Hard Report December 5, 1986 Issue #8 (609) 654-7272
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Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
••TEE DIN 02.Qxp 12/12/08 17:07 Page 1
••TEE_DIN 02.qxp 12/12/08 17:07 Page 1 CYCLE DE CONFÉRENCES « TRANS EUROPE EXPRESS » LES MUSIQUES ACTUELLES EUROPEENNES EN QUESTIONS 30ÈMES TRANS CHRONIQUES EUROPÉENNES ••TEE_DIN 02.qxp 28/11/08 19:22 Page 2 Ces Trans sont exceptionnelles à plus d’un titre : nous fêtons la Certes, il y avait bien d’autres façons d’aborder la question de trentième édition du festival et nous y présentons le projet notre "européanité". Mais en matière d’art, y a-t-il autre chose "Chroniques européennes" dans le cadre de la Saison culturelle que des points de vue, autre chose que des partis pris ? européenne. Reconnaissons les nôtres : nous avons choisi une approche par l’exemple et qui plus est, une approche par artistes, quelques Europe et festival pouvant se ressentir par leur géographie et artistes. Festival connu pour ses choix hardis en programma- leur histoire, nous avons choisi de croiser en permanence ces tion, nous avons choisi d’accrocher le fil de nos interrogations deux territoires d’imagination et d’investigation et de déborder sur ces artistes qui nous ont marqués de leur singularité. largement du cadre habituel du festival pour entreprendre une Reconnaissons donc nos lacunes d’amateurs passionnés pour exploration des scènes musiques actuelles. qui l’émotion et la sensation priment sur la prétention à faire œuvre de science. Et le "Jeu de l’ouïe", projet d’éducation artistique des Trans et des Champs libres, s’est naturellement prêté à cette nouvelle Tous les artistes auxquels vous pensez, tous ceux là aussi font règle. Règle que nous avons respectée même quand elle écarte partie de notre histoire culturelle mais nous n’avions pas le de notre propos les pays non membres de l’Union Européenne temps. -
Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034 -
Enharmonic Paradoxes in Classical, Neoclassical, and Popular Music By
Enharmonic Paradoxes in Classical, Neoclassical, and Popular Music by Haley Britt Beverburg Reale A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2011 Doctoral Committee: Associate Professor Ramon Satyendra, Chair Professor Walter T. Everett Professor Kevin E. Korsyn Professor Herbert Graves Winful Associate Professor Wayne C. Petty © Haley Britt Beverburg Reale 2011 Dedication36B To my husband ii Acknowledgements37B I could not have completed this dissertation without the support of numerous people. I would especially like to thank my adviser, Ramon Satyendra, for his encouragement and boundless optimism through the whole process. He never failed to receive my ideas with enthusiasm and give me the confidence to pursue them, and his wide-ranging knowledge and helpful suggestions sparked many bursts of creativity over the past several years. I would also like to thank the other members of my dissertation committee— Kevin Korsyn, Wayne Petty, Walter Everett, and Herbert Winful—for their advice and support. Their expertise in diverse subjects was invaluable to me, and they were always willing and able to answer my many questions. I also had the privilege of working with and being inspired by many other faculty members at the University of Michigan. Special thanks to Karen Fournier for being a sounding board for many of my research ideas and for being a great listener. Additionally, I would like to acknowledge the Rackham School of Graduate Studies, especially Dean Steven M. Whiting, for financial support throughout my time at the University of Michigan. The teaching assistantships, fellowships, and travel grants for presenting at conferences gave me the means to pursue my research. -
B-Sides and Rarities, 1978–2001
Tracks: CD1 1978-1987 10:15 SATURDAY NIGHT PLASTIC PASSION Join The Dots: B-Sides And Rarities, PILLBOX TALES ROCK DO THE HANSA I’M COLD 1978–2001 (The Fiction Years) ANOTHER JOURNEY BY TRAIN DESCENT SPLINTERED IN HER HEAD LAMENT (Flexipop Version) 4 Treasure-Packed CDs Chronicling the Flip Side of The Cure’s JUST ONE KISS THE DREAM FILE UNDER: Phenomenal Success—5 Hours of B-Sides, Rarities, and More! THE UPSTAIRS ROOM LAMENT SPEAK MY LANGUAGE MR. PINK EYES BACKGROUND HAPPY THE MAN Album Facts THROW YOUR FOOT Originally a post-punk outfit NEW DAY with Goth leanings, The Cure The Cure’s first boxed-set collection in the U.S.! THE EXPLODING BOY evolved into one of the 4 CDs totaling almost five hours of brilliantly remastered music! A FEW HOURS AFTER THIS seminal bands to emerge A MAN INSIDE MY MOUTH from the ’80s, and ultimately 70 rarities include tracks only available on radio samplers, STOP DEAD one of the most celebrated promo-only releases, 12" vinyl dance discs, movie soundtracks, and enduring contemporary and much more! pop-rock acts—albeit one 10 previously unreleased gems: “Possession”; “How Beautiful CD2 1987-1992 CD4 1996-2001 ALSO AVAILABLE: with left-of-center leanings, You Are;” “To The Sky;” an acoustic mix of “Maybe Someday;” Pictures Of You/ always used to great “Just Say Yes” (2001 Curve Mix); a 2001 version of “A Forest” A JAPANESE DREAM HOME Fear Of Ghosts dramatic effect. The band with Earl Slick on guitar; a 12" version of “Doing The Unstuck;” BREATHE WAITING 2-Track CD Single A CHAIN OF FLOWERS A PINK DREAM -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
