DV-D01U CFast 1.0 memory card. Standard mounting plate included. provides extensive bi-directional RS232 serial control and an I/R remote control ITEM DESCRIPTION PRICE is included. ATO-NINJA-STAR........ Pocket-Size ProRes Recorder & Deck ........................................... 295.00 ITEM DESCRIPTION PRICE ATO-MCFT064 ........... 64GB CFast Memory Card ........................................................... 159.00 DVD01U ..................... Rackmountable DVD player, 1RU ................................................ 369.99 ATO-MCFT128 .......... -
Prices 06-2021
Prices (exc. VAT) -June 2021 1 - Contents 2 - 4K HDR color grading 3 - 5.1 mixing 4 - Subtitling 5 - 2K/4K/3D DCPs 6 - Broadcast-ready files / IMF Package / Dolby E 7 - DVD & 2D/3D/4K Blu-ray authoring 8 - DVD duplication 9 - Blu-ray duplication 10 - Dailies management / 3D & HDR encoding 11 - LTO archiving and restore Have a question or want a quote? Write to us: [email protected] Registration: 492432703 - VAT ID: FR52492432703 4K HDR color grading Color grading station Half-day (4h) Full day (8h) Week (5d) Rental of 4K HDR DaVinci Resolve station with senior colorist's services € 550 € 990 € 4 900 Rental of 4K HDR DaVinci Resolve station without senior colorist's services € 270 € 500 € 2 450 Delivery of DaVinci Resolve source project to customer Included Video export Apple ProRes or DNxHR Included Color grading peripherals Week (5d) Rental of HDR Eizo CG3145 Prominence monitor € 900 Rental of DaVinci Resolve Mini Panel € 300 Transport costs (both ways, mandatory, only available in Paris, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne) € 100 Roundtrip workflow Final Cut Pro Media Composer Premiere Pro Organisation of the timeline and export to Final Cut Pro 7/X, Avid Media Composer or Adobe Premiere Pro Offline reference clip with burned-in timecode after export € 90 / hour Project import and check on DaVinci Resolve The powerful color grading station: Blackmagic Design's DaVinci Resolve Studio 17 on Linux (+Neat plugin) AMD Ryzen Threadripper 64 cores / nVidia RTX 3090 24 GB Best 4K DCI 10-bit HDR mastering display monitor on an Eizo CG3145 Prominence (meeting Dolby Vision and Netflix standards) Display calibration by a VTCAM expert to Rec. -
Capabilities of the Horchow Auditorium and the Orientation
Performance Capabilities of Horchow Auditorium and Atrium at the Dallas Museum of Art Horchow Auditorium Capacity and Stage: The auditorium seats 333 people (with a 12 removable chair option in the back), maxing out the capacity at 345). The stage is 45’ X 18’and the screen is 27’ X 14’. A height adjustable podium, microphone, podium clock and light are standard equipment available. Installed/Available Equipment Sound: Lighting: 24 channel sound board 24 fixed lights 4 stage monitors (with up to 4 Mixes) 5 movers (these give a wide array of lighting looks) 6 hardwired microphones 4 wireless lavaliere microphones 2 handheld wireless microphones (with headphone option) 9-foot Steinway Concert Grand Piano 3 Bose towers (these have been requested by Acoustic performers before and work very well) Music stands Projection Panasonic PTRQ32 4K 20,000 Lumen Laser Projector Preferred Video Formats in Horchow Blu Ray DVD Apple ProRes 4:2:2 Standard in a .mov wrapper H.264 in a .mov wrapper Formats we can use, but are not optimal MPEG-1/2 Dirac / VC-2 DivX® (1/2/3/4/5/6) MJPEG (A/B) MPEG-4 ASP WMV 1/2 XviD WMV 3 / WMV-9 / VC-1 3ivX D4 Sorenson 1/3 H.261/H.263 / H.263i DV H.264 / MPEG-4 AVC On2 VP3/VP5/VP6 Cinepak Indeo Video v3 (IV32) Theora Real Video (1/2/3/4) Atrium Capacity and Stage: The Atrium seats up to 500 people (chair rental required). The stage available to be installed in the Atrium is 16’ x 12’ x 1’. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Operating Instructions Blu-Ray Disc Home Theater Sound System SC
BT300.book 1 ページ 2009年6月12日 金曜日 午後12時13分 Operating Instructions Blu-ray Disc Home Theater Sound System Model No. SC-BT303 SC-BT300 SC-BT203 SC-BT200 The illustration shows the image of the unit SC-BT300 with “P” indicated on the packaging. Dear customer Thank you for purchasing this product. For optimum performance and safety, please read these instructions carefully. Before connecting, operating or adjusting this product, please read the instructions completely. Please keep this manual for future reference. To update the firmware of this unit, refer to page 32. Region management information BD-Video Example: This unit plays BD-Video marked with labels containing the region code A. DVD-Video Example: This unit plays DVD-Video marked with labels containing the region number “1” or “ALL”. 1 2 1 ALL 4 [For[the[U.S.A.[and[Canada[ ® If you have any questions contact As an ENERGY STAR Partner, [U.S.A.]and]Puerto]Rico]:1-800-211-PANA(7262) Panasonic has determined that [Canada]: 1-800-561-5505 this product meets the ENERGY STAR® guidelines for energy efficiency. [Only]for[U.S.A.]and]Puerto]Rico]: The warranty can be found on page 58. For Canada only: The word “Participant” is used in place of the word [Canada]: The warranty can be found on page 59. “Partner”. P PC PX RQT9508-1P 2009/7/08 BT300.book 2 ページ 2009年6月12日 金曜日 午後12時13分 ≥These operating instructions are applicable System SC-BT300 SC-BT303 SC-BT200 SC-BT203 to models SC-BT300, SC-BT303, SC-BT200 Main unit SA-BT300 SA-BT300 SA-BT200 SA-BT203 Getting started and SC-BT203 for a variety of regions. -
