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Looking Ahead Museum Sector Research May 2021 Summary Report
Aberdeen Art Gallery, joint winner Art Fund Museum of the Year 2020, © Marc Atkins/Art Fund 2020 Looking ahead Museum Sector Research May 2021 Summary Report [Art _ CONTENTS Introduction 5 Now 9 Next 19 The role of Art Fund 31 Conclusions 37 Gairloch Museum, joint winner Art Fund Museum of the Year 2020 © Marc Atkins/Art Fund 2020 INTRODUCTION What has emerged is a new We would like to thank our model for the museum, one in colleagues in museums and which the physical space of the galleries across the UK who, at a Almost exactly a year ago, I wrote We hope our findings will not museum is no longer dominant. point at which it felt like there was the introduction to Art Fund’s first only inform Art Fund’s charitable Instead, the museum is divided a new survey to fill out every other survey on the impact of Covid-19. programme, but also help other into three: on-site, on-line, and day, took the time to answer our At that time, our sector faced an organisations, funders and out in the community; each space questions and have yet another unprecedented crisis. One year agencies, across and beyond equally important and informed Zoom meeting. It is a privilege to later and little has changed: across the sector, understand where our by the other two. Alongside this is be part of a sector full of generous, the UK museums and galleries are continued support is most needed. new thinking about recovery: for creative, and dedicated people. only just starting to reopen, finances many, a continual growth model is The themes in this survey will not remain extremely precarious, untenable, and the sector must ask Sarah Philp be a surprise to anyone working in and the future uncertain. -
Journal Biological Curation
Journal of Biological Curation Volume 1, Number 1, 1989 Journal of Biological Curation Published by the Biology Curators' Group Editor Dr JH Mathias Keeper of Biology, Leicestershire Museums, Arts and Records Service, 96 New Walk, Leicester LE1 61D. Tel 0533.554100 Special Publications Editor Dr GReid Keeper of Biology, Horniman Museum and Library, London Road, Forest Hill, London SE23 3PQ. Tel 01.699.1872 Officers and Committee of the Biology Curators' Group Chairman Mr SP Garland, Bolton Museum Secretary Mr D Whiteley, Sheffield Museum Treasurer and Membership Secretary Ms K Way, Natural History Museum, London Committee Members, 1989-90 Mr A Coles, Sunderland Museum Mrs R Down, University College, London Ms C Fisher, Liverpool Museum Mr J Lee, Museum of North Devon, Barnstaple Mr W Milne, Kendal Museum Mr G Stansfield, Dept of Museum Studies, Leicester University Mr R Sutcliffe, Glasgow Museum Mr A Wright, Coventry Museum Geology Curators'Group Representative Ms D Smith, Haslemere Educational Museum The Biology Curators' Group was founded in 1975 with the following terms of reference: 1. To facilitate the exchange of information between individuals concerned with collectioruco l biological specimens and records, their conservation and interpretation. 2. To present the views of biological curators to the Museums Association and other bodi<a. BCG holds regular meetings, usually based on topical themes, and occasionally in association wi th other groups. There are usually two meetings a year, one in the Spring which incorpora te~ the AGM, and one in the Autumn. BCG publishes three Newsletters a year, one volume of the Journal of Biological Curation a ye· u , and a series ofSpecial Reports and leaflets as the need arises. -
PRESS RELEASE 01 May 2018
PRESS RELEASE 01 May 2018 ART FUND MUSEUM OF THE YEAR 2018 SHORTLIST FOR £100,000 PRIZE ANNOUNCED Art Fund this evening announced the five UK museums which have been selected as finalists for Art Fund Museum of the Year 2018, the world’s largest and most prestigious prize for museums. The museums are: Brooklands Museum, Weybridge Ferens Art Gallery, Hull Glasgow Women’s Library The Postal Museum, London Tate St Ives The winning museum, which will receive £100,000, will be announced at a ceremony at the Victoria and Albert Museum in London on Thursday 5 July 2018. The other four shortlisted museums will receive £10,000 each in recognition of their achievements. Art Fund awards the Museum of the Year prize annually to one outstanding museum, which, in the opinion of the judges, has shown exceptional imagination, innovation and achievement in the preceding year. This year’s jury, chaired by Stephen Deuchar, comprises: Ian Blatchford, director of the Science Museum Group; Rebecca Jones, BBC arts correspondent; Melanie Manchot, artist; and Monisha Shah, independent media consultant and Art Fund trustee. Speaking on behalf of the jury, Stephen Deuchar, director, Art Fund, said: ‘Above all, Art Fund Museum of the Year is a prize for exceptional originality and innovation. Each of our five finalists has tapped into very current concerns: the progress of Glasgow Women’s Library exemplifies the quickening march towards equality; the Postal Museum addresses our first social network; Brooklands is inspiring the next generation of engineers; and the Ferens Art Gallery in Hull and Tate St Ives are galvanising their communities around visual culture. -