L'étranger E a Transposição Midiática Killing an Arab
Http://online.unisc.br/seer/index.php/signo ISSN on-line: 1982-2014 Doi: 10.17058/signo.v43i76.10676 Recebido em 02 de Setembro de 2016 Aceito em 15 de Março de 2018 Autor para contato: [email protected] L’étranger e a transposição midiática Killing an Arab L'étranger and the mediatic transposition Killing an Arab Victória Elizabeth dos Santos Ana Luiza Ramazzina Ghirardi Universidade Federal de São Paulo – UNIFESP – São Paulo – Brasil Resumo: O presente artigo tem como objetivo analisar como ocorre a transposição midiática do romance L’étranger (1942) de Albert Camus para a música Killing an Arab (1978) da banda inglesa The Cure. A partir de trechos selecionados do romance e da letra da música, foi possível fazer diferenciações pelo contexto histórico de produção das duas obras, analisá-las segundo conceitos de intertextualidade de Koch (2012) e Marcuschi (2008). Para definições de transmodalização e intermidialidade foram utilizados Gaudreault (2008), Clüver (2007), Rajewski (2012) e Genette (2006). Foi feita também uma análise direta dos trechos das obras, estabelecendo suas semelhanças e diferenças a partir da leitura dos conceitos estudados por Silva (2013). Palavras-chave: Intermidialidade. Transmodalização. Intertextualidade. Albert Camus. The Cure. Abstract: The article aims at analyzing mediact transposition of Albert Camus’ novel L’étranger (1942) into the song Killing an Arab (1978) by the British band The Cure. Excerpts from the song and the novel were discussed having as historical background the context for the production of both works and as theoretical framework the studies on intertextuality by Koch (2012) and Marcuschi (2008). Gaudreault (2008), Clüver (2007), Rajewski (2012) and Genette (2006) were the basis for the discussions on transmodalization and intermediality. -
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger on the Shore Acoustic Moods Ensemble Love Is a Losing Game Acoustic Moods Ensemble As Tears Go BY Acoustic Moods Ensemble Martha's Harbour Acoustic Moods Ensemble Guantanamera Acoustic Moods Ensemble Golden Brown Acoustic Moods Ensemble Because The Night Acoustic Moods Ensemble Make It Easy on Yourself Acoustic Moods Ensemble Walk on By Acoustic Moods Ensemble Something Stupid Acoustic Moods Ensemble Cavatina Acoustic Moods Ensemble Summer Breeze Acoustic Moods Ensemble Miss You Nights Acoustic Moods Ensemble Save the Last Dance For Me Acoustic Moods Ensemble Hotel California Acoustic Moods Ensemble Wonderful Tonight Acoustic Moods Ensemble Something Acoustic Moods Ensemble While My Guitar Gently Weeps Acoustic Moods Ensemble Lay Lady Lay Acoustic Moods Ensemble Fields Of Gold Acoustic Moods Ensemble The Wind Beneath My Wings Acoustic Moods Ensemble Wonderful Land Acoustic Moods Ensemble Time In a Bottle Acoustic Moods Ensemble And I Love Her Acoustic Moods Ensemble Yesterday Acoustic Moods Ensemble Here, There and Everywhere Acoustic Moods Ensemble Moon River Acoustic Moods Ensemble Nights In White Satin Acoustic Moods Ensemble Blue Moon Acoustic Moods Ensemble Wonderwall Acoustic Moods Ensemble La Isla Bonita Acoustic Moods Ensemble The Sound of Silence Acoustic Moods Ensemble Time After Time Acoustic Moods Ensemble I Don’t Want to Talk About IT Acoustic Moods Ensemble I'll Stand By You Acoustic Moods Ensemble In Sleep I Dream Of You Acoustic Moods Ensemble In The -
Cats Topple Paceaiii Cattoie
. i^hAb c» ^ (• 1 of the ViUanowa students /,- are rnpOar qjcatne uaai are marijuana aittwtluMB HartaratM mams from VDlanova students aad administrator that there is lay drug use here than at other The Xev. John P. Stack, O.S A., MHw Green. mBrghtfe cMMtriUmt ground of most Villanova stu- of studenu, said that cur- ier drags and alcohol dents, in which they have been rently there are a '*few students taaght to look down on" the use and two University employees" ' topple Can- of tnese iUegal drugs. being investigated for Cats Paceaiii Cattoie involve- W juana and cocaine are used, times that students have been sakant for Aloohel, Dn«s awi According to a Villanova stu- ment with itl^l drugs. He said especially subsequent possession, defensive game would continue to be a de^ at off-campus parties, confronted by resklent assist- IflkaiGfPaen, said tet *^illaao¥a dent who has been using mari- that by far By EUAS A. PAPSON back John McGowan inteixrepted a "the drug of choice is the actual use of drugs on this ants" on suspicmn of illegal ensive struggle. Neither saieeoold * drug isJMiditfercnt frooiifliNr icbools juana for over three So far this season, the Wildcat years, "the akohol," and that the nu^ority of campus is probably second down pass and gave the get much offense generfcted^hfi the not as bad as use. V foott)all squad has been a second dasji of people wlio gD hereto not students '*are coming from back- some others," Cats the ball on their own 34 yard initial stanxg. -