Configure Surround Sound on an Intel NUC Or Comptue Stick
Surround Sound Setup Guide for NUC This guide will show the recommend method to setup surround sound through bitstreaming. Bitstreaming is the process whereby the NUC sends an un-encoded digital signal to an A/V receiver, to which the receiver will decode the signal, not the NUC, and often produces better quality sound, depending on the receiver. What is Needed: AV Receiver with HDMI or TOSLINK (SPDIF), if using optical audio Surround speakers (5.1 or 7.1) 2 HDMI cables or a TOSLINK cable (a mini DisplayPort to HDMI cable can also be used from the NUC to the Receiver) HDMI display, keyboard, mouse NUC running Windows* Media Player Classic* (https://mpc-hc.org/) 1. Download and install the latest Intel® graphics drivers (https://downloadcenter.intel.com/) 2. Connect the HDMI or mini DisplayPort cable from the NUC to an HDMI input of the AV receiver. If using TOSLINK on the NUC, connect the NUC’s TOSLINK output to a TOSLINK input on the receiver. 3. Start Windows* and download and install Media Player Classic* (MPC-HC) (http://mpc-hc.org/downloads/) 4. Open MPC-HC. On the Menu bar, click View, then Options. 5. On the left side menu tree, click on Internal Filters, then click on Video Decoder (on the bottom of the screen). 6. It’s suggested that Hardware Acceleration be used, especially if 4K content is played, choose a Hardware Acceleration option, then click OK. 7. If 4K or HEVC (h.265) content is going to be played, also select, HEVC, and UHD (4K). -
Model DV6500 User Guide Super Audio CD / DVD Player
E59M5UD.qx3 04.7.16 7:50 PM Page 1 Model DV6500 User Guide Super Audio CD / DVD Player CLASS 1 LASER PRODUCT E59M5UD.qx3 04.7.16 7:50 PM Page 2 TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, WARNING DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the CAUTION presence of uninsulated “dangerous voltage” within the RISK OF ELECTRIC SHOCK product’s enclosure that may be of sufficient magnitude DO NOT OPEN to constitute a risk of electric shock to persons. CAUTION: The exclamation point within an equilateral triangle is TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE intended to alert the user to the presence of important COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. operating and maintenance (servicing) instructions in the REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. literature accompanying the product. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOC ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. NOTE: Operating Environment This equipment has been tested and found to comply with the limits Operating environment temperature and humidity: for a Class B digital device, pursuant to Part 15 of the FCC Rules. +5 C to +35 C (+41 F to +95 F); less than 85%RH (cooling vents not These limits are designed to provide reasonable protection against blocked) Do not install in the following locations harmful interference in a residential installation. -
Introduction to DVD Carol Cini, U.S
Proceedings of the 8th Annual Federal Depository Library Conference April 12 - 15, 1999 Introduction to DVD Carol Cini, U.S. Government Printing Office Washington, DC DVD started out standing for Digital Video Disc, then Digital Versatile Disc, and now it’s just plain old DVD. It is essentially a bigger and faster CD that is being promoted for entertainment purposes (movies) and some computer applications. It will eventually replace audio CDs, VHS and Beta tapes, laserdiscs, CD-ROMs, and video game cartridges as more hardware and software manufacturers support this new technology. DVDs and CDs look alike. A CD is a single solid injected molded piece of carbonate plastic that has a layer of metal to reflect data to a laser reader and coat of clear laminate for protection. DVD is the same size as a CD but consists of two solid injected molded pieces of plastic bonded together. Like CDs, DVDs have a metalized layer (requires special metalization process) and are coated with clear laminate. Unlike CD's, DVD's can have two layers per side and have 4 times as many "pits" and "lands" as a CD. There are various types of DVD, including DVD-ROM, DVD-Video, DVD-Audio, DVD-R, and DVD-RAM. The specifications for these DVD's are as follows: for prerecorded DVD's; Book A - DVD-ROM, Book B - DVD-Video, and Book C- DVD-Audio. For recordable DVD's, there is Book D - DVD-R, Book E - DVD-RAM. The official DVD specification books are available from Toshiba after signing a nondisclosure agreement and paying a $5,000 fee.