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Looking Ahead Museum Sector Research May 2021 Summary Report
Aberdeen Art Gallery, joint winner Art Fund Museum of the Year 2020, © Marc Atkins/Art Fund 2020 Looking ahead Museum Sector Research May 2021 Summary Report [Art _ CONTENTS Introduction 5 Now 9 Next 19 The role of Art Fund 31 Conclusions 37 Gairloch Museum, joint winner Art Fund Museum of the Year 2020 © Marc Atkins/Art Fund 2020 INTRODUCTION What has emerged is a new We would like to thank our model for the museum, one in colleagues in museums and which the physical space of the galleries across the UK who, at a Almost exactly a year ago, I wrote We hope our findings will not museum is no longer dominant. point at which it felt like there was the introduction to Art Fund’s first only inform Art Fund’s charitable Instead, the museum is divided a new survey to fill out every other survey on the impact of Covid-19. programme, but also help other into three: on-site, on-line, and day, took the time to answer our At that time, our sector faced an organisations, funders and out in the community; each space questions and have yet another unprecedented crisis. One year agencies, across and beyond equally important and informed Zoom meeting. It is a privilege to later and little has changed: across the sector, understand where our by the other two. Alongside this is be part of a sector full of generous, the UK museums and galleries are continued support is most needed. new thinking about recovery: for creative, and dedicated people. only just starting to reopen, finances many, a continual growth model is The themes in this survey will not remain extremely precarious, untenable, and the sector must ask Sarah Philp be a surprise to anyone working in and the future uncertain. -
Journal Biological Curation
Journal of Biological Curation Volume 1, Number 1, 1989 Journal of Biological Curation Published by the Biology Curators' Group Editor Dr JH Mathias Keeper of Biology, Leicestershire Museums, Arts and Records Service, 96 New Walk, Leicester LE1 61D. Tel 0533.554100 Special Publications Editor Dr GReid Keeper of Biology, Horniman Museum and Library, London Road, Forest Hill, London SE23 3PQ. Tel 01.699.1872 Officers and Committee of the Biology Curators' Group Chairman Mr SP Garland, Bolton Museum Secretary Mr D Whiteley, Sheffield Museum Treasurer and Membership Secretary Ms K Way, Natural History Museum, London Committee Members, 1989-90 Mr A Coles, Sunderland Museum Mrs R Down, University College, London Ms C Fisher, Liverpool Museum Mr J Lee, Museum of North Devon, Barnstaple Mr W Milne, Kendal Museum Mr G Stansfield, Dept of Museum Studies, Leicester University Mr R Sutcliffe, Glasgow Museum Mr A Wright, Coventry Museum Geology Curators'Group Representative Ms D Smith, Haslemere Educational Museum The Biology Curators' Group was founded in 1975 with the following terms of reference: 1. To facilitate the exchange of information between individuals concerned with collectioruco l biological specimens and records, their conservation and interpretation. 2. To present the views of biological curators to the Museums Association and other bodi<a. BCG holds regular meetings, usually based on topical themes, and occasionally in association wi th other groups. There are usually two meetings a year, one in the Spring which incorpora te~ the AGM, and one in the Autumn. BCG publishes three Newsletters a year, one volume of the Journal of Biological Curation a ye· u , and a series ofSpecial Reports and leaflets as the need arises. -
FNL Annual Report 2018
Friends of the National Libraries 1 CONTENTS Administrative Information 2 Annual Report for 2018 4 Acquisitions by Gift and Purchase 10 Grants for Digitisation and Open Access 100 Address by Lord Egremont 106 Trustees’ Report 116 Financial Statements 132 2 Friends of the National Libraries Administrative Information Friends of the National Libraries PO Box 4291, Reading, Berkshire RG8 9JA Founded 1931 | Registered Charity Number: 313020 www.friendsofnationallibraries.org.uk [email protected] Royal Patron: HRH The Prince of Wales Chairman of Trustees: to June 28th 2018: The Lord Egremont, DL, FSA, FRSL from June 28th 2018: Mr Geordie Greig Honorary Treasurer and Trustee: Mr Charles Sebag-Montefiore, FSA, FCA Honorary Secretary: Dr Frances Harris, FSA, FRHistS (to June 28th 2018) Membership Accountant: Mr Paul Celerier, FCA Secretary: Mrs Nell Hoare, MBE FSA (from June 28th 2018) Administrative Information 3 Trustees Scottish Representative Dr Iain Brown, FSA, FRSE Ex-officio Dr Jessica Gardner General Council University Librarian, University of Cambridge Mr Philip Ziegler, CVO Dr Kristian Jensen, FSA Sir Tom Stoppard, OM, CBE Head of Arts and Humanities, British Library Ms Isobel Hunter Independent Auditors Secretary, Historical Manuscripts Commission Knox Cropper, 65 Leadenhall Street, London EC3A 2AD (to 28th February 2018) Roland Keating Investment Advisers Chief Executive, British Library Cazenove Capital Management Dr Richard Ovenden London Wall Place, London EC2Y 5AU Bodley’s Librarian, Bodleian Libraries Dr John Scally Principal -