Cured: the Tale of Two Imaginary Boys by Lol Tolhurst
Cured: The Tale of Two Imaginary Boys by Lol Tolhurst Ebook Cured: The Tale of Two Imaginary Boys currently available for review only, if you need complete ebook Cured: The Tale of Two Imaginary Boys please fill out registration form to access in our databases Download here >> Hardcover:::: 312 pages+++Publisher:::: Da Capo Press (October 11, 2016)+++Language:::: English+++ISBN-10:::: 9780306824289+++ISBN- 13:::: 978-0306824289+++ASIN:::: 0306824280+++Product Dimensions::::6.2 x 1 x 9.2 inches++++++ ISBN10 9780306824289 ISBN13 978-0306824 Download here >> Description: On our first day of school, Robert and I stood at the designated stop at Hevers Avenue with our mothers, and thats when we met for the very first time. We were five years old.So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums-such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me-remain among the best-loved and most influential of all time.As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didnt have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowies Berlin Trilogy. First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like Boys Dont Cry, Just Like Heaven, and Why Cant I Be You?, spearheading a new subculture dubbed Goth by the press. -
From Solitude to Solidarity: the Significance of Love in Camus’ Philosophy of Affirmation1
TALISIK: An Undergraduate Journal of Philosophy From Solitude to Solidarity: The Significance of Love in Camus’ Philosophy of Affirmation1 Myreen C. Raginio University of Santo Tomas [email protected] Abstract: Albert Camus sought to envision his works to express negation, affirmation, and love in a progressive manner. Negation found its expression in The Myth of Sisyphus, The Stranger and Caligula; while affirmation was conveyed in The Rebel, The Plague, and The State of Siege. Love, however, was left unexpressed due to Camus’ untimely death. When Camus died on January 4, 1960, a draft of an autobiographical work entitled Le Premiere Homme (The First Man), was found inside his suitcase. This work was supposed to be part of the third phase of Camus’ works which would purportedly discuss about love. The main aim of this research project therefore is to expose Camus’ notion of love and prove its significance in his philosophy of affirmation. It will make use of the triads included in Camus’ projected works – finished and unfinished – in extracting the meaning of love and in proving that love has a vital role in his philosophy. The work desires to address the main problem in three ways: firstly, to discuss Camus’ philosophy of affirmation; secondly, to elucidate his notion of love by extracting its meaning from The First Man; and thirdly, to bridge the two by attempting to articulate the role that the notion of love plays in the development of his philosophy of affirmation via the articulation of the close connection of Camus’ political intentions and activities to his philosophical thoughts. -
I Melt with You
I MELT WITH YOU Screenplay by Glenn Porter Story By Glenn Porter and Mark Pellington WHITE- AUGUST 2, 2010 1 EXT. COLLEGE CAMPUS - GRADUATION CEREMONY - DAY 1 TITLE: THE PAST Seen abstractly: manicured green lawn lined with row upon row of folding chairs occupied by capped and gowned graduates, various viewpoints and perspectives, fresh faces, bright eyes, smiles. Hope and expectation in bright June sunlight. A PA SYSTEM issues final echoing words of an impassioned commencement speech. VOICE ...and every person’s fight with death is over before it begins. What makes the struggle worthwhile, therefore, cannot lie in the outcome, but in the dignity in which the fight is waged. Voice swallowed by a vortex of thundering applause. Hovering dreamlike images flicker - proud parents, caps launched skyward, bodies scattering, clustered groups, a collage of camera flash. FOUR MALE GRADUATES- bodies edge into semi-focus: One taller, one wider, one darker, one narrower. They amble, shuffle and preen. We don’t engage them as they come to a top step, arms over shoulders and around waists, until they become one unit, one shape. Comrades, chums, buds, mates. Best Friends Forever. Pointed in various freezes and poses by unseen photographers, they shift and reassemble and blow out in the camera flash. With the final flash of white we see PURE WHITE, forming into a A HUGE MOUND OF WHITE POWDER... RAPID FIRE IMAGES UNDERSCORE THE ERA: BODIES. ARMS, FINGERS. Needle drops on vinyl, music blares, Walkman, Ray-Bans, razor blades, lines high speed, mouths suck alcohol, albums of bands we love - Undertones, X, Buzzcocks, Ramones, English Beat FROM ABOVE Four male shapes huddle around a glass table, A LARGE SHEET OF PAPER in the center.