Design Museum Annual Review 2017-2018
annual review 2017–18 designmuseum.org Annual Review 2017–18 Contents 3 Chairman’s Introduction 5 2017–18 Exhibitions 19 Designers in Residence 21 Learning 23 Research and Collection 25 The Global Museum 29 Building Partnerships 31 Engaging Audiences 33 Financial Review 35 Supporters Interior view of the Design Museum Chairman’s Introduction The Design Museum has now been open in its new Kensington home for 18 months and in this period it has welcomed more than 1m visitors, taught more than 60,000 learners in specific programmes, staged a series of critically acclaimed exhibitions, and run a provocative and engaging public programme. More recently the museum has won the European Museum of the Year award, further building upon these successes. We are proud of this achievement. In 2017–18 the museum sold a record 160,000 exhibition tickets and raised over £10m in income from admissions, commercial activities and fundraising efforts, doubling in scale from previous years at our former home in Shad Thames. This transformational achievement is the product of the imagination, continued commitment and generosity of our founder, Sir Terence Conran, the support of our donors and funders, an enterprising approach to running the museum and the sustained effort of our staff, volunteers and trustees. We have demonstrated that design is as much a part of the cultural landscape as contemporary art, music or theatre. The Design Museum’s purpose is to make the impact of design visible to the public, to policymakers, to educators, to industry and to entrepreneurs. We are a significant cultural institution with national and international stature that measures itself against the intellectual ambition of peers the world over. -
2019 WDLM Magazine – Spring/Summer
p01 Spring 2019 cover_P. 3- 19/02/2019 10:11 Page 1 Museum Magazine Spring Edition 2019 www.wealddown.co.uk p02-03 Spring 2019_P. 3- 19/02/2019 10:12 Page 2 Weald & Downland Living Museum Opening Dates and Times Open daily: from 1 January – 23 December Welcome 2019 Museum: 10.30am-6pm (shop closes 5.30pm) (during British Summer Time) The Museum took on a very different look and the natural 10.30am-4pm (outside British Summer and feel over the winter – but now world in and Time). Free car and coach parking. Dogs thoughts are turning towards the next around this out- on leads welcome. Waterside café, picnic few months and how we deliver our standing new areas and gift shop varied and exciting programme for 2019! exhibit. Waterside café: Open 7 days a week from In my first year at the Museum we have As we move 9am-5pm during BST and 9am-4pm at other seen real change in our approach to through the times. Breakfast served: 9am-12noon – ensuring a truly ‘living’ museum here at year do keep up to takeaway options available. Lunch served: 12 noon-3pm. Cake, drinks, ice-creams and the Weald & Downland and the team’s date with our many and varied activities items from our counter available all day. primary focus for the year is to develop an through our website and via social media The café is dog-friendly, with pets accepted outstanding programme of interpretation channels, where we are now well repre- in the first section of the interior space for the site. -
Please See the Application Pack
APPLICATION PACK Application deadline: 6 February 2019 Shortlist announcement: May 2019 Winner announcement: July 2019 artfund.org/museum-of-the-year #museumoftheyear Art Fund Museum of the Year 3 Art Fund Museum of the Year Recent winners and finalists 4 The biggest museum prize in the world, Art Fund Museum of the Year The judges 6 seeks out and celebrates innovation and exceptional achievement in museums and galleries across the UK. What the judges are looking for 8 We award one outstanding winner £100,000 and each of the other Our work with finalists 10 finalists £10,000 to support future activity. Eligibility 12 It’s a moment to spotlight the originality and creativity of the museum sector. During the process each year’s finalists – selected from How to apply 14 applications from museums of all kinds and sizes – typically see a major boost in attendance and profile, strengthened support from stakeholders What happens after you’ve applied 16 and wider public recognition. Winner announcement 17 The prize also helps to reinforce finalists’ relationships with their audiences both locally and nationally and to make new, Timeline 18 lasting connections. Terms and conditions 19 2 3 Recent winners and finalists Art Fund Museum of the Year has helped to draw national and international attention to the many and varied accomplishments of UK museums. 2018 Winner: Tate St Ives Celebrating the important contribution of 20th-century artists who lived and worked in Cornwall, Tate St Ives reopened in 2017 following a major redevelopment undertaken in close consultation with the community. Finalists: Brooklands Museum, Weybridge; Ferens Art Gallery, Hull; Glasgow Women’s Library; The Postal Museum, London 2017 Winner: The Hepworth Wakefield The gallery hosted a sequence of special exhibitions, saw the success of its inaugural Hepworth Prize for Sculpture, and showed a dedication to Atkins 2018 © Marc Ives, St Tate serving the local community. -