PRESS RELEASE 01 May 2018
PRESS RELEASE 01 May 2018 ART FUND MUSEUM OF THE YEAR 2018 SHORTLIST FOR £100,000 PRIZE ANNOUNCED Art Fund this evening announced the five UK museums which have been selected as finalists for Art Fund Museum of the Year 2018, the world’s largest and most prestigious prize for museums. The museums are: Brooklands Museum, Weybridge Ferens Art Gallery, Hull Glasgow Women’s Library The Postal Museum, London Tate St Ives The winning museum, which will receive £100,000, will be announced at a ceremony at the Victoria and Albert Museum in London on Thursday 5 July 2018. The other four shortlisted museums will receive £10,000 each in recognition of their achievements. Art Fund awards the Museum of the Year prize annually to one outstanding museum, which, in the opinion of the judges, has shown exceptional imagination, innovation and achievement in the preceding year. This year’s jury, chaired by Stephen Deuchar, comprises: Ian Blatchford, director of the Science Museum Group; Rebecca Jones, BBC arts correspondent; Melanie Manchot, artist; and Monisha Shah, independent media consultant and Art Fund trustee. Speaking on behalf of the jury, Stephen Deuchar, director, Art Fund, said: ‘Above all, Art Fund Museum of the Year is a prize for exceptional originality and innovation. Each of our five finalists has tapped into very current concerns: the progress of Glasgow Women’s Library exemplifies the quickening march towards equality; the Postal Museum addresses our first social network; Brooklands is inspiring the next generation of engineers; and the Ferens Art Gallery in Hull and Tate St Ives are galvanising their communities around visual culture. -
Design Museum Annual Review 2017-2018
annual review 2017–18 designmuseum.org Annual Review 2017–18 Contents 3 Chairman’s Introduction 5 2017–18 Exhibitions 19 Designers in Residence 21 Learning 23 Research and Collection 25 The Global Museum 29 Building Partnerships 31 Engaging Audiences 33 Financial Review 35 Supporters Interior view of the Design Museum Chairman’s Introduction The Design Museum has now been open in its new Kensington home for 18 months and in this period it has welcomed more than 1m visitors, taught more than 60,000 learners in specific programmes, staged a series of critically acclaimed exhibitions, and run a provocative and engaging public programme. More recently the museum has won the European Museum of the Year award, further building upon these successes. We are proud of this achievement. In 2017–18 the museum sold a record 160,000 exhibition tickets and raised over £10m in income from admissions, commercial activities and fundraising efforts, doubling in scale from previous years at our former home in Shad Thames. This transformational achievement is the product of the imagination, continued commitment and generosity of our founder, Sir Terence Conran, the support of our donors and funders, an enterprising approach to running the museum and the sustained effort of our staff, volunteers and trustees. We have demonstrated that design is as much a part of the cultural landscape as contemporary art, music or theatre. The Design Museum’s purpose is to make the impact of design visible to the public, to policymakers, to educators, to industry and to entrepreneurs. We are a significant cultural institution with national and international stature that measures itself against the intellectual ambition of peers the world over. -
2019 WDLM Magazine – Spring/Summer
p01 Spring 2019 cover_P. 3- 19/02/2019 10:11 Page 1 Museum Magazine Spring Edition 2019 www.wealddown.co.uk p02-03 Spring 2019_P. 3- 19/02/2019 10:12 Page 2 Weald & Downland Living Museum Opening Dates and Times Open daily: from 1 January – 23 December Welcome 2019 Museum: 10.30am-6pm (shop closes 5.30pm) (during British Summer Time) The Museum took on a very different look and the natural 10.30am-4pm (outside British Summer and feel over the winter – but now world in and Time). Free car and coach parking. Dogs thoughts are turning towards the next around this out- on leads welcome. Waterside café, picnic few months and how we deliver our standing new areas and gift shop varied and exciting programme for 2019! exhibit. Waterside café: Open 7 days a week from In my first year at the Museum we have As we move 9am-5pm during BST and 9am-4pm at other seen real change in our approach to through the times. Breakfast served: 9am-12noon – ensuring a truly ‘living’ museum here at year do keep up to takeaway options available. Lunch served: 12 noon-3pm. Cake, drinks, ice-creams and the Weald & Downland and the team’s date with our many and varied activities items from our counter available all day. primary focus for the year is to develop an through our website and via social media The café is dog-friendly, with pets accepted outstanding programme of interpretation channels, where we are now well repre- in the first section of the interior space for the site. -