Annual Report 2002/2003
Annual report 2002/2003 Including Notice of the Annual General Meeting MUSEUMS ASSOCIATION ᭤ Image courtesy of the City Museum Gloucester Contents 1 Director’s Introduction 2 Legal & Administrative Details 3 Report of the Council 9 Independent Auditors’ Report 10 Statement of Financial Activities 11 Balance Sheet 12 Notes to the Financial Statements 18 Corporate Members2001-2002 19 AMA Recipients 2001-2002 20 Notice of the AGM Director’s Introduction In a profession where communication is The association is beginning to take a more everything, and interpretation and subtle and sophisticated look at its core explanation are the core of each activity, audience and tailor products and services how does the sector's professional body to their direct needs. Too often in the past communicate, interpret and explain to its the association has been seen to have the members? The association has been most direct appeal to a relatively small asking itself this question for quite some audience of directors and key decision time. In the past it would have had a simple makers. It is time this image was overthrown. answer: an article in Museums Journal, The remaining three years of the Forward an announcement at conference or a letter Plan will be dedicated to the delivery of in the post. services throughout the sector – services that will be delivered nationwide, services But these days, this simply won't suffice, that will be appropriate and necessary for and communication with the sector is members at all levels from directors to becoming an increasingly challenging area newly arrived entrants to the profession, for the association. -
WINNERS ANNOUNCED! Prestigious Industry Accolades Awarded to Leading Lights of the Museum and Heritage Sector
PRESS RELEASE May 17th, 2012 WINNERS ANNOUNCED! Prestigious industry accolades awarded to leading lights of the Museum and Heritage sector Visitor attractions from across the UK have been recognised for their remarkable achievements at the Museums + Heritage Awards for Excellence 2012. The winners and runners-up in each of the 11 categories were announced by broadcaster and comedienne Sue Perkins yesterday (May 16th) at 8 Northumberland in Central London. Now celebrating its tenth year, the annual Awards created by The Museums + Heritage Show, recognise projects of excellence ranging from groundbreaking achievements of national institutions to those crafted with limited resources and budget or those championing sustainability. Among the big winners of the Awards was the Heritage Lottery Fund which walked away with the 2012 Outstanding Contribution to the Sector accolade. Introducing the Award, Matthew Tanner, Director of Brunel's ss Great Britain, said: “Since its inception in 1994, the Heritage lottery Fund has been one of the most dominant forces for good in the heritage sector. It has supported 33,000 projects and awarded £5 billion – a truly staggering investment that has had an overwhelming and unprecedented impact on our cultural heritage and the lives of people in every town in the UK.” Accepting the award on behalf of the HLF, Trustee Kathy Gee, said: “This is simply great news. The Heritage Lottery Fund has been privileged to invest in the UK’s heritage for 18 years; from museums and parks to archaeology, the natural environment and our cultural traditions, the impact of Lottery funding has been transforming and to have our ‘outstanding contribution’ recognised like this is wonderful. -
Press Release: Hokusai: the Great Picture Book Of
Press release Rediscovered Hokusai drawings to go on display for the first time 30 September 2021 – 30 January 2022 Room 90 Sponsored by The Asahi Shimbun Press images: https://bit.ly/3boAP4G • This Autumn, over 100 newly rediscovered drawings by Japanese artist, Katsushika Hokusai (1760–1849) will go on public display for the very first time at the British Museum. • The exhibition, Hokusai: The Great Picture Book of Everything, will open on 30 September 2021, sponsored by The Asahi Shimbun. • Created as illustrations for an unpublished book, The Great Picture Book of Everything, the drawings came to light in 2019 and were purchased by the British Museum last year, thanks to the Theresia Gerda Buch Bequest with support from Art Fund. • The beautiful drawings will be in print for the first time since their creation, for the accompanying book, Hokusai: The Great Picture Book of Everything, by Timothy Clark, published by the British Museum. The existence of these exquisite small drawings – 103 in total – had been forgotten for the past 70 years. Formerly owned by the collector and Art Nouveau jeweller Henri Vever (1854–1942), they resurfaced in Paris in 2019, the same city where they were last publicly recorded, at an auction in 1948. The drawings are thought to have been in a private collection in France in the intervening years and unknown to the wider world. The drawings illustrate a broad range of subjects related to China, India and the natural world: from religious, mythological, historical, and literary figures, to animals, birds and flowers and other natural phenomena, as well as landscapes. -
Handbook Lifelong Learning in Museums
������������������������������ ������������������������������ �������������������� ������������������������������������������������������� ������������������� 4PP LLML Handbook Cover ENGLISH r2.indd 1 14/03/2007 22:00:18 ������������� ������������������������������������ ������������� ����������������������������������� ��������������� ������������������������ ��������������� ������������������� ��������������� ��������������������������������� ������������������������� ��������������������������������� �������������������������������� ���������������������������� ������������������� ���������������������������� ���������������������������������� ��������������� ������������������������� ���������������� ������������� ������������� ���������������������������� ������������������� ���������������� ���������������������������������� ����������������� ��������������������������� ���������������� ������������������ � ��������������� ��������������������������������� �������������������������� �������������������� ����������������������� ��������������������������� ���������������� ������������������ ��������������� ������������������������ ������������������ ����������������� ��������������� ��������������������������� ���������������� ����������������������������������� ��������������������������� ������������������������������������� ������������ �������������� �������������������� ���������������������������������� ���������������������������������������������� ���������������������������� ������������������������������������������������ -
World-Class Creative Talent 1 World-Class Creative Talent
World-class creative talent 1 World-class creative talent London 2012 Olympic cauldron Heatherwick Studio 2 World-class creative talent World-class creative talent 3 Contents © Jason Hawkes Introduction Black Sun 44 fst Marketing 66 Make Architects 88 Seymourpowell 110 Overview 04 Brandwave Marketing 45 FutureBrand 67 Malcolm Reading Consultants 89 Skylab 111 Reasons to use British designers 08 The British Museum 46 Grant Associates 68 MBA 90 Smyle Creative 112 Sectors Brody Associates 47 Graven 69 Metaphor 91 Softroom 113 Cultural developments 10 Brunswick Arts 48 Haley Sharpe Design 70 Metaphorm Architects 92 Sportsworld Group 114 Transport 14 Capita 49 Hawkins\Brown 71 Morris Hargreaves McIntyre 93 Stage One 115 Healthcare 18 City ID 50 Heatherwick Studio 72 Mother 94 StartJG 116 Global Sports 22 Cogapp 51 HH Global 73 Moving Brands 95 tangerine 117 Retail and commercial 26 Crawley Creatures 52 Holmes and Marchant 74 New Moon 96 The Edge Picture Company 118 World-class creative talent 30 CTN Communications 53 Honour Branding 75 Pagefield Communications 97 Tinopolis Group 119 ADCreative London 32 Dalziel and Power 54 Illustrious Company 76 PearsonLloyd 98 United Visual Artists 120 Adjaye Associates 33 Deltatre 55 Industry 77 Pharmiweb Solutions 99 Universal Design Studio 121 Adrian Fisher Design 34 Design by Structure 56 Jane Wentworth Associates 78 Photolink Creative Group 100 V&A 122 Air Design 35 Designwerk 57 Jason Bruges Studio 79 PinkGreen Creative 101 Vision by RP 123 AKQA 36 DrillBoard Worldwide 58 John McAslan 80 Populous 102 -
Global Images SECU DAILY PLANET at the NORTH CAROLINA MUSEUM of NATURAL Sciences - See Page 24
17 WORLD GLOBAL IMAGES SECU DAILY PLANET AT THE NORTH CAROLINA MUSEUM OF NATURAL SCIENCES - See Page 24 CALIFORNIA TRAFFIC PAGE 21 SCOttISH MEDIA CENTRE PAGE 8 SINGAPORE SHIPWRECK PAGE 31 TURKEY PLANETARIUM PAGE 50 WORLD 17 WFOE IN CHINA Electrosonic has had a representative office in China for several years. It was an essential resource when WELCOME Electrosonic was undertaking several projects at EXPO 2010 (as reported in ELECTROSONIC WORLD to the 17th Edition of No 16). However, it was not able to trade in China ELECTROSONIC WORLD. - all invoicing had to be in foreign currencies, and The “occasional publication” involved much bureaucracy. from Electrosonic that In 2012, Electrosonic’s Shanghai office was reviews some of the many designated a Wholly Foreign Owned Enterprise projects undertaken by (WFOE), an officially registered limited liability the company over the corporation. This important step forward allows past couple of years. Electrosonic to continue to pursue new business It is unfortunately the opportunities in China as a legally licensed design case that a single publication cannot give a wholly consulting and systems integration company, able to balanced picture of the company’s business since the invoice in local currency, while maintaining full control majority of corporate customers, and a handful of of business operations. entertainment customers, do not allow information Electrosonic’s China operations conducts business about their projects to be published. Nonetheless under the new legal name, Electrosonic Audio- the sheer variety of the projects, both in terms of Visual Technology (Shanghai) Co., Ltd. It is currently geography and technology, described in this issue will working with major owner-operators, and design give a good idea of the company’s broad experience and production companies, as well as developing and capabilities.