53889 File.Pdf
ReseaRch bulletin 2008 02/03 FOReWORD Welcome to the third edition of the V&A Research CHRISTOPHER BREWARD Bulletin. The summaries of the research projects ACTING HEAD OF RESEARCH undertaken by the Museum’s curators, conservators, educators, students and fellows during 2008 are 04/05 ReseaRch FOR GalleRies representative of a much broader range of collections, anD eXhibitiOns exhibitions, gallery and web-related work, full DIAGHILEV AND THE GOLDEN AGE listings of which can be found in the online V&A OF THE BALLETS RUSSES 1909–1929 Research Report (http://www.vam.ac.uk/res/ (GEOFFREY MARSH, JANE PRITCHARD) cons/research_reports) LEARNING AND INTERPRETATION (JULIETTE FRITSCH) The content and format of the research highlighted MAHARAJA: THE SPLENDOUR here supports the V&A’s mission to be acknowledged OF INDIA’S ROYAL COURTS WORD and respected as the world’s leading museum of (ANNA JACKSON) art and design. It ranges from the sculpture and e ntents REDISPLAY OF THE CERAMICS GALLERIES furniture woods of Britain to the splendours of (HILARY YOUNG) India’s royal courts and the glory of Russia’s dance TELLING TALES, NARRATIVE IN DESIGN ART heritage, and aims to be truly global in its impact. (GARETH WILLIAMS) The resulting publications, touring exhibitions and THE WILLIAM AND JUDITH BOLLINGER web-resources will reach national and international JEWELLERY GALLERY audiences, increasing knowledge, understanding Co (RICHARD EDGCUMBE) and enjoyment of the designed world. 16/ 17 ReseaRch FOR PublicatiOn FOR We hope you enjoy this insight into the activities MEDIEVAL AND RENAISSANCE GALLERIES that underpin the public outputs of the V&A, and (GLYN DAVIES, KIRSTIN KENNEDY) we thank our sponsors, partners, staff and students TIMBERS USED IN BRITISH for playing a part in their successful execution. -
Please See the Application Pack
APPLICATION PACK Application deadline: 6 February 2019 Shortlist announcement: May 2019 Winner announcement: July 2019 artfund.org/museum-of-the-year #museumoftheyear Art Fund Museum of the Year 3 Art Fund Museum of the Year Recent winners and finalists 4 The biggest museum prize in the world, Art Fund Museum of the Year The judges 6 seeks out and celebrates innovation and exceptional achievement in museums and galleries across the UK. What the judges are looking for 8 We award one outstanding winner £100,000 and each of the other Our work with finalists 10 finalists £10,000 to support future activity. Eligibility 12 It’s a moment to spotlight the originality and creativity of the museum sector. During the process each year’s finalists – selected from How to apply 14 applications from museums of all kinds and sizes – typically see a major boost in attendance and profile, strengthened support from stakeholders What happens after you’ve applied 16 and wider public recognition. Winner announcement 17 The prize also helps to reinforce finalists’ relationships with their audiences both locally and nationally and to make new, Timeline 18 lasting connections. Terms and conditions 19 2 3 Recent winners and finalists Art Fund Museum of the Year has helped to draw national and international attention to the many and varied accomplishments of UK museums. 2018 Winner: Tate St Ives Celebrating the important contribution of 20th-century artists who lived and worked in Cornwall, Tate St Ives reopened in 2017 following a major redevelopment undertaken in close consultation with the community. Finalists: Brooklands Museum, Weybridge; Ferens Art Gallery, Hull; Glasgow Women’s Library; The Postal Museum, London 2017 Winner: The Hepworth Wakefield The gallery hosted a sequence of special exhibitions, saw the success of its inaugural Hepworth Prize for Sculpture, and showed a dedication to Atkins 2018 © Marc Ives, St Tate serving the local community. -
Annual Report 2002/2003
Annual report 2002/2003 Including Notice of the Annual General Meeting MUSEUMS ASSOCIATION ᭤ Image courtesy of the City Museum Gloucester Contents 1 Director’s Introduction 2 Legal & Administrative Details 3 Report of the Council 9 Independent Auditors’ Report 10 Statement of Financial Activities 11 Balance Sheet 12 Notes to the Financial Statements 18 Corporate Members2001-2002 19 AMA Recipients 2001-2002 20 Notice of the AGM Director’s Introduction In a profession where communication is The association is beginning to take a more everything, and interpretation and subtle and sophisticated look at its core explanation are the core of each activity, audience and tailor products and services how does the sector's professional body to their direct needs. Too often in the past communicate, interpret and explain to its the association has been seen to have the members? The association has been most direct appeal to a relatively small asking itself this question for quite some audience of directors and key decision time. In the past it would have had a simple makers. It is time this image was overthrown. answer: an article in Museums Journal, The remaining three years of the Forward an announcement at conference or a letter Plan will be dedicated to the delivery of in the post. services throughout the sector – services that will be delivered nationwide, services But these days, this simply won't suffice, that will be appropriate and necessary for and communication with the sector is members at all levels from directors to becoming an increasingly challenging area newly arrived entrants to the profession, for the association. -
WINNERS ANNOUNCED! Prestigious Industry Accolades Awarded to Leading Lights of the Museum and Heritage Sector
PRESS RELEASE May 17th, 2012 WINNERS ANNOUNCED! Prestigious industry accolades awarded to leading lights of the Museum and Heritage sector Visitor attractions from across the UK have been recognised for their remarkable achievements at the Museums + Heritage Awards for Excellence 2012. The winners and runners-up in each of the 11 categories were announced by broadcaster and comedienne Sue Perkins yesterday (May 16th) at 8 Northumberland in Central London. Now celebrating its tenth year, the annual Awards created by The Museums + Heritage Show, recognise projects of excellence ranging from groundbreaking achievements of national institutions to those crafted with limited resources and budget or those championing sustainability. Among the big winners of the Awards was the Heritage Lottery Fund which walked away with the 2012 Outstanding Contribution to the Sector accolade. Introducing the Award, Matthew Tanner, Director of Brunel's ss Great Britain, said: “Since its inception in 1994, the Heritage lottery Fund has been one of the most dominant forces for good in the heritage sector. It has supported 33,000 projects and awarded £5 billion – a truly staggering investment that has had an overwhelming and unprecedented impact on our cultural heritage and the lives of people in every town in the UK.” Accepting the award on behalf of the HLF, Trustee Kathy Gee, said: “This is simply great news. The Heritage Lottery Fund has been privileged to invest in the UK’s heritage for 18 years; from museums and parks to archaeology, the natural environment and our cultural traditions, the impact of Lottery funding has been transforming and to have our ‘outstanding contribution’ recognised like this is wonderful. -
Press Release: Hokusai: the Great Picture Book Of
Press release Rediscovered Hokusai drawings to go on display for the first time 30 September 2021 – 30 January 2022 Room 90 Sponsored by The Asahi Shimbun Press images: https://bit.ly/3boAP4G • This Autumn, over 100 newly rediscovered drawings by Japanese artist, Katsushika Hokusai (1760–1849) will go on public display for the very first time at the British Museum. • The exhibition, Hokusai: The Great Picture Book of Everything, will open on 30 September 2021, sponsored by The Asahi Shimbun. • Created as illustrations for an unpublished book, The Great Picture Book of Everything, the drawings came to light in 2019 and were purchased by the British Museum last year, thanks to the Theresia Gerda Buch Bequest with support from Art Fund. • The beautiful drawings will be in print for the first time since their creation, for the accompanying book, Hokusai: The Great Picture Book of Everything, by Timothy Clark, published by the British Museum. The existence of these exquisite small drawings – 103 in total – had been forgotten for the past 70 years. Formerly owned by the collector and Art Nouveau jeweller Henri Vever (1854–1942), they resurfaced in Paris in 2019, the same city where they were last publicly recorded, at an auction in 1948. The drawings are thought to have been in a private collection in France in the intervening years and unknown to the wider world. The drawings illustrate a broad range of subjects related to China, India and the natural world: from religious, mythological, historical, and literary figures, to animals, birds and flowers and other natural phenomena, as well as landscapes. -
Handbook Lifelong Learning in Museums